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My Home   View List: All G.Dead 1965 - 1969 G.Dead 1970 - 1979 G.Dead 1980 - 1989 G.Dead 1990 - 2021 G.Dead 50th Farewell G.Dead Members Grateful Dead J.Garcia knudsen P.Floyd P.Lesh Phish The Cure Wsp Jump To Artist: Bill Graham Memorial Dead & Company Grateful Dead SEVA Benefit

Bill Graham Memorial     Date Venue - City, State City Media   1. 11/03/91 Shn - 0, San Francisco Polo Field Golden Gate Park Bill Graham Memorial 11/03/91 notes

Dead & Company     Date Venue - City, State City Media   1. 10/29/15 Flac 24/48 - 0, 134642 Albany Times Union Center flac24 Microtech Gefell M21 > NBob active cables > Naiant PFA > Sound Devices 722 @ 24/48 wav (mic in, +17.0 dB) Location: Floor, GA Pit, centered, ~30' (s1) and ~40' (s2) from the stage lip, ~6' high on stand Mic Config: ~17 cm, ~90º (DINa Schoeps Kwon bar) Taper: Tim Burke notes 2. 10/29/15 Flac 24/48 - 0, 134584 Albany Times Union Center flac24 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Location: front row of taper section behind Mixer enclosure, dead center Recording by: Steven Weld notes 3. 10/29/15 Flac 16 - 0, 134583 Albany Times Union Center flac16 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Location: front row of taper section behind Mixer enclosure, dead center Recording by: Steven Weld notes 4. 10/29/15 Flac 24/96 - 0, 134557 Albany Times Union Center flac2496 Neumann KM150's>Sonosax SX-M2>Sound Devices 744t Location: immediately behind soundboard DFC Recorded By: Keith Litzenberger notes 5. 10/29/15 Flac 16 - 0, 134556 Albany Times Union Center flac16 Neumann KM150's>Sonosax SX-M2>Sound Devices 744t Location: immediately behind soundboard DFC Recorded By: Keith Litzenberger notes 6. 10/29/15 Flac 16 - 0, 134558 Albany Times Union Center flac16 Microtech Gefell M21 NBob active cables > Naiant PFA > Sound Devices 722 @ 24/48 wav (mic in, +17.0 dB) Location: Floor, GA Pit, centered, ~30' (s1) and ~40' (s2) from the stage lip, ~6' high on stand Mic Config: ~17 cm, ~90º (DINa Schoeps Kwon bar) Recorded by: Tim Burke notes 7. 10/29/15 Flac 16 - 0, 134555 Albany Times Union Center flac16 Schoeps MK41v's>KCY250/05i>VST62iu>Grace Design Lunatec V2>Soy PCM-M10 Location: (immediately behind soundboard DFC) Recorded By: Keith Litzenberge notes 8. 10/29/15 Flac 16 - 0, 134609 Albany Times Union Center flac16 AKG568Cebs>LunatecV3(30db gain)>MarantzPMD671>CF Taped by: Bill Goldberg notes 9. 10/29/15 Flac 16 - 0, 134561 Albany Times Union Center flac16 AKG 451ck8 mics>Sony D5(as preamp)>Sony M10 @24bit/48kHz Location: Section 128 Row G seat 6 on a 5 foot stand DFC with shotguns pointed directly at the main stacks. Recorded by: Mark Van Blunk MVB notes 10. 10/29/15 Flac 16 - 0, 134730 Albany Times Union Center flac16 AKG483 (DINa) > Sound Device USBPRE2 > Sony M-10 @24bit/48Khz Location: 11 FT, DFC, OTS Recorded By: Chris LaPorte notes 11. 10/29/15 Flac 16 - 0, 134731 Albany Times Union Center flac16 AKG 460 A60 CK8-> Darktrain Silver Cables->Edirol R-44->24/48 Location: OTS Sec 5 DFC Recorded by: Brian Goldstein briancgoldstein@yahoo.com notes 12. 10/29/15 Flac 16 - 0, 134729 Albany Times Union Center flac16 Neumann U89i (XY 90degrees)> AETA PSP-3 + Neumann AK40/LC3/KM100 (DIN)> Apogee Minime> (Oade Concert Modified) Edirol R-44 (24/48 on a SDHC Card). Location: OTS/Center Recorded by: Ed Guidry (tufflitestudios@yahoo.com) notes 13. 10/31/15 Flac 24/96 - 0, 134574 New York Madison Square Garden Flac24 Oshman's Schoeps CMC 5-U, MK4 Cardioids Supported by an authentic Schoeps T-Bar > Sonosax SX-M2 > Zoom H6 (WAV 96/24). Location: Tapers Section, Approximately 40 yards From Stage, 9' High, 4th row back from board. Recorded by: bltz notes 14. 10/31/15 Flac 16 - 0, 134585 New York Madison Square Garden Flac16 1st Set : Nakamichi CM-700's cp-1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz > Korg Mr 2 2nd Set : Nakamichi CM-700's cp-1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz Location:Approximately 30 feet from stage, dead center. On stand at head height. Taper : Joe D'Amico ''AKA'' Joebeacon notes 15. 10/31/15 Flac 24/44 - 0, 134573 New York Madison Square Garden Flac24 1st Set: Nakamichi CM-700's cp-1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz > Korg Mr 2 2nd Set: Nakamichi CM-700's cp-1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz Location: Approximately 30 feet from stage, dead center. On stand at head height. Taper : Joe D'Amico ''AKA'' Joebeacon notes 16. 11/01/15 Flac 24/96 - 0, 134578 New York Madison Square Garden flac24 Oshman's Schoeps CMC 5-U, MK4 Cardioids Supported by an authentic Schoeps T-Bar > SONOSAX SX-M2 > Zoom H6 (WAV 96/24). Location: Tapers Section, Approximately 40 yards From Stage, 9' High, 3rd row back from board. Recorded By: bltz notes 17. 11/01/15 Flac 24 - 0, 134599 New York Madison Square Garden flac24 Nakamichi CM-700's cp-1 w/-15db attenuation > Sony PCM-M10 Location: Approximately 30 feet from stage, dead center. On stand about 6 to 7 feet high. Taper : Joel Werner notes 18. 11/01/15 Flac 24/96 - 0, 134576 New York Madison Square Garden flac24 Nakamichi CM-300 Cardioid > Zoom H6 (WAV 96/24). Location: Tapers Section, Approximately 40 yards From Stage, 9' High, 3rd row back from board Recorded By: bltz notes 19. 11/01/15 Flac 16 - 0, 134598 New York Madison Square Garden flac16 Nakamichi CM-700's cp-1 w/-15db attenuation > Sony PCM-M10 Location: Approximately 30 feet from stage, dead center. On stand about 6 to 7 feet high. Taper : Joel Werner notes 20. 11/01/15 Flac 16 - 0, 134581 New York Madison Square Garden flac16 Dpa 4021>luni V-2>Sound Devices 702>24/96 Location: Recorded in the "Sweet Spot" Recorded By: Richie Stankiewicz notes 21. 11/01/15 Flac 24/96 - 0, 134582 New York Madison Square Garden flac24 Dpa 4021>luni V-2>Sound Devices 702>24/96 Location: Recorded in the "Sweet Spot" Recorded By Richie Stankiewicz notes 22. 11/01/15 Flac 16 - 0, 134623 New York Madison Square Garden Flac16 Neumann KM184 -> Tascam DR-70D -> Sony M10 Location: OTS DFC. DIN, 14 ft high Taper - John Bosco notes 23. 11/01/15 Flac 16 - 0, 135095 New York Madison Square Garden flac16: DPA 4022 Handmatched Compact Cardioid > Rupert Neve Designs Portico 5012-H Microphone Preamplifier (ÒSilkÓ circuit engaged) > Mogami XLR Interconnect > Mytek Digital Stereo192 Analog-to-Digital Converter (@ 24-bit / 96 kHz) > Mogami AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (slaved to Stereo192 @ 96 kHz; @ 24-bit / 96 kHz) Location: FOB, DFC, approximately 10 meters from the stage. Recorded by: Christopher Jones notes 24. 11/05/15 Flac 24/44 - 0, 134607 Philadelphia Wells Fargo Center flac2448 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Recording by Steven Weld sunboy@verizon.net notes 25. 11/05/15 Flac 24/44 - 0, 134577 Philadelphia Wells Fargo Center flac24 Nakamichi CM 700's cp1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz On stand about 6 1/2 feet hight, approximately 20 feet from stage, dead center. Taper : Joel Werner notes 26. 11/05/15 Flac 16 - 0, 134595 Philadelphia Wells Fargo Center flac16 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Recording by Steven Weld sunboy notes 27. 11/05/15 Flac 16 - 0, 134560 Philadelphia Wells Fargo Center Flac16 Microtech Gefell M21 > Nbob active cables (DINA) > Nbox Platinum > Sony PCM-D100 @ 1 Bit DSD 2.8 MHZ Recorded By: Nicky C notes 28. 11/05/15 Flac 16 - 0, 134594 Philadelphia Wells Fargo Center flac16 Schoeps MK4V's>Schoeps KCY 250/05i>Schoeps VMS5u>Sound Devices 744t>CDWAV>FLAC Recorded By Jeff Travitz notes 29. 11/05/15 Flac 16 - 0, 134559 Philadelphia Wells Fargo Center flac16 Schoeps MK41v's(Back of GA PIT DFC, 40ft from Stage)>KCY 250/05i>VST62iu>Sound Devices MP-2>Sony PCM-M10 Recorded By Keith Litzenberger notes 30. 11/05/15 Flac 16 - 0, 134575 Philadelphia Wells Fargo Center flac16 Nakamichi CM 700's cp1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz On stand about 6 1/2 feet hight, approximately 20 feet from stage, dead center. Taper : Joel Werner notes 31. 11/05/15 Flac 24/96 - 0, 134624 Philadelphia Wells Fargo Center flac2496 Telefunken ELA M 260 cardioid TK60> Sound Devices 722 (pass through)>Zoom F8 Recorded at 96kHz 24 bit Taped and edited by Jeremy Banaszewski notes 32. 11/05/15 Flac 24/48 - 0, 134852 Philadelphia Wells Fargo Center flac2448: Neumann KM150's>Oade m248>Edirol R-09 (24/48) WAV>Sound Studio 4.8.1>xACT 2.36>FLAC Location: FOB/DFC Recorded by: Jon Pasternak notes 33. 11/06/15 Flac 16 - 0, 134611 Washington Verizon Center flac16 neumann ak40 (xy)-lc3-km100-xlr-sd788 @24/96 Loc FOB>ROC 4 degrees 65 foot back stand 6 foot Taped by Nate (tapernate) Evans notes 34. 11/06/15 Flac 16 - 0, 134610 Washington Verizon Center flac16 neumann matrix Source 1 neumann usm69 (xy figure 8)-sd788@24/96 Source 2 neumann ak50> (xy)-lc3-km100-xlr-sd788 @24/96 Source 3 neumann ak40 (xy)-lc3-km100-xlr-sd788 @24/96 Matrix of the 3 sources mixed with source 1 as the rear channels, source 2 as front l/r centers source 3 as front l/r outers (5:1 stereo mixed into a stereo source) Taped by Nate (tapernate) Evans notes 35. 11/06/15 Flac 16 - 0, 134612 Washington Verizon Center flac16 neumann ak50 (xy)-lc3-km100-xlr-sd788 @24/96 Loc FOB>ROC 4 degrees 65 foot back stand 6 foot Taped by Nate (tapernate) Evans notes 36. 11/06/15 Flac 16 - 0, 134613 Washington Verizon Center flac16 neumann usm69 (xy figure 8)-sd788@24/96 Loc FOB>ROC 4 degrees 65 foot back stand 6 foot Taped by Nate (tapernate) Evans notes 37. 11/06/15 Flac 24/48 - 0, 134579 Washington Verizon Center flac24 Source: DPA 4023 (NOS) > Sound Devices 744 (24/48) Location: FOB, just right of center at rear of GA pit. Recorded by Alex Leary notes 38. 11/06/15 Flac 16 - 0, 134586 Washington Verizon Center flac16 Source: DPA 4023 (NOS) > Sound Devices 744 (24/48) Location: FOB, just right of center at rear of GA pit. Recorded by Alex Leary (vwmule at gmail) notes 39. 11/06/15 Flac 24/96 - 0, 134709 Washington Verizon Center flac2496 neumann usm69 (xy figure 8)-sd788@24/96 Location: FOB>ROC 4 degrees 65 foot back stand 6 foot Recorded by: Nate (tapernate) Evans notes 40. 11/06/15 Flac 24/96 - 0, 134708 Washington Verizon Center flac2496 neumann ak40 (xy)-lc3-km100-xlr-sd788 @24/96 Location: FOB>ROC 4 degrees 65 foot back stand 6 foot Recorded by: Nate (tapernate) Evans notes 41. 11/06/15 Flac 24/96 - 0, 134711 Washington Verizon Center flac2496neumann matrix Source 1 neumann usm69 (xy figure 8)-sd788@24/96 Source 2 neumann ak50> (xy)-lc3-km100-xlr-sd788 @24/96 Source 3 neumann ak40 (xy)-lc3-km100-xlr-sd788 @24/96 Matrix of the 3 sources mixed with source 1 as the rear channels, source 2 as front l/r centers source 3 as front l/r outers (5:1 stereo mixed into a stereo source) Location: FOB>ROC 4 degrees 65 foot back stand 6 foot Recorded by: Nate (tapernate) Evans notes 42. 11/06/15 Flac 24/96 - 0, 134710 Washington Verizon Center flac2496 neumann ak50 (xy)-lc3-km100-xlr-sd788 @24/96 Location: FOB>ROC 4 degrees 65 foot back stand 6 foot Recorded by: Nate (tapernate) Evans notes 43. 11/07/15 Flac 24/44 - 0, 134597 New York Madison Square Garden flac24 Nakamichi CM 700's cp1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz On stand about 6 1/2 - 7 feet hight, approximately 25 feet from stage, dead center. Taper : Joel Werner Editing : Joe D'Amico ''AKA'' Joebeacon notes 44. 11/07/15 Flac 16 - 0, 134596 New York Madison Square Garden flac16 Nakamichi CM 700's cp1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz On stand about 6 1/2 - 7 feet hight, approximately 25 feet from stage, dead center. Taper : Joel Werner Editing : Joe D'Amico ''AKA'' Joebeacon notes 45. 11/07/15 Flac 16 - 0, 134644 New York Madison Square Garden flac16 Bruel & Kjaer 4021\'s>Aeta PSP3>Sony M10 @24bit/44.1kHz Location: front of board, back of GA pit section, DFC, 10 yds from stage lip Recording by Tbone productions ToddHinden notes 46. 11/07/15 Flac 24/44 - 0, 134645 New York Madison Square Garden flac24 Bruel & Kjaer 4021\'s>Aeta PSP3>Sony M-10 @24bit/44.1kHz Location: front of board, back of GA pit section, DFC, 10 yds from stage lip Recording by Tbone productions ToddHinden notes 47. 11/07/15 Flac 16 - 0, 134590 New York Madison Square Garden flac16 Source: AKG 451ck8 mics>Sony D5 (as Preamp)>Sony M10 @24bit/48kHz. Location: FOB Second level Section 224 Row 18 seat 12 on a 5 foot stand and shotguns pointed directly at the left stacks. Taped by Mark Van Blunk MVB notes 48. 11/10/15 Flac 16 - 0, 134604 Worcester DCU Center flac16 AKG 451ck8 mics>Sony D5 (as Preamp)>Sony M10 @24bit/48kHz. Location: OTS Section 103 Row LL Seat 7 DFC on a 10 foot stand with shotguns pointed directly at the win stacks. Recorded by: Mark Van Blunk MVB notes 49. 11/10/15 Flac 24/48 - 0, 134616 Worcester DCU Center Flac24 ~ FOB ~ SKM140>V2>Mini-Me>SD722@24/48>flac24 **24bit** notes 50. 11/10/15 Flac 24 - 0, 134631 Worcester DCU Center Flac24 FOB Schoeps mk4v/cmc6>Sonosax SX-R4 **24bit** notes 51. 11/10/15 Flac 16 - 0, 134625 Worcester DCU Center Flac16 FOB Microtech Gefell M21 > 722 *16 bit* notes 52. 11/10/15 Flac 16 - 0, 134630 Worcester DCU Center Flac16 FOB Schoeps mk4v/cmc6>Sonosax SX-R4 **16bit** notes 53. 11/10/15 Flac 16 - 0, 134615 Worcester DCU Center Flac16 ~ FOB ~ SKM140>V2>Mini-Me>SD722@24/48>flac16 **16bit** notes 54. 11/10/15 Flac 24 - 0, 134972 Worcester DCU Center Flac24 FOB Microtech Gefell M21 > 722 *24 bit* notes 55. 11/10/15 Flac - 0, 134606 Worcester DCU Center Flac16 AKG 451ck8 mics>Sony D5 (as Preamp)>Sony M10 @24bit/48kHz OTS Section 103 Row LL Seat 7 DFC on a 10 foot stand with shotguns pointed directly at the win stacks. Recorded by Mark Van Blunk MVB notes 56. 11/10/15 Flac 24/96 - 0, 134699 Worcester DCU Center flac2496 Schoeps mk22>nbob actives>Naiant PFA>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz) Location: mics were FOB dfc at the back of the pit (22cm/110 degrees) Recorded by: Andy Murray notes 57. 11/10/15 Flac 16 - 0, 134698 Worcester DCU Center flac16 Schoeps mk22>nbob actives>Naiant PFA>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz) Location: mics were FOB dfc at the back of the pit (22cm/110 degrees) Recorded by: Andy Murray notes 58. 11/10/15 Flac 16 - 0, 134622 Worcester DCU Center Flac16 FOB Schoeps mk41v/cmc6>Sonosax SX-R4 **16bit** notes 59. 11/10/15 Flac 24 - 0, 134614 Worcester DCU Center Flac24 FOB Schoeps mk41v/cmc6>Sonosax SX-R4 **24bit** notes 60. 11/10/15 Flac 16 - 0, 134603 Worcester DCU Center Flac16 MBHO 440 (din) > Apogee MMe > Tascam dr-100mkII @ 24/44 Location: sec2 row A seat 12 Recorded by: nick@nickspicks.com notes 61. 11/10/15 Flac 24/96 - 0, 134602 Worcester DCU Center Flac24 DPA 4011 > V3 Digital > R44 (24/96) SDHC Card Location: DFC/OTS (sec. 103, row MM)/DIN/approx. 8’ high Recorded by: Brian V notes 62. 11/10/15 Flac 16 - 0, 134605 Worcester DCU Center Flac16 DPA 4011 > V3 Digital > R44 (24/96) SDHC Card DFC/OTS (sec. 103, row MM)/DIN/approx. 8’ high Taped and Transferred by Brian V. notes 63. 11/10/15 Flac 16 - 0, 134653 Worcester DCU Center flac16 Source: AKG 480 CK63's -> Darktrain Silver Cables -> Edirol R-44 24/48 wav. Lineage: SD Card -> Soundforge 8 -> Ditter to 16/44.1 -> Traders Little Helper -> Flac Location OTC - Sec 103 Row LL Seat 6 notes 64. 11/10/15 Flac 16 - 0, 134626 Worcester DCU Center Flac16Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS, Section 103 MM notes 65. 11/11/15 Flac 24 - 0, 13461 Buffalo First Niagara Center Flac24 SKM140>V2>Mini-Me>SD722@24/48 Location: front of board, back of GA pit section, dead center, 25-30 yds from stage lip. Recorded by: Steven Weld sunboy@verizon.net notes 66. 11/11/15 Flac - 0, 134617 Buffalo First Niagara Center Flac16 SKM140>V2>Mini-Me>SD722@24/48 Location: front of board, back of GA pit section, dead center, 25-30 yds from stage lip. Recorded by: Steven Weld sunboy@verizon.net notes 67. 11/13/15 Flac - 0, 134656 Columbus Nationwide Arena flac16 AKG 391 cardioids ORTF and AKG 398 shotguns pointed at stacks > Zoom H5 @44.1kHz/16-bit (4-track) Location: OTS, FC, just behind sound/light board about 10' high Recorded by: by Toaste (Mark Houston) notes 68. 11/14/15 Flac - 0, 134648 Greensboro Greensboro Coliseum flac16 Nakamichi cm100/cp4* [ots] -> Sound Devices MP-2 -> Tascam DR-680 [24/48] *1st set: spyder method - 2nd set: lucchesi method Location: OTS Recorded by: Chris Davis and Col. George notes 69. 11/14/15 - 0, 134646 Greensboro Greensboro Coliseum flac16 Peluso cemc6/ck41 [ots/Rainey] -> BMp2+ UA-5 [digital] -> Tascam DR-680 [24/48] Location: OTS Recorded by: Chris Davis and Col. George notes 70. 11/14/15 Flac - 0, 134650 Greensboro Greensboro Coliseum flac16 Schoeps mk5(card)/(dina)->kcy->aki2c->cmc6->Oadme m248->Sony pcm-m10 (24/96) Location: fob/dfc/6' Recorded by: Carrington Crawford notes 71. 11/14/15 Flac 24 - 0, 134767 Greensboro Greensboro Coliseum flac2448 Schoeps mk4V>CMC6>Sound Devices 744t>wav(24/48)>flac Location: TBD Recorded by: John Wilson (jmwils1_at_gmail.com notes 72. 11/14/15 Flac - 0, 134766 Greensboro Greensboro Coliseum flac16 2x AKG 391 cardioids ORTF and 2x AKG 398 shotguns pointed at stacks > Zoom H5 @44.1kHz/16-bit (4-track) > .wav > SDHC Location: OTS, Back right of floor, about 8' high Taped by: Toaste (Mark Houston notes 73. 11/14/15 Flac 24 - 0, 134760 Greensboro Greensboro Coliseum flac2448 Schoeps mk41>Nbox Platinum>Sony M10>wav(24/48)>flac Location: TBD Recorded by John Wilson notes 74. 11/14/15 Flac - 0, 134761 Greensboro Greensboro Coliseum flac16 AKG C568EB > Shure FP24 > Sony PCM-M10 (24/44.1) Location: General admission, OTS, right stack. Taped by Spyder9 notes 75. 11/14/15 Flac - 0, 134652 Greensboro Greensboro Coliseum flac16 Berliner CM-33’s > Naiant Littlebox > Sony PCM-M10 (24/48) Transfer: SDHC > Amadeus Pro (16/44.1) > WAV > xACT > Flac Location: Back of floor, left side, 8’ high Taped by: NSL notes 76. 11/14/15 Flac 24 - 0, 134655 Greensboro Greensboro Coliseum flac24 Akg ck63>DIN-A>OTS ROC>Naiant actives and Pfa>Grace Design Lunatec V3>Tascam DR-60, 24 bit/48 kHz Taped by taperjeff notes 77. 11/14/15 Flac - 0, 134641 Greensboro Greensboro Coliseum flac16 Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) Location: FOB/DFC/KFC/ZFC/AARP 30' From Stage, 6' High Recorded by: Z-Man notes 78. 11/14/15 Flac - 0, 134668 Greensboro Greensboro Coliseum 16bit/44.1khz Source 1: Beyer CK950(DIN)>Grace Lunatec V2> Tascam DR-680 @ 24/48 Source 2: Busman Audio BSC1K21> Edirol Dmod UA5>Tascam DR-680 @ 24/48 Location: Right Side Section Recorded by: Marty Loving notes 79. 11/14/15 Flac - 0, 134651 Greensboro Greensboro Coliseum flac16 Source: Gefell M200 PAS 12" space ROC OTS>Portico 5012>Tascam DR680 Lineage: SD>Audacity (Amplify)>CDWave>TLH notes 80. 11/14/15 Flac 24 - 0, 134672 Greensboro Greensboro Coliseum flac2496 Zoom H5 w/XYH-5 capsule Location: Recorded from Section 212, Row G, Seat 8 by attaching the H5 to the railing with a flex-leg mini tripod. Recorded by: Grahamps notes 81. 11/14/15 Flac - 0, 136136 Greensboro Greensboro Coliseum flac16/44.1 AKG CK61's (A Clay Brennecke Recording) Location: OTS notes 82. 11/17/15 Flac 24 - 0, 134971 Atlanta Philips Arena flac2496 Zoom H5 w/XYH-5 capsule Location: mounted on Slik desktop tripod, placed on the perimeter video screen wall frame, in front of the railing in section 308 Recorded by: Grahamps notes 83. 11/17/15 Flac - 0, 134757 Atlanta Philips Arena flac1648 EarthworksSR77>Grace V3>TascamHDP2 Location: TBD Taped by: paulr notes 84. 11/17/15 Flac - 0, 134670 Atlanta Philips Arena flac16 akg483's>ocm r44 24/48 Location: OTS BOB DFC PAS @12 ft. Recorded by: c. cage notes 85. 11/17/15 Flac - 0, 134664 Atlanta Philips Arena flac16 schoeps ccm41V\'s>femto audioroot pre >ocm r44 24/48 Location: OTS BOB DFC Vert Bar @12 ft Recorded by: c. cage notes 86. 11/17/15 Flac - 0, 134663 Atlanta Philips Arena flac16 Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) Location:OTS/BOB/DFC/KFC/ZFC/AARP Section 109, Row BB, Between Seats 10 And 11, 7 1/2 ' High Recorded By: Z-Man notes 87. 11/17/15 Flac - 0, 134706 Atlanta Philips Arena flac16 AKG 483 (DINa) > Tascam DR-100MKII @24bit/48Khz Location:9 1/2 ft high, DFC, OTS Recorded by: Chris LaPorte notes 88. 11/18/15 Flac - 0, 134673 Nashville Bridgestone Arena flac16 Neumann 140 > V-3 >Sound Devices 744t 24/96 Location: OTS Recorded by: David Dyche notes 89. 11/18/15 Flac - 0, 134674 Nashville Bridgestone Arena flac16 Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) Location: OTS/BOB/DFC/KFC/ZFC/AARP Official Taper's Section, 9 1/2 ' High Recorded by: Z-Man notes 90. 11/18/15 Flac - 0, 134677 Nashville Bridgestone Arena flac16 Nak 300 Shotguns > Sound Devices 744t 24/96 Location: OTS Recorded by David Dyche notes 91. 11/20/15 Flac - 0, 134786 St. Louis Scottrade Center flac16: Source 1: Audio-Technica AT4041's (cards, NOS) > Tascam DR-680 (Busman mod) (80Hz HPF) + Source 2: Audio-Technica BP4025 (cards, X/Y) > Tascam DR-680 (Busman mod) (80Hz HPF) Location: OTS (GA floor, behind soundboard), DFC, ~12' high Recorded by: Taped and Transferred by Chris Finn (cfinn@primary.net) notes 92. 11/20/15 Flac 24 - 0, 134702 St. Louis Scottrade Center flac2444 Official Tapers Section AKG CK1X > Tinybox > DR60d Transfer - SD > Wavelab6 (gain,WavesL3) > CD Wave Editor > FLAC Taped by goodcooker notes 93. 11/20/15 Flac - 0, 134695 St. Louis Scottrade Center flac16AKG 483> V2> DR-07 @ 24/48 Location: Tapers section (on the floor behind the soundboard), a hair right of center, 11' high Recorded by: Scott T notes 94. 11/21/15 Flac - 0, 134705 Minneapolis Target Center flac16 Sennheiser 421's > Tascam DR100 Location: OTS Recorded by: Mike Mah notes 95. 11/24/15 Flac - 0, 134801 Broomfield 1stBank Center flac16: Schoeps MK 41 9 cm @ 90*> Schoeps Kcy > Schoeps VMS 5 > Kind Kables Chameleon > Korg MR-1000 line in, 1 bit @2.8MHz. Location: 55' center Front of Board Hat Recorded by: TBD notes 96. 11/25/15 Flac - 0, 134808 Broomfield 1stBank Center flac16: Schoeps MK 41 9 cm @ 90*> Schoeps Kcy > Schoeps VMS 5 > Kind Kables Chameleon > Korg MR-1000 line in, 1 bit @2.8MHz. Location: 55' center Front of Board Hat Recorded by: TBD notes 97. 11/25/15 Flac - 0, 134770 Broomfield 1stBank Center flac16 Tascam DR-05 (built-in mics) > PC > CoolEditPro* > FLAC Location: Recorded far right of stage. Taped by: RockNamasteady notes 98. 11/25/15 Flac - 0, 134756 Broomfield 1stBank Center flac16 AUDIX HC > UA-5 > R-09 Location: directlybackofSBD/DFC/PAS Taped by: Taper Corey/KIND Recordings notes 99. 11/27/15 Flac - 0, 134790 Las Vegas MGM Grand Garden Arena flac16 Nak300/CP4 Shotguns > DaSilvaPath custom silver cables > Sony PCM M-10 @ 16/44 Location: 1st set behind board, "OTS" DFC Row J ( sole taper in OTS ) 2nd set in sbd cage, DFC, 12 ft stand on top of road case Recorded by: Phil Rousculp notes 100. 11/27/15 Flac - 0, 134771 Las Vegas MGM Grand Garden Arena flac16 DPA4061's>Sony M-10@24/44.1 Location: Left Side of SBD Section C Row N Recorded by Russell Cansler notes 101. 11/28/15 Flac - 0, 134753 Las Vegas MGM Grand Garden Arena flac16 Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-11(Battery Boost Box, with bass-roll-off at 69Hz)>Sony PCM-M10 Location: OTS...behind SBD, section 1, row K...DFC! Recorded By: Robert Mullen notes 102. 12/27/15 Flac - 0, 135078 San Francisco Bill Graham Civic Auditorium flac16: Nakamichi CM-700's -> Apogee Mini-Me (24/48) AES Out -> Sonosax SX-R4 Sonosax SX-R4 -> AudioGate (16/44) -> CD Wave -> Flac(6) Location: OTS, 11’ high, PAS Recorded by: nakguy notes 103. 12/27/15 Flac - 0, 134879 San Francisco Bill Graham Civic Auditorium flac16 Milab VM-44 Link (S-Cards) -> Sonosax SX-R4 (24/48) Location: OTS, 11’ high, DINa Recorded by: Nakguy notes 104. 12/27/15 Flac - 0, 134878 San Francisco Bill Graham Civic Auditorium b>Flac16 AT933>sp12vbb>Sony M-10@24/44.1 Location: 60 feet away dead center Recorded by: Russell Cansler notes 105. 12/28/15 Flac - 0, 135079 San Francisco Bill Graham Civic Auditorium flac16: Nakamichi CM-700's -> Apogee Mini-Me (24/48) AES Out -> Sonosax SX-R4 Sonosax SX-R4 -> AudioGate (16/44) -> CD Wave -> Flac(6) Location: OTS, 11’ high, POS Recorded by: nakguy notes 106. 12/28/15 Flac - 0, 134916 San Francisco Bill Graham Civic Auditorium at933's darktrain mod>sp12vbb>sony m-10@24/44.1 sd>soundforge9.0>cdwave>tlh 60 feet away dead center notes 107. 12/28/15 Flac - 0, 134894 San Francisco Bill Graham Civic Auditorium flac16 Milab VM-44 Link (S-Cards) -> Sonosax SX-R4 (24/48) Location: OTS, 11’ high, DINa Recorded by: Nakguy notes 108. 12/30/15 Flac - 0, 134992 Los Angeles The Forum flac16 AT933s>SP12vbb>SonyM-10@24/44.1 Location: 60 feet away dead center Recorded by: Russell Cansler notes 109. 12/30/15 Flac - 0, 134944 Los Angeles The Forum flac16 4 mics -Busman BSC1-K11 XY > UA-5 + M-Audio PulsarII XY > Tascam DR-70 @24/48 Location:1st row, official taper section, behind board on a 10 foot stand Recorded by:WharfratJoe notes 110. 12/30/15 Flac - 0, 134924 Los Angeles The Forum flac1648: DPA 4021-Luni V-2-SD 442 channel 1&2 (70% cardiod) DPA 4061-SD 442 channels 3&4 (30% omni) SD 442-SD702-2496-foobar-16/48 Location: Recorded FOB in the "Sweetspot" (60-70 feet center) Recorded by: Recording and transfer by Richie Stankiewicz notes 111. 12/30/15 Flac 24 - 0, 134919 Los Angeles The Forum flac24/96: DPA 4021-Luni V-2-SD 442 channel 1&2 (70% cardiod) DPA 4061-SD 442 channels 3&4 (30% omni) SD 442-SD702-2496 Location: Recorded FOB in the "Sweetspot" (60-70 feet center) Recorded by: Recording and transfer by Richie Stankiewicz notes 112. 12/31/15 Flac 16/48 - 0, 135001 Los Angeles The Forum flac16/48kHz; 5.1 LPCM Surround Sound (48k): SBD (shnid=no shnid) unknown soundboard from internet + AUD (shn id 134955) mics -Busman BSC1-K11 XY > UA-5 + M-Audio PulsarII XY > Tascam DR-70 @24/48 Location: 1st row, official taper section, behind board on a 10 foot stand Recorded by: WharfratJoe - mixing by Kevin Tobin notes 113. 12/31/15 Flac Dts 5.1 - 0, 135000 Los Angeles The Forum DTS-Audio-CD 5.1 Mix; SBD (shnid=no shnid) unknown soundboard from internet + AUD (shn id 134955) mics -Busman BSC1-K11 XY > UA-5 + M-Audio PulsarII XY > Tascam DR-70 @24/48 Location: 1st row, official taper section, behind board on a 10 foot stand Recorded by: WharfratJoe - dts mixing by Kevin Tobin notes 114. 12/31/15 Flac 16 Mtx - 0, 134999 Los Angeles The Forum flac16; Matrix 2 Source Mix - SBD (shnid=no shnid) unknown soundboard from internet + AUD (shn id 134955) mics -Busman BSC1-K11 XY > UA-5 + M-Audio PulsarII XY > Tascam DR-70 @24/48 Location: 1st row, official taper section, behind board on a 10 foot stand Recorded by: WharfratJoe - matrix mixing by Kevin Tobin notes 115. 12/31/15 Flac 24 - 0, 134964 Los Angeles The Forum flac24: AKG c422 > s42 > Grace Design Lunatec V2 > Sonic AD2K+ > Roland R-44 (S/PDIF/digital input) Location: OTS: ~Center, ~10’ high, Calumet stand Recorded by: recorded, transferred and uploaded by macdaddy notes 116. 12/31/15 Flac 16 - 0, 134955 Los Angeles The Forum flac16 4 mics -Busman BSC1-K11 XY > UA-5 + M-Audio PulsarII XY > Tascam DR-70 @24/48 Location: 1st row, official taper section, behind board on a 10 foot stand Recorded by: WharfratJoe notes 117. 12/31/15 Flac 16 - 0, 134913 Los Angeles The Forum flac16: Neumann U-89i's>Zoom F-8 Mastered in wavelab using 3db per octave roll off set at 90hz. and Apogge uv22hr dither Location: Recorded from OTS (in the back of the Floor) Recorded by: Pat Myers aka DATPAT notes 118. 12/31/15 Flac 16/48 - 0, 134923 Los Angeles The Forum flac1648: DPA 4021-Luni V-2-SD 442 channel 1&2 (70% cardiod) DPA 4061-SD 442 channels 3&4 (30% omni) SD 442-SD702-2496-foobar-16/48 Location: Recorded FOB in the "Sweetspot" (60-70 feet center) Recorded by: Recording and transfer by Richie Stankiewicz notes 119. 12/31/15 Flac 24/96 - 0, 134921 Los Angeles The Forum flac2496: DPA 4021-Luni V-2-SD 442 channel 1&2 (70% cardiod) DPA 4061-SD 442 channels 3&4 (30% omni) SD 442-SD702-2496 Location: Recorded FOB in the "Sweetspot" (60-70 feet center) Recorded by: Recording and transfer by Richie Stankiewicz notes 120. 12/31/15 Flac 16 - 0, 134917 Los Angeles The Forum flac16: AKG c422 > s42 > Grace Design Lunatec V2 > Sonic AD2K+ > Roland R-44 (S/PDIF/digital input) SDHC card > USB 2.0 card reader > MacBook Air Location: OTS: ~Center, ~10’ high, Calumet stand Recorded by: macdaddy notes 121. 06/10/16 Flac 24 - 0, 136164 Charlotte PNC Music Pavilion flac24 Peluso cemc6/ck4 [Rainey method] Location: lawn/dfc/10' from railing/ stand @ 7' ecorded by: Chris Davis notes 122. 06/10/16 Flac - 0, 136163 Charlotte PNC Music Pavilion flac16 Peluso cemc6/ck4 Location: lawn/dfc/10' from railing/ stand @ 7' Recorded by: Chris Davis notes 123. 06/10/16 Flac 24 - 0, 136244 Charlotte PNC Music Pavilion flac2496 ZoomH5 XYH-5 Location:lawn/dfc/10' from railing/ stand @ 7' Recorded by: Graham Skardon notes 124. 06/10/16 Flac 24 - 0, 136205 Charlotte PNC Music Pavilion flac24 Nakamichi cm100/cp4 [Rainey method] Location: lawn/dfc/10' from railing stand @ 7' Recorded by: Chris Davis notes 125. 06/10/16 Flac - 0, 136138 Charlotte PNC Music Pavilion flac16 Nakamichi cm100/cp4 Location: lawn/dfc/10' from railing stand @ 7' Recorded by: Chris Davis notes 126. 06/10/16 Flac 24 - 0, 136245 Charlotte PNC Music Pavilion flac24 Beyer CK950 Location: FOB Recorded by: Marty Loving notes 127. 06/10/16 Flac - 0, 136243 Charlotte PNC Music Pavilion flac1648 Milab V44 Location: TBD Recorded by: hypnocracy notes 128. 06/10/16 Flac 16 - , 136246 Charlotte PNC Music Pavilion flac16 Earthworks SR77 Location: lawn? Recorded by: paulr notes 129. 06/12/16 Flac - 0, 136242 Manchester Bonnaroo Festival flac16 Tascam DR 40 Location: TBD Recorded by: Paul Simon notes 130. 06/12/16 Flac - 0, 138715 Manchester Bonnaroo Festival flac16 im2W mic Location: Taped on the edge of the handicapped bleacher Recorded by: tenndave57 notes 131. 06/16/16 Flac - 0, 135966 Cincinnati Riverbend Music Center flac1644: Schoeps mk41 (DINa) > kcy > VMS 02IB > Sony M10 (24/48) location: Sec 800, Row AA - directly behind SBD transfer: microSD > Sound Studio > xACT > flac (16/44) notes 132. 06/16/16 Flac 16 - , 136248 Cincinnati Riverbend Music Center flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks Location: DFC Lawn Recorded by: Toaste notes 133. 06/16/16 Flac 16 - , 136247 Cincinnati Riverbend Music Center flac16 AKG 481 Loctaion: TBD Recorded by: Jeff Frank notes 134. 06/16/16 Flac 24/48 - , 136184 Cincinnati Riverbend Music Center flac24 Schoeps mk41 *24 bit* Location: Sec 800, Row AA - directly behind SBD notes 135. 06/16/16 Flac 16 - , 136181 Cincinnati Riverbend Music Center flac16 DPA 4011c Location: Section 600 Row U (no mic pole) Recorded by: Rob Krall notes 136. 06/17/16 Flac 24/48 - 0, 136188 Noblesville Klipsch Music Center flac2448 CA-11 Location: Recorded by: indydarkstar notes 137. 06/17/16 Flac 16 - 0, 136185 Noblesville Klipsch Music Center flac16 CA-11 Location: Recorded by: indydarkstar notes 138. 06/17/16 Flac 16 - , 136191 Noblesville Klipsch Music Center notes 139. 06/17/16 Flac 24 - , 136192 Noblesville Klipsch Music Center notes 140. 06/17/16 Flac 16 - , 136249 Noblesville Klipsch Music Center flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks Location: DFC Lawn Recorded by: Toaste notes 141. 06/17/16 Flac 16 - , 136250 Noblesville Klipsch Music Center flac16 akg481 Location: Middle of Lawn Recorded by: Jeff Frank notes 142. 06/20/16 Flac - 0, 136195 Camden BB&T Pavilion flac16 Schoeps MK6 Location: back of ga pit fob dfc recorded by: nicky c notes 143. 06/20/16 Flac - 0, 136194 Camden BB&T Pavilion flac16 Schoeps CCM4V'S Location: FOB Recorded By: Z-Man notes 144. 06/20/16 Flac - 0, 136193 Camden BB&T Pavilion flac16 Schoeps MK41V's Location: Recorded in back of GA PIT DFC Recorded by: Keith Litzenberger notes 145. 06/20/16 Flac 24 - 0, 136432 Camden BB&T Pavilion flac24 Neumann SKM140(AK40's/LC3's/KM100's) Location: OTS Recorded by: Steven Weld notes 146. 06/20/16 Flac - 0, 136431 Camden BB&T Pavilion flac16 Neumann SKM140(AK40's/LC3's/KM100's) Location: OTS Recorded by: Steven Weld notes 147. 06/21/16 Flac 24 - 0, 136241 Saratoga Springs Saratoga Performing Arts Center flac24 2 Nakamichi 700s Location: Lawn Recorded by:Scarletdog notes 148. 06/21/16 Flac 16 - , 136314 Saratoga Springs Saratoga Performing Arts Center flac16 AKG ck22s 3ft split + 1 Beyer M201E Location: Lawn Recorded by: Kyle Holbrook notes 149. 06/21/16 Flac 16 - , 138444 Saratoga Springs Saratoga Performing Arts Center flac16 SKM140>V2>Mini-Me>SD722@24/48>flac16 **16bit** notes 150. 06/21/16 Flac 24/48 - , 138465 Saratoga Springs Saratoga Performing Arts Center flac24 SKM140>V2>Mini-Me>SD722@24/48>flac24 **24bit** notes 151. 06/21/16 Flac 24/48 - , 136315 Saratoga Springs Saratoga Performing Arts Center flac24 AKG ck22s 3ft split + 1 Beyer M201E Location: Lawn Recorded by: Kyle Holbrook notes 152. 06/21/16 Flac 16 - , 138574 Saratoga Springs Saratoga Performing Arts Center flac16 Microtech Gefell M21 Location: DFC, lawn, ~30' from the pavilion, ~175' from the stage lip, ~9' high on stand Taper: Tim Burke notes 153. 06/21/16 Flac 24/48 - , 153521 Saratoga Springs Saratoga Performing Arts Center ***Flac24*** Microtech Gefell M21 > NBob active cables > Nbox Platinum > Sony PCM-M10 @ 24/48 wav Location: DFC, lawn, ~30' from the pavilion, ~175' from the stage lip, ~9' high on stand Mic Config: ~17 cm, ~90° (DINa Schoeps Kwon bar) Transfer: PCM-M10 > microSD card > Lenovo ThinkPad T520 > WaveLab * > 24/48 wav > CD Wave v1.93.3 > TLH v2.7.0 (build 172) > FLAC v1.3.2, level 8 > Live Show Tagger via Foobar2000 v1.3.4 Taper: Tim Burke notes 154. 06/21/16 Flac 16 - , 136325 Saratoga Springs Saratoga Performing Arts Center flac16 DPA 4011A Location: Left of Center Recorded by: ??? notes 155. 06/21/16 Flac 16 - , 136324 Saratoga Springs Saratoga Performing Arts Center flac16 4 mic mix- 2 AKG c414 mics (WideCard) & 2 AKG c451ck8 mics Location: Section 9 Row MM Seat 15 off to the left side Recorded by: MVB notes 156. 06/21/16 Flac 16 - , 136323 Saratoga Springs Saratoga Performing Arts Center flac16 AKG568ebs Location: Recorded at the soundboard right of center Recorded by: Bill Goldberg notes 157. 06/21/16 Flac 16 - , 136322 Saratoga Springs Saratoga Performing Arts Center flac16 Earthworks SR77 Location: Recorded by: paulr notes 158. 06/21/16 Flac 16 - , 136321 Saratoga Springs Saratoga Performing Arts Center flac16 AKG 480b CK63 Location: DFC Lawn 30 feet up lawn Recorded by: Brian Goldstein notes 159. 06/21/16 Flac 16 - , 136313 Saratoga Springs Saratoga Performing Arts Center flac16 Nakamichi CM700's W 701's & Nak 300's W CP4 Shotguns Location: Recorded by: JT/NY notes 160. 06/23/16 Flac - 0, 136196 Bristow Jiffy Lube Live flac16 DPA 4023 Location: Recorded by: vwmule notes 161. 06/23/16 Flac 24 - 0, 136204 Bristow Jiffy Lube Live flac2448 DPA 4023 Location: Recorded by: vwmule notes 162. 06/23/16 Flac 24 - 0, 136197 Bristow Jiffy Lube Live flac2448 Akg 463 Location: Recorded by: taperjeff notes 163. 06/23/16 Flac - 0, 136201 Bristow Jiffy Lube Live flac16 neumann USM69 Location: OTS at sbd (section 102 row x seat 33) 8 foot up Recorded by: tapernate notes 164. 06/23/16 Flac - 0, 136199 Bristow Jiffy Lube Live flac16 neumann ak40 Location: OTS at sbd (section 102 row x seat 33) 8 foot up Recorded by: tapernate notes 165. 06/23/16 Flac - 0, 136202 Bristow Jiffy Lube Live flac16 neumann ak50 Location: OTS at sbd (section 102 row x seat 33) 8 foot up Recorded by: tapernate notes 166. 06/23/16 Flac 16 - , 136203 Bristow Jiffy Lube Live flac16 neumann matrix Source 1: Neumann USM69 , Source 2: Neumann ak50, Source 3: Neumann ak40 Location: OTS at sbd (section 102 row x seat 33) 8 foot up Recorded by: tapernate notes 167. 06/25/16 Flac 16 - 0, 136377 New York Citi Field flac16 Nakamichi CM-1000 CP-101 (Sank P48) Location: General admission, FOB, DFC Recorded by: Spyder9 Studios notes 168. 06/25/16 Flac 24/96 - 0, 136531 New York Citi Field flac2496 B+K 4021s Location: Mic Stand Next to SBD Recorded by: Todd Hinden notes 169. 06/25/16 Flac 16 - , 138460 New York Citi Field Dead & Company ~ 2016-06-25 ~ Citi-Field, Flushing, Queens, NY ~ SKM140>V2>Mini-Me>SD722@24/48>flac16 **16bit** notes 170. 06/25/16 Flac 16 - , 136380 New York Citi Field flac16Microtech Gefell M210s Location: FOB GA Pit DFC Recorded by: Jon Pasternak notes 171. 06/25/16 Flac 24/48 - , 136379 New York Citi Field flac24 Microtech Gefell M210s Location: FOB GA Pit DFC Recorded by: Jon Pasternak notes 172. 06/25/16 Flac 24/48 - , 138469 New York Citi Field flac24 SKM140>V2>Mini-Me>SD722@24/48 notes 173. 06/26/16 Flac 16 - 0, 136273 New York Citi Field flac16Schoeps MK4 Location: OTS Recorded by: jdwtyl notes 174. 06/26/16 Flac 24/96 - 0, 136532 New York Citi Field flac2496 B+K 4021s Location: Mic stand next to SBD Recorded by: Todd Hinden notes 175. 06/26/16 Flac 24/48 - , 136381 New York Citi Field flac24 Microtech Gefell M210s Location: FOB GA Pit DFC Recorded by: Jon Pasternak notes 176. 06/26/16 Flac 16 - , 136382 New York Citi Field flac16 Microtech Gefell M210s Location: FOB GA Pit DFC Recorded by: Jon Pasternak notes 177. 06/26/16 Flac 16 - , 138414 New York Citi Field d+co2016-06-26.4022.adc2.flac16 notes 178. 06/26/16 Flac 16 - , 136460 New York Citi Field flac16 Nakamichi CM-1000 CP-101 (Sank P48 Location: FOB, DFC Recorded by: Spyder9 notes 179. 06/28/16 Flac - 0, 136206 Hartford Xfinity Theatre flac16 4 mic mix- 2 AKG c414 mics (Card) & 2 AKG c451ck1 mics Location: Right Side of the Soundboard Section 500 Row DD Seat 506 9.5' stand. Mics pointed directly at the stacks. Recorded by: MVB notes 180. 06/28/16 Flac - 0, 136258 Hartford Xfinity Theatre flac16 MG21 Location: GA Pit Center Recorded by: Keith Antaya notes 181. 06/28/16 Flac - 0, 136270 Hartford Xfinity Theatre flac16 Sennheiser MKH8060's Location: Row RR, DFC, Seat 625 @ 8’ PAS Recorded by: Ted C. notes 182. 06/28/16 Flac - 0, 136269 Hartford Xfinity Theatre flac16 Schoeps MK4 Location: Dead center, rear of GA pit Recorded by: jdwtyl notes 183. 07/02/16 Flac 24/96 - 0, 136306 Boulder Folsom Field flac2496DPA-4021 Location: FOB Recorded by: Richie Stankiewicz notes 184. 07/02/16 Flac 16/44 - 0, 136280 Boulder Folsom Field flac1644 DPA-4021 Location: FOB Recorded by: Richie Stankiewicz notes 185. 07/02/16 Flac 16 - 0, 136279 Boulder Folsom Field flac16 Milab VM-44 Location: FOB, DFC Recorded by: nakguy notes 186. 07/02/16 Flac 16 - , 136278 Boulder Folsom Field flac16 AKG 481 Location: FOB Recorded by: Jeff Frank notes 187. 07/03/16 Flac 16 - 0, 136212 Boulder Folsom Field flac16 Milab VM-44 Location: FOB Recorded by: nakguy notes 188. 07/03/16 Flac 16 - 0, 136303 Boulder Folsom Field flac16 Busman BSC2 Location: FOB Recorded by: teamikoiko notes 189. 07/03/16 Flac 16 - 0, 136307 Boulder Folsom Field flac16 AKG 481 Location: FOB Recorded by: Jeff Frank notes 190. 07/03/16 Flac 16 - , 136404 Boulder Folsom Field flac16 Earthworks SR77 Location: DFC FOB Recorded by: paulr notes 191. 07/07/16 Flac - 0, 136383 Clarkston DTE Energy Music Theatre flac16 AKG 481 Location: Right behind back right corner of the SBD Recorded by: Jeff Frank notes 192. 07/09/16 Flac 24/48 - , 136429 Elkhorn Alpine Valley Music Theatre flac24 Schoeps MK41 Location: OTS Recorded by: perks notes 193. 07/09/16 Flac 24/48 - , 136528 Elkhorn Alpine Valley Music Theatre flac24 Schoeps MK5's - omni setting split 3' Location: OTS Recorded by: perks notes 194. 07/09/16 Flac 16 - , 136433 Elkhorn Alpine Valley Music Theatre flac16 MK22 Location: From the Lawn! Front row BOB 25 yards LOC Recorded by: soling notes 195. 07/09/16 Flac 16 - , 136458 Elkhorn Alpine Valley Music Theatre flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks Location: OTS Recorded by: Toaste notes 196. 07/09/16 Flac 24 - , 136459 Elkhorn Alpine Valley Music Theatre flac24 MK22 Location: From the Lawn! Front row BOB 25 yards LOC Recorded by: soling notes 197. 07/09/16 Flac 24/48 - , 136467 Elkhorn Alpine Valley Music Theatre flac24 me66x2 XY Location: Lawn, Left of Sound board Recorded by: tyedyejon/taperjon notes 198. 07/09/16 Flac 16 - , 136430 Elkhorn Alpine Valley Music Theatre flac16 Schoeps MK41 Location: OTS Recorded by: perks notes 199. 07/10/16 Flac 16 - 0, 136410 Elkhorn Alpine Valley Music Theatre b>flac16 AKG 481 Location: Recorded by: Jeff Frank notes 200. 07/10/16 Flac 24 - 0, Elkhorn Alpine Valley Music Theatre flac24 Schoeps MK41 Location: From the Lawn! DFC BOB (25 yards behind SBD) Recorded by: soling notes 201. 07/10/16 Flac 16 - 0, 136428 Elkhorn Alpine Valley Music Theatre flac16 Schoeps MK41 Location: From the Lawn! DFC BOB (25 yards behind SBD) Recorded by: soling notes 202. 07/10/16 Flac 24/48 - , 136441 Elkhorn Alpine Valley Music Theatre flac24 MK41 Location: OTS Recorded by: perks notes 203. 07/10/16 Flac 16 - , 136457 Elkhorn Alpine Valley Music Theatre flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks Location: OTS Recorded by: Toaste notes 204. 07/10/16 Flac 24/48 - , 136466 Elkhorn Alpine Valley Music Theatre flac24 me66x2 XY Location: lawn center Recorded by: tyedyejon/taperjon notes 205. 07/13/16 Flac 16/48 - , 136442 Pittsburgh First Niagara Pavilion flac16 SPLSD2 (Cardiod+Omni) Location: OTS Recorded by: Sean Fagan notes 206. 07/13/16 Flac 16 - , 138441 Pittsburgh First Niagara Pavilion Flac16 michrotech gefell mg21(hyper caps) >Nbob active>PFA>M148>P2(oade acm mod) 24/48 CR>wavelab (fades, tracks, dither, resample) > TLH(flac, fix sbes, checksum) This source is a re-tracked version of https://etreedb.org/shn/136465. notes 207. 07/13/16 Flac 24/48 - , 136498 Pittsburgh First Niagara Pavilion flac24 microtech gefell mg21(hyper) Location: OTS Recorded by: George Heston notes 208. 07/13/16 Flac 16 - , 136530 Pittsburgh First Niagara Pavilion flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks Location: Front of lawn, just right of center Recorded by: Toaste notes 209. 07/15/16 Flac - 0, 136549 Boston Fenway Park flac16 Milab VM-44 Location: OTS Recorded by: notes 210. 07/15/16 Flac - 0, 139720 Boston Fenway Park flac16Ccm4s schoeps ORTF (138716 retrack) notes 211. 07/15/16 Flac 16 - , 136494 Boston Fenway Park flac16 Schoeps MK4 Location: OTS Recorded by: jdwtyl notes 212. 07/15/16 Flac 16 - , 136499 Boston Fenway Park flac16 Audio Technica AT2020 Location: Recorded by: G Man notes 213. 07/16/16 Flac 16 - 0, 136550 Boston Fenway Park flac16 Milab VM-44 Location: OTS Recorded by: notes 214. 07/16/16 Flac 16 - , 138445 Boston Fenway Park flac16 SKM140>V2>Mini-Me>SD722@24/48>flac16 **16bit** notes 215. 07/16/16 Flac 24/48 - , 138466 Boston Fenway Park flac24 SKM140>V2>Mini-Me>SD722@24/48>flac24 **24bit** notes 216. 07/26/16 Flac 24 - 0, 136604 Irvine Irvine Meadows Amphitheatre flac24 MBHO440 (ORTF) + BSC1-K11 (XY) Location: OTS Recrded by: wharfratjoe notes 217. 07/26/16 Flac - 0, 136605 Irvine Irvine Meadows Amphitheatre flac16 MBHO440 (ORTF) + BSC1-K11 (XY) Location: OTS Recrded by: wharfratjoe notes 218. 07/26/16 Flac - 0, 136598 Irvine Irvine Meadows Amphitheatre flac16: Neumann Large Diaphram 3 pack 2x Neumann TLM 170's(Hyper setting at 75) Tlm 102 Down the middle 3 Track Mix, Mastering and tracking in Wavelab 6, using Apogge UV22hr for Dither. Recorded, Mastered, and Posted by Pat Myers notes 219. 07/26/16 Flac 24 - 0, 136604 Irvine Irvine Meadows Amphitheatre flac24 MBHO440 (ORTF) + BSC1-K11 (XY) Location: OTS Recrded by: wharfratjoe notes 220. 07/26/16 Flac 16 - , 152797 Irvine Irvine Meadows Amphitheatre Flac16 Neumann Ak40>Lc3ka>km100>V3>Minime>PMD661 24/48 OTS directly behind SBD Loge 6 CF Card>Soundforge9.0 (normalized)>CDWave>TLH Taped & Transferred by Todd Hodulik Different size files and different md5 and ffp to https://etreedb.org/shn/136630 notes 221. 07/27/16 Flac - 0, 136646 Chula Vista Sleep Train Amphitheatre flac16 SP-CMC-25 Location: sec.203 Recorded by: Robert Mullen notes 222. 07/29/16 Flac 16 - , 136686 Wheatland Toyota Amphitheatre flac16 source 1&2: AT853a(hypercardiods,front/back)>Naiant PFA>DR60Dmk2 source 3&4: Naiant X-Xs(1.3m outriggers)>DR60Dmk2 location: in front of sec 209, stand at 8' recorded by: doug kalley notes 223. 07/29/16 Flac 16 - , 136721 Wheatland Toyota Amphitheatre flac16 Peluso CEMC-6 (cards – x-y configuration) Location: Dead Center along back fence of Pit Area Recorded by: John Hermsen notes 224. 05/27/17 Flac - 0, 138388 Las Vegas MGM Grand Garden Arena DPA 4021 > Apogee Duet 2 (Black Lion mod) > iPad mini 3 (Auria) @ 44.1 kHZ/24 bit notes 225. 05/28/17 Flac - 0, 138389 Phoenix Ak-Chin Pavilion AKG ck8|a60m|c460b > Tascam DR-70d (24bit/44.1khz) notes 226. 05/31/17 Flac - 0, 138413 Los Angeles Hollywood Bowl AKG 481 > V3 > Marantz PMD661 (16/44.1), Taped by Jeff Frank notes 227. 05/31/17 Flac 24 - 0, 138457 Los Angeles Hollywood Bowl flac24 Schoeps MK4 Location: Garden Box 934 with the mic stand 8 feet high Recorded By Charlie Miller notes 228. 05/31/17 Flac 16 - 0, 138485 Los Angeles Hollywood Bowl FLAC16: Schoeps CMC6/MK4 > Lunatec V2 > Sound Devices 744T (24-bit/192k) > Samplitude Pro X3 Suite > FLAC (24-bit/96k)Recorded By Charlie Miller. This is 138457 24 bit -> 16 bit notes 229. 05/31/17 Flac 16 - 0, 138493 Los Angeles Hollywood Bowl flac16 Telefunken elam 260 Garden Box Taped and Transferred by Todd Hodulik notes 230. 06/01/17 Flac - 0, 138434 Los Angeles Hollywood Bowl flac1644: Sanken CMS-10(M-S Stereo Microphone)>Zoom>F-8 Recorded Side of Board in Garden Section (approximately 25 ft off center (left of Stage) and 100 Ft back from Stage Recorded Mixed and Mastered by Datpat, AKA Pat Myers notes 231. 06/01/17 Flac - 0, 138315 Los Angeles Hollywood Bowl flac1644: AKG 481 > V3 > MT 2492, Recorded by Jeff Frank. notes 232. 06/01/17 Flac - 0, 138439 Los Angeles Hollywood Bowl Dead & Company 6-1-17 Hollywood Bowl, Hollywood CA **Telefunkens notes 233. 06/01/17 Flac - 0, 138438 Los Angeles Hollywood Bowl flac1648: Set 2 Only: MBHO440 > UA-5 > H6 @24/48 Approx 9 or so feet high(see picture), Sec N2, last row, stand taped to back of seating bench notes 234. 06/01/17 Flac - 0, 138474 Los Angeles Hollywood Bowl FLAC16: Schoeps CMC6/MK4 > Lunatec V2 > Sound Devices 744T (24-bit/192k) > Samplitude Pro X3 Suite > FLAC (24-bit/96k)Recorded By Charlie Miller. This is 138458 24 bit -> 16 bit notes 235. 06/03/17 Flac 24 - 0, 138461 Mountain View Shoreline Amphitheatre AKG 481 > V3 > MT2496 notes 236. 06/03/17 Flac 24 - 0, 138461 Mountain View Shoreline Amphitheatre AKG 481 > V3 > MT2496 notes 237. 06/04/17 Flac - 0, 138462 Mountain View Shoreline Amphitheatre AKG 481 > V3 > MT2496 notes 238. 06/07/17 Flac - 0, 138512 West Valley City USANA Amphitheater flac16 Schoeps VMS/MK41 notes 239. 06/09/17 Flac 24 - 0, 138502 Boulder Folsom Field flac24 *ccm41* notes 240. 06/09/17 Flac 24 - 0, 138503 Boulder Folsom Field flac24 *mk4* notes 241. 06/09/17 Flac 24 - 0, 138504 Boulder Folsom Field flac24 *mk22* notes 242. 06/09/17 Flac - 0, 138510 Boulder Folsom Field flac16 Soundfield ST-450 Location: FOB notes 243. 06/09/17 Flac 24 - 0, 138556 Boulder Folsom Field flac24 Church Audio CA-11’s Location: ROC; 50’ from stage; 15’ Recorded by Jeff Jansen Texasdragonfly Productions notes 244. 06/09/17 Flac - 0, 138537 Boulder Folsom Field flac1644 DPA 4021 + DPA 4061 notes 245. 06/10/17 Flac 24 - 0, 138514 Boulder Folsom Field flac24 *mk4* notes 246. 06/10/17 Flac 24 - 0, 138513 Boulder Folsom Field flac24 *ccm41* notes 247. 06/10/17 Flac 24 - 0, 138515 Boulder Folsom Field b>flac24 *mk22* notes 248. 06/10/17 Flac 24 - 0, 138552 Boulder Folsom Field flac24 TelefunkenM60 notes 249. 06/10/17 Flac 24 - 0, 138551 Boulder Folsom Field flac24 Schoeps mk-41 Location: Set 1 FOBH 60\' center 6\'4\" atop the human mic stand Set 2 FOB 60\' center 6\'6\" on stand Recorded by kindkables notes 250. 06/10/17 Flac - 0, 138539 Boulder Folsom Field flac1644 DPA 4021 + DPA 4061 notes 251. 06/10/17 Flac 24 - 0, 138557 Boulder Folsom Field flac24 Church Audio CA-11’s Location: ROC; 50’ from stage; 15’ Recorded by Jeff Jansen Texasdragonfly Productions notes 252. 06/10/17 Flac 16 - , 138524 Boulder Folsom Field flac16 Soundfield ST450 FOB) Location: FOB, DFC, 6.5� high Recorded by: Nakguy notes 253. 06/13/17 Flac - 0, 138553 Atlanta Lakewood Amphitheatre flac16 Neumann 150's Location set 1 Lawn, Set 2? Recorded by David Dyche notes 254. 06/13/17 Flac - 0, 138554 Atlanta Lakewood Amphitheatre flac16 Microtech Gefell 210 Location: dfc 2nd row behind board @ 15 ft. PAS Recorded by c.cage notes 255. 06/13/17 Flac - 0, 138607 Atlanta Lakewood Amphitheatre flac16 AKG Ck63 Actives Location DFC, Din(a), 9 ft high (Sec 204, Row II, Seat 12) Recorded by gdfan notes 256. 06/15/17 Flac - 0, 138575 Burgettstown KeyBank Pavilion flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks Location OTS directly behind soundboard Taped & transferred by Toaste (Mark Houston) notes 257. 06/15/17 Flac - 0, 138594 Burgettstown KeyBank Pavilion flac1644 MK-012Cards Location: sec. 7 located against the railing around Lighting & sound boards, directly behind Lighting board ... 3 1/2 ft. left of center with mics up 11 ft., with 18 in. seperation Recorded by CopyKatz Engineering notes 258. 06/17/17 Flac - 0, 138652 Boston Fenway Park flac16 AKGc414b Location TURF sec. C5 behind 9th row in open area, "taper's section" left of mixer enclosure. Recorded by Steven Weld notes 259. 06/17/17 Flac 24 - 0, 138653 Boston Fenway Park flac24 AKGc414b Location TURF sec. C5 behind 9th row in open area, "taper's section" left of mixer enclosure. Recorded by Steven Weld notes 260. 06/17/17 Flac - 0, 138586 Boston Fenway Park flac16Studio Projects C4 (omni, A-B spread 20") Location OTS Recorded by nickspicks notes 261. 06/17/17 Flac - 0, 138581 Boston Fenway Park flac1644: MG21(Hypers)>nBob Actives>nBox Platinum>R44(24/48), Conversion: SDHC Card>Adobe Audition 3.0>CDWave 1.71, Location: OTS Section C5, Taper: Keith Antaya notes 262. 06/17/17 Flac - 0, 138592 Boston Fenway Park flac16 Schopes MK4V's Location FOB/DFC 9 feet up Recorded by Jeff Travitz notes 263. 06/17/17 Flac 24/96 - , 138713 Boston Fenway Park flac24 Schoeps CCM4 Location: OTS/ORTF/LOC 10’ stand Recorded by: Duncan Oldham and Terry notes 264. 06/18/17 Flac 24 - 0, 138655 Boston Fenway Park flac24 AKGc414b Location: TURF sec. C5 behind 9th row in open area, "taper's section" left of mixer enclosure. Recorded by Steven Weld notes 265. 06/18/17 Flac 16 - 0, 138654 Boston Fenway Park flac16 AKGc414b Location: TURF sec. C5 behind 9th row in open area, "taper's section" left of mixer enclosure. Recorded by Steven Weld notes 266. 06/18/17 Flac 16 - 0, 138593 Boston Fenway Park flac16 Schoeps MK4V's Location FOB/DFC 9 feet up Recorded by Jeff Travitz notes 267. 06/18/17 Flac 16 - 0, 138590 Boston Fenway Park flac16 MG21(Hypers) Location OTS C5 Recorded by Keith Antaya notes 268. 06/18/17 Flac 24/96 - , 138755 Boston Fenway Park flac24 Schoeps CCM4 Location: OTS/ORTF/LOC 10' stand Taped by: Duncan Oldham and Terry notes 269. 06/18/17 Flac 16 - , 138749 Boston Fenway Park flac16 SennMS14P/mke4010.MBHO603/ka200n Location: SOB/OTS (~40'LOC)/mics @ ~9ft Recorded by Bob Crupi notes 270. 06/20/17 Flac 24 - 0, 138606 Saratoga Springs Saratoga Performing Arts Center flac24 Neuman skm140 Location: sec 8, row HH seat 7, taper ticket, 2 rows behind Mixer enclosure, just left of center Recorded by Steven Weld notes 271. 06/20/17 Flac - 0, 138660 Saratoga Springs Saratoga Performing Arts Center flac16 Schoeps MK4VJ Location: DFC, lawn, ~50' from the pavilion, ~200' from the stage lip, ~9' high on stand Taper: Tim Burke notes 272. 06/20/17 Flac - 0, 138605 Saratoga Springs Saratoga Performing Arts Center flac16 Neuman skm140 Location: sec 8, row HH seat 7, taper ticket, 2 rows behind Mixer enclosure, just left of center Recorded by Steven Weld notes 273. 06/20/17 Flac - 0, 138604 Saratoga Springs Saratoga Performing Arts Center flac16 AKG CK91 Mics(ORTF) Location On The Lawn Dead Center About Half Way Up,Mic Stand At 9 Feet High Recorded by boedi-taper notes 274. 06/20/17 Flac - 0, 138601 Saratoga Springs Saratoga Performing Arts Center flac16 Telefunken Fet M-60's Location clamped in balcony center overhanging Recorded by Scott Medeiros notes 275. 06/20/17 Flac - 0, 138600 Saratoga Springs Saratoga Performing Arts Center flac1644 AKGc568ebs Location section 8 row hh seat 24 microphones on a stand 10 feet high Recorded by Bill Goldberg notes 276. 06/20/17 Flac 24 - 0, 138681 Saratoga Springs Saratoga Performing Arts Center flac24 Schoeps MK4VJ Location: DFC, lawn, ~50' from the pavilion, ~200' from the stage lip, ~9' high on stand Taper: Tim Burke notes 277. 06/20/17 Flac 16 - , 138678 Saratoga Springs Saratoga Performing Arts Center flac16 AKG 568eb Location seat Lawn Dead center behind the SBD Recorded by Dave Bauer notes 278. 06/20/17 Flac 24/48 - , 138693 Saratoga Springs Saratoga Performing Arts Center flac24 AKG ck22(omni) + AKG ck61(cardioid) Location: Lawn? Recorded by: Kyle Holbrook notes 279. 06/22/17 Flac 24 - 0, 138634 Bristow Jiffy Lube Live flac24 Microtech Gefells m300xy Location: ? Recorded by taperjeff notes 280. 06/22/17 Flac 16 - 0, 138635 Bristow Jiffy Lube Live flac16 DPA 4023 location: Recorded by Alex Leary notes 281. 06/22/17 Flac 16 - 0, 138686 Bristow Jiffy Lube Live flac16 Neumann ak40(ortf) Location: DFC:OTS stand 8 feet up (in the “no standing” section) Taped by: Nate (tapernate) Evans notes 282. 06/22/17 Flac 16 - 0, 138683 Bristow Jiffy Lube Live flac16 Neumann Usm69i(xy sub card) Location: DFC:OTS stand 8 feet up (in the “no standing” section) Taped by: Nate (tapernate) Evans notes 283. 06/22/17 Flac 16 - 0, 138685 Bristow Jiffy Lube Live flac16 Neumann ak50(ortf) Location: DFC:OTS stand 8 feet up (in the “no standing” section) Taped by: Nate (tapernate) Evans notes 284. 06/22/17 Flac 16 - 0, 138682 Bristow Jiffy Lube Live flac16 4 source matrix (Neumann ak50+Neumann Usm69i+Neumann ak40+Akg ck62) Location: DFC:OTS stand 8 feet up (in the "no standing" section) Taped by: Nate (tapernate) Evan notes 285. 06/22/17 Flac 16 - 0, 138684 Bristow Jiffy Lube Live flac16 Akg ck62 (omni actives) split on corners of sbd Location: DFC:OTS stand 8 feet up (in the “no standing” section) Taped by: Nate (tapernate) Evans notes 286. 06/24/17 Flac 16 - 0, 138650 New York Citi Field flac16 Schopes MK4V's Location FOB/DFC 9 feet up Recorded by Jeff Travitz notes 287. 06/24/17 Flac 1644 - 0, 138714 New York Citi Field flac1644 Microtech Gefell M-210s Location: Mics on stand in FOB Pit section Recorded by Jon Pasternak notes 288. 06/24/17 Flac 16 - 0, 138746 New York Citi Field flac16 Schoeps MK4 Location: OTS (Section 13, Row 9) Recorded by jdwtyl notes 289. 06/25/17 Flac 24/48 - 0, 138674 Camden BB&T Pavilion flac2448 Schoeps mk22 Location OTS DFC Recorded by Phishrabbi notes 290. 06/25/17 Flac 24/48 - 0, 138673 Camden BB&T Pavilion flac2448 Schoeps mk41v Location OTS DFC Recorded by Phishrabbi notes 291. 06/25/17 Flac 16/48 - 0, 138671 Camden BB&T Pavilion flac1648 Schoeps mk41v Location OTS DFC Recorded by Phishrabbi notes 292. 06/25/17 Flac 16 - 0, 138669 Camden BB&T Pavilion flac16 Neumann KM150's Location First Row DFC Behind Soundboard Recorded By Keith Litzenberger notes 293. 06/25/17 Flac 16/48 - 0, 138672 Camden BB&T Pavilion flac1648 Schoeps mk22 Location OTS DFC Recorded by Phishrabbi notes 294. 06/25/17 Flac 16 - 0, 138675 Camden BB&T Pavilion flac16 AKG CK63 Location OTS, behind SBD DFC Stand at 6 feet Recorded by Tony Suraci notes 295. 06/25/17 Flac 1644 - 0, 138676 Camden BB&T Pavilion flac1644 Schoeps MK4V's Location 8 Feet Up FOB/DFC, 102 Row K Recorded by Jeff Travitz notes 296. 06/25/17 Flac 1644 - 0, 138719 Camden BB&T Pavilion flac1644 Microtech Gefell M-210s Location: Mics on stand directly behind the SBD Recorded by Jon Pasternak notes 297. 06/25/17 Flac 24/48 - , 138670 Camden BB&T Pavilion flac24 Neumann KM150's Location First Row DFC Behind Soundboard Recorded By Keith Litzenberger notes 298. 06/28/17 Flac 16 - 0, 138691 Cuyahoga Falls Blossom Music Center flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks Location OTS directly behind lightboard Recorded by Toaste (Mark Houston) notes 299. 06/28/17 Flac 1644 - 0, 138690 Cuyahoga Falls Blossom Music Center flac1644 AKG 481 Location: Lawn (someehere in the center) Recorded by: Jeff Frank notes 300. 06/30/17 Flac 1644 - 0, 138747 Chicago Wrigley Field flac1644Schopes MK4V's Location: FOB/DFC 9 feet up Recorded By Jeff Travitz notes 301. 06/30/17 Flac 24/48 - , 153530 Chicago Wrigley Field Flac24 Sennheiser ME66x2 (XY) > Sound Devices 552 @ 24bit/96hz > CD Wave > TLH Taper: tyedye/taperjon Email: (taperjon14@gmail.com) mounted on seat extreme LoC. aisle 206 row 2 seat 2 notes 302. 06/30/17 Flac 16 - , 153531 Chicago Wrigley Field Flac16 Location: OTS, Reserved Floor, Section W, next to SBD, DFC Nakamichi CM-1000 CP-101 (Sank P48a) > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios(dnolanjr@yahoo.com) notes 303. 06/30/17 Flac 16 - , 153532 Chicago Wrigley Field Flac16 Location: OTS, Reserved Floor, Section W, next to SBD, DFC Nakamichi CM-1000 CP-101 (Sank P48a) > Shure FP24 > Tascam DR-100 mkiii (16 bit) Taped, edited, and transferred by Spyder9 Studios(dnolanjr@yahoo.com) notes 304. 06/30/17 Flac 16 - , 153533 Chicago Wrigley Field Flac16 Location: FOB/DFC, 100' from stage (rear fence of GA PIT), Stand @ ~7.5' Source: Studio Project C4 (cards){DIN} > Tascam DR-40 > wav (16/44.1) Transfer: SD > PC > Audacity (fades/normalize) > CDWavEditor > FLAC > TLH > foobar2k Taped & Transferred: Ryan Sibert notes 305. 07/01/17 Flac 1644 - 0, 138748 Chicago Wrigley Field flac1644Schopes MK4V's Location: FOB/DFC 9 feet up Recorded By Jeff Travitz notes 306. 07/01/17 Flac 16 - 0, 138712 Chicago Wrigley Field flac16 Mbho Ka200 Location: FOB, DFC, 6ish ft Recorded by: teamikoiko notes 307. 07/01/17 Flac 16 - , 153536 Chicago Wrigley Field Flac16 Studio Project C4 (cards){DIN} > Tascam DR-40 > wav (16/44.1) Transfer: SD > PC > Audacity (fades/normalize) > CDWavEditor > FLAC > TLH > foobar2k Location: FOB/DFC, 100' from stage (rear fence of GA PIT), Stand @ ~7.5' Taped & Transferred: Ryan Sibert notes 308. 07/01/17 Flac 24/48 - , 153537 Chicago Wrigley Field Flac24 sennhieser me66x2 XY> sound devices 552 @24bit>cd wav>tlh Recorded by tyedyejon/taperjon notes 309. 07/01/17 Flac 16 - , 153534 Chicago Wrigley Field notes 310. 07/01/17 Flac 16 - , 153535 Chicago Wrigley Field Flac16 Location: OTS, Reserved Floor, Section W, next to SBD, DFC Nakamichi CM-1000 CP-101 (Sank P48a) > Shure FP24 > Sony PCM-M10 (16 bit) Taped, edited, and transferred by Spyder9 Studios(dnolanjr@yahoo.com) notes 311. 11/12/17 Flac 16 - 0, 139814 New York Madison Square Garden flac 16; Neumann KMR-82i shotguns > Oade M-248 > Sound Devices 722 > WAV 2448. Mics on stand, Section-2 riser, first row off the floor, recording by Jon Pasternak. WAV 2448 > Wavelab > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. notes 312. 11/12/17 Flac 24/48 - , 139822 New York Madison Square Garden flac24 Neumann KMR-82i shotguns > Oade M-248 > Sound Devices 722 > WAV 2448. Mics on stand, Section-2 riser, first row off the floor, recording by Jon Pasternak. WAV 2448 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. notes 313. 11/14/17 Flac 16 - , 153538 New York Madison Square Garden Flac16 Schoeps MK4V's>Schoeps KCY 25/05i>Schoeps VMS02ib>Sound Devices 744t (back of GA PIT) SD744t>Sony Sound Forge Pro 11 (Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (track tagging) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 314. 11/14/17 Flac 16 - , 153540 New York Madison Square Garden Flac16 Schoeps mk22> Nbob KCY> Darktrain 4 channel KCY snake> Naiant PFA> Sound Devices Mixpre6 (Mic In @ 24bit 48 kHz)> SD Card Location: OTS, DFC Transfer: Sound Devices Mixpre6> Macbook Pro (via USB-C)> Reaper (DSP)> izotope (SRC & Dither)> Sound Studio (Tracking & Fades)> xAct (Flaccing) Recorded and Transferred by Phishrabbi (noahbickart@gmail.com) notes 315. 11/14/17 Flac 24/48 - , 153541 New York Madison Square Garden Flac24 Schoeps mk22> Nbob KCY> Darktrain 4 channel KCY snake> Naiant PFA> Sound Devices Mixpre6 (Mic In @ 24bit 48 kHz)> SD Card Location: OTS, DFC Transfer: Sound Devices Mixpre6> Macbook Pro (via USB-C)> Reaper (DSP)> Sound Studio (Tracking & Fades)> xAct (Flaccing) Recorded and Transferred by Phishrabbi notes 316. 11/14/17 Flac 16/48 - , 153542 New York Madison Square Garden Flac16 Schoeps mk41v> Nbob KCY> Darktrain 4 channel KCY snake> Naiant PFA> Sound Devices Mixpre6 (Mic In @ 24bit 48 kHz)> SD Card Location: OTS, DFC Transfer: Sound Devices Mixpre6> Macbook Pro (via USB-C)> Reaper (DSP)> izotope (SRC & Dither)> Sound Studio (Tracking & Fades)> xAct (Flaccing) Recorded and Transferred by Phishrabbi (noahbickart@gmail.com) notes 317. 11/14/17 Flac 24/48 - , 153543 New York Madison Square Garden Flac24 Schoeps mk41v> Nbob KCY> Darktrain 4 channel KCY snake> Naiant PFA> Sound Devices Mixpre6 (Mic In @ 24bit 48 kHz)> SD Card Location: OTS, DFC Transfer: Sound Devices Mixpre6> Macbook Pro (via USB-C)> Reaper (DSP)> Sound Studio (Tracking & Fades)> xAct (Flaccing) Recorded and Transferred by Phishrabbi (noahbickart@gmail.com) notes 318. 11/16/17 Flac 16 - 0, 140471 Philadelphia Wells Fargo Center Schoeps MK41V's>Schoeps KCY 25/05i>Schoeps VST62iu>Sound Devices MixPre-6 firmware v1.20 (recorded at 24 BIT / 192KHZ) FOB Back of GA PIT DFC SD card>Sony Sound Forge Pro 11 (Fades,iZotope 64Bit SRC,iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (track tagging) Recorded & Processed By Keith Litzenberger notes 319. 11/16/17 Flac 24 - 0, Philadelphia Wells Fargo Center notes 320. 11/16/17 Flac 24/192 - , 153545 Philadelphia Wells Fargo Center Flac16 Schoeps MK41V's>Schoeps KCY 25/05i>Schoeps VST62iu>Sound Devices MixPre-6 firmware v1.20 (recorded at 24 BIT / 192KHZ) FOB Back of GA PIT DFC SD card>Sony Sound Forge Pro 11 (Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (track tagging) Recorded & Processed By Keith Litzenberger notes 321. 11/17/17 Flac - 0, Boston TD Garden notes 322. 11/17/17 Flac 16 - , 153550 Boston TD Garden Flac16 Set 1: Schoeps mk4>kc5>cmc6>Fostex FR2LE (24bit/48khz) Set 2: Schoeps mk41>kc5>cmc6>Fostex FR2LE (24bit/48khz) Wav>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp)>Sony Soundforge Convert(resample(izotope highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging) Recorded by Dave Flaschner Transferred and seeded by Andy Murray notes 323. 11/17/17 Flac 24/48 - , 153549 Boston TD Garden Flac24 Set 1: Schoeps mk4>kc5>cmc6>Fostex FR2LE (24bit/48khz) Set 2: Schoeps mk41>kc5>cmc6>Fostex FR2LE (24bit/48khz) Wav>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp)>XAct(FLAC 8,ffp) Recorded by Dave Flaschner Transferred and seeded by Andy Murray notes 324. 11/19/17 Flac 16 - , 140036 Boston TD Garden OTS/BOB/mics@~10'/slightly ROC MBHOka200n (ortf) > V3 (48/24) + AKGck63 (din)/Nbob actives > Tascam DR-680 (Busman Mod) SDEC10 > Cakewalk Sonar LE v4.0.1 (mixdown) > Sound Forge 11 (track, fades & iZotope MBIT+ dither/64-Bit SRC resample) > TLH (flac@8/ffp) Recorded, transferred and seeded by Bob Crupi notes 325. 11/19/17 Flac 24/48 - , 153551 Boston TD Garden Flac24 Telefunken 007 Protoype > Mix Pre 6 (24b/48) > SDHC > MAcBook Pro > Adobe Audition > Flac > xACT Recorded By Toni Fishman Mastered By Scott Medeiros notes 326. 11/19/17 Flac 16 - , 153552 Boston TD Garden Flac16 Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol R-44 (OCM) SDHC>Adobe Audition>Cakewalk Pyro>.WAV>FLAC Location: OTS (Rear of SBD) Recorded by Jay notes 327. 11/21/17 Flac 16 - , 153566 Washington Capital One Arena Flac16 Schoeps MK4V's>Schoeps KCY 25/05i>Schoeps VMS02ib>Sound Devices 744t SD744t>Sony Sound Forge Pro 11 (Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (track tagging) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 328. 11/21/17 Flac 24/48 - , 153567 Washington Capital One Arena ***Flac24*** DPA 4023 > Sound Devices MixPre-6 (24/48) MP6 > iMac. Tracked via Sound Studio, FLAC via xACT Recorded by Alex Leary notes 329. 11/21/17 Flac 16 - , 153568 Washington Capital One Arena Flac16 neumann ak40 (ortf)-lc3-km100-xlr-sd788 Recorded by Nate (Tapernate) Evans with assist by Alex Leary (he ran rig actually I just supplied it) All editing done on SF Pro for Mac notes 330. 11/21/17 Flac 16 - , 153569 Washington Capital One Arena Flac16 neumann ak50 (ortf)-lc3-km100-xlr-sd788 Recorded by Nate (Tapernate) Evans with assist by Alex Leary (he ran rig actually I just supplied it) All editing done on SF Pro for Mac notes 331. 11/21/17 Flac 16 - , 153570 Washington Capital One Arena Flac16 Sources : 1. neumann ak50 (ortf)-lc3-km100-xlr-sd788 shnid153568 2. neumann ak40 (ortf)-lc3-km100-xlr-sd788 shnid153569 3. matrix made on SF pro for mac by combining both sources Recorded by Nate (Tapernate) Evans with assist by Alex Leary (he ran rig actually I just supplied it) All editing done on SF Pro for Mac notes 332. 11/21/17 Flac 16 - , 153571 Washington Capital One Arena Flac16 Source: DPA 4023 > Sound Devices MixPre-6 (24/48) Transfer: MP6 > iMac. Tracked and resampled to 16-bit via Sound Studio, FLAC via xACT Recorded by Alex Leary notes 333. 11/22/17 Flac 16 - , 153576 Hartford XL Center Flac16 Hand held Tascam DR-05 16/44.1 wav>sd card>flash drive>Audacity>flac recorded and uploaded by Taper76 notes 334. 11/22/17 Flac 16 - , 153572 Hartford XL Center Flac16 Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol R-44 (OCM) Transfer: SDHC>Adobe Audition>Cakewalk Pyro>.WAV>FLAC Location: OTS (Rear of SBD) Recorded by Jay jdwtyl notes 335. 11/22/17 Flac 16 - , 153575 Hartford XL Center Flac16 ~ Matrix Source 1: MG21(Hypers)>nBob Actives>nBox Elite>R44 OCM(24/48) Source 2: MG20(Cards)>nBob Actives>nBox Elite>R44 OCM(24/48) Location: OTS Section Behind SBD Center Conversion: SDHC Card>Adobe Audition 3.0>CDWave 1.71 Taper: Keith Antaya notes 336. 11/25/17 Flac 16 - , 153581 Columbus Nationwide Arena Flac16 OTS directly behind soundboard > 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks > Zoom F8 @44.1kHz/16-bit (4-track) > mixed to two tracks in the F8 > .wav > SDXC SDXC > Flash Drive > USB > Maxtor 6L200P0 > Sound Forge XP 4.5 used for Normalizing, Fades, and Tracks > .wav > Trader's Little Helper > Flac Recorded and transferred by Toaste notes 337. 11/29/17 Flac 16 - , 153589 Atlanta Phillips Arena Flac16 Neumann 150’s > V-3 > Sound Devices 744 24/96 Sound Forge Pro 11 > Sound Studio > xACT Recorded by David Dyche 45 Feet From Stage 6 Feet High DFC notes 338. 11/29/17 Flac 16 - , 153588 Atlanta Phillips Arena Flac16 Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP Pit Section, 48' From Stage, 6' High Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man notes 339. 12/01/17 Flac 16 - , 153595 Dallas American Airlines Center Flac16 Schoeps MK4V's>Schoeps KCY 25/05i>Schoeps VMS02ib>Sound Devices 744t Recorded FOB in GA PIT SD744t>Sony Sound Forge Pro 11 (Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (track tagging) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 340. 12/01/17 Flac 16 - , 153594 Dallas American Airlines Center Flac16 Schoeps MK22 > CMC5 > V2 > DR680 Taped by Hellion notes 341. 12/01/17 Flac 16 - , 153593 Dallas American Airlines Center Flac 16 Matrix Source 1: AKG 483 (PAS) > Tascam DR-70 Source 2: AKG 461 (DINa) > Tascam DR-70 SDHC > Macbook Pro > Adobe Audition > Flac Location: OTS; DFC; 12' Pull & Processing: CorFit Chris @ InsideOut Recording notes 342. 12/01/17 Flac 16 - , 153592 Dallas American Airlines Center Flac 16 AKG 483 (PAS) > Tascam DR-70 SDHC > Macbook Pro > Adobe Audition > Flac Location: OTS; DFC; 12' Pull & Processing: CorFit Chris @ InsideOut Recording notes 343. 12/01/17 Flac 16/48 - , 153591 Dallas American Airlines Center Flac 16 AKG 461 (DINa) > Tascam DR-70 SDHC > Macbook Pro > Adobe Audition > Flac Location: OTS; DFC; 12' Pull & Processing: CorFit Chris @ InsideOut Recording notes 344. 12/01/17 Flac 16 - , 153590 Dallas American Airlines Center Flac16 Milab VM-44 Links (super-cards) -> Sonosax SX-R4 (24/48) Location: OTS, DFC, DINa, 15' high Transfer: Sonosax SX-R4 -> Audacity (16/44) -> Cd Wave -> Flac Recorded by Nakguy. notes 345. 12/01/17 Flac 16 - , 140361 Dallas American Airlines Center Source: Soundfield ST-450 (hyper-card 80*) -> Sonosax SX-R4 (24/48) Location: OTS, DFC, DINa, 15' high Transfer: Sonosax SX-R4 -> Audacity (16/44) -> Cd Wave -> Flac notes 346. 12/01/17 Flac 24/48 - , 153596 Dallas American Airlines Center Flac2448 Matrix Neumann KMR 82i Shotguns DFC taper section 13.5'->Zoom F8 24bit/48kHz Neumann KM150 -Hyper-Cardioids- DFC taper section 13.5'-Zoom F8 24bit/48kHz Neumann TLM107 -Hyper-Cardioids- DFC taper section 13.5'-Zoom F8 24bit/48kHz 6 Channels recorded as 3 stereo tracks, edited & mixed in SoundForge Pro 11 Lineage SDXC -> Soundforge Pro 11 @24/48 Recorded by Don Olker notes 347. 12/02/17 Flac 16 - , 140362 Austin Frank Erwin Center Source: Milab VM-44 Links (super-cards) -> Sonosax SX-R4 (24/48) Location: Front right corner of soundboard, DINa, 8' high Transfer: Sonosax SX-R4 -> Audacity (16/44) -> Cd Wave -> Flac notes 348. 02/15/18 Flac 16 - 0, Riviera Maya Playing In The Sand Flac16 FOB Microtech Gefell M210s > Oade M248 >SD722 > 24/48 > SD card > Izotope RX Advance > Adobe Audition > CDwave> TLH > flac 16 Taped by Jon Pasternak Transferred by StPatric notes 349. 02/15/18 Flac 16 - , 153603 Riviera Maya Playing In The Sand Flac16 FOB Matrix Recording with Jecklin Disc in the Sweet Spot Source 1:DPA 4021>Grace Luni >SD722 channel 3&4 Source 2 DPA 4061>SD 744 channel1&2 24/96 Thanks to Jon Pasternac for Everything! recorded byRichie Stankiewicz. notes 350. 02/15/18 Flac 16 - , 153606 Riviera Maya Playing In The Sand Flac16 Schoeps CMC64V's (FOB/DFC)>Grace Design Lunatec V3>Sound Devices 744t WAV Sound Forge Pro 11(Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded By Jeff Travitz Uploaded By Keith Litzenberger It is ambiguous whether this is MK4V or CMC64V (are they one and the same ?) I suspect that it is CMC64V (per text file) and that "Cabinet music" has made a typo with the upload to LMA page title. notes 351. 02/15/18 Flac 24/96 - , 153607 Riviera Maya Playing In The Sand ***Flac24*** FOB Matrix Recording with Jecklin Disc in the Sweet Spot Source 1:DPA 4021>Grace Luni >SD722 channel 3&4 Source 2 DPA 4061>SD 744 channel1&2 24/96 Thanks to Jon Pasternac for Everything! recorded byRichie Stankiewicz. notes 352. 02/17/18 Flac 16 - 0, 153612 Riviera Maya Playing In The Sand Flac16 FOB Matrix Recording with Jecklin Disc in the Sweet Spot Source 1:DPA 4021>Grace Luni >SD722 channel 3&4 Source 2 DPA 4061>SD 744 channel1&2 24/96 Thanks to Jon Pasternac for Everything! Taped and Transferred by Richie Stankiewicz notes 353. 02/17/18 Flac 24/96 - , 153611 Riviera Maya Playing In The Sand Flac24 FOB Matrix Recording with Jecklin Disc in the Sweet Spot Source 1:DPA 4021>Grace Luni >SD722 channel 3&4 Source 2 DPA 4061>SD 744 channel1&2 24/96 Thanks to Jon Pasternac for Everything! Taped and Transferred by Richie Stankiewicz notes 354. 02/17/18 Flac 16 - , 153610 Riviera Maya Playing In The Sand Flac16 FOB Microtech Gefell M210s > Oade M248 >SD722 > 24/48 > SD card Izotope RX Advance > Adobe Audition > CDwave> TLH > flac 16 Taped by Jon Pasternak Transferred by StPatric notes 355. 02/17/18 Flac 16 - , 153608 Riviera Maya Playing In The Sand Flac16 Schoeps CMC64V's (FOB/DFC)>Grace Design Lunatec V3>Sound Devices 744t WAV >Sound Forge Pro 11(Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded By Jeff Travitz Processes & Uploaded By Keith Litzenberger notes 356. 02/18/18 Flac 16 - , 153613 Riviera Maya Playing In The Sand Flac16 Sennheiser 421's > Tascam DR100 Recorded by Mike Mahoney (mpmgumby AT msn.com) notes 357. 02/18/18 Flac 16 - , 153614 Riviera Maya Playing In The Sand Flac16 Schoeps CMC64V's (FOB/DFC)>Grace Design Lunatec V3>Sound Devices 744t WAV Sound Forge Pro 11(Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded By Jeff Travitz Processes & Uploaded By Keith Litzenberger Thanks to Nick Carbonetta fot the CMC 6 loan! notes 358. 02/18/18 Flac 16 - , 153615 Riviera Maya Playing In The Sand Flac16 FOB Microtech Gefell M210s > Oade M248 >SD722 > 24/48 > SD card Izotope RX Advance > Adobe Audition > CDwave> TLH > flac 16 Taped by Jon Pasternak Transferred by StPatric notes 359. 02/24/18 Flac 16 - , 153617 New Orleans Smoothie King Center Flac16 Schoeps MK41s(DINa)> KCY 250/5 Ig> PFA> Sound Devices MixPre-6 (24/48) Location: BOB/DFC, 11’ high DSP: MP6> MBP> Audacity(normalize/amplify/resample/track/fades)> Wave(16)> XLD> FLAC> xACT(fixSBE/tags) Recorded/Transferred: nolamule notes 360. 02/24/18 Flac 16 - , 153618 New Orleans Smoothie King Center Flac16 MBHO KA500 (DINa, OTS, DFC, 11 ft) > Naiant PFA > MixPre 6 @ 24/48 SD Card>HDD>Audacity (bit depth conversion/resample to 16/44.1>CDWav>Foobar2000 notes 361. 02/26/18 Flac 16 - , 153635 Sunrise BB&T Center Flac16 microtech gefell mg21(hypers) > Nbob Active cables > Nbox Platinum > P2(oade acm mod 24/48) cr>wavelab(fades, track, ) TLH(fix sbes, flac, checksum) Taped and Transferred by George Heston notes 362. 02/26/18 Flac 16 - , 153633 Sunrise BB&T Center Flac16 Audio Tecnica AT2020> Digi Mod Edirol UA5> Zoom H2 Taped and Transferred by G-Man notes 363. 02/26/18 Flac 24/48 - , 153634 Sunrise BB&T Center Flac24 microtech gefell mg21(hypers) > Nbob Active cables > Nbox Platinum > P2(oade acm mod 24/48) cr>wavelab(fades, track, ) TLH(fix sbes, flac, checksum) Taped and Transferred by George Heston notes 364. 02/26/18 Flac 24/48 - , 153636 Sunrise BB&T Center Flac24 Source: Neumann SKM140(AK40's/LC3's/KM100's)>Aeta PSP3>xlr/stereo-mini>Sony PCM-M10 @24bit/48kHz 48kHz/24bit master file>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.27, ffp & md5-TLH Recorded and Transferred by Steven Weld notes 365. 02/26/18 Flac 16 - , 153637 Sunrise BB&T Center Flac16 Neumann SKM140(AK40's/LC3's/KM100's)>Aeta PSP3>xlr/stereo-mini>Sony PCM-M10 @24bit/48kHz 48kHz/24bit master file>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.27, ffp & md5-TLH Recorded and Transferred by Steven Weld notes 366. 02/26/18 Flac 16 - , 153638 Sunrise BB&T Center Flac16 AKG C568EB > Shure FP24 > Edirol R-1 (24/44.1) (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios(dnolanjr@yahoo.com) notes 367. 02/26/18 Flac 16 - , 153639 Sunrise BB&T Center Flac16 AKG 568 > Sound Devices MixPre3 (@24bit/48 Khz) SD Card > Adobe Audition > CD Wave > Trader's Little Helper Taped and Transferred by Chris LaPorte notes 368. 02/27/18 Flac 16 - , 153645 Orlando Amway Center Flac16 AKG ck63 (Hypers/DIN) > nBob Actives > MixPre-3 (24/48) > SD Card BOB/DFOC/10' High (on floor at back edge of SBD cage) Audacity (Normalizing/Fades) > dBpoweramp (Conversion to 16/44.1) > CD Wave (Tracking) > Trader's Little Helper (Fix SBEs/FLAC Level 8) Recorded & Transferred by mccordo notes 369. 02/27/18 Flac 24/48 - , 153646 Orlando Amway Center Flac24 Neumann SKM140(AK40's/LC3's/KM100's)>Aeta PSP3>xlr/stereo-mini>Sony PCM-M10 @24bit/48kHz 48kHz/24bit master file>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.27, ffp & md5-TLH Recorded and transferred by Steven Weld notes 370. 02/27/18 Flac 16 - , 153647 Orlando Amway Center Flac16 Neumann SKM140(AK40's/LC3's/KM100's)>Aeta PSP3>xlr/stereo-mini>Sony PCM-M10 @24bit/48kHz 48kHz/24bit master file>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.27, ffp & md5-TLH Recorded and transferred by Steven Weld notes 371. 02/27/18 Flac 16 - , 153648 Orlando Amway Center Flac16 Zoom H2 > cd wave editor > Flac frontend Recorded and transferred by G-man notes 372. 02/27/18 Flac 16 - , 153649 Orlando Amway Center Flac16 Beyerdynamic mc950 (xy90)> Apogee Mini-MP> Tascam DR-70D; Line Audio om1 (AB, 68cm)> Apogee Mini-MP> Tascam DR-70D (24/48) Audacity (mix, tracks, FLAC16); Foobar2000 (tags) Recorded by Craig Taraszki (craig.taraszki@gmail.com) notes 373. 02/27/18 Flac 16 - , 153650 Orlando Amway Center Flac16 AKG 568 > Sound Devices MixPre3 (@24bit/48 Khz) SD Card > Adobe Audition > CD Wave > Trader's Little Helper Taped and Transferred by Chris LaPorte notes 374. 05/30/18 Flac 16 - , 153653 Mansfield Xfinity Center Flac16 MBHO603/ka200n(DINA) -> V3(24/48) + AKGck63/Nbob actives(DIN) -> Tascam DR-680 (Busman Mod) SDEC10 -> Cakewalk Sonar LE v4.0.1 (mixdown) -> Sound Forge 11 (track, fades & iZotope MBIT+ dither/64-Bit SRC resample) -> TLH (flac@8/ffp) Recorded, transferred & seeded by Bob Crupi notes 375. 05/30/18 Flac 16 - , 153654 Mansfield Xfinity Center Flac16 Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol R-44 (OCM) SDHC>Adobe Audition>Cakewalk Pyro>.WAV>FLAC Location: OTS, Section 6, Row N Recorded and transferred by Jay jdwtyl notes 376. 05/30/18 Flac 16 - , 153655 Mansfield Xfinity Center notes 377. 06/01/18 Flac 16 - , 153656 Camden BB&T Pavilion Flac16 Schoeps MK4V's->Schoeps KCY 250/05iSchoeps VMS5U->Sound Devices 744T(recorded at 16/44.1)>CDWAV>FLAC>Foobar 2000 SD788t>Sony Sound Forge Pro 11 (Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000(Track Tagging) Section 102 Row K FOB/DFC Recorded By Jeff Travitz Processed By Keith Litzenberger notes 378. 06/02/18 Flac 16 - , 153658 Camden BB&T Pavilion Flac16 Schoeps MK4V's->Schoeps KCY 250/05iSchoeps VMS5U->Sound Devices 744T(recorded at 16/44.1)>CDWAV>FLAC>Foobar 2000 SD788t>Sony Sound Forge Pro 11 (Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000(Track Tagging) Section 102 Row K FOB/DFC Recorded By Jeff Travitz Processed By Keith Litzenberger notes 379. 06/04/18 Flac 16 - , 153664 Cincinnati Riverbend Music Center Flac16 Schoeps mk41 (DINa) > kcy > Sonosax SX-M2/LS2 > Sony M10 (24/48) microSD > Sound Studio > xACT > flac (16/44) Taped by Brian Porter notes 380. 06/04/18 Flac 24/48 - , 153663 Cincinnati Riverbend Music Center Flac24 Schoeps mk41 (DINa) > kcy > Sonosax SX-M2/LS2 > Sony M10 (24/48) Taped by Brian Porter notes 381. 06/04/18 Flac 16 - , 153662 Cincinnati Riverbend Music Center Flac16 Microtech Gefell M20> nBob actives > PFA > Sound Devices MixPre-6(24/48) Wave > MacBook Pro > Sound Forge 2.5 (Normalize,Fade,Track,Resample,Dither 16/44.1) > xAct(Tagging) > Flac Taped and Transferred by Ted Gakidis notes 382. 06/04/18 Flac 16 - , 153661 Cincinnati Riverbend Music Center Flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks > Zoom F8 @44.1kHz/16-bit (4-track) > .wav > SDXC SDXC > Flash Drive > USB > Maxtor 6L200P0 > Audacity used to mix to stereo > Sound Forge XP 4.5 > .wav > Trader's Little Helper > Flac Taped and transferred by Toaste notes 383. 06/06/18 Flac 16 - , 153665 Noblesville Deer Creek Flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks > Zoom F8 @44.1kHz/16-bit (4-track) > .wav > SDXC SDXC > Flash Drive > USB > Maxtor 6L200P0 > Audacity > .wav > Trader's Little Helper > Flac Taped and Transferred by Toaste notes 384. 06/08/18 Flac 16 - , 153667 Atlanta Cellairis Amphitheatre at Lakewood Flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks > Zoom F8 @44.1kHz/16-bit (4-track) > .wav > SDXC SDXC > Flash Drive > USB > Maxtor 6L200P0 > Audacity > Sound Forge XP 4.5 > .wav > Trader's Little Helper > Flac Taped and transferred by Toaste notes 385. 06/09/18 Flac 24/48 - , 153678 Raleigh Walnut Creek Flac24 Peluso cemc6/ck4 [Rainey/lawn/dfc] -> BM2p+ UA-5 [digital] -> Tascam DR-680 [24/48] DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FooBar Taped by Chris Davis and George, Transferred by Chris Davis notes 386. 06/09/18 Flac 24/48 - , 153676 Raleigh Walnut Creek Flac24 Nakamachi cm100/cp4 [Rainey/lawn/dfc] -> E.A.A. PSP-2 -> Tascam DR-680 [24/48] DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FooBar Taped and Transferred by Chris Davis and George notes 387. 06/09/18 Flac 16 - , 153675 Raleigh Walnut Creek Flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks > Zoom F8 @44.1kHz/16-bit (4-track) > .wav > SDXC SDXC > Flash Drive > USB > Maxtor 6L200P0 > Audacity > Sound Forge XP 4.5 > .wav > Trader's Little Helper > Flac Taped and Transferred by Toaste notes 388. 06/11/18 Flac 16 - 0, 153685 Saratoga Springs Saratoga Performing Arts Center Flac16 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12/11>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.28, ffp & md5-TLH Recorded and transferred by Steven Weld notes 389. 06/11/18 Flac 24/96 - 0, 153684 Saratoga Springs Saratoga Performing Arts Center Flac24 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12/11>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.28, ffp & md5-TLH Recorded and transferred by Steven Weld notes 390. 06/11/18 Flac 16 - , 153686 Saratoga Springs Saratoga Performing Arts Center Flac16 Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) SOB/DRFC/KFC/ZFC/AARP Section 8, Row CC, Seat 7, 7 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)>ID3 Tagged In Foobar 2000 Recorded and Seeded By: Z-Man notes 391. 06/11/18 Flac 16 - , 153683 Saratoga Springs Saratoga Performing Arts Center Flac16 Neumann U89i (Card, DIN)> AETA PSP-3> Zoom F8 (24/48) on a SDHC card. SDHC Card> Mac Mini> Audacity> Fission (16/44.1). Taped and Transferred by Ed Guidry notes 392. 06/11/18 Flac 24/48 - , 153682 Saratoga Springs Saratoga Performing Arts Center Flac24 Neumann U89i (Card, DIN)> AETA PSP-3> Zoom F8 (24/48) on a SDHC card. SDHC Card> Mac Mini> Audacity> Fission (24/48). Taped and Transferred by Ed Guidry notes 393. 06/11/18 Flac 16 - , 153681 Saratoga Springs Saratoga Performing Arts Center Flac16 AKG 568eb > Marantz 670> TLH Recorded and transferred by Dave Bauer notes 394. 06/11/18 Flac 16 - , 153580 Saratoga Springs Saratoga Performing Arts Center Flac16 Nak 700's w CP701's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Uploaded By: JT/NY notes 395. 06/13/18 Flac 16 - , 153694 Hartford Xfinity Center Flac16 Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) Taped and transferred by Z-Man notes 396. 06/13/18 Flac 16 - , 153693 Hartford Xfinity Center Flac16 Schoeps MK4V's->Schoeps KCY 250/05iSchoeps VMS5U->Sound Devices 44t(recorded at 16/44.1) SD744t>Sony Sound Forge Pro 11 (Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000(Track Tagging) Recorded FOB By Jeff Travitz Processed & Uploaded By Keith Litzenberger notes 397. 06/13/18 Flac 16 - , 153692 Hartford Xfinity Center Flac16 Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol R-44 OCM SDHC>Adobe Audition>Cakewalk Pyro>.WAV>FLAC Location: OTS, Section 600, Row KK Recorded and transferred by Jay jdwtyl notes 398. 06/13/18 Flac 16 - , 153690 Hartford Xfinity Center Flac16 AKG568ebs>LunatecV3(30dbgain)>MarantzPMD671>CF>WAVE>CDeditor>FLAC(8)>TLH 16 bit/44.1khz Taped and Transferred by Bill Goldberg notes 399. 06/13/18 Flac 16 - , 153691 Hartford Xfinity Center Flac16 Source 1: MG21(Hypers)>nBob Actives>nBox Elite>Edirol R44(24/28) Source 2: MG20(Cards)>nBob Actives>nBox Elite>Edirol R44(24/48) Location: 600 JJ Seats 601-602: Official Tapers Section Conversion: SDHC Card>Adobe Audition 3.0>CDWave 1.71 Taper: Keith Antaya notes 400. 06/13/18 Flac 16 - , 153689 Hartford Xfinity Center Flac16 Source AKG 568 > Marantz 670> TLH Taped and Transferred by Dave Bauer notes 401. 06/16/18 Flac 16 - , 153708 New York Citifield Flac16 Microtech Gefell M210s > Oade M248 > SD722 > 24/48 > SD card FOB - DFC - 60' Izotope RX Advance > Adobe Audition > CDwave> TLH > flac 16 Taped by Jon Pasternak Transferred by StPatric notes 402. 06/16/18 Flac 16 - , 153707 New York Citifield Flac16 Neumann SKM150(AK50's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.28, ffp & md5-TLH Recorded and transferred by Steven Weld notes 403. 06/16/18 Flac 24/96 - , 153706 New York Citifield Flac24 Neumann SKM150(AK50's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.28, ffp & md5-TLH Recorded and transferred by Steven Weld notes 404. 06/16/18 Flac 16 - , 153705 New York Citifield Flac16 Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP Main Floor, Approximately 60' From Stage, 6' High Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded and transferred by : Z-Man notes 405. 06/16/18 Flac 16 - , 153704 New York Citifield Flac16 Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol R-44 OCM SDHC>Adobe Audition>Cakewalk Pyro>.WAV>FLAC Location: FOB, Left Center, ~12' Recorded and transferred by Jay jdwtyl notes 406. 06/19/18 Flac 24/96 - 0, Darien Center Darien Lake Flac24 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.28, ffp & md5-TLH Recorded and transferred by Steven Weld notes 407. 06/19/18 Flac 16 - 0, 153716 Darien Center Darien Lake Flac16 AKG483 NOS, 10ft high Recording: SD744t, 24bit 48kHz 2 channel master WAV file Mixed and edited with ProTools 12 > tracked CD Wave 1.97 > converted to 16bit 44.1kHz by Voxengo r8brain > convert FLAC16(level 8)+ffp by TLC 2.7 > TagScanner 6.0.35 Recorded and Transferred by Bob Marino notes 408. 06/19/18 Flac 16 - , 153718 Darien Center Darien Lake Flac16 Nak 700's W CP701's > GAKable's > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper - Convert to Flac Uploaded By: JT/NY notes 409. 06/19/18 Flac 24/48 - , 153715 Darien Center Darien Lake Flac24 AKG483 NOS, 10ft high Recording: SD744t, 24bit 48kHz 2 channel master WAV file Post production: Remixed and edited with ProTools 12 > tracked CD Wave 1.97 > conversion FLAC(level 8)+ffp by TLC 2.7 > TagScanner 6.0.35 Recorded and Transferred by Bob Marino notes 410. 06/19/18 Flac 16 - , 153714 Darien Center Darien Lake Flac16 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12/11>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.28, ffp & md5-TLH Recorded and transferred by Steven Weld notes 411. 06/20/18 Flac 16 - , 153719 Cuyahoga Falls Blossom Music Center Flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks > Zoom F8 @44.1kHz/16-bit (4-track) > .wav > SDXC DFC lawn, stand at about 7.5 feet Flash Drive > USB > Maxtor 6L200P0 > Audacity > Sound Forge XP 4.5 > .wav > TLH > Flac Taped and Transferred by Toaste notes 412. 06/20/18 Flac 16 - , 142399 Cuyahoga Falls Blossom Music Center Beyerdynamic MCE86II > ART Phantom II > Marantz PMD660 notes 413. 06/22/18 Flac 16 - , 153732 East Troy Alpine Valley Music Theatre Flac16 Sennheiser ME66 (ORTF) > mixpre6 @ 24bit/96hz > audicity/audition> CD Wave >tlh Taped by tyedyejon/taper jon notes 414. 06/23/18 Flac 16 - , 153733 East Troy Alpine Valley Music Theatre Flac16 Sennheiser ME66x2 (XY) > Sound Devices mixpre6 @ 24bit/96hz > CD Wave > TLH missing : weight-althea Taped by tyedyejon/taper jon notes 415. 06/29/18 Flac 16 - , 153734 George The Gorge Flac16 Busman BSC1/K1>DR60MkII 24/48 SD > Audacity > Flac16 Taped by Doug Kalley notes 416. 06/30/18 Flac 24/48 - , 153735 Eugene Autzen Stadium Flac24 DPA4022 > Sound Devices Mixpre 6, 24bit/96kHz Approximately centered at back of pit area Taped by: John Hermsen (down2earthlandscaper) notes 417. 06/30/18 Flac 16 - , 153736 Eugene Autzen Stadium Flac16 Aud > Superlux S502 > Tascam DR680 24/48> SDHC Taped and Transferred by Spitzy notes 418. 07/13/18 Flac 16 - , 153745 Boulder Folsom Field Flac16 Microtech Gefell M210s > Oade M248 > SD 722 > SD Card Location : FOB 70' from Stage Adobe Audition > RX4 Advance > TLH level 8 > flac 16 Taped by Jon Pasternak Tracked by StPatric notes 419. 07/13/18 Flac 16 - , 153744 Boulder Folsom Field Flac16 Schoeps MK4V's->Schoeps KCY 250/05iSchoeps VMS5U->Sound Devices 744t(recorded at 16/44.1) SD744t>Sony Sound Forge Pro 11 (Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000(Track Tagging) Recorded FOB By Jeff Travitz Processed & Uploaded By Keith Litzenberger notes 420. 07/13/18 Flac 16 - , 153746 Boulder Folsom Field Flac16 Church Audio CA 14 omnis (approx. 8" apart, PAS, on Richie Stankiewicz's Jecklin disk) Church Audio CA9200 (+10 gain), Roland R-05 (24/48 wav) Audacity>Mp3tag>Trader's Little Helper Taped and Transferred by Lucas Lorenz notes 421. 07/13/18 Flac 16 - , 153747 Boulder Folsom Field Flac16 Soundfield ST-450 (figure 8, wide) -> Sonosax SX-R4 (24/48) Location: FOB, DFC, 7’ high Transfer: Sonosax SX-R4 -> Audacity (16/44) -> Cd Wave -> Flac Uploaded to etree by "nakguy" notes 422. 07/14/18 Flac 16 - , 148041 Boulder Folsom Field Sounce: Soundfield ST-450 (cardioid, 90*) -> Sonosax SX-R4 (24/48) Location: FOB, slightly left of DFC, 7' high Transfer: Sonosax SX-R4 -> Audacity (16/44) -> Cd Wave -> Flac notes 423. 07/14/18 Flac 24/96 - , 148042 Boulder Folsom Field ***Flac24*** Matrix Recording with Jecklin Disc Source 1:DPA 4021>Grace Luni >SD 422 Source 2 DPA 4061>SD422 >SD 422>SD 702 24/96 Jecklin disc clamped in the “Sweet Spot” up front on 7 ft tripod(thx to my man Lucas AKA Jecklin Chest) notes 424. 07/14/18 Flac 16 - , 153748 Boulder Folsom Field Flac16 Church Audio CA 14 omnis (approx. 8" apart, PAS, on Richie Stankiewicz's Jecklin disk) Church Audio CA9200 (+10 gain), Roland R-05 (24/48 wav) Location: FOB, DFC, approx. 60' from stage Audacity > Mp3tag > Trader's Little Helper Recorded and transferred by Lucas Lorenz notes 425. 07/14/18 Flac 16 - , 153749 Boulder Folsom Field Flac16 AKG CK-63 ULS (DIN) > Nbob actives > Nbox Platinum > Tascam DR-70D @ 24bit/96kHz Location: OTS 8ft up SD > WaveLab 6 (Gain, Fades, Convert to 16bit/48kHz with Apogee UV22HR Dither) > CDWave (Tracking) > Traders Little Helper (FLAC6) Tagging: FLACs Tagged With Mp3tag v2.89 Recorded by Ryan Stearns notes 426. 07/14/18 Flac 16 - , 153750 Boulder Folsom Field Flac16 AKG CK-61 ULS (NOS) + AKG CK-63 ULS (DIN) > Nbob actives > Nbox Platinum > Tascam DR-70D @ 24bit/96kHz Location: OTS 8ft up SD > WaveLab 6 (4 Channel Mix, Gain, Fades, Convert to 16bit/48kHz with Apogee UV22HR Dither) > CDWave (Tracking) > Traders Little Helper (FLAC6) Tagging: FLACs Tagged With Mp3tag v2.89 Recorded by Ryan Stearns notes 427. 07/14/18 Flac 16 - , 153751 Boulder Folsom Field Flac16 AKG C568EB > Marantz PMD661 (Oade-w) (24/44.1) (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped and Transferred by Dan Nolan, Jr. - spyder9 notes 428. 07/14/18 Flac 16 - , 153752 Boulder Folsom Field b>Flac16 Schoeps MK4V's->Schoeps KCY 250/05iSchoeps VMS5U->Sound Devices 744t(recorded at 16/44.1) SD744t>Sony Sound Forge Pro 11 (Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000(Track Tagging) Recorded FOB By Jeff Travitz Processed & Uploaded By Keith Litzenberger notes 429. 07/14/18 Flac 16 - , 153753 Boulder Folsom Field Flac16 Microtech Gefell M210s > Oade M248 > SD 722 > SD Card Adobe Audition > RX4 Advance > TLH level 8 > flac 16 Location : FOB 70' from Stage Taped by Jon Pasternak Tracked by StPatric notes 430. 07/14/18 Flac 24/96 - , 153754 Boulder Folsom Field ***Flac2496*** Telefunken M60 (cards, OTS)>SD MixPre 6 (96/24) SDHC>Reaper (normalize, fades, eq)>CD Wave (track & flac)>TLH Taped and Transferred by bonobeats notes 431. 08/25/18 Flac 16 - , 153755 Arrington Lockn' Music Festival Flac16 Milab VM-44 Link (S-Cards) -> Sonosax SX-R4 (24/48) Location: OTS, LOC, 12' high Transfer: Sonosax SX-R4 -> Audacity (16/44) -> Cd Wave -> Flac Uploaded by Nakguy notes 432. 08/25/18 Flac 24/48 - , 153756 Arrington Lockn' Music Festival ***Flac24*** DPA 4023 > Sound Devices MixPre-6 (24/48) Taped and Transferred by Alex Leary notes 433. 08/25/18 Flac 16 - , 153757 Arrington Lockn' Music Festival Flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks > Zoom F8 @44.1kHz/16-bit (4-track) > .wav > SDXC Taped and Transferred by Toaste notes 434. 08/26/18 Flac 16 - , 153758 Arrington Lockn' Music Festival Flac16 Milab VM-44 Link (S-Cards) -> Sonosax SX-R4 (24/48) Location: OTS, LOC, 12' high Transfer: Sonosax SX-R4 -> Audacity (16/44) -> Cd Wave -> Flac Uploaded by Nakguy notes 435. 08/26/18 Flac 16 - , 153759 Arrington Lockn' Music Festival Flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks > Zoom F8 @44.1kHz/16-bit (4-track) > .wav > SDXC SDXC > Flash Drive > USB > Maxtor 6L200P0 > Audacity used to mix to stereo > Sound Forge XP 4.5 used for Normalizing, Fades, and Tracks > .wav > Trader's Little Helper > Flac Taped and Transferred by Toaste notes 436. 01/17/19 Flac 24/48 - , 153429 Riviera Maya Playing In The Sand Flac24 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz ~ notes 437. 01/17/19 Flac 16 - , 153430 Riviera Maya Playing In The Sand Flac16 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz ~ notes 438. 01/17/19 Flac 16 - , 153431 Riviera Maya Playing In The Sand Flac16 CMC64v's>Schoeps VMS5u>Sound Devices 744t WAV>Sound Forge Pro 11(Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (track tagging) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 439. 01/17/19 Flac 16 - , 153432 Riviera Maya Playing In The Sand Flac16 Sennheiser 421's > Tascam DR100 Recorded by Mike Mahoney (mpmgumby AT msn.com) Not tracked. 1 flac file = whole show notes 440. 01/19/19 Flac 24/48 - , 153433 Riviera Maya Playing In The Sand Flac24 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz ound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 12.1/11>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.32, ffp & md5-TLH Recorded and transferred by Steven Weld notes 441. 01/19/19 Flac 16 - , 153434 Riviera Maya Playing In The Sand Flac16 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 12.1/11>CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.32, ffp & md5-TLH Recorded and transferred by Steven Weld notes 442. 01/19/19 Flac 16 - , 153435 Riviera Maya Playing In The Sand Flac16 Schoeps CMC64v's>Schoeps VMS5u>Sound Devices 744t WAV>Sound Forge Pro 11(Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (track tagging) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 443. 01/19/19 Flac 16 - , 153439 Riviera Maya Playing In The Sand Flac16 Sennheiser 421's > Tascam DR100 Recorded by Mike Mahoney (mpmgumby AT msn.com) Not tracked. 1 flac file = whole show notes 444. 01/20/19 Flac 16 - , 153438 Riviera Maya Playing In The Sand Flac16 Schoeps CMC64v's>Schoeps VMS5u>Sound Devices 744t WAV>Sound Forge Pro 11(Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (track tagging) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 445. 01/20/19 Flac 16 - , 153440 Riviera Maya Playing In The Sand b>Flac16 Sennheiser 421's > Tascam DR100 Recorded by Mike Mahoney (mpmgumby AT msn.com) Not tracked. 1 flac file = whole show notes 446. 01/20/19 Flac 16 - , 153437 Riviera Maya Playing In The Sand Flac16 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 12.1/11>CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.32, ffp & md5-TLH Recorded and transferred by Steven Weld notes 447. 01/20/19 Flac 24/48 - , 153436 Riviera Maya Playing In The Sand Flac24 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 12.1/11>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.32, ffp & md5-TLH Recorded and transferred by Steven Weld notes 448. 06/01/19 Flac 16 - , 153442 Mountain View Shoreline Amphitheatre ***16 bit*** source: Nakamichi CP4 p48 jb mod(PAS)>DR-70D(busman mod) location: tower 4 rail transfer: 24/48SD>audacity(eq,levels,tracking)>flac16 recorded & transfered: doug kalley notes 449. 06/07/19 Flac 16 - 0, 147169 George The Gorge Schoeps CMC64V's>Schoeps VMS5u>Sound Devices 744t recorded from Section 102 Row 18 SD744t>Soundforge Pro 11 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac)>Foobar2000 (Track Tagging) Recorded By Jeff Travitz notes 450. 06/07/19 Flac 24 - , 153443 George The Gorge Flac24 Nakamichi CM300 w/ cp4 shotguns (Sank P48 mod) > Sound Devices 722 @ 24bit 48kHz Location: Front right corner of soundboard Recorded and transferred by: John Hermsen notes 451. 06/08/19 Flac 16 - 0, 147168 George The Gorge choeps CMC64V's>Schoeps VMS5u>Sound Devices 744t recorded from Section 102 Row 18 SD744t>Soundforge Pro 11 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac)>Foobar2000 (Track Tagging) Recorded By Jeff Travitz notes 452. 06/08/19 Flac 16 - , 153444 George The Gorge Flac16 Nakamichi CM300 w/ cp4 shotguns (Sank P48 mod) > Sound Devices 722 @ 24bit 48kHz Location: Front right corner of soundboard Recorded and transferred by: John Hermsen notes 453. 06/12/19 Flac 16 - , 153728 Noblesville Deer Creek Flac16 AKG 481 > V3 > MT2496 Taped and Transferred by Jeff Frank The source at LMA is missing : deadco2019-06-12akg481set1t04 If anyone is able to supply this, please contact us. notes 454. 06/12/19 Flac 16 - , 153727 Noblesville Deer Creek Flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks > Zoom F8 @44.1kHz/16-bit (4-track) > .wav > SDXC SDXC > Flash Drive > USB > Maxtor 6L200P0 > Audacity used to mix to stereo > Sound Forge XP 4.5 used for Normalizing, Fades, and Tracks > .wav > Trader's Little Helper > Flac> Taped and Transferred by Toaste notes 455. 06/12/19 Flac 16 - , 153729 Noblesville Deer Creek Flac16 Sennheiser ME66x2 (ortf) > Sound Devices mixpre6 @ 24bit/96hz > CD Wave > TLH Taper: tyedye taperjon14@gmail.com notes 456. 06/14/19 Flac 16 - , 153730 Chicago Wrigley Field Flac16 AKG 391 cardiods L&R,393 hypercardiods 50% L&R>zoomf8 (44.1/16) > Sound Devices mixpre6 @ 24bit/96hz > CD Wave > TLH Taper: tyedye taperjon14@gmail.com notes 457. 06/15/19 Flac 16/48 - , 153445 Chicago Wrigley Park Flac1648 10'H, 500'C Left of sbd, mounted to Taper Flip Sennheiser me66s (ortf)> Sound Devices mixpre6 @ 24bit/96hz > CD Wave > TLH Taper: tyedye/taperjon notes 458. 06/18/19 Flac 16 - 0, 147161 Saratoga Springs SPAC Schoeps MK41s -CMC 6 bodies ten inch spread stand 8ft 24/96 702 dead center tapers section notes 459. 06/18/19 Flac 24/96 - 0, 147163 Saratoga Springs SPAC Source: Aud > Nakamichi CM700's W 703's > GAKable's > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper notes 460. 06/18/19 Flac 24 - , 153446 Saratoga Springs SPAC Flac24 Source: (Lawn/Center) Neumann U89i (Hyper, DINA)> AETA PSP-3> Zoom F8 (24/48) on a SDHC Card. Processing: SDHC Card> Mac Mini> Audacity> Fission> Flac 24/48. Recorded by: Ed Guidry (tufflitestudios@yahoo.com). notes 461. 06/18/19 Flac 16 - , 143447 Saratoga Springs SPAC Flac16 Source: (Lawn/Center) Neumann U89i (Hyper, DINA)> AETA PSP-3> Zoom F8 (24/48) on a SDHC Card. Processing: SDHC Card> Mac Mini> Audacity> Fission> Flac 16/44.1. Recorded by: Ed Guidry (tufflitestudios@yahoo.com). notes 462. 06/18/19 Flac 24/96 - , 153448 Saratoga Springs SPAC Flac24 Source: Neumann SKM150(AK50's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.34, ffp & md5-TLH Transfer, editing, mastering & conversion by Steven Weld notes 463. 06/18/19 Flac 16 - , 153449 Saratoga Springs SPAC Flac16 Source: Neumann SKM150(AK50's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.34, ffp & md5-TLH Transfer, editing, mastering & conversion by Steven Weld notes 464. 06/20/19 Flac 16 - 0, 147160 Camden BB&T Pavilion Schoeps CMC64V's>Schoeps VMS5u>Sound Devices 744t recorded from Section 102 Row M SD744t>Soundforge Pro 11 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac)>Foobar2000 (Track Tagging) notes 465. 06/20/19 Flac 16 - , 153457 Camden BB&T Pavilion Flac16 Nakamichi CM700's W 703's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Uploaded By: JT/NY notes 466. 06/22/19 Flac 16 - , 153458 Foxboro Gillette Stadium Flac16 Location: First set clamped to front rail of sbd, right of center, second set ~6' on a stand center, front of sbd Source: Schoeps MK41's>Schoeps CMR's>Naiant PFA> Edirol R-44 OCM Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC Recorded by Jay notes 467. 06/22/19 Flac 16 - , 153459 Foxboro Gillette Stadium Flac16 Source: Schoeps CCM4V's>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP 55' From Stage, 6' High (1st Set) 90' From Stage, 6' High (2nd Set) DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man notes 468. 06/23/19 Flac 24/96 - , 153460 New York Citi Field Flac2496 Source: Neumann SKM150(AK50's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.34, ffp & md5-TLH Recorded and transferred by Steven Weld notes 469. 06/23/19 Flac 16 - , 153461 New York Citi Field Flac16 Neumann SKM150(AK50's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.34, ffp & md5-TLH Recorded and transferred by Steven Weld notes 470. 06/23/19 Flac 16 - , 153462 New York Citi Field Flac16 Schoeps CMC64V's>Schoeps VMS5u>Sound Devices 744t recorded from FOB General Admission Pit. SD744t>Soundforge Pro 11 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac)>Foobar2000 (Track Tagging) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 471. 06/23/19 Flac 24/48 - , 153463 New York Citi Field Flac24 FOB Nakamichi CM 700s > SD744 >Edirol R-09 > 24/48 > me > Adobe Adition > CDwave >TLH >level 8 > Flac 24 > you > enjoy Recorded By Jon Pasternak & Joel Werner notes 472. 06/26/19 Flac 24/96 - , 154364 Bristow Jiffy Lube Live Flac24 Uploaded to LMA 2019-07-10 by wxqie. No other information, no original text file, no checksums. notes 473. 06/28/19 Flac 16 - , 153466 Charlotte PNC Music Pavilion Flac16 Peluso cemc6/ck41 [parallel Rainey] -> E.A.A. PSP-2 -> Tascam DR-680 [24/48] location: fob/far left/Box 48/stack tape transfer: DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FooBar recorded by: Chris Davis and George notes 474. 06/28/19 Flac 24 - , 153465 Charlotte PNC Music Pavilion Flac24 Peluso cemc6/ck41 [parallel Rainey/fob/far left/Box 48/stack tape] -> E.A.A. PSP-2 -> Tascam DR-680 [24/48] Taped by Chris Davis and George Transferred by Chris Davis notes 475. 06/29/19 Flac 16 - , 153467 Atlanta Cellaris Amphitheatre Flac16 Neumann 150’s > V-3 > Sound Devices 722 24/96 >Sound Forge Pro 11 >Sound Studio > xACT Recorded by David Dyche notes 476. 07/02/19 Flac 24/48 - , 153469 Dallas Dos Equis Pavilion Flac24 Source 1: Neumann TLM102 (ab) > SD MixPre-6 Source 2: AKG 483 (DINa) > SD MixPre-6 Source 3: AT 897 (PAS) > SD MixPre-6 Location: OTS; 20' LOC; BOB; 7' high Pull & Processing: CorFit Chris @ InsideOut Recording notes 477. 07/02/19 Flac 16 - , 153473 Dallas Dos Equis Pavilion Flac16 Schoeps MK22 > Tascam DR 680 Taped by Hellion Transferred by Chris Hale notes 478. 07/02/19 Flac 16 - , 153474 Dallas Dos Equis Pavilion Flac16 Schoeps CMC64V's>Schoeps VMS5u>Sound Devices 744t recorded FOB Section 101 Row 18 SD744t>Soundforge Pro 11 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac)>Foobar2000 (Track Tagging) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 479. 07/05/19 Flac 16 - , 153475 Boulder Folsom Field Flac16 Schoeps CMC64V's>Schoeps VMS5u>Sound Devices 744t recorded FOB SD744t>Soundforge Pro 11 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac)>Foobar2000 (Track Tagging) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 480. 07/06/19 Flac 16 - 0, 147147 Boulder Folsom Field 16 bit Samar V373A Stereo Ribbon Microphone->Grace Luni->SD744t channels 1&2 ->24/96 notes 481. 07/06/19 Flac 24/96 - , 153480 Boulder Folsom Field Flac24 Sony PCM-D100 Internal Microphones > Sandisk Ultra 32GB SD 24/96.wav Location: RFCSB; 100’ from stage; 10’ SD > Fission > xACT > flac Taped and Transferred by Jeff Jansen Texasdragonfly Productions notes 482. 07/06/19 Flac 16/48 - , 153479 Boulder Folsom Field Flac1648 Audio-Technica AT853 > Church Audio CA9200 (+10 gain) > Roland R-05 (24/48 wav) Location: FOB, DFCish Wav > Audacity > Mp3tag> TLH Recorded and transferred by Lucas Lorenz notes 483. 07/06/19 Flac 24/96 - , 153478 Boulder Folsom Field Flac24 Naiant XX omnis (40cm split, DFC, approx 75' from stage @ 6')>SD MixPre 6 (96/24) Taped and transferred by bonobeats notes 484. 07/06/19 Flac 24/96 - , 153477 Boulder Folsom Field Flac24 Telefunken M60 (DFC, approx 75' from stage @ 6')>SD MixPre 6 (96/24) Taped and transferred by bonobeats notes 485. 07/06/19 Flac 16 - , 153476 Boulder Folsom Field Flac16 Schoeps CMC64V's>Schoeps VMS5u>Sound Devices 744t recorded FOB SD744t>Soundforge Pro 11 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 486. 10/31/19 Flac 16 - , 153482 New York Madison Square Garden Flac16 Nakamichi CM700's W 701's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Uploaded By: JT/NY notes 487. 10/31/19 Flac 24/96 - , 148065 New York Madison Square Garden Flac24 Nakamichi CM700's W 701's > GAKable's > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper - Convert to Flac notes 488. 10/31/19 Flac 16 - , 153481 New York Madison Square Garden Flac16 Schoeps MK4V's>KCY 250/5i>Schoeps VMS5u>Sound Devices 744t SD744t>Soundforge Pro 13 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac) Recorded By Jeff Travitz from back of pit. Processed By Keith Litzenberger notes 489. 11/01/19 Flac 24/96 - , 153483 New York Madison Square Garden Flac24 Nak 700's w CP701's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Uploaded By: JT/NY notes 490. 11/01/19 Flac 16 - , 148064 New York Madison Square Garden Flac16 Nak 700's w CP701's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac recorded and transferred by JTNY notes 491. 11/05/19 Flac 16 - , 153485 Uniondale Nassau Coliseum Flac16 OTS Front Row > DFC Neumann KMR82is > Oade M248 > SD722 24/48 > me > Adobe Adition > CDwave >TLH > level 8 > Flac 16 Taped By Jon Pasternak notes 492. 11/05/19 Flac 16 - , 153487 Uniondale Nassau Coliseum Flac16 Nakamichi CM700's w CP703's > GAKable's > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded By: JT/NY notes 493. 11/06/19 Flac 24/96 - , 153489 Uniondale Nassau Coliseum Flac16 Nakamichi CM700's w CP703's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Uploaded By: JT/NY notes 494. 11/06/19 Flac 16 - , 153491 Uniondale Nassau Coliseum Flac16 Schoeps CMC64's>Schoeps VMS5u>Sound Devices 744t (recorded at 16 BIT / 44.1khz) wav>Soundforge Pro 13 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac)>Foobar2000 (Track Tagging) Recorded By Jeff Travitz from back of General Admission Pit. Processed By Keith Litzenberger notes 495. 11/08/19 Flac 16 - , 153492 Hampton Hampton Coliseum Flac16 Nakamichi CM700's W CP703's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded by: JT/NY notes 496. 11/08/19 Flac 16 - , 153493 Hampton Hampton Coliseum Flac16 Location: FOB, slightly ROC, DINa, 7' high Milab VM-44 Link's -> Sonosax SX-R4 (24/48) Transfer: Sonosax SX-R4 -> Audacity (16/44) -> Cd Wave -> Flac notes 497. 11/08/19 Flac 16 - , 153494 Hampton Hampton Coliseum Flac16 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t (recorded at 16 BIT / 44.1khz) wav>Soundforge Pro 13 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac)>Foobar2000 (Track Tagging) Recorded By Jeff Travitz FOB/DFC Processed By Keith Litzenberger notes 498. 11/08/19 Flac 16 - , 153495 Hampton Hampton Coliseum Flac16 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12.1>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.1.1, ffp & md5-TLH Recorded and transferred by Steven Weld. notes 499. 11/08/19 Flac 24/96 - , 153496 Hampton Hampton Coliseum Flac24 Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12.1>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.1.1, ffp & md5-TLH Recorded and transferred by Steven Weld. notes 500. 11/09/19 Flac 16 - , 153507 Hampton Hampton Coliseum Flac16 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t (recorded at 16 BIT / 44.1khz) wav>Soundforge Pro 13 (Fades, level adjustments)>CDWAV (Track Splitting)>Trader's Little Helper (Flac)>Foobar2000 (Track Tagging) Recorded By Jeff Travitz FOB/DFC Processed By Keith Litzenberger notes 501. 11/09/19 Flac 24/96 - , 153508 Hampton Hampton Coliseum Flac24 Source: Neumann SKM150(AK50's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12.1>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.1.1, ffp & md5-TLH Recorded and transferred by Steven Weld. notes 502. 11/09/19 Flac 16 - , 153509 Hampton Hampton Coliseum Flac16 Neumann SKM150(AK50's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 12.1>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.1.1, ffp & md5-TLH Recorded and transferred by Steven Weld. notes 503. 11/09/19 Flac 16 - , 153510 Hampton Hampton Coliseum Flac16 Nakamichi CM300's w CP4's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 12.0 - Tracking & Editing > Traders Little Helper > Flac Uploaded By: JT/NY notes 504. 11/09/19 Flac 24/48 - , 153511 Hampton Hampton Coliseum Flac24 Microtech Gefell M21 > nBob actives > Sound Devices MixPre-6 (24/48) MP6 > iMac. Tracked via Sound Studio, FLAC via xACT Recorded by Alex Leary notes 505. 12/27/19 Flac 16 - , 153597 Los Angeles The Forum Flac16 Aud > DPA 4011 > GAKable's > MixPre 6 SD @ 16 48 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Recorded By: Bill Zimmerman Uploaded By: JT/NY notes 506. 12/31/19 Flac 16 - , 153135 San Francisco Chase Center Flac16 Source: Aud > DPA 4011 > GAKable's > MixPre 6 Lineage: SD @ 24 96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper - Convert to Flac Recorded By: Bill Zimmerman Uploaded By: JT/NY notes 507. 01/16/20 Flac 16 - , 153513 Cancun Playing In The Sand Flac16 DPA 4011 > GAKable's > MixPre 6 SD @ 16 48 > Sound Forge Pro 12.0 - Tracking & Editing > Traders Little Helper > Flac Recorded By: Bill Zimmerman Uploaded By: JT/NY notes 508. 01/18/20 Flac 16 - , 153515 Cancun Playing In The Sand Flac16 Sennheiser shot guns > Zoom H4 Untracked set 1 flac Untracked set 2 flac Taped by Kenny T notes 509. 01/18/20 Flac 16/48 - , 153514 Cancun Playing In The Sand Flac1648 Nakamichi CM700's W CP701's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Recorded By: John T Uploaded By: JT/NY notes 510. 01/19/20 Flac 16 - , 153518 Cancun Playing In The Sand Flac16 Nakamichi CM700's W CP701's > GAKable's > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper > Flac Recorded By: John T Uploaded By: JT/NY notes 511. 01/19/20 Flac 16 - , 153517 Cancun Playing In The Sand Flac16 Schoeps CMC64v's>V3Sound Devices 744t (@24 BIT/44.1khz) Wav>Soundforge Pro 13 (Fades,POW-r depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC) Recorded By Jeff Travitz Processed By Keith Litzenberger notes 512. 01/19/20 Flac 16 - , 153516 Cancun Playing In The Sand Flac16 sennheiser shot guns Zoom H4 Taped by Kenny T notes 513. 08/16/21 Flac 16 - , 153058 Raleigh Coastal Credit Union Music Park, Walnut Creek Flac16 Nakamichi CM700's w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded by: JT/NY 569johnt@gmail.com notes 514. 08/16/21 Flac 24 - , 153057 Raleigh Coastal Credit Union Music Park, Walnut Creek Flac24 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t (Recorded in the Pit on back rail) Sound Forge Pro 15 (Fades)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 515. 08/16/21 Flac 16 - , 153056 Raleigh Coastal Credit Union Music Park, Walnut Creek Flac16 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t (Recorded in the Pit on back rail) Sound Forge Pro 15 (Fades,POW-r Bit depth conversion/Bit Rate Conversion to 16 BIT/44.1khz) >CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 516. 08/18/21 Flac 16 - , 154161 Bristow Jiffy Lube Live Flac16 Nakamichi CM300.CP1 capsules> Marantz PMD661mkII master. left rear corner of sbd. recorded by Steve Baker. notes 517. 08/18/21 Flac 16 - , 153071 Bristow Jiffy Lube Live Flac16 Nakamichi CM700's w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded by : JT/NY 569johnt@gmail.com notes 518. 08/20/21 Flac 24/48 - , 153283 Queens Citi Field Flac24 Source: OMT6 AUD Mix (24/48) Channels 1|2: Studio Projects C4 (hypercard), X-Y PAS-> Sound Devices MixPre (tape out)-> Tascam DR70D Channels 3|4: AT853Rx (omni/Nerf APE balls) A-B split 4'-> Bmp2+ UA-5 -> Tascam DR70D Channels 5|6: Samson C02 (supercard) split 2' @ 45º -> Bmp2+ UA-5 -> Tascam DR70D Location: OTS, Sec 112, Row 2, Seat 4; 350' from stage; 8' up Transfer: SDHC> WAV> Audacity (TDR Nova EQ, Tube SaturatorVintage; LoudMax Limiter, Wider, mix and render)> CDWave (tracking)> Trader’s Little Helper> FLAC24 Recorded by David Perez notes 519. 08/20/21 Flac 16 - , 153201 Queens Citi Field Flac16 Source: Nakamichi CM700 w 701 Caps > GakCables > Lunatec V3 > GakCables > Sound Devices 722 @ 24/96 Lineage: SD 16/44.1 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded by: JT/NY notes 520. 08/20/21 Flac 16 - , 153097 Queens Citi Field Flac16 Source: Aud > Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 Lineage: SD 16/44.1 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded By: W Zimmerman Uploaded By: JT/NY notes 521. 08/21/21 Flac 16 - , 153098 Philadelphia Citizens Bank Park Flac16 Source: Nakamichi CM700 w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded by: JT/NY 569johnt@gmail.com notes 522. 08/23/21 Flac 24 - , 153137 Bethel Bethel Woods Center for the Arts Flac24 Source: AKG CK63>Naiant Active Cables>Sound Devices 722 Location: Section 134, behind SBD, Stand at 10 feet, clamped to drink rail. Transfer: CF Card>Adobe Audition 3.0>CDwav>TLH>flac24 Taper: Tony Suraci notes 523. 08/23/21 Flac 16 - , 153138 Bethel Bethel Woods Center for the Arts Flac16 Source: AKG CK63>Naiant Active Cables>Sound Devices 722 Location: Section 134, behind SBD, Stand at 10 feet, clamped to drink rail. Transfer: CF Card>Adobe Audition 3.0>CDwav>TLH>flac16 Taper: Tony Suraci notes 524. 08/23/21 Flac 16 - , 153188 Bethel Bethel Woods Center for the Arts Flac16 Source: Nakamichi CM700's w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded By: JT/NY 569johnt@gmail.com notes 525. 08/23/21 Flac 16 - , 153120 Bethel Bethel Woods Center for the Arts Flac16 Schoeps MK41v's>Schoeps KCY250/5i>Baby Nbox>Sony PCM-A10 (Recorded at 24 BIT/96Khz) Recorded from Section 100 Row G (First row behind the soundboard) wav>Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT/44.1khz) >CDWAV(Tracking)>Trader's Little Helper(FLAC)>Foobar2000(Track Tagging) Recorded by Keith Litzenberger notes 526. 08/23/21 Flac 24/96 - , 153119 Bethel Bethel Woods Center for the Arts ***24 BIT / 96Khz Fileset*** Schoeps MK41v's>Schoeps KCY250/5i>Baby Nbox>Sony PCM-A10 (Recorded at 24 BIT/96Khz) Recorded from Section 100 Row G (First row behind the soundboard) wav>Sound Forge Pro 15 (Fades)>CDWAV(Tracking)>Trader's Little Helper(FLAC) Recorded by Keith Litzenberger notes 527. 08/25/21 Flac 16 - , 153248 Darien Lake Darien Lake Performing Arts Center Flac16 1x AKG393 Hypercardioid (C); 1x AKG394 Figure-8 (L,R); 2x AKG391 cardioids DIN (L,R); 2x AKG398 shotguns pointed at stacks (L,R) > Zoom F8 @ 44.1/16 Multitrack sources to DIY mix yourself. Recorded and uploaded by Toaste notes 528. 08/25/21 Flac 16 - , 153244 Darien Lake Darien Lake Performing Arts Center Flac16 1x AKG393 Hypercardioid (C); 1x AKG394 Figure-8 (L,R); 2x AKG391 cardioids DIN (L,R); 2x AKG398 shotguns pointed at stacks (L,R) > Zoom F8 @ 44.1/16 OTS, section 400, Row 1, Seat 8 Recorded, transferred and uploaded by : Toaste notes 529. 08/25/21 Flac 16 - , 154143 Darien Lake Darien Lake Performing Arts Center Flac16 Source: Nakamichi CM700 w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded by: JT/NY 569johnt@gmail.com Be aware that original files (and text file info) are mis-labelled 2021-08-23 notes 530. 08/27/21 Flac 16 - , 153231 Saratoga Springs SPAC Flac16 3x AKG398 shotguns (L,C,R); 1x AKG394 Figure-8 (L,R); 2x AKG391 (L,R) > Zoom F8 @ 44.1/16 wav > Soundforge XP 4.5 > TLH > FLAC Multitrack sources to DIY mix yourself. Recorded and uploaded by Toaste notes 531. 08/27/21 Flac 16 - , 153230 Saratoga Springs SPAC Flac16 3x AKG398 shotguns (L,C,R); 1x AKG394 Figure-8 (L,R); 2x AKG391 (L,R) > Zoom F8 @ 44.1/16 wav > Soundforge XP 4.5 > Audacity mix to stereo > .wav > Soundforge XP 4.5 > TLH > FLAC Recorded and transferred by : Toaste notes 532. 08/27/21 Flac 24/48 - , 153176 Saratoga Springs SPAC Flac24 MK41V>CMC6>MP6{24/48} Stand 10ft, Right side of the SBD, Sec 8 row gg seat 4 Taped By: Duncan Oldham Uploaded By: JT/NY notes 533. 08/27/21 Flac 24/48 - , 153164 Saratoga Springs SPAC Flac24 Source: Neumann KM150's(AK50's/LC3 cables/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 12.1>44.1/16-CD Wave v1.98(tracking)>FLAC24 Recorded and uploaded by Steven Weld notes 534. 08/27/21 Flac 16 - , 153157 Saratoga Springs SPAC Flac16 Nakamichi CM700's w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96 CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded by : JT/NY 569johnt@gmail.com notes 535. 08/27/21 Flac 16 - , 153165 Saratoga Springs SPAC Flac16 Source: Neumann KM150's(AK50's/LC3 cables/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 12.1>44.1/16-CD Wave v1.98(tracking)>FLAC16 Recorded and uploaded by Steven Weld notes 536. 08/27/21 Flac 16 - , 153163 Saratoga Springs SPAC Flac16 Source:Nakamichi 300 Mics W/CP 4 Shotguns>Edirol UA-5>Edirol R-09 HR(24.44.1 KHZ) >Edirol R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper Taped By Dave Boedicker. On The Lawn, Dead Center About Half Way Up. notes 537. 08/28/21 Flac 24/48 - , 153174 Hershey Hershey park Stadium Flac24 Source: AKG CK63 hypers > JK Labs DVC > Tascam 70D (24bit/48Hz) Location: Section E Row 20, Just left of soundboard even with Left stack, 7ft, ORTF Transfer: SDcard > PC > Wavelab 6.1 (tracking/fades) > TLH (flac8) > Foobar2000 (tag) Recorded and transferred: Chris Kantner ( justgup@yahoo.com ) notes 538. 08/28/21 Flac 16 - , 153246 Hershey Hershey park Stadium Flac16 1x AKG393 Hypercardioid (C); 1x AKG394 Figure-8 (L,R); 2x AKG391 cardioids DIN (L,R); 2x AKG392 omnis 20-inch spread (L,R) > Zoom F8 @ 44.1/16 Multitrack sources to DIY mix yourself. Recorded and uploaded by Toaste notes 539. 08/28/21 Flac 16 - , 153173 Hershey Hershey park Stadium Flac16 Nakamichi CM700's w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded and uploaded By: JT/NY 569johnt@gmail.com notes 540. 08/28/21 Flac 16 - , 153200 Hershey Hershey park Stadium Flac16 Source: FOB > Aud > Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 Lineage: SD 16/48 > Sound Forge Pro 12.0 - Tracking & Editing > Traders Little Helper > Flac Recorded By: W Zimmerman, Uploaded By: JT/NY 569johnt@gmail.com notes 541. 08/28/21 Flac 16 - , 153243 Hershey Hershey park Stadium Flac16 1x AKG393 hypercardioid (C); 1x AKG394 Figure-8 (L,R); 2x AKG391 cardioids DIN (L,R); 2x AKG392 omnis 20-inch spread (L,R) > Zoom F8 @ 44.1/16 OTS, section A, Row 27, Seat 33 Recorded, transferred and uploaded by : Toaste notes 542. 09/02/21 Flac 24 - , 153208 Mansfield Xfinity Center ***24 BIT Fileset*** Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t Sound Forge Pro 15 (Fades)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 543. 09/02/21 Flac 16 - , 153210 Mansfield Xfinity Center Flac16 sec 6, DFC behind the board Zoom H3-VR Ambisonic recorder > Ambisonic A format @ 24b/44.1k > Zoom Ambisonics editor > Audacity >TLC recorded/mastered by nick@nickspicks.com notes 544. 09/02/21 Flac 16 - , 153245 Mansfield Xfinity Center Flac16 Location: clamped to BOH rail/DFC (sect 6/BB/22)/mics@7' Source: MBHOka200n(ortf)->V3(24/48)->Tascam DR680 + AKGck63/Nbob actives/Naiant pfa's(dina)->Tascam DR680 (Busman Mod) Transfer: SDEC10->Cakewalk Sonar LE v4.0.1 (mixdown/fast bounce: off)->Sound Forge 11 (track, fades and iZotope MBIT+ dither/64-Bit SRC resample)->TLH (flac@level 8 & ffp) Recorded, transferred and seeded by Bob Crupi/axomxa@comcast.net notes 545. 09/02/21 Flac 16 - , 153209 Mansfield Xfinity Center Flac16 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT/44.1khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 546. 09/02/21 Flac 16 - , 153207 Mansfield Xfinity Center Flac16 Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 Lineage: SD 16/44.1 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Recorded By: w Zimmerman Uploaded By: JT/NY 569johnt@gmail.com notes 547. 09/03/21 Flac 24 - , 153220 Mansfield Xfinity Center ***24 BIT Fileset*** Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t Sound Forge Pro 15 (Fades)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 548. 09/03/21 Flac 16 - , 153219 Mansfield Xfinity Center Flac16 Source: Aud > DPA 4017's > GakCables > Sound Devices 722 @ 24/96 Lineage: CF 2 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Location: Section 6 > Behind Board > 10ft High Recorded and uploaded by: JT/NY 569johnt@gmail.com notes 549. 09/03/21 Flac 16 - , 153262 Mansfield Xfinity Center Flac16 Location: 1st row reserved lawn/DFC(sect12/A/22)/mics@7' Source: AKGck63(dina)/Nbob actives/Naiant pfa's->V3(24/48)->V3->Tascam DR680 Transfer: SDEC10-> Sound Forge 11 (track, fades, normalize to -1.72db and iZotope MBIT+ dither/64-Bit SRC resample)->TLH (flac@level 8 & ffp) Recorded, transferred and seeded by Bob Crupi/axomxa@comcast.net notes 550. 09/03/21 Flac 16 - , 153221 Mansfield Xfinity Center Flac16 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT/44.1khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 551. 09/03/21 Flac 16 - , 153222 Mansfield Xfinity Center Flac16 Source: Nak 700 w 701 > GakCables > Lunatec V3 > GakCables > Sound Devices 722 @ 24/96 Lineage: CF 2 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Location: Section 6 > Behind Board > 10ft High Recorded and uploaded by: JT/NY 569johnt@gmail.com notes 552. 09/05/21 Flac 16 - , 153267 Hartford XFinity Theatre Flac16 Source: MG210(Hypers)>Sound Devices MixPre 10ii Location: 600 JJ first row behind soundboard @ 10 Feet Conversion: SDHC Card>Audacity>Adobe Audition 3.0>CDWave 1.71 Taper: Keith Antaya notes 553. 09/05/21 Flac 16 - , 153237 Hartford XFinity Theatre Flac16 Source: Nak 700 with 701 > GakCables > Lunatec V3 > GakCables > Sound Devices 722 @ 24/96 Lineage: CF 2 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac Location: Section 600 > Behind Board > 10ft High Recorded and uploaded by: JT/NY 569johnt@gmail.com The original files were mis-dated as 2021-09-04. notes 554. 09/15/21 Flac 16 - , 153761 Noblesville Ruoff Music Center, Deer Creek Flac16 Multitrack 3x AKG398 shotguns (L,C,R); 1x AKG394 Figure-8 (L,R); 2x AKG391 cardioids DIN (L,R); 2x AKG392 omnis 4-foot spread (L,R) > Zoom F8 @ 44.1/16 .wav > Soundforge XP 4.5 to balance tracks and complete figure-8 tracks > TLH > FLAC Taped and Transferred by Toaste notes 555. 09/17/21 Flac 16 - , 154127 Chicago Wrigley Field Flac16 Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 SD @ 16/48 > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac Recorded By: W Zimmerman Uploaded By: JT/NY notes 556. 09/18/21 Flac 16 - , 154128 Chicago Wrigley Field Flac16 Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 SD @ 16/48 > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac Recorded By: W Zimmerman Uploaded By: JT/NY notes 557. 10/11/21 Flac 16 - , 154130 Charlotte PNC Music Pavilion Flac16 Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac Recorded By: W Zimmerman Uploaded By: JT/NY notes 558. 10/12/21 Flac 16 - , 154131 Atlanta Cellairis Amphitheatre at Lakewood Flac16 Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac Recorded By: W Zimmerman Uploaded By: JT/NY notes 559. 10/14/21 Flac 16 - , 154137 Dallas Dos Equis Pavilion Flac16 Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac Recorded By: W Zimmerman Uploaded By: JT/NY notes 560. 10/14/21 Flac 24/48 - , 153758 Dallas Dos Equis Pavilion Flac16 Source 1: AKG 461 (DIN) > gakables > SD MixPre-6 Source 2: AKG ck63 (PAS) > nbob actives > SD MixPre-6 SDXC > Reaper > flac Location: LOC; clamped to back of sound cage; 7' high Pull & Processing: CorFit Chris @ InsideOut Recording notes 561. 10/14/21 Flac 16 - , 154287 Dallas Dos Equis Pavilion Flac16 Schoeps MK22 > DR680 DR 680 > Audacity > CDWAVE Taped by Hellion Transferred by Chris Hale notes 562. 10/15/21 Flac 16 - , 154132 The Woodlands Cynthia Woods Mitchell Pavilion Flac16 Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac Recorded By: W Zimmerman Uploaded By: JT/NY notes 563. 10/19/21 Flac 16 - , 154023 Morrison Red Rocks Amphitheatre Flac16 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t 16th row DFC Sound Forge Pro 15 > 16/44.1 > CDWAV(Tracking)>TLH(FLAC)>Foobar2000 (Track Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 564. 10/19/21 Flac 24 - , 154024 Morrison Red Rocks Amphitheatre Flac24 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t 16th row DFC Sound Forge Pro 15 (Fades)>CDWAV(Tracking)>TLH(FLAC)Foobar2000 (Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 565. 10/19/21 Flac 16 - , 154133 Morrison Red Rocks Amphitheatre Flac16 Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac Recorded By: W Zimmerman Uploaded By: JT/NY notes 566. 10/20/21 Flac 16 - , 154038 Morrison Red Rocks Amphitheatre Flac16 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t 16th row DFC Sound Forge Pro 15 > 16/44.1 > CDWAV(Tracking)>TLH(FLAC)Foobar2000 (Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 567. 10/20/21 Flac 24 - , 154039 Morrison Red Rocks Amphitheatre Flac24 Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t from 16th row DFC Sound Forge Pro 15 (Fades)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) Recorded by Jeff Travitz Processed by Keith Litzenberger notes 568. 10/20/21 Flac 16 - , 154134 Morrison Red Rocks Amphitheatre Flac16 Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48 SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac Recorded By: W Zimmerman Uploaded By: JT/NY notes 569. 10/27/21 Flac 24/48 - , 154215 Chula Vista North Island Credit Union Amphitheatre Flac24 DPA 4022 > Sound Devices Mixpre 6 @ 24bit 48kHz Section 102 (Behind Soundboard, nearly centered) Recorded and transferred by: John Hermsen notes

Grateful Dead http://www.dead.net   Date Venue - City, State City Media   1. 02/25/90 Flac 16 - 0, 87786 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 2. 02/25/90 Flac 16 Mtx - 0, 82923 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid 29345) + AUD (shnid 11805) mixed by Kevin Tobin notes 3. 02/25/90 Flac 16 - 0, 28345 Oakland Oakland-Alameda County Coliseum flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 4. 02/25/90 Shn - 0, 13142 Oakland Oakland-Alameda County Coliseum Set 2; SBD with patches from Schoeps AUD; Lineage: SBD> DAT> CASS> DAT> CDR; via Patrick White notes 5. 02/25/90 Flac 16 - 0, 93476 Oakland Oakland-Alameda County Coliseum flac16; FOB AUD: AKG C-568's > patched thru Panasonic SV-255 > Sony TC-D5M > TDK MA (1st Set) & TDK MA-XG (2nd Set), with no Dolby. Mics on stand, thirty feet from the stage, in the center. Taped by B and D. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 6. 02/25/90 Flac 24/96 - 0, 125809 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7. 02/25/90 Flac 16 - 0, 125810 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded BY M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename This is your collection notes 8. 02/25/90 Flac 24/96 - 0, 135099 Oakland Oakland-Alameda County Coliseum flac24; Source: Schoeps CMC 421 Sub Cardioids, ORTF, SV-250 DAT, FOB -> NAK 682 ZX/Sony Metal-SR/100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded by: Richard Berner and Friends notes 9. 02/25/90 Flac 16 - 0, 135154 Oakland Oakland-Alameda County Coliseum flac16; Source: Schoeps CMC 421 Sub Cardioids, ORTF, SV-250 DAT, FOB -> NAK 682 ZX/Sony Metal-SR/100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; further processing: .flac2496 to .wav2496 (TLH) to .wav1644 (r8brain, very high) to .flac1644 (THL, level 8, fix SBEs); Recorded by: Richard Berner and Friends notes 10. 02/25/90 Flac Dts 5.1 - 0, 34732 Oakland Oakland-Alameda County Coliseum DTS-Audio 5.1; Mix of SBD:SBD > DAT > C > DAT > CD > EAC > FLAC; and AUD:CMC 44’s)>DAT>CDR; mixed by ktobin notes 11. 02/25/90 Flac 16/48 - 0, 141870 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes 12. 02/25/90 Shn - 0, 11805 Oakland Oakland-Alameda County Coliseum AUD(Schoeps CMC 44?s)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes 13. 02/25/90 Flac 16 - 0, 117754 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 14. 02/25/90 Flac 16 - 0, 130975 Oakland Oakland-Alameda County Coliseum flac16; Source: FOB Master Recording by Ted Mattes and Rick Katzeff using Schoeps CMC4/MK4> Oade> sv-255> clone(1:1); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (amplified set1 3.9/amplified set2 4.7)> 16/44> CDWave (tracking)> TLH (SBE/Flac16 (level 8)/ffp); Transfer completed August 15, 2014 by jwpetty notes 15. 02/25/90 Flac 16 - 0, 150674 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-XG); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 16. 02/25/90 Flac 24/96 - 0, 150630 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-XG); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 17. 02/26/90 Shn - 0, 16946 Oakland Oakland-Alameda County Coliseum Snbd > Dat> cdr >Dat > sblive > cd wave > mkw Audio tools > Shn; Unknown seeder notes 18. 02/26/90 Flac 16 - 0, 131004 Oakland Oakland-Alameda County Coliseum flac16; Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5) notes 19. 02/26/90 Shn - 0, 451 Oakland Oakland-Alameda County Coliseum SBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via shakedown@canada.com; note revision in txt file for d1t8 This is your collection notes 20. 02/26/90 Flac 16 - 0, 93841 Oakland Oakland-Alameda County Coliseum flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 21. 02/26/90 Flac Mtx.16/48 - 0, 137905 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT notes 22. 02/26/90 Flac 16 - 0, 137963 Oakland Oakland-Alameda County Coliseum flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs) notes 23. 02/26/90 Flac 16/48 - 0, 141871 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes 24. 02/27/90 Shn - 0, 8569 Oakland Oakland-Alameda County Coliseum SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo notes 25. 02/27/90 Flac 24/96 - 0, 125838 Oakland Oakland-Alameda County Coliseum flac24; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 26. 02/27/90 Flac 16 - 0, 125839 Oakland Oakland-Alameda County Coliseum flac16; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 27. 02/27/90 Flac 16 - 0, 93955 Oakland Oakland-Alameda County Coliseum flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 28. 02/27/90 Flac 16/48 UMtx - 0, 141692 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording Info: Ultra Matrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 29. 02/27/90 Flac 16/48 - 0, 141872 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes 30. 02/27/90 Flac 16 - 0, 131005 Oakland Oakland-Alameda County Coliseum flac16; FOB Digital Audience Recording by Ted Mattes & Rick Katzeff using Schoeps CMC 44's> ? (presumed Oade p/s)> ? (presumed SV-250/255)> L. Deal clone; Transfer: Fosex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5) notes 31. 03/14/90 Shn - 0, 8466 Landover Capital Centre sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org notes 32. 03/14/90 Flac 16 - 0, 125852 Landover Capital Centre flac16; Master Audience Recorded by Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 33. 03/14/90 Flac 16 Mtx - 0, 89693 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin notes 34. 03/14/90 Flac 24/96 - 0, 125851 Landover Capital Centre flac24; Master Audience Recorded by Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 35. 03/14/90 Flac - DTS - 0, 89733 Landover Capital Centre DTS Audio 5.1; SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - mixing by Kevin Tobin notes 36. 03/14/90 Flac 24 U Mtx - 0, 140959 Landover Capital Centre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 37. 03/14/90 Flac 16 - 0, 140969 Landover Capital Centre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 38. 03/14/90 Flac 16 - 0, 142544 Landover Capital Centre flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 39. 03/14/90 Flac 16 - 0, 116746 Landover Capital Centre flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes 40. 03/14/90 Flac 16 - 0, 116030 Landover Capital Centre flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row FF, seat 1; Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking Trader's little Helper: md5, ffp, flac notes 41. 03/14/90 Flac 16 - 0, 83778 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes 42. 03/14/90 Flac 16 - 0, 89689 Landover Capital Centre flac16; MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 notes 43. 03/14/90 Flac 16/48 - 0, 149324 Landover Capital Centre flac16/48kHz; reMaster of shnid 142544; Source info: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes 44. 03/15/90 Flac 16 - 0, 105690 Landover Capital Centre flac16; Recording Info:SBD -> Cassette Master (TDK SA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 45. 03/15/90 Flac 16 - 0, 125672 Landover Capital Centre flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 46. 03/15/90 Flac 24/96 - 0, 125871 Landover Capital Centre flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 47. 03/15/90 Flac 16 U Mtx - 0, 140985 Landover Capital Centre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 48. 03/15/90 Flac 24 U Mtx - 0, 140983 Landover Capital Centre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 49. 03/15/90 Flac 16 - 0, 142545 Landover Capital Centre flac16/48kHz; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section stand @ 8.5ft; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 50. 03/15/90 Flac 16 - 0, 83675 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes 51. 03/15/90 Shn - 0, 28293 Landover Capital Centre Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl notes 52. 03/15/90 Flac 16 - 0, 115935 Landover Capital Centre flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row FF, seat 12; Master Cassettes > SB Audigy(line in) > Adobe Audition @24bit/44.1Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking. Trader's little Helper: md5, ffp, flacs notes 53. 03/15/90 Shn - 0, 109251 Landover Capital Centre source: aud>?>Tascam 42mkII>Adobe Audition>wav notes 54. 03/15/90 Flac 16/48 - 0, 149325 Landover Capital Centre flac16/48kHz; reMaster of shnid 142545; Source info: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes 55. 03/16/90 Flac 16 - 0, 85201 Landover Capital Centre flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller notes 56. 03/16/90 Flac 16 Mtx - 0, 97023 Landover Capital Centre flac16; matrix of SBD: shnid=85201 and AUD: shnid=91782 by hansokolow using ProTools notes 57. 03/16/90 Flac 16 - 0, 125874 Landover Capital Centre flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Renam notes 58. 03/16/90 Shn - 0, 5227 Landover Capital Centre sbd > ? > cdr > eac > shn; 2 cuts in each BTW, Blow Away; Estimated declicked by unIDed person (md5s shown for pre and post-edited- see info file); via Willy from Andrew Wigdahl seed discs; filler on d3 notes 59. 03/16/90 Flac 16 Mtx - 0, 96549 Landover Capital Centre flac16; matrix of SBD: shnid=5227 and AUD: shnid=83791 by hansokolow using ProTools notes 60. 03/16/90 Flac 16 - 0, 76037 Landover Capital Centre flac16; Seamless and patched edit of shn id 5227 - sbd > ? > cdr > eac > shn > wav > flac This is your collection notes 61. 03/16/90 Flac 24/96 - 0, 125873 Landover Capital Centre flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 62. 03/16/90 Flac Dts5.1 - 0, 132661 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin notes 63. 03/16/90 Flac 16 Mtx - 0, 132660 Landover Capital Centre flac16; Matrix 2 source mix - SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin notes 64. 03/16/90 Flac 16/48 - 0, 138312 Landover Capital Centre flac16/48kHz; Rick Katzeff and Ted Mattes recording; Set 1: CMC34 @110 ORTF > SV250 OTS; Set 2: CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: T,F & P Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 65. 03/16/90 Flac 16/48 - 0, 139176 Landover Capital Centre flac16/48kHz; Rick Katzeff & Ted Mattes (FOB) Recording; Schoeps CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 66. 03/16/90 Flac 16 - 0, 141000 Landover Capital Centre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 67. 03/16/90 Flac 24 U Mtx - 0, 140993 Landover Capital Centre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 68. 03/16/90 Flac 16/48 - 0, 142546 Landover Capital Centre flac16/48kHz; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: FOB, set I; sec 2; row s. Set II sec 2; row t; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 69. 03/16/90 Flac 16 - 0, 91782 Landover Capital Centre flac16; Unknown Microphones > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row GG, seat 15 Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte notes 70. 03/16/90 Flac 16 - 0, 83791 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes 71. 03/16/90 Flac 16 - 0, 32135 Landover Capital Centre flac16; Aud MC > CDR > EAC > CD Wave > .flac notes 72. 03/16/90 Flac 16 - 0, 116749 Landover Capital Centre flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes 73. 03/16/90 Flac 16/48 - 0, 149326 Landover Capital Centre flac16/48kHz; eMaster of shnid 142546; Source: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: FOB, set I; sec 2; row s. Set II sec 2; row t; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes 74. 03/18/90 Flac 16 - 0, 90486 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Mille notes 75. 03/18/90 Flac 16 Mtx - 0, 96568 Hartford Hartford Civic Center flac16; matrix of SBD: shnid=9364 and AUD: shnid=94400 by hansokolow using ProTools notes 76. 03/18/90 Flac 24/96 - 0, 125607 Hartford Hartford Civic Center flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 77. 03/18/90 Flac 16 - 0, 125608 Hartford Hartford Civic Center flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 78. 03/18/90 Shn - 0, 9364 Hartford Hartford Civic Center Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR; Some aud splices, see info file for details; via David Huck, Matt Fuggi, & Michael Dixon (splicing and tracking) notes 79. 03/18/90 Flac 16 - 0, 139225 Hartford Hartford Civic Center flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16 notes 80. 03/18/90 Flac 16/48 - 0, 141913 Hartford Hartford Civic Center flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 81. 03/18/90 Flac 16 - 0, 138118 Hartford Hartford Civic Center flac16; Ted Mattes/Rick Katzeff FOB recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Panasonic SV250 (phase corrected); John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44K > Wave; Joe Noel Edits, T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 82. 03/18/90 Flac 16 - 0, 132671 Hartford Hartford Civic Center flac16; Recording info: 2nd row OTS/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty notes 83. 03/18/90 Flac 16 - 0, 91358 Hartford Hartford Civic Center flac16; Sennheiser ME-80's>Technics SV-MD1 (1st row OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger notes 84. 03/18/90 Flac 16 - 0, 35401 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Mics on stand 7-feet high, set up near the back of the floor, aprx five rows behind the soundboard area. (Note: There was no taping area at this show.) Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72. (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F. notes 85. 03/18/90 Flac 16 - 0, 139667 Hartford Hartford Civic Center flac16; Three source matrix created in Audacity notes 86. 03/18/90 Flac 16/48 - 0, 149332 Hartford Hartford Civic Center flac16/48kHz; reMaster of shnid 141913; Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Ted Mattes notes 87. 03/18/90 Flac 24 UMtx. - 0, 149480 Hartford Hartford Civic Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 88. 03/18/90 Flac 16 - 0, 149785 Hartford Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 89. 03/19/90 Flac 16 Mtx - 0, 97024 Hartford Hartford Civic Center flac16; matrix of SBD: shnid=1526 and AUD: shnid=94400 by hansokolow using ProTool notes 90. 03/19/90 Flac 24/96 - 0, 125628 Hartford Hartford Civic Center flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 91. 03/19/90 Flac 16 - 0, 34777 Hartford Hartford Civic Center flac16; Seamless fix of shn id 1526 - Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 92. 03/19/90 Flac 16 - 0, 86825 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand 7-feet high, set up just behind the soundboard area: Sec 8, Row D.Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 93. 03/19/90 Shn - 0, 1526 Hartford Hartford Civic Center updated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes notes 94. 03/19/90 Flac 16 - 0, 125629 Hartford Hartford Civic Center flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 95. 03/19/90 Flac 16/48 - 0, 141914 Hartford Hartford Civic Center flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 96. 03/19/90 Flac 16 - 0, 94400 Hartford Hartford Civic Center flac16; Sennheiser ME-80's>Technics SV-MD1 (2nd row Taper's Section) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 97. 03/19/90 Flac 16 - 0, 132673 Hartford Hartford Civic Center flac16; Recording info: 2nd row center OTS/ortf/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty notes 98. 03/19/90 Flac 16/48 - 0, 149333 Hartford Hartford Civic Center flac16/48kHz; reMaster of shnid 141914; Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Ted Mattes notes 99. 03/19/90 Flac 24 - 0, 149504 Hartford Hartford Civic Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 100. 03/19/90 Flac 16 - 0, 149701 Hartford Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 101. 03/21/90 Flac 16 - 0, 107870 Hamilton Copps Coliseum flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 102. 03/21/90 Flac 16 Mtx - 0, 96638 Hamilton Copps Coliseum flac16; matrix of SBD: shnid=5307 and DAUD: shnid=1355 by hansokolow using ProTools notes 103. 03/21/90 Shn - 0, 5307 Hamilton Copps Coliseum SBD Master Cassette > DAT > CD> EAC> SHN; via Brian Heath notes 104. 03/21/90 Flac 16 - 0, 91967 Hamilton Copps Coliseum flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes 105. 03/21/90 Flac 16/48 - 0, 138583 Hamilton Copps Coliseum flac16/48kHz; Taper unknown; Set I: Schoeps CMC54 (ORTF) > Aerco PS > Panasonic SV250; FOB Row L; Set II: Schoeps CMC44 (ORTF) > Panasonic SV250; FOB 23rd Row; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: T,F & P Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 106. 03/21/90 Flac 16/48 - 0, 141111 Hamilton Copps Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS> AKG B18 phantom power unit> Panasonic SV250> DAT (OTS); Transfer info: Tascam DA 30 mkii> Microtrack ii> wavelab 5> WAV 16/48 notes 107. 03/21/90 Flac 16/48 - 0, 141930 Hamilton Copps Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 108. 03/21/90 Shn - 0, 1355 Hamilton Copps Coliseum FOB Schoeps CMC44's > DAT > CD; Transfer: DVD > Optical cable > Phillips CDR870(CDDA) > EAC > CE2k > CDWAV > Shorten32 (see info file for notes); seeded by Doug Nawrocki notes 109. 03/21/90 Flac 24/96 - 0, 148534 Hamilton Copps Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 110. 03/21/90 Flac 16/48 - 0, 149412 Hamilton Copps Coliseum flac16/48kHz; a reMaster of shnid 141930; Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes 111. 03/21/90 Flac 24/96 - , 156194 Hamilton Copps Coliseum flac2496 Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 112. 03/21/90 Flac 16/44 - , 156422 Hamilton Copps Coliseum flac1644 Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156194 2496 > 1644.1 notes 113. 03/21/90 Flac 24/96 Mtx. - , 156790 Hamilton Copps Coliseum flac24; Matrix 2 Source Mix - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes 114. 03/21/90 Flac 16 Mtx - , 156791 Hamilton Copps Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes 115. 03/21/90 Flac 16 Dts 5.1 - , 156792 Hamilton Copps Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - dts mixing by Kevin Tobin notes 116. 03/21/90 Flac 16/48 LPCM - , 156794 Hamilton Copps Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - notes 117. 03/22/90 Flac 16 Mtx - 0, 113144 Hamilton Copps Coliseum flac16:Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 118. 03/22/90 Flac 16 - 0, 107871 Hamilton Copps Coliseum flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Mille notes 119. 03/22/90 Flac 16 Mtx - 0, 126698 Hamilton Copps Coliseum flac16; Matrix 3 Source Mix - SBD (shnid=107871) Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video found supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin notes 120. 03/22/90 Shn - 0, 111464 Hamilton Copps Coliseum Soundboard Unknown>CD>EAC>WAV>SHN (This source was submitted to Etree with the alt-md5; the seed of this source did not match the alt-md5 on d1t7. A new shn-md5 was created.) notes 121. 03/22/90 Flac 16 - 0, 91779 Hamilton Copps Coliseum flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes 122. 03/22/90 Shn - 0, 21433 Hamilton Copps Coliseum Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes 123. 03/22/90 Shn Mtx - 0, 28040 Hamilton Copps Coliseum SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed & Shn conversion by Dan notes 124. 03/22/90 Shn Mtx - 0, 453 Hamilton Copps Coliseum SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17 notes 125. 03/22/90 Shn Dts - 0, 31772 Hamilton Copps Coliseum DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT notes 126. 03/22/90 Flac 16 Dts.5.1 - 0, 126699 Hamilton Copps Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=107871)Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video supplied by Peanut Production for a video project - dts mixing by Kevin Tobin notes 127. 03/22/90 Flac 16 - 0, 139224 Hamilton Copps Coliseum flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16 notes 128. 03/22/90 Flac 16/48 - 0, 141112 Hamilton Copps Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes 129. 03/22/90 Flac 16/48 - 0, 141931 Hamilton Copps Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 130. 03/22/90 Flac 16/48 - 0, 143170 Hamilton Copps Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized notes 131. 03/22/90 Flac 16/48 - 0, 125880 Hamilton Copps Coliseum flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe notes 132. 03/22/90 Shn - 0, 7460 Hamilton Copps Coliseum Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds notes 133. 03/22/90 Flac 16 - 0, 125881 Hamilton Copps Coliseum flac16; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe notes 134. 03/22/90 Flac 16/48 - 0, 149413 Hamilton Copps Coliseum flac16/48kHz; reMaster of shnid 143170; Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes 135. 03/22/90 Flac 16 Mtx - , 165885 Hamilton Copps Coliseum flac16; Matrix by Jubal Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139224 & 125881. notes 136. 03/22/90 Flac 24/96 - , 156195 Hamilton Copps Coliseum flac2496Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 137. 03/22/90 Flac 16/44 - , 156423 Hamilton Copps Coliseum flac1644: Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156195 2496 > 1644.1 notes 138. 03/24/90 Flac 16 - 0, 107873 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 139. 03/24/90 Shn Mtx - 0, 32082 Albany Knickerbocker Arena SBD + AUD Matrix Mix (60%-SBD/40%-AUD) notes 140. 03/24/90 Flac 16 Mtx - 0, 127119 Albany Knickerbocker Arena flac16; 3 Source Matrix by dusborne; Soundboard (shnid:107873) Recording Info: SBD -> Cassette Master (TDK SA90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Audience (shnid:011806) Source: AUD(Schoeps CMC 421’s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Conversion/Edit/Seeded to Etree by T. Wiley 8/29/2002 and Audience (shnid:125389) Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz) Location: OTS Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Dr. Stan Lobitz; Transferred and seeded by: Lenny Stubbe notes 141. 03/24/90 Shn - 0, 12791 Albany Knickerbocker Arena SBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell notes 142. 03/24/90 Flac 24/96 - 0, 120742 Albany Knickerbocker Arena flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 143. 03/24/90 Flac 16 - 0, 120743 Albany Knickerbocker Arena flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 144. 03/24/90 Flac 16 Mtx - 0, 91828 Albany Knickerbocker Arena flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes 145. 03/24/90 Shn Dts - 0, 32075 Albany Knickerbocker Arena DTS-Audio-CD 5.1; Mix of SBD - SBD: DAT x 3 > CDR > SHN and AUD - FOB: Schoeps CMC 421 > DAT > CDR notes 146. 03/24/90 Flac 24/96 - , 156367 Albany Knickerbocker Arena flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 147. 03/24/90 Flac 16/48 - 0, 141113 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes 148. 03/24/90 Flac 16/48 - 0, 142989 Albany Knickerbocker Arena flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC5 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row Q Seat 7/8; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 149. 03/24/90 Shn - 0, 11806 Albany Knickerbocker Arena AUD(Schoeps CMC 421?s)>DAT>CDR; See info file for flaw notes; via Paul B; Seeded to Etree by T. Wiley notes 150. 03/24/90 Flac 16/48 - 0, 94287 Albany Knickerbocker Arena flac16/48; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 151. 03/24/90 Shn - 0, 28387 Albany Knickerbocker Arena FOB Schoeps CMC5/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller notes 152. 03/24/90 Flac 16 - 0, 94288 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 153. 03/24/90 Flac 16/48 - 0, 125389 Albany Knickerbocker Arena flac16/48kHz; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 154. 03/24/90 Flac 16 - 0, 125390 Albany Knickerbocker Arena flac16; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 155. 03/24/90 Flac 16 - 0, 147527 Albany Knickerbocker Arena b>flac16; Source:Sennheiser 441 Mics>Sony TC-D5M Cassteet Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>TDK Ma-90 And TDK; Ma-100 Metal Cassette Master Tapes (One For each Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes 156. 03/24/90 Flac 16/44 - , 156426 Albany Knickerbocker Arena flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156367 2496 > 1644.1 notes 157. 03/25/90 Flac 16 - 0, 87347 Albany Knickerbocker Arena flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller notes 158. 03/25/90 Flac 16 Mtx - 0, 127157 Albany Knickerbocker Arena flac16; 2 Source Matrix by dusborne; Soundboard (shnid:87347) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:114260) Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz notes 159. 03/25/90 Flac 16 - 0, 114260 Albany Knickerbocker Arena flac16; Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 160. 03/25/90 Flac 24/96 - 0, 114256 Albany Knickerbocker Arena flac24; Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz; No Dithering With These Files notes 161. 03/25/90 Shn - 0, 8506 Albany Knickerbocker Arena 24 track SBD MR> Healy 2 track Mixdown> C> DAT> CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky notes 162. 03/25/90 Flac 16 - 0, 91879 Albany Knickerbocker Arena flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes 163. 03/25/90 Shn - 0, 4688 Albany Knickerbocker Arena SBD cass master > DAT > SHN DAT>SHN via Sony PCM-M1 > midiman CO2 s/pdif format converter > Zoltrix Nightengale > CoolEdit for record/downsample > CDWAV for tracking > MKW-ACT for SHN encoding. done by nick@nickspicks.com Notes: d3t01 (drums) cassette flip @ 1:26 notes 164. 03/25/90 Flac 24 - 0, 120859 Albany Knickerbocker Arena flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 165. 03/25/90 Flac 16 - 0, 120858 Albany Knickerbocker Arena flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 166. 03/25/90 Flac 16 - 0, 135276 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; All Transfers And Mastering By Charlie Miller; This is a pitch corrected version of source ID 87347 notes 167. 03/25/90 Flac 16/48 - 0, 141114 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes 168. 03/25/90 Flac 16/48 - 0, 142990 Albany Knickerbocker Arena flac16/48kHz; Ted Mattes DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location unknown; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 169. 03/25/90 Flac 16/48 - 0, 143188 Albany Knickerbocker Arena flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location unknown; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized notes 170. 03/25/90 Shn - 0, 28389 Albany Knickerbocker Arena FOB Schoeps CMC4/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; Fixed version now in circulation notes 171. 03/25/90 Flac 16 - 0, 91500 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab>CDWAV>FLAC Recorded By Keith Litzenberger notes 172. 03/25/90 Flac 16 - 0, 132707 Albany Knickerbocker Arena flac16; Recording Info: (FOB) Schoeps CMC4/MK21 -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Recorded By Ted Mattes; fix of source ID 28389 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC notes 173. 03/25/90 Flac 16/48 - 0, 130429 Albany Knickerbocker Arena flac16/48kHz; Source: AKG 414B-ULS (cards) > Oade Deluxe + Nakamichi CM300/CP4 > Unknown mixer (Radio Shack?) > (analog) Panasonic SV250 (48 khz); Config/Location: AKG’s pointed just outside the stacks/Official Tapers Section; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.26(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 174. 03/25/90 Flac 16 - 0, 130430 Albany Knickerbocker Arena flac16; Source: AKG 414B-ULS (cards) > Oade Deluxe + Nakamichi CM300/CP4 > Unknown mixer (Radio Shack?) > (analog) Panasonic SV250 (48 khz); Config/Location: AKG’s pointed just outside the stacks/Official Tapers Section; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.26(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe This is your collection notes 175. 03/25/90 Shn - 0, 7508 Albany Knickerbocker Arena SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD; via David Hollister; Brian Voelz notes 176. 03/25/90 Flac 16/48 - 0, 149394 Albany Knickerbocker Arena flac16/48kHz; reMaster of shnid 142990; Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: unknown; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes 177. 03/26/90 Flac 16 - 0, 87350 Albany Knickerbocker Arena flac16; SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller notes 178. 03/26/90 Flac 16 - 0, 126789 Albany Knickerbocker Arena flac16; Master FM Recording, Broadcast From WPYX 106.5 Albany, New York; Recorded By Fitzy, Transfer By Keo; Unknown Recording Deck > Maxell XLII-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 179. 03/26/90 Flac 16 Mtx - 0, 127210 Albany Knickerbocker Arena flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:087350) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:094411) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC; Recorded, Transferred & Uploaded By Keith Litzenberger notes 180. 03/26/90 Shn - 0, 6697 Albany Knickerbocker Arena SBD> ?> CD; EAC> SHN by Randy Griesman; note portions of the show appear on Dozin' at the Knick- go buy it notes 181. 03/26/90 Flac 24 - 0, 126788 Albany Knickerbocker Arena flac24; Master FM Recording, Broadcast From WPYX 106.5 Albany, New York; Recorded By Fitzy, Transfer By Keo; Unknown Recording Deck > Maxell XLII-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 182. 03/26/90 Flac 24 - 0, 112093 Albany Knickerbocker Arena flac24; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 183. 03/26/90 Flac 16 - 0, 112092 Albany Knickerbocker Arena flac16; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown; Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 184. 03/26/90 Shn - 0, 7509 Albany Knickerbocker Arena SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz; note portions of the show appear on Dozin' at the Knick- go buy it notes 185. 03/26/90 Shn - 0, 8508 Albany Knickerbocker Arena 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- go buy it notes 186. 03/26/90 Flac 16 - 0, 91916 Albany Knickerbocker Arena flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes 187. 03/26/90 Flac 24/96 - 0, 120942 Albany Knickerbocker Arena flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 188. 03/26/90 Flac 16 - 0, 120943 Albany Knickerbocker Arena flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 189. 03/26/90 Flac 16 - 0, 135497 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; This is a pitch corrected version of source ID 87350; All Transfers And Mastering By Charlie Miller notes 190. 03/26/90 Flac 16/48 - 0, 141115 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes 191. 03/26/90 Flac 16/48 - 0, 142991 Albany Knickerbocker Arena flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 192. 03/26/90 Flac 16 - 0, 94411 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 193. 03/26/90 Flac 24/96 - 0, 135063 Albany Knickerbocker Arena flac24; First set, Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110 degrees ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; China -> Rider: Schoeps CMC 421 Sub Cardioids, 100 degrees, 1 row in front of soundboard, about 4 seats right notes 194. 03/26/90 Flac 16/48 - 0, 122541 Albany Knickerbocker Arena flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version in circulation notes 195. 03/26/90 Flac 16/48 - 0, 133045 Albany Knickerbocker Arena flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; this is a fixed version of source ID 122541 notes 196. 03/26/90 Flac 16 - 0, 122542 Albany Knickerbocker Arena flac16; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 197. 03/26/90 Flac 16/48 - 0, 149395 Albany Knickerbocker Arena flac16/48kHz; reMaster of shnid 142991; Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes 198. 03/28/90 Flac 16 Mtx - 0, 95943 Uniondale Nassau Coliseum flac16; SBD + AUD Matrix: SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) notes 199. 03/28/90 Flac 16 - 0, 87643 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller notes 200. 03/28/90 Flac 16 - 0, 95943 Uniondale Nassau Coliseum flac16; SBD + AUD Matrix: SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) notes 201. 03/28/90 Flac 16 - 0, 121788 Uniondale Nassau Coliseum flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 202. 03/28/90 Flac 24/96 - 0, 126837 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 203. 03/28/90 Flac 16 - 0, 126838 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 204. 03/28/90 Flac 24/96 - 0, 123786 Uniondale Nassau Coliseum flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 205. 03/28/90 Shn - 0, 4685 Uniondale Nassau Coliseum SBD 24 Track Mix > Master Cass > Dat > CD-R > SHN > WAV > AddAWave > retracking > shn (single MD5 for entire show) > WAV > shn (with MD5s for each disc); Discs provided by Steve Wigley, original shn by Doug Nawrocki; reshn of previous shn set, by Jan Welch- checksums now differ; see info file for details and flaw notes notes 206. 03/28/90 Shn - 0, 7510 Uniondale Nassau Coliseum SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz notes 207. 03/28/90 Shn - 0, 3872 Uniondale Nassau Coliseum sbd/32 track mix> mc> dat> cdr> shn> wav> addawav> retrack> shnv3; from Steve Wigley CD, first shn by Steve (may not circ?), second shn step (to v3, md5s shown here) by Doug Nawrocki; see flaw notes in info file; note a later re-reshn also in circ notes 208. 03/28/90 Shn - 0, 8510 Uniondale Nassau Coliseum 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky notes 209. 03/28/90 Shn - 0, 33833 Uniondale Nassau Coliseum Seamless fix of shn id 8510 - 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN notes 210. 03/28/90 Flac - 0, 95825 Uniondale Nassau Coliseum DTS-Audio-CD 5.1 Mix; SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) notes 211. 03/28/90 Flac - 0, 132873 Uniondale Nassau Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=87643) SRecording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - DTS 5.1 mixing by Kevin Tobin notes 212. 03/28/90 Flac 16 Mtx - 0, 132872 Uniondale Nassau Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=87643) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin notes 213. 03/28/90 Flac 16 - 0, 135520 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; All Transfers And Mastering By Charlie Mill notes 214. 03/28/90 Flac 16/48 - 0, 141954 Uniondale Nassau Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 24 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 215. 03/28/90 Shn - 0, 28381 Uniondale Nassau Coliseum Updated Includes d1t08 Cassidy; FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller notes 216. 03/28/90 Flac 16 - 0, 91355 Uniondale Nassau Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger notes 217. 03/28/90 Shn - 0, 91202 Uniondale Nassau Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel notes 218. 03/28/90 Flac 16 - 0, 87701 Uniondale Nassau Coliseum flac16; AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 219. 03/28/90 Flac 16 - 0, 124834 Uniondale Nassau Coliseum flac16; AT835B's- AT 8202's-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section Sec B2,Row 54,Seat 10 notes 220. 03/28/90 Flac 16 - 0, 132758 Uniondale Nassau Coliseum b>flac16; Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. Thanks to Craig for discovering this issue and taking the time to fix source ID 28381 notes 221. 03/28/90 Flac 16/48 - 0, 149443 Uniondale Nassau Coliseum flac16/48kHz; reMaster of shnid 141954; Source: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 24 Seat 8/9; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes 222. 03/28/90 Flac 16/44 - , 158167 Uniondale Nassau Coliseum flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 157770 2496 > 1644 notes 223. 03/28/90 Flac 24/96 - , 157770 Uniondale Nassau Coliseum flac2496; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 notes 224. 03/29/90 Shn - 0, 33925 Uniondale Nassau Coliseum Fix of shnid 26341 - SBD> DAT> CD> EAC> SHN> WAV> FLAC patched with shnid 1317 (FOB>DAT>?>CD). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 225. 03/29/90 Shn - 0, 26341 Uniondale Nassau Coliseum SBD> Dat> CD; SHN Conversion By Charlie Miller notes 226. 03/29/90 Flac 16 Mtx - 0, 97118 Uniondale Nassau Coliseum flac16; matrix of DSBD: shnid=????? and DAUD: shnid=91347 by hansokolow using ProTools This is your collection notes 227. 03/29/90 Flac 16 Mtx - 0, 127385 Uniondale Nassau Coliseum flac16; matrix of shnid=33925 and shnid=91347 by Roger Eichorn (Fresh Legs, vol. 9) notes 228. 03/29/90 Flac 16 - 0, 126847 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M; Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 229. 03/29/90 Flac 24 - 0, 126846 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 230. 03/29/90 Shn - 0, 3389 Uniondale Nassau Coliseum SBD> DAT> CDR; via Andy Bear Greider, Doug Nawrocki; note reshn version also in circ notes 231. 03/29/90 Flac 16 - 0, 121843 Uniondale Nassau Coliseum flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 232. 03/29/90 Shn - 0, 4686 Uniondale Nassau Coliseum SBD> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ notes 233. 03/29/90 Flac 24/96 - 0, 121842 Uniondale Nassau Coliseum flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 234. 03/29/90 Shn - 0, 24996 Uniondale Nassau Coliseum SBD>DAT>CDR; fixed copy of SHNid=3389; encoded by Darryl Hinko notes 235. 03/29/90 Flac 16/48 - 0, 141955 Uniondale Nassau Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 236. 03/29/90 Flac 16/48 - 0, 143171 Uniondale Nassau Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized notes 237. 03/29/90 Flac 16 - 0, 91347 Uniondale Nassau Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger notes 238. 03/29/90 Flac 16 - 0, 83612 Uniondale Nassau Coliseum flac16; AUD Source: Nakamichi CM300's with CP4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with Dolby off. Mics on stand aprx 7-feet high, pointed at stacks, set up in taper's area second row center. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC; Taped and transferred by Andrew F notes 239. 03/29/90 Shn - 0, 1317 Uniondale Nassau Coliseum set 2; FOB> DAT> ?> CDR, mics and taper unknown; reportedly SBD-like; posted by Stephen Agan to abgd, later by Darrin Sacks to etree notes 240. 03/29/90 Flac - 0, 29191 Uniondale Nassau Coliseum Source: Unknown Mics > DAT > HiFi VHS (TDK HDXpro) Transfer: HiFi VHS > SBM-1 > Audiophile 2496 > Adobe Audition > FLAC Audio VHS provided by David Neaman. Transfer by Doug Nawrocki. notes 241. 03/29/90 Flac 16/48 - 0, 124324 Uniondale Nassau Coliseum flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version of source ID 123924 notes 242. 03/29/90 Flac 16 - 0, 123925 Uniondale Nassau Coliseum flac16; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation notes 243. 03/29/90 Flac 16/48 - 0, 123924 Uniondale Nassau Coliseum flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation notes 244. 03/29/90 Flac 16 - 0, 124325 Uniondale Nassau Coliseum flac16; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version of source ID 123925 notes 245. 03/29/90 Flac 16 - 0, 149419 Uniondale Nassau Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 notes 246. 03/29/90 Flac 24 UMtx. - 0, 149396 Uniondale Nassau Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 247. 03/29/90 Flac 24 - 0, 149589 Uniondale Nassau Coliseum flac24; Patched & Pitch Corrected Audience - (original shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - pitch correction and patches by Kevin Tobin notes 248. 03/29/90 Flac 16/48LPCM - 0, 149594 Uniondale Nassau Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - surround mixing by Kevin Tobin notes 249. 03/29/90 Flac 24 Mtx. - 0, 149591 Uniondale Nassau Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - matrix mixing by Kevin Tobin notes 250. 03/29/90 Flac 16 Dts.5.1 - 0, 149593 Uniondale Nassau Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - dts mixing by Kevin Tobin notes 251. 03/29/90 Flac 16 Mtx - 0, 149592 Uniondale Nassau Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - matrix mixing by Kevin Tobin This file set is 16 bit @ 44.1 notes 252. 03/29/90 Flac 16 - 0, 149590 Uniondale Nassau Coliseum flac16; Patched & Pitch Corrected Audience - (original shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - pitch correction and patches by Kevin Tobin This file set is 16 bit @ 44.1 notes 253. 03/30/90 Flac 16 - 0, 89173 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 254. 03/30/90 Flac 16 - 0, 87742 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 255. 03/30/90 Flac 16 - 0, 126886 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes:Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 256. 03/30/90 Flac 16 Mtx - 0, 123944 Uniondale Nassau Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 89173) SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123934) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin notes 257. 03/30/90 Flac - 0, 123945 Uniondale Nassau Coliseum DTS AUDIO 5.1 - SBD (shn id 89173) SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123934) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - DTS mixing by Kevin Tobin notes 258. 03/30/90 Shn - 0, 8511 Uniondale Nassau Coliseum 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky notes 259. 03/30/90 Shn - 0, 4687 Uniondale Nassau Coliseum FM> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ notes 260. 03/30/90 Shn - 0, 3390 Uniondale Nassau Coliseum FM>DAT>CDR; via Andy Bear Greider, Doug Nawrocki; note reshn also in circ notes 261. 03/30/90 Flac 16 - 0, 123934 Uniondale Nassau Coliseum flac16; MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 notes 262. 03/30/90 Shn - 0, 33926 Uniondale Nassau Coliseum Seamless fix of shn id 8511 - 24 track SBD MR> John Cutler 2 track Mixdown> C> DAT> CDR> SHN notes 263. 03/30/90 Shn - 0, 8366 Uniondale Nassau Coliseum 24-track master (presumably ADAT) > 2-track mixdown > DAT > Cass > PCM > CD; Seeded to etree by Steve Barbella notes 264. 03/30/90 Flac 24 - 0, 126885 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes:Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 265. 03/30/90 Flac 16/48 - 0, 138584 Uniondale Nassau Coliseum flac16/48kHz; Taper unknown: B&K 4011 (ORTF) > Sony D10Pro, 1st row, center OTS; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 266. 03/30/90 Flac 16/48 - 0, 141956 Uniondale Nassau Coliseum flac16; Ted Mattes Recording: Schoeps CMC4 MK4 (ORTF) > Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 267. 03/30/90 Flac 16/48 - 0, 149442 Uniondale Nassau Coliseum flac16/48kHz; reMaster of shnid 141956; Source: Schoeps CMC4 MK4 (ORTF) > Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes 268. 04/01/90 Flac 16 Mtx - 0, 35168 Atlanta The Omni flac16; matrix sources: sbd : 24 Track Mixdown > DAT > C > PCM > FC/DD2496 > CD aud: FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD notes 269. 04/01/90 Flac 16 Mtx - 0, 97203 Atlanta The Omni flac16; matrix of SBD: shnid=87809 and AUD: shnid=3458 by hansokolow using ProTools notes 270. 04/01/90 Flac 16 - 0, 87809 Atlanta The Omni flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller notes 271. 04/01/90 Shn - 0, 8512 Atlanta The Omni 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky notes 272. 04/01/90 Shn - 0, 33927 Atlanta The Omni Seamless fix of shn id 8512 - 24 track SBD MR> John Cutler 2 track Mixdown> C> DAT> CDR>SHN notes 273. 04/01/90 Shn - 0, 7512 Atlanta The Omni SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD; via David Hollister; Brian Voelz notes 274. 04/01/90 Flac 16 - 0, 135535 Atlanta The Omni flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; This is a pitch corrected version of source ID 87809 notes 275. 04/01/90 Flac 16 - 0, 131204 Atlanta The Omni flac16; Source info: FOB/Schoeps CMC 521's (hand held/ortf/110°)> Collette active cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes 276. 04/01/90 Flac 16 - 0, 106757 Atlanta The Omni flac16; Recorded by David Cohen. OTS 8 foot stand (sec. 128 Row DD Seat 3) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred Transferred by Dave Cohen, November 2009. notes 277. 04/01/90 Shn - 0, 5063 Atlanta The Omni notes 278. 04/01/90 Flac 24/96 - 0, 145218 Atlanta The Omni flac24; Recording Info: Sennheiser 421 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel notes 279. 04/01/90 Flac 16 - 0, 145747 Atlanta The Omni flac16; Recording Info: Sennheiser 421 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44,1 notes 280. 04/01/90 Shn - 0, 3458 Atlanta The Omni aud MC> DAT> CD-R; Nak 300/CP4's > PMD 420; Alan Wallace, tapers section; via Tony Gardner; note some clipping notes 281. 04/01/90 Flac 16/48 - 0, 149445 Atlanta The Omni flac16/48kHz; Set 2 Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman notes 282. 04/01/90 Flac 16/44 - , 158176 Atlanta The Omni flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 158174 2496 > 1644 notes 283. 04/01/90 Flac 24/96 - , 158174 Atlanta The Omni flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24 notes 284. 04/02/90 Flac 16 Mtx - 0, 97216 Atlanta The Omni flac16; matrix of SBD: shnid=17731 and AUD: shnid=3299 by hansokolow using ProTools notes 285. 04/02/90 Shn - 0, 12198 Atlanta The Omni SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN. Transfer and editing done by Charlie Miller notes 286. 04/02/90 Shn - 0, 13391 Atlanta The Omni SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN, same as previous with d1t1 fix notes 287. 04/02/90 Shn - 0, 17731 Atlanta The Omni MSC> DAT> Cdr > Eac > cool edit pro > cdwav > shntool > shnv3; Discs kindly provided by Andy Lemieux; Eac > shn by Ernie Dodd; reportedly upgrade relative to previous shn set notes 288. 04/02/90 Flac 16 - 0, 137933 Atlanta The Omni b>flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules L & R(tracks 1 & 2) w/(1)Senheiser 441 panned to center(track 3) > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH notes 289. 04/02/90 Flac 16/48 - 0, 142002 Atlanta The Omni flac16/48kHz; Dave Brotman FOB Recording using Ted mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 290. 04/02/90 Flac 16/48 - 0, 143172 Atlanta The Omni flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized notes 291. 04/02/90 Flac 16 - 0, 106763 Atlanta The Omni flac16;Recorded by David Cohen. OTS 8 foot stand (sec. 128 Row CC Seat11) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November, 2009 notes 292. 04/02/90 Flac 16 - 0, 131205 Atlanta The Omni flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes 293. 04/02/90 Flac 16 - 0, 133276 Atlanta The Omni flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio; Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131205 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed notes 294. 04/02/90 Shn - 0, 5064 Atlanta The Omni FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD> EAC> SHN notes 295. 04/02/90 Shn - 0, 3299 Atlanta The Omni Nak 300's/cp 4's > *Marantz PMD420 (mc) > dat > cdr >eac (range extracted at 100% for retracking) > cdwave > mkwact; Taped by Alan Wallace; Discs provided by Kevin Gills, shn by Doug Nawrocki notes 296. 04/02/90 Flac 24/96 - 0, 145219 Atlanta The Omni flac24; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel notes 297. 04/02/90 Flac 16 - 0, 145749 Atlanta The Omni flac16; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44.1 notes 298. 04/02/90 Flac 16/48 - 0, 149446 Atlanta The Omni flac16/48kHz; reMaster of shnid 142002; Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman notes 299. 04/02/90 Flac 24/96 - 0, 152287 Atlanta The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 300. 04/02/90 Flac 16/44 - 0, 152510 Atlanta The Omni flac16/44 Source: A:D AudioTechnica815A shotguns>Panasonic SV-250(48kHz) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided by Tom and Roger Transfer by Chris Larson (VegasBobby@gmail.com) notes 301. 04/02/90 Flac 16/44 - , 154440 Atlanta The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152287 2496 > 1644 notes 302. 04/03/90 Flac 16 Mtx - 0, 97566 Atlanta The Omni flac16; matrix of SBD: shnid=17811 and AUD: shnid=3732 by hansokolow using ProTools notes 303. 04/03/90 Shn - 0, 17811 Atlanta The Omni Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source notes 304. 04/03/90 Flac 16/48 - 0, 142003 Atlanta The Omni flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 305. 04/03/90 Flac 16/48 - 0, 142216 Atlanta The Omni flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC5 MK21 (@ 100ยบ spaced array) > DAT 48k (Panasonic SV-250). Mics were hand held; John Ammons Transfer from clone of DAT master: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; the original version was missing Promised Land notes 306. 04/03/90 Flac 16 - 0, 133277 Atlanta The Omni flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed notes 307. 04/03/90 Flac 24/96 - 0, 135201 Atlanta The Omni flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes 308. 04/03/90 Flac 16 - 0, 106904 Atlanta The Omni b>flac16; Recorded by David Cohen OTS 8 foot stand (sec. 128 Row CC Seat 12) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 309. 04/03/90 Flac 16 - 0, 131206 Atlanta The Omni flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes 310. 04/03/90 Shn - 0, 3732 Atlanta The Omni FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro; EAC'd and Shned by Estim8ted notes 311. 04/03/90 Shn - 0, 3577 Atlanta The Omni Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner notes 312. 04/03/90 Flac 24/96 - 0, 145220 Atlanta The Omni flac24; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel notes 313. 04/03/90 Flac 16 - 0, 145750 Atlanta The Omni flac16; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44.1 notes 314. 04/03/90 Flac 16/48 - 0, 149447 Atlanta The Omni flac16/48kHz; reMaster of shnid 142003; Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman notes 315. 04/03/90 Flac 16/44 - 0, 152511 Atlanta The Omni flac16/44 Source: A: Audio Technica 815A Shotguns>Panasonicsv250 Transfer: DAT(48kHz)>ZA2(S/PDIF)>WaveLab 3.03>CD-r Transfer by Chris Larson (nswboogy@easystreet.com) http://www.easystreet.com/~nswboogy notes 316. 05/05/90 Shn - 0, 11660 Carson Cal State Dominguez Hills DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley notes 317. 05/05/90 Shn - 0, 4850 Carson Cal State Dominguez Hills DSBD> Cass> DAT> CD> EAC (secure)> MKW-Act seekable SHN encoding by nick@nickspicks.com This show was broadcast over FM. I doubt this is a PRE-FM source though. notes 318. 05/05/90 Flac 24/96 - 0, 137021 Carson Cal State Dominguez Hills flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller notes 319. 05/05/90 Flac 16 - 0, 137088 Carson Cal State Dominguez Hills flac16; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp; flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes 320. 05/05/90 Flac 16 - 0, 97423 Carson Cal State Dominguez Hills flac16; Set 1 only, FOB AUD: Schoeps CMC5/MK2 (omnis) > Panasonic SV255 Dat. Mics 7-foot spread, 20-feet from the stage. MAD > Cassette by Alabama Bob. Taped by the B&D Crew. Transfer: That's CD-90 Metal cassette > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644, by Andrew F. Feb 2009. notes 321. 05/05/90 Flac 16 - 0, 131207 Carson Cal State Dominguez Hills flac16; Source info: Schoeps CMC 521's (110°/ortf/20 yards FOB/hand held)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes 322. 05/05/90 Flac 24/96 - 0, 141262 Carson Cal State Dominguez Hills flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes 323. 05/05/90 Flac 16 - 0, 141275 Carson Cal State Dominguez Hills flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes 324. 05/05/90 Flac 16/48 - 0, 141939 Carson Cal State Dominguez Hills flac16/48kHz; Ted Mattes Recording (FOB): Set I: Schoeps CMC4 MK4 > Grace preamp > DAT 48k; Set II: B+K 4011 > DAT 48k; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 325. 05/05/90 Flac 16 - 0, 138649 Carson Cal State Dominguez Hills b>flac16; This is an FM broadcast, recorded live in the concert venue; KPFK public radio broadcast; The lineage guessing, in part; The FM receiver was a portable “Walkman”-type portable FM rec’vr; patched to my spare deck: Sony WM-D6C; transfer to digital was without any Dolby N.R., regardless of whether or not it was on the master; That transfer was via my Sony TC-D5M -> Tascam DR70D at a 24.96 sampling notes 326. 05/05/90 Flac 24/96 - 0, 134997 Carson Cal State Dominguez Hills flac24; Source: B&K 4011 Cardioids, ORTF, 5' Tall Stand, front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> TDK SAX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 327. 05/05/90 Flac 16 - 0, 131207 Carson Cal State Dominguez Hills flac16; Source info: Schoeps CMC 521's (110°/ortf/20 yards FOB/hand held)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes 328. 05/05/90 Flac 16 - 0, 116818 Carson Cal State Dominguez Hills flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster notes 329. 05/05/90 Flac 16 - 0, 138648 Carson Cal State Dominguez Hills flac16; Bruel and Kjaer 4011 cardioids as ORTF stereo => Neumann p48v power => Sony TCD-D10 DAT => Sony TC-D5M cassette master (TC-D5M in live recording chain; this analog master is the 24.96 digital master source); From upfront, FOB-DFC; Mics at 6’03”+ being covered by Mike. Knobs and buttons twiddlin’ by Tom D. notes 330. 05/05/90 Flac 16 - 0, 143960 Carson Cal State Dominguez Hills flac16; Tim Dalton Source: In house FM > Dat; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/44; Edited & Mastered in Audacity by Joe Noel notes 331. 05/06/90 Flac 16 - 0, 80278 Carson Cal State Dominguez Hills flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Mille notes 332. 05/06/90 Flac 16 Mtx - 0, 97237 Carson Cal State Dominguez Hills flac16; matrix of DSBD: shnid=80278 and DAUD: shnid=7891 by hansokolow using ProTools notes 333. 05/06/90 Shn - 0, 11661 Carson Cal State Dominguez Hills SBD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley notes 334. 05/06/90 Flac 16 - 0, 116826 Carson Cal State Dominguez Hills flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster notes 335. 05/06/90 Flac 16 - 0, 131208 Carson Cal State Dominguez Hills flac16; Source info: Schoeps CMC 54's (20 yards FOB/on stand)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 3, 2014 by Will Petty notes 336. 05/06/90 Flac 16 - 0, 111299 Carson Cal State Dominguez Hills flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 337. 05/06/90 Flac 16 - 0, 137861 Carson Cal State Dominguez Hills flac16 Ambient recording by Tom Tech twiddlin' the knobs (Tom D.), and Mike French covering the  mics at 6'6". Bruel and Kjaer B&K 4011 cardioids as ORTF stereo at 6’6”, Neumann p48v power pack,Sony TCD-D10 DAT 1648 From: FOB/DFC  notes 338. 05/06/90 Flac 24/96 - 0, 141263 Carson Cal State Dominguez Hills flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes 339. 05/06/90 Flac 16 - 0, 141276 Carson Cal State Dominguez Hills flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes 340. 05/06/90 Flac 16/48 - 0, 141940 Carson Cal State Dominguez Hills flac16/48kHz; Ted Mattes Recording (FOB): Set I: Schoeps CMC4 MK2 > Grace preamp > DAT 48k; Set II: B+K 4011 > DAT 48k; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 341. 05/06/90 Shn - 0, 7891 Carson Cal State Dominguez Hills FOB Schoeps CMC44> master audience DAT> DAT> CD> EAC> SHN notes 342. 06/08/90 Shn - 0, 34387 Sacramento Cal Expo FOB Matrix SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 6935 notes 343. 06/08/90 Flac 16 - 0, 130389 Sacramento Cal Expo flac16; 3 Source Matrix by Dusborne Soundboard (shnid:034397) Source: FOB Matrix SBD > DAT > CDR > WAV > SHN, Audience (shnid:095184) FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob and Audience (shnid:111329) Recorded by The Weasel with 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes notes 344. 06/08/90 Flac 16 - 0, 130419 Sacramento Cal Expo flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 345. 06/08/90 Shn - 0, 6935 Sacramento Cal Expo FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman); Thanks to C. Miller for the SBD seeds. DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > shn (mkwact) via neo_levo; see flaw notes in info file notes 346. 06/08/90 Flac 24/96 - 0, 130418 Sacramento Cal Expo flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 347. 06/08/90 Flac 16 - 0, 95184 Sacramento Cal Expo flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 348. 06/08/90 Shn - 0, 29385 Sacramento Cal Expo Source: Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN; Taper: Michael Kutick; DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman; Also to abgd via David Warren notes 349. 06/08/90 Flac 16 - 0, 94233 Sacramento Cal Expo flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Gerry Gordon & Keith Litzenberger Transferred & Uploaded By Keith Litzenberger notes 350. 06/08/90 Flac 16 - 0, 111329 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 351. 06/08/90 Shn - 0, 9630 Sacramento Cal Expo ob "at the impact zone" 6' stands 6' spaced schoeps omis > Oade pre (presumably m118) > SV250 analog line out>D10 recording by Sean Weber and west coast "tapers fro hell" crew notes 352. 06/08/90 Flac 16/48 - 0, 143343 Sacramento Cal Expo flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 353. 06/08/90 Flac 16 Mtx - 0, 147925 Sacramento Cal Expo flac16; Source: Matrix SBD > DAT > CDR > WAV > SHN > FLAC (See additional notes.) notes 354. 06/08/90 Flac 24 UMtx. - 0, 149619 Sacramento Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 355. 06/08/90 Flac 16 - 0, 149702 Sacramento Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 356. 06/08/90 Flac 24/96 - 0, 150583 Sacramento Cal Expo flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 10, 2020 notes 357. 06/08/90 Flac 16/44 - 0, 150618 Sacramento Cal Expo flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020 notes 358. 06/08/90 Flac 24/96 - , 153498 Sacramento Cal Expo flac24/96 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 359. 06/08/90 Flac 16/44 - , 154441 Sacramento Cal Expo flac16/44 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153498 2496 > 1644 notes 360. 06/09/90 Shn - 0, 34398 Sacramento Cal Expo SBD (Matrix) > DAT > CDR > WAV > SHN - Seamless fix of shn id 6936 notes 361. 06/09/90 Flac 16 - 0, 126538 Sacramento Cal Expo flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 362. 06/09/90 Flac 24/96 - 0, 126537 Sacramento Cal Expo flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 363. 06/09/90 Shn - 0, 6936 Sacramento Cal Expo SBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller notes 364. 06/09/90 Flac 16 - 0, 95251 Sacramento Cal Expo flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 365. 06/09/90 Flac 16 - 0, 88197 Sacramento Cal Expo flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C) Microphone configuration: Microphones split approx 30 feet (left and right side of the SBD), 7' up (on stands) Master format: Maxell MX 100 cassettes Transfer: Sony WMD-6C > Lunatec V3 (44.1 kHz, 16 bit, ANSR on) > m-Audio Delta 2496 (SPDIF) > WaveLab Digital editing: Steinberg CuBase (pre and post set fades, blend between d1t07 and d1t08) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller notes 366. 06/09/90 Flac 16/48 - 0, 142578 Sacramento Cal Expo flac16/48kHz; Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250) mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 367. 06/09/90 Flac 16 - 0, 111342 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 368. 06/09/90 Flac 16 - 0, 23532 Sacramento Cal Expo B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC notes 369. 06/09/90 Shn - 0, 29386 Sacramento Cal Expo Source: Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN; Taper: Michael Kutik; DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman; Also to abgd via David Warren notes 370. 06/09/90 Flac 16/48 - 0, 134549 Sacramento Cal Expo flac16/48kHz; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz notes 371. 06/09/90 Flac 16/48 - 0, 143344 Sacramento Cal Expo b>flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 372. 06/09/90 Flac 16 - 0, 145489 Sacramento Cal Expo flac16; Source: Utramatrix > Dat (44k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfer by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick February 2019 notes 373. 06/09/90 Flac 24 UMtx. - 0, 149620 Sacramento Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 374. 06/09/90 Flac 16 - 0, 149721 Sacramento Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller,This file set is 16 bit @ 44.1 notes 375. 06/09/90 Flac 24/96 - 0, 150584 Sacramento Cal Expo flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 11, 2020 notes 376. 06/09/90 Flac 16/44 - 0, 150619 Sacramento Cal Expo flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020 notes 377. 06/10/90 Flac Mtx. - 0, 30369 Sacramento Cal Expo SBD + AUD Matrix Mix (50%-SBD/50%-AUD); Mixed by dan@am-dig.com; Note: This is a remix and upgrade to shn ID 30361 See txt file for additional comments notes 378. 06/10/90 Shn Mtx - 0, 6937 Sacramento Cal Expo SBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller notes 379. 06/10/90 Flac 16 - 0, 95449 Sacramento Cal Expo flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 380. 06/10/90 Falc Dts - 0, 30373 Sacramento Cal Expo DTS-Audio-CD 5.1 Mix; Mixed by dan@am-dig.com. This is a remix and upgrade to shn ID 29669 See txt file for additional comments notes 381. 06/10/90 Flac 16 Mtx - 0, 20361 Sacramento Cal Expo flac16; SBD + AUD Matrix Mix (50%-SBD/50%-AUD); Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) notes 382. 06/10/90 Shn Dts - 0, 29669 Sacramento Cal Expo DTS-Audio-CD 5.1 Mix (See Tech Notes in Txt File), Source Info:SBD - SBD: DAT > CDR > WAV > SHN; AUD - FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II 48k); Seeded by Dan@Am-Dig notes 383. 06/10/90 Flac 16/48 - 0, 142579 Sacramento Cal Expo flac16/48kHz;Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250). Mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 384. 06/10/90 Flac 16 - 0, 97059 Sacramento Cal Expo flac16; Schoeps Omni Spaced 27'>Oade?>Technics SV-MD1 in Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC (It's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.) Processed By Keith Litzenberger notes 385. 06/10/90 Shn - 0, 457 Sacramento Cal Expo daud> schoeps mk4> D> CD; d3 filler not IDed?; etreed via M. Ferguson? notes 386. 06/10/90 Flac 16 - 0, 111334 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 387. 06/10/90 Flac 16/48 - 0, 143345 Sacramento Cal Expo flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 388. 06/10/90 Flac 16 Mtx - 0, 147940 Sacramento Cal Expo flac16; Source: SBD/Matrix > DAT > CDR > WAV > SHN > FLAC (See additional notes.) notes 389. 06/10/90 Flac 24 UMtx. - 0, 149621 Sacramento Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 390. 06/10/90 Flac 16 - 0, 149727 Sacramento Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 391. 06/10/90 Flac 24/96 - 0, 150585 Sacramento Cal Expo flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 14, 2020 notes 392. 06/10/90 Flac 16 - 0, 150620 Sacramento Cal Expo flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020 notes 393. 06/10/90 Flac 24/96 - , 152180 Sacramento Cal Expo flac24/96 FOB Aud Nakamichi CP-702 omni capsules, 12' spread > custom pre-amp/power supply > Dbx Type II noise reduction encoder > Sony TC-D5 cassette Transfer: Master cassette playback on Nakamichi Dragon > Dbx 224X-DS Type II noise reduction decoder > RME Fireface 800, 24-bit 96kHz notes 394. 06/15/90 Flac 16 - 0, 106144 Mountain View Shoreline Amphitheatre SHNID: 106144 notes 395. 06/15/90 Flac 16 - 0, 126233 Mountain View Shoreline Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 396. 06/15/90 Flac 24/96 - 0, 126232 Mountain View Shoreline Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 397. 06/15/90 Shn - 0, 8570 Mountain View Shoreline Amphitheatre SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo notes 398. 06/15/90 Flac 16 - 0, 35161 Mountain View Shoreline Amphitheatre flac16; Fix of shn id 8570 - SBD > DAT > CDR > WAV > SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 399. 06/15/90 Flac 16/48 - 0, 138464 Mountain View Shoreline Amphitheatre flac16/48kHz; Set 2, unknown taper: Schoeps CMC 42s > Panasonic SV255; mics spaced 9 feet with 6'5" stand; front row taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 400. 06/15/90 Flac 16/48 - 0, 142345 Mountain View Shoreline Amphitheatre flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4 MK2's > DAT (Panasonic SV250): mics spaced 9' on a stand at 6'5"; front row OTS; Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 401. 06/15/90 Shn - 0, 7762 Mountain View Shoreline Amphitheatre 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner notes 402. 06/15/90 Flac 16 - 0, 143855 Mountain View Shoreline Amphitheatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes 403. 06/15/90 Flac 24 - 0, 143854 Mountain View Shoreline Amphitheatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 404. 06/15/90 Flac 16/48 - 0, 146443 Mountain View Shoreline Amphitheatre flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (FOB) Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > 16/48 notes 405. 06/15/90 Flac 16 Mtx - 0, 146936 Mountain View Shoreline Amphitheatre flac16; Matrix: Source one: Dave Brotman & Jeff Metchick Master Digital (FOB/OTS) Recording: Set I: Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Source two: Recording Info: SBD -> Dat -> CD; Both sources edited & mastered for matrix by Joe Noel notes 406. 06/16/90 Flac 16 - 0, 106145 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 407. 06/16/90 Flac 16 - 0, 126273 Mountain View Shoreline Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 408. 06/16/90 Flac 24/96 - 0, 126272 Mountain View Shoreline Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 409. 06/16/90 Shn - 0, 8571 Mountain View Shoreline Amphitheatre SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC)> boundary/ splice (SHNTOOL)> SHN(MKWACT) > FTP via neo_levo notes 410. 06/16/90 Flac 16/48 - 0, 138399 Mountain View Shoreline Amphitheatre flac16/48kHz; unknown taper; Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; Set 2: Schoeps CMC54 at 110 ORTF > Aerco Power Supply > M1000 Cables > Panasonic SV255 hand held Section 102 Row R center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; the original version had errors in s2t01 and s2t04; please don't circulate that version notes 411. 06/16/90 Flac 16/48 - 0, 142612 Mountain View Shoreline Amphitheatre flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4/MK4 (110º) > DAT (Panasonic SV250); Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 412. 06/16/90 Shn - 0, 7763 Mountain View Shoreline Amphitheatre Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner notes 413. 06/16/90 Flac 16 - 0, 96407 Mountain View Shoreline Amphitheatre flac16; 1st set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage; 2nd Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger notes 414. 06/16/90 Flac 16/48 - 0, 143425 Mountain View Shoreline Amphitheatre flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 415. 06/16/90 Flac 16/48 - 0, 146444 Mountain View Shoreline Amphitheatre flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (OTS) Schoeps CMC4/MK2 (110°) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK4 (110°) > M1000 Cables > Oade Pre-Amp > Jensen 16 > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > Flac 16/48 notes 416. 06/16/90 Flac 16 Mtx - 0, 146937 Mountain View Shoreline Amphitheatre flac16; Matrix: Source One: Dave Brotman & Jeff Metchick (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Source Two: Recording Info: SBD > Dat > CD; Transfer Info: CD > Samplitude Professional v11.03 > FLAC; Source Three: Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; All Three sources edited & mastered for matrix by Joe Noel notes 417. 06/16/90 Flac 24 UMtx. - 0, 147584 Mountain View Shoreline Amphitheatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 418. 06/16/90 Flac 16 - 0, 147773 Mountain View Shoreline Amphitheatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 419. 06/17/90 Flac 16 - 0, 106170 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 420. 06/17/90 Flac 16 Mtx - 0, 97329 Mountain View Shoreline Amphitheatre flac16; matrix of DSBD: shnid=10062 and DAUD: shnid=96420 by hansokolow using ProTools notes 421. 06/17/90 Flac 24/96 - 0, 126387 Mountain View Shoreline Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 422. 06/17/90 Flac 16 - 0, 126388 Mountain View Shoreline Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 423. 06/17/90 Shn - 0, 10062 Mountain View Shoreline Amphitheatre SBD>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes 424. 06/17/90 Flac 16/48 - 0, 138400 Mountain View Shoreline Amphitheatre flac16/48kHz; unknown taper; Set 1: Schoeps CMC52s > Aerco Power Supply > M1000 Cables > Panasonic SV255; mics spaced 9 feet front row taper section; Set 2: Schoeps CMC44 at 110 degrees ORTF > Panasonic SV250 Section 102; Row M center (FOB); John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 425. 06/17/90 Flac 16 - 0, 111846 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 - microphones - 8th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 426. 06/17/90 Flac 16 - 0, 96420 Mountain View Shoreline Amphitheatre flac16; 1st Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger 2nd Set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger notes 427. 06/17/90 Shn - 0, 7764 Mountain View Shoreline Amphitheatre 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner notes 428. 06/17/90 Flac 16/48 - 0, 143426 Mountain View Shoreline Amphitheatre flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 429. 06/17/90 Flac 24 UMtx. - 0, 149334 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 430. 06/17/90 Flac 16 U Mtx. - 0, 149425 Mountain View Shoreline Amphitheatre b>flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 notes 431. 06/23/90 Flac 16 Mtx - 0, 108310 Eugene Autzen Stadium - University of Oregon flac16; Matrix by Hansokolow using ProTools of these sources: SBD: shnid=28690 // DAUD: shnid=88105 notes 432. 06/23/90 Flac 16 - 0, 99648 Eugene Autzen Stadium - University of Oregon flac16; Recording Info: Nakamichi 100/CP4 + AKG C1000S -> Boss BX-4 -> Cassette Master (Sony WM-D6C) -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Mixed, Recorded, Transfered and Mastered By Charlie Miller notes 433. 06/23/90 Shn - 0, 10261 Eugene Autzen Stadium - University of Oregon Audience (was labeled as SBD>Cm>Dat>Samplitude>CD). Seeded by Charlie Miller via Neo_Levo to candyman and abgd. notes 434. 06/23/90 Shn - 0, 28690 Eugene Autzen Stadium - University of Oregon Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA. notes 435. 06/23/90 Flac 24 UMtx - 0, 141774 Eugene Autzen Stadium - University of Oregon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 436. 06/23/90 Flac 16 UMtx - 0, 141861 Eugene Autzen Stadium - University of Oregon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 437. 06/23/90 Flac 16/48 - 0, 141894 Eugene Autzen Stadium - University of Oregon flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 438. 06/23/90 Shn - 0, 6945 Eugene Autzen Stadium - University of Oregon Digital Audience - Jill & Rob R. 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section notes 439. 06/23/90 Flac 16/48 - 0, 124302 Eugene Autzen Stadium - University of Oregon flac16/48kHz; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 440. 06/23/90 Flac 16 - 0, 121911 Eugene Autzen Stadium - University of Oregon flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 441. 06/23/90 Flac 16 - 0, 88105 Eugene Autzen Stadium - University of Oregon flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by G. Gordon using Keith Litzenberger's gear Transfer & Uploaded to Etree by Keith Litzenberger notes 442. 06/23/90 Flac 16/48 - 0, 143537 Eugene Autzen Stadium - University of Oregon flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: (FOB) Schoeps CMC5/MK2S (spaced 9ft stand 5'10" off to right 2ft) > M1000 Cables > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 443. 06/23/90 Flac 16 - 0, 124301 Eugene Autzen Stadium - University of Oregon flac16; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 444. 06/23/90 Flac 24/96 - 0, 147808 Eugene Autzen Stadium - University of Oregon flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 445. 06/23/90 Flac 16/48 - 0, 147807 Eugene Autzen Stadium - University of Oregon flac16/48kHz; Recording Info: ,Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 446. 06/23/90 Flac 16/48 - , 152691 Eugene Autzen Stadium - University of Oregon flac16/48 Remaster Of Shnid 141894 Source: (fob)schoeps Cmc4 Mk21 (ortf - 90º) > Dat (panasonic Sv250) Transfer: Dat > Sony Pcm R500 > Tascam Da-3000 > Wav 16 48 Recorded By Ted Mattes Transfer By Charlie Miller Edited & Remastered By Joe Noel June 24, 2021 notes 447. 06/24/90 Flac 16 Mtx - 0, 108329 Eugene Autzen Stadium, U. of Oregon flac16; Matrix of these sources: SBD: shnid=12092 // DAUD: shnid=94258 notes 448. 06/24/90 Shn - 0, 12092 Eugene Autzen Stadium, U. of Oregon sbd>mc>dat>cdr; Unkown seeder notes 449. 06/24/90 Flac 16/48 - 0, 141255 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Master DAT Recording by Rick Katzeff, Marcus Buick & John Ammons: Set I (HSF only): Schoeps CMC52s omnis 8' apart on 6' stands > Panasonic SV250 (FOB); Master DAT Recording by unknown: Set I (post HSF) & Set II: Schoeps CMC 421 at 90 degrees 'RED' > Oade PS > SV250 (OTS); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes 450. 06/24/90 Flac 24 UMtx - 0, 141784 Eugene Autzen Stadium, U. of Oregon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 451. 06/24/90 Flac 16 UMtx - 0, 141862 Eugene Autzen Stadium, U. of Oregon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 452. 06/24/90 Flac 16/48 - 0, 141895 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Ted Mattes Recording (OTS): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 453. 06/24/90 Flac 16 - 0, 106896 Eugene Autzen Stadium, U. of Oregon flac16; Source Info: Master audience recording with 2 Beyer M160 microphones > Sony TC-D5M (90 minute Maxell Metal Cassettes). Recorded from about 40 feet from stage-center. Mic's on a stand about 6 feet high. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 454. 06/24/90 Flac 16 - 0, 94258 Eugene Autzen Stadium, U. of Oregon flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Gerry Gordon using Keith Litzenberger's gear Transferred & Uploaded by Keith Litzenberger notes 455. 06/24/90 Shn - 0, 6946 Eugene Autzen Stadium, U. of Oregon Digital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section notes 456. 06/24/90 Flac 16/48 - 0, 143538 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Dave Brotman (OTS) Recording: (Schoeps CMC4/MK21 > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 457. 06/24/90 Flac 24/96 - 0, 147810 Eugene Autzen Stadium, U. of Oregon flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 458. 06/24/90 Flac 16/48 - 0, 147809 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 459. 07/04/90 Flac 16 - 0, 81523 Bonner Springs Sandstone Ampitheatre flac16; patched version of shn id 26351: SBD -> Dat -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN; all SHNs converted to FLAC notes 460. 07/04/90 Flac 16 - 0, 117550 Bonner Springs Sandstone Ampitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software notes 461. 07/04/90 Flac 24/48 - 0, 117549 Bonner Springs Sandstone Ampitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo With AudioGate Software notes 462. 07/04/90 Shn - 0, 26351 Bonner Springs Sandstone Ampitheatre SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller notes 463. 07/04/90 Flac 24/96 - 0, 133536 Bonner Springs Sandstone Ampitheatre flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TC-D5M analog cassette recorder > Maxell MX90 tapes; Transfer: MAC > Tascam 112 analog cassette deck > Edirol UA-5 USB Audio Interface > 24/96 > PC > Audacity (tracks and fades) > Trader's Little Helper > flac 24/96 notes 464. 07/04/90 Flac 16 - 0, 137897 Bonner Springs Sandstone Ampitheatre flac16; Front of lawn, dead center, 16' mic stand; NAK-CM-100 w/CP-4 shotgun capsules left & right and Senheiser-441 panned to center > Tascam PortaOne 4-track Cassette (dbx type II on) > Maxell XLII-S 100's (without the 100's Fire would have cut, so glad they came out w/ 100's); Maxell XLII-S100 > Onkyo TA-2027(I have 2 NAK's and neither one work, bought the Onkyo as it has 1/4" mic inputs L & R) > dbx 224x > Sony M-10 (16 bit WAVE & tracked) > Soundforge 9 (fades at start and tape flipps) > encoded to FLAC (level 8) w/TLH notes 465. 07/04/90 Flac 16/48 - 0, 140955 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Recording by Rick Katzeff: Set I: Schoeps CMC32s (omni's spaced 8 1/2 feet) > Panasonic SV255 (front row OTS); Set II: Schoeps CMC421 at "100 degrees RED" > Panasonic SV255 (FOB); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes 466. 07/04/90 Flac 16 - 0, 127374 Bonner Springs Sandstone Ampitheatre flac16; Set 1 Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, iZotope RX DeClick, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, a 1 second section of s1t06 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC; fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, transfered, processed and distributed by Chuck Miller notes 467. 07/04/90 Flac 16 - 0, 131537 Bonner Springs Sandstone Ampitheatre flac16; Source info: Set 1: Schoeps CMC 421's> Schoeps VMS 52 UB(?)> Technics SVMD1; Set 2: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty notes 468. 07/04/90 Shn - 0, 8573 Bonner Springs Sandstone Ampitheatre AUD (AKG 414?s) > DAT (Sony D-3) > CDR > WAV > SHNv3; DAE(EAC)>tracking (CDWAV)> boundary check (SHNTOOL)> SHN(MKWACT)> FTP via neo_levo notes 469. 07/04/90 Flac 16/48 - 0, 143599 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Location: Row V Seats 4 + 5; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 470. 07/04/90 Flac 24/96 - 0, 147812 Bonner Springs Sandstone Ampitheatre flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 471. 07/04/90 Flac 16/48 - 0, 147811 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Recording Info: , Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 472. 07/04/90 Flac 24/96 - , 153738 Bonner Springs Sandstone Ampitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes 473. 07/04/90 Flac 16/44 - , 154442 Bonner Springs Sandstone Ampitheatre flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 153738 2496 > 1644 notes 474. 07/06/90 Shn - 0, 12770 Louisville Cardinal Stadium SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller notes 475. 07/06/90 Flac 16 - 0, 126122 Louisville Cardinal Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 476. 07/06/90 Shn - 0, 9009 Louisville Cardinal Stadium SBD>C>C>DAT>CD>EAC>CDRWAV>WAV>SHN; Speed corrected, see info file for details; Seeded to etree by JR Fishman notes 477. 07/06/90 Flac 24/96 - 0, 130511 Louisville Cardinal Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 478. 07/06/90 Flac 16 - 0, 130512 Louisville Cardinal Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 479. 07/06/90 Flac 16 - 0, 102291 Louisville Cardinal Stadium flac16; Taper: Greg Holtz Source: Nakamichi CM-300's w/CP-4 shotgun caps FOB > D-5 Transfer: By (JAZ) Master Cassettes (Maxell MX100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes 480. 07/06/90 Shm - 0, 2255 Louisville Cardinal Stadium SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; quick d/o in pre-Drums jam notes 481. 07/06/90 Flac 24/96 - 0, 126121 Louisville Cardinal Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 482. 07/06/90 Flac 16/48 - 0, 142685 Louisville Cardinal Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Schoeps CMC3 MK4 > Jensen 16 PS > DAT (Panasonic sv250); set I though pre drums mics are hand held, post drums mics are on a stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 483. 07/06/90 Flac 24/96 - 0, 134928 Louisville Cardinal Stadium flac24; Source: Schoep CMC 34 Cardioids, O.R.T.F. -> SV255, Section 13-3, Row P, Center. DAT Master -> Clone -> Apogee 701/Beta -> Nak BX125 -> Maxell MX90 (Set 1), TDK MA110 (Set 2) -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 484. 07/06/90 Flac 16 - 0, 131219 Louisville Cardinal Stadium flac16; Source info: Schoeps CMC 52 S (spread 8'/Taper Section)> Pro-Link cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 4, 2014 by jwpetty notes 485. 07/06/90 Flac 16 - 0, 131218 Louisville Cardinal Stadium flac16; Source info: FOB/Schoeps CMC 34's (ortf)> DAT> 1:1 clone DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 4, 2014 by Will Petty notes 486. 07/06/90 Flac 16/48 - 0, 143600 Louisville Cardinal Stadium flac16/48kHz; Dave Brotman Master DAT Recording: Set I: (FOB) Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK21 (spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 487. 07/06/90 Flac 16 - 0, 82915 Louisville Cardinal Stadium flac16; Set 2 only, Taper: unknown Location: ots Mic Config: unknown Source: schoeps cmc52>??>dat Record Format: 16-bit, 44.1 kHz Conversion: tascam da20mkII>spdif>edirol ua25>usb>audacity (2007-02-26) Edit: none Final Format: 16-bit, 44.1 kHz Track: CD-Wave notes 488. 07/06/90 Flac 24/96 - , 153082 Louisville Cardinal Stadium flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 notes 489. 07/06/90 Flac 16/44 - , 154443 Louisville Cardinal Stadium flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 153082 2496 > 1644 notes 490. 07/08/90 Flac 24/96 - 0, 130548 Pittsburgh Three Rivers Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 491. 07/08/90 Flac 16 - 0, 130549 Pittsburgh Three Rivers Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 492. 07/08/90 Shn - 0, 16157 Pittsburgh Three Rivers Stadium SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore notes 493. 07/08/90 Flac 16 - 0, 109665 Pittsburgh Three Rivers Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Lineage: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich notes 494. 07/08/90 Flac 16 - 0, 97714 Pittsburgh Three Rivers Stadium flac16; Source: aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > Flac16 notes 495. 07/08/90 Flac 24 - 0, 135742 Pittsburgh Three Rivers Stadium flac24; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > > TLH notes 496. 07/08/90 Flac 16 - 0, 135741 Pittsburgh Three Rivers Stadium flac16; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH notes 497. 07/08/90 Flac 16/48 - 0, 138452 Pittsburgh Three Rivers Stadium flac16/48kHz; Set 1: Unknown Schoeps > DAT; OTS; Set 2: Schoeps CMC34 @ 110 degrees ORTF > Panasonic SV255; FOB (10 rows front of board center) recorded by Rick Katzeff; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 498. 07/08/90 Flac 16/48 - 0, 138704 Pittsburgh Three Rivers Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes 499. 07/08/90 Flac Dts 5.1 - 0, 138703 Pittsburgh Three Rivers Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 500. 07/08/90 Flac 16 - 0, 138701 Pittsburgh Three Rivers Stadium flac16; Patched/Pitch Corrected Soundboard (original shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore - pitch correction and patches by Kevin Tobin notes 501. 07/08/90 Flac 16 Mtx - 0, 138702 Pittsburgh Three Rivers Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 502. 07/08/90 Flac 24 UMtx - 0, 141773 Pittsburgh Three Rivers Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 503. 07/08/90 Flac 16 - 0, 141863 Pittsburgh Three Rivers Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 504. 07/08/90 Flac 16/48 - 0, 142686 Pittsburgh Three Rivers Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: Set I: (FOB*) Schoeps CMC3 MK4 (ORTF) > DAT. 10 rows FOB; Set II: (FOB) Schoeps CMC MK2y > Jenson 16 PS > DAT (Panasonic sv250). Mics spread 9'5" on stands @ 7'5", row LL; DFC; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 505. 07/10/90 Flac 16 - 0, 106373 Raleigh Carter-Finley Stadium flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 506. 07/10/90 Shn - 0, 8256 Raleigh Carter-Finley Stadium SBD > MC > DAT > EAC > SHN; Unknown seeder notes 507. 07/10/90 Flac 16 - 0, 130402 Raleigh Carter-Finley Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 508. 07/10/90 Flac 24/96 - 0, 130583 Raleigh Carter-Finley Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 509. 07/10/90 Flac 16 - 0, 130584 Raleigh Carter-Finley Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 510. 07/10/90 Flac 16 Mtx - 0, 128383 Raleigh Carter-Finley Stadium flac16; 3 source matrix mix of AUD shnid 126182, SBD shnid 106373 and AUD shnid 31790; Mixed by Nick Crump notes 511. 07/10/90 Flac 16 - 0, 128182 Raleigh Carter-Finley Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 512. 07/10/90 Flac 24 - 0, 120403 Raleigh Carter-Finley Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 513. 07/10/90 Flac 24/96 - 0, 126181 Raleigh Carter-Finley Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 514. 07/10/90 Flac 16 - 0, 133954 Raleigh Carter-Finley Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 515. 07/10/90 Flac 16/48 - 0, 142694 Raleigh Carter-Finley Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: (8 rows FOB) Schoeps CMC3 MK4 (ORTF) > DAT. Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 516. 07/10/90 Flac 16 - 0, 31790 Raleigh Carter-Finley Stadium flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC notes 517. 07/10/90 Flac 24/96 - 0, 135049 Raleigh Carter-Finley Stadium flac24; Source: Schoeps CMC-34 Cardioids, ORTF, Hand-held, 8 rows in front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> Maxell MX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Set 2, Schoeps CMC-54 Cardioids, ORTF, on stand -> SV-250 Up Front notes 518. 07/10/90 Flac 16/48 - 0, 143601 Raleigh Carter-Finley Stadium flac16/48kHz; Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 519. 07/10/90 Flac 16 - 0, 149323 Raleigh Carter-Finley Stadium flac16; Source:Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Official Taper Section notes 520. 07/10/90 Flac 24 UMtx. - 0, 150367 Raleigh Carter-Finley Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 notes 521. 07/10/90 Flac 16 Dts.5.1 - 0, 150397 Raleigh Carter-Finley Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - dts mixing by Kevin Tobin notes 522. 07/10/90 Flac 16/48 - 0, 150398 Raleigh Carter-Finley Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - surround mixing by Kevin Tobin notes 523. 07/10/90 Flac 16 Mtx - 0, 150396 Raleigh Carter-Finley Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - matrix mixing by Kevin Tobin notes 524. 07/10/90 Flac 16 - 0, 150501 Raleigh Carter-Finley Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 525. 07/12/90 Shn - 0, 21980 Washington Robert F. Kennedy Stadium Recording Info: Set One: SBD -> Dat Set Two: SBD -> Cassette Master (TDK SA-X 100) Transfer Info: Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers and Edits Done By Charlie Miller charliemiller87@earthlink.net 1/27/04 notes 526. 07/12/90 Flac 16 Mtx - 0, 128388 Washington Robert F. Kennedy Stadium flac16; Matrix mix of AUD shnid 121537 and SBD shnid 021980 with patches from shnid 97709; Mixed by Nick Crump notes 527. 07/12/90 Flac 24/96 - 0, 130618 Washington Robert F. Kennedy Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 528. 07/12/90 Flac 16 - 0, 130610 Washington Robert F. Kennedy Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 529. 07/12/90 Flac 16 - 0, 97709 Washington Robert F. Kennedy Stadium flac16; Source: FOB-Schoeps CMC3 MK4-> Oade P/S->Sony D10 Pro->DAT->CDR->WAV->FLAC Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors)Tracks Named -> Flac (Level 8) with Traders Little Helper and Tagged with Foobar 2000. Transfers by Pete Ebel on March 3, 2009 notes 530. 07/12/90 Flac 24/96 - 0, 121563 Washington Robert F. Kennedy Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 531. 07/12/90 Shn - 0, 2482 Washington Robert F. Kennedy Stadium SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment notes 532. 07/12/90 Shn - 0, 17688 Washington Robert F. Kennedy Stadium source, lineage unspecified; Posted to a.b.gd.hs notes 533. 07/12/90 Flac 16 - 0, 133957 Washington Robert F. Kennedy Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 534. 07/12/90 Flac 16 - 0, 141394 Washington Robert F. Kennedy Stadium flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8 1/2' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes 535. 07/12/90 Flac 16/48 - 0, 143602 Washington Robert F. Kennedy Stadium flac16/48kHz; Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 536. 07/12/90 Flac 24 - 0, 149523 Washington Robert F. Kennedy Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 537. 07/12/90 Flac 16 - 0, 149730 Washington Robert F. Kennedy Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 538. 07/12/90 Flac 16 - 0, 149329 Washington Robert F. Kennedy Stadium flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5 Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes 539. 07/12/90 Flac 16 Mtx - , 161266 Washington Robert F. Kennedy Stadium flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack & Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 21980 (set 1), 149730 (set 2) & 97709. notes 540. 07/14/90 Flac 16 - 0, 106403 Foxboro Foxboro Stadium flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 541. 07/14/90 Flac 16 - 0, 128385 Foxboro Foxboro Stadium flac16; 16 bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump notes 542. 07/14/90 Flac 24/96 - 0, 106404 Foxboro Foxboro Stadium flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 543. 07/14/90 Flac 24/96 - 0, 130835 Foxboro Foxboro Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 544. 07/14/90 Flac 16 - 0, 130834 Foxboro Foxboro Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 545. 07/14/90 Flac 16 - 0, 92772 Foxboro Foxboro Stadium flac16; Source: OTS Audience Recording - set up at the right front lip of the sbd Lineage: Nakamichi CM-300's with CP-4 Shotgun Caps > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) notes 546. 07/14/90 Flac 16/48 - 0, 79750 Foxboro Foxboro Stadium flac16/48; source: Schoeps CMC 44 cardioids ORTF FOB 6' stand-> Oade PS-> modified Panasonic SV-255 Taped and transferred by Rich Gastwirt notes 547. 07/14/90 Shn - 0, 84979 Foxboro Foxboro Stadium SBD cass master>DAT>SHN notes 548. 07/14/90 Shn - 0, 463 Foxboro Foxboro Stadium SBD(?) ("could be DSBD, likely SBDm")> ? ("could also have a cassette gen between the source and DAT, not sure")> DAT> CD> EAC; via Nick Georges; see pub comments for flaw notes notes 549. 07/14/90 Shn - 0, 31950 Foxboro Foxboro Stadium SBD > ? > CD > EAC >SHN notes 550. 07/14/90 Flac 24/96 - 0, 121510 Foxboro Foxboro Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 551. 07/14/90 Flac 16 - 0, 121511 Foxboro Foxboro Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 552. 07/14/90 Flac 16 - 0, 111133 Foxboro Foxboro Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich notes 553. 07/14/90 Flac 16 - 0, 133966 Foxboro Foxboro Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 554. 07/14/90 Flac 16 - 0, 141395 Foxboro Foxboro Stadium flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes 555. 07/14/90 Flac 16 Mtx - 0, 141748 Foxboro Foxboro Stadium flac16; A photoLeon Matrix; Source #1: Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]. Mics on stands, set I @ 6', set II @ 6'3" and Source #2: Recorded, Transferred and Digitally Mastered by Dan Tepper; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT notes 556. 07/14/90 Flac 24/96 - 0, 134830 Foxboro Foxboro Stadium flac24; Source: B&K 4011 Cardioids FOB -> ? -> Nakamichi 682ZX -> Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 557. 07/14/90 Flac 24 - 0, 128386 Foxboro Foxboro Stadium flac24; 24bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump notes 558. 07/14/90 Shn - 0, 15508 Foxboro Foxboro Stadium 2Beyerm160 > SonyTCD5M Master Cassette> SHN; seeded to abgd by Walstib notes 559. 07/14/90 Flac 16/48 - 0, 143603 Foxboro Foxboro Stadium flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced 8'5" stands 6'3") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 560. 07/14/90 Flac 24/96 - 0, 147814 Foxboro Foxboro Stadium flac24; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 561. 07/14/90 Flac 16/48 - 0, 147813 Foxboro Foxboro Stadium flac16/48kHz; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 562. 07/14/90 Flac 16 - 0, 149340 Foxboro Foxboro Stadium flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5 M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes 563. 07/14/90 Flac 16/48 - 0, 79750 Foxboro Foxboro Stadium flac16/48; source: Schoeps CMC 44 cardioids ORTF FOB 6' stand-> Oade PS-> modified Panasonic SV-255 Taped and transferred by Rich Gastwirt notes 564. 07/14/90 Flac 16 - , 152771 Foxboro Foxboro Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - matrix mixing by Kevin Tobin notes 565. 07/14/90 Dts Audio 5.1 - , 152772 Foxboro Foxboro Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - dts mixing by Kevin Tobin notes 566. 07/14/90 Flac 16/48 - , 152773 Foxboro Foxboro Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - surround mixing by Kevin Tobin notes 567. 07/16/90 Flac 16 - 0, 95782 Orchard Park Rich Stadium flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 568. 07/16/90 Flac 16 Mtx - 0, 128387 Orchard Park Rich Stadium flac16; 3 source matrix mix of AUD shnid 95580, SBD shnid 95782 and AUD shnid 116444; Mixed by Nick Crump notes 569. 07/16/90 Shn - 0, 1316 Orchard Park Rich Stadium SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp notes 570. 07/16/90 Flac 24/96 - 0, 131229 Orchard Park Rich Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 571. 07/16/90 Flac 1644 - 0, 131228 Orchard Park Rich Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 572. 07/16/90 Flac 16 - 0, 98919 Orchard Park Rich Stadium flac16; Source: Nakamichi CM-100s with CP-4 shotgun caps > D-5 > mac; at the soundboard, a bit right of center if memory serves me correctly Lineage: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 notes 573. 07/16/90 Flac 16 - 0, 116444 Orchard Park Rich Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 574. 07/16/90 Flac 16 - 0, 121581 Orchard Park Rich Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename notes 575. 07/16/90 Shn - 0, 84980 Orchard Park Rich Stadium DSBD>CD notes 576. 07/16/90 Flac 16 - 0, 95580 Orchard Park Rich Stadium flac16; FOB AUD: Sennheiser MD-441's > Sony TC-D5M > TDK SA 90's with no Dolby. Mics on stand, 18th row FOB. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes 577. 07/16/90 Flac 16 - 0, 32018 Orchard Park Rich Stadium flac16; 1st Set:Soundboard->DAT@48 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample->CDWAV (track) ->FLAC. 2nd Set:Soundboard->DAT@44.1 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn notes 578. 07/16/90 Flac 24/96 - 0, 121580 Orchard Park Rich Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 579. 07/16/90 Flac 24/96 - 0, 116445 Orchard Park Rich Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 580. 07/16/90 Flac 16/48 - 0, 142695 Orchard Park Rich Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 581. 07/16/90 Flac 16 - 0, 133997 Orchard Park Rich Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 582. 07/16/90 Flac 16/48 - 0, 143604 Orchard Park Rich Stadium flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB/DFC) Schoeps CMC3/MK2S (spaced 8'3" stands 6'4") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 583. 07/16/90 Flac 16/48 - 0, 145658 Orchard Park Rich Stadium flac16/48kHz; Source: Utramatrix > Dat (48k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick March 2019 notes 584. 07/16/90 Flac 16 - 0, 149401 Orchard Park Rich Stadium flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell XL-II 90 And 100 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes 585. 07/18/90 Flac 16 - 0, 95807 Noblesville Deer Creek Music Center flac16; Recording Info:Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k); Transfer Info:Set 1: CD -> Samplitude Professional v10.1 -> FLAC; Set 2: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 586. 07/18/90 Shn - 0, 28889 Noblesville Deer Creek Music Center Set1 SBD>>DAT>>MC>>SHN>>DAW(Bertha)>>CDA/SHN + Set2 SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ notes 587. 07/18/90 Flac 24/96 - 0, 131339 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 588. 07/18/90 Flac 16 - 0, 131337 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 589. 07/18/90 Flac 16 - 0, 117698 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 590. 07/18/90 Shn - 0, 12760 Noblesville Deer Creek Music Center whole show, SBD> 5th Gen analog cassette> Sound Forge> CD> EAC> SHN, with AUD splice in Drums tape flip; via Jeff Wilson notes 591. 07/18/90 Shn - 0, 32218 Noblesville Deer Creek Music Center Braverman fix and cleanup of previously circulating Miller source (SHNID 26352). Purports to fix/clean up only d1t01, d1t02, d2t07, and d3t01 through d3t04 of original source. See text file for details. notes 592. 07/18/90 Shn - 0, 12579 Noblesville Deer Creek Music Center Source for set 1: SBD Lineage: MC> C5*> SoundForge> CD> EAC> SHN Source for set 2: SBD Lineage: unknown, likely S:DAT> C> DAT> CD> SHN via Mike W and Mike Lai; seeded and tracked by Peter Braverman notes 593. 07/18/90 Flac 24/48 - 0, 117697 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 594. 07/18/90 Shn - 0, 26352 Noblesville Deer Creek Music Center SBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional lineage notes notes 595. 07/18/90 Flac 16 - 0, 118904 Noblesville Deer Creek Music Center flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC; The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen notes 596. 07/18/90 Flac 16 Mtx - 0, 132853 Noblesville Deer Creek Music Center flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095807) Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k) and Audience (shnid:118904) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes notes 597. 07/18/90 Flac 16 - 0, 137862 Noblesville Deer Creek Music Center flac16; Updated Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire> Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 598. 07/18/90 Flac 16/48 - 0, 138229 Noblesville Deer Creek Music Center flac16/48kHz; Rick Katzeff recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Oade PS > Panasonic SV255. 1st set 20th row hand held DFC; 2nd set 25th row DFC with 6'3" stand; John Ammons; Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 599. 07/18/90 Shn - 0, 7358 Noblesville Deer Creek Music Center unknown aud>?>cdr>eac>shn; via Paul B.; Tony Gardner notes 600. 07/18/90 Flac 16 - 0, 97366 Noblesville Deer Creek Music Center flac16; Source: NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic) Lineage: MC>WAV>FLAC Recorded and Encoded by Cousinit notes 601. 07/18/90 Flac 16 - 0, 118892 Noblesville Deer Creek Music Center flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) notes 602. 07/18/90 Flac 16/48 - 0, 143605 Noblesville Deer Creek Music Center flac16/48kHz; Dave Brotman Master Dat Recording: (FOB/Row 20/21) Schoeps CMC3/MK4 (ortf) > M1000 > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 603. 07/18/90 Flac 24 - 0, 147560 Noblesville Deer Creek Music Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes 604. 07/18/90 Flac 16 - 0, 147774 Noblesville Deer Creek Music Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 605. 07/18/90 Flac 24/96 - 0, 147817 Noblesville Deer Creek Music Center flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 606. 07/18/90 Flac 16/48 - 0, 147816 Noblesville Deer Creek Music Center flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 607. 07/19/90 Flac 16 - 0, 95783 Noblesville Deer Creek Music Center flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 608. 07/19/90 Flac 16 - 0, 34617 Noblesville Deer Creek Music Center flac16; Seamless fix of shn id 2177 - DSBD>DAT>CD-R>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 609. 07/19/90 Flac 24/96 - 0, 131316 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 610. 07/19/90 Flac 16 - 0, 131315 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 611. 07/19/90 Flac 16 - 0, 117700 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 612. 07/19/90 Flac 16 - 0, 105263 Noblesville Deer Creek Music Center flac16; TAPER: Greg Holtz SOURCE: FOB Sec B Row 17 DFC Nakamichi CM-100's with CP-1 caps -> Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes 613. 07/19/90 Shn - 0, 2177 Noblesville Deer Creek Music Center DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd notes 614. 07/19/90 Flac 16 - 0, 32354 Noblesville Deer Creek Music Center flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 615. 07/19/90 Flac 24/48 - 0, 117699 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 616. 07/19/90 Flac 16 - 0, 118905 Noblesville Deer Creek Music Center flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen notes 617. 07/19/90 Flac 16 Mtx - 0, 132854 Noblesville Deer Creek Music Center flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes notes 618. 07/19/90 Flac 16/48 - 0, 142346 Noblesville Deer Creek Music Center flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF)> Jensen 16's > DAT (Panasonic sv250); Location: row 5/v center; Charlie Miller Transfer of clone from master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 619. 07/19/90 Flac 16 - 0, 118893 Noblesville Deer Creek Music Center flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) notes 620. 07/19/90 Flac 24 - 0, 147566 Noblesville Deer Creek Music Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 621. 07/19/90 Flac 16 - 0, 147777 Noblesville Deer Creek Music Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 622. 07/19/90 Flac 24/96 - , 154264 Noblesville Deer Creek Music Center flac2496; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 623. 07/19/90 Flac 16/48 - , 154265 Noblesville Deer Creek Music Center flac1648; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes 624. 07/21/90 Flac 16 - 0, 95809 Tinley Park World Music Theater flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 625. 07/21/90 Flac 24/96 - 0, 131365 Tinley Park World Music Theater flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename This is your collection notes 626. 07/21/90 Flac 16 - 0, 131366 Tinley Park World Music Theater flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename This is your collection notes 627. 07/21/90 Flac 16 - 0, 117734 Tinley Park World Music Theater flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 628. 07/21/90 Shn - 0, 7832 Tinley Park World Music Theater Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston; to abgd via Charlie Connor notes 629. 07/21/90 Shn - 0, 2109 Tinley Park World Music Theater SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Drums & Space are cut notes 630. 07/21/90 Flac 24/96 - 0, 117733 Tinley Park World Music Theater flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 631. 07/21/90 Flac 16 - 0, 112524 Tinley Park World Music Theater flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front of Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz notes 632. 07/21/90 Flac 16/48 - 0, 142004 Tinley Park World Music Theater flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 633. 07/21/90 Flac 16 - 0, 131538 Tinley Park World Music Theater flac16; FOB/Schoeps CMC 34's>(presumed Oade p/s)> (presumed SV-250 or 255) by (likely Katzeff or Mattes); DAT clones provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty notes 634. 07/21/90 Flac 16/48 - 0, 143930 Tinley Park World Music Theater flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 notes 635. 07/21/90 Flac 16 - 0, 133841 Tinley Park World Music Theater flac16; lineage: sbd/aud matrix>dat>cd> eac> cdwave> traders little helper encoding option 8 notes 636. 07/21/90 Flac 24 UMtx. - 0, 150458 Tinley Park World Music Theater flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 637. 07/21/90 Flac 16 - 0, 150502 Tinley Park World Music Theater flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 638. 07/21/90 Flac 16/48 - 0, 150564 Tinley Park World Music Theater flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - surround mixing by Kevin Tobin notes 639. 07/21/90 Dts Audio 5.1 - 0, 150563 Tinley Park World Music Theater DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - dts mixing by Kevin Tobin notes 640. 07/21/90 Flac 16 Mtx - 0, 150562 Tinley Park World Music Theater flac16; Matrix 2 Source Mix - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - matrix mixing by Kevin Tobin notes 641. 07/22/90 Flac 16 - 0, 115497 Tinley Park World Music Theater flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a drop out in d2t03 of source ID 95870 notes 642. 07/22/90 Flac 24/96 - 0, 131372 Tinley Park World Music Theater flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Renam notes 643. 07/22/90 Flac 1644 - 0, 131371 Tinley Park World Music Theater flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 644. 07/22/90 Flac 16 - 0, 117740 Tinley Park World Music Theater flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 645. 07/22/90 Flac 16 - 0, 112525 Tinley Park World Music Theater flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: 3rd level corporate box inside pavilion; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz notes 646. 07/22/90 Shn - 0, 9397 Tinley Park World Music Theater Jay Ashley (Bertha) remaster of Master DAT source; SBD>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA notes 647. 07/22/90 Flac 24/48 - 0, 117739 Tinley Park World Music Theater flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 648. 07/22/90 Shn - 0, 7834 Tinley Park World Music Theater Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor notes 649. 07/22/90 Flac 16 - 0, 95870 Tinley Park World Music Theater flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 650. 07/22/90 Flac 16/48 - 0, 138459 Tinley Park World Music Theater flac16/48kHz; Rick Katzeff recording: FOB Schoeps cardioids* at 110 degrees ORTF > Panasonic SV250 > DAT; Set I is labeled CMC34 & set II is labeled CMC54; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 651. 07/22/90 Flac 16/48 - 0, 142005 Tinley Park World Music Theater flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 652. 07/22/90 Flac 16/48 - 0, 143931 Tinley Park World Music Theater flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info (FOB): s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 notes 653. 07/22/90 Flac 16 - 0, 133842 Tinley Park World Music Theater flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8 notes 654. 07/22/90 Flac 16/44 - , 158192 Tinley Park World Music Theater flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 158175 2496 > 1644 notes 655. 07/22/90 Flac 24/96 - , 158175 Tinley Park World Music Theater flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes 656. 07/23/90 Flac 16 - 0, 95898 Tinley Park World Music Theater flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 657. 07/23/90 Flac 16 - 0, 131406 Tinley Park World Music Theater flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 658. 07/23/90 Flac 24/96 - 0, 131407 Tinley Park World Music Theater flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 659. 07/23/90 Flac 16 - 0, 117751 Tinley Park World Music Theater flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 660. 07/23/90 Flac 24 - 0, 117750 Tinley Park World Music Theater flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 661. 07/23/90 Flac 16 - 0, 112526 Tinley Park World Music Theater flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front Row Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz notes 662. 07/23/90 Shn - 0, 7612 Tinley Park World Music Theater sbd>dat>cd>shn; via Ed O'Connor notes 663. 07/23/90 Shn - 0, 7835 Tinley Park World Music Theater Master Soundboard DAT > CDR, EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor notes 664. 07/23/90 Shn - 0, 7417 Tinley Park World Music Theater listed as SBD, no other source in info file seeded by Chaser notes 665. 07/23/90 Flac 16 - 0, 81303 Tinley Park World Music Theater flac16; Bertha Remaster of shn id 7835: Master SBD DAT > CDR >DAW(Bertha) > SHN > WAV > FLAC (note: the original shn file set has not been distributed) notes 666. 07/23/90 Flac 16 - 0, 133843 Tinley Park World Music Theater flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8 notes 667. 07/23/90 Flac 16/48 - 0, 142006 Tinley Park World Music Theater flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 ORTF > DAT (Panasonic SV250); Location info: Row 26 Center mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 668. 07/23/90 Flac 24/96 - 0, 135062 Tinley Park World Music Theater flac24; Source: Schoeps CMC-34 Cardioids, 110° ORTF, Up Front/FOB-> ProLink Cables -> Neumann Power Supply -> SV25 -> Nak 682ZX -> TDK MA 110 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 669. 07/23/90 Flac 16/48 - 0, 147604 Tinley Park World Music Theater flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - surround mixing by Kevin Tobin notes 670. 07/23/90 Flac 16 Dts.5.1 - 0, 147602 Tinley Park World Music Theater DTS-Audio-CD 5.1 Mix; - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - dts mixing by Kevin Tobin notes 671. 07/23/90 Flac 16 Mtx - 0, 147601 Tinley Park World Music Theater flac16; Matrix 2 Source Mix - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes 672. 07/23/90 Flac 24 UMtx. - 0, 147719 Tinley Park World Music Theater flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 673. 07/23/90 Flac 16 - 0, 147778 Tinley Park World Music Theater flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 674. 07/23/90 Flac 16/48 - 0, 138958 Tinley Park World Music Theater flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT notes 675. 08/28/90 Flac 16/44 - , 157161 San Rafael Club Front flac1644 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette - This is 156714 2496 -> 1644 notes 676. 08/28/90 Flac 24/96 - , 156714 San Rafael Club Front flac2496 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette notes 677. 09/07/90 Flac 16 - 0, 92240 Richfield Richfield Coliseum flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 678. 09/07/90 Flac 16 - 0, 131684 Richfield Richfield Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 679. 09/07/90 Flac 24/96 - 0, 131685 Richfield Richfield Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 680. 09/07/90 Flac 16 - 0, 98877 Richfield Richfield Coliseum flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8 notes 681. 09/07/90 Flac 16 44,1khz - 0, 101018 Richfield Richfield Coliseum flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Sony Metal-SR) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16; Taped by John Bleich from OTS sec 8, row ccc, seat 3 notes 682. 09/07/90 Shn - 0, 13253 Richfield Richfield Coliseum SBD> Cassette; Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN, by Rob (Odeo) Harrison notes 683. 09/07/90 Flac 16/48 - 0, 146060 Richfield Richfield Coliseum flac16/48kHz; Recording info: (FOB) Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade Preamp > Master Dat (Panasonic SV-250/48k). Location: (Sect. 2, Row V, Seat 11, mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48 Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes 684. 09/07/90 Flac 16/48 - 0, 138484 Richfield Richfield Coliseum flac16/48kHz; Rick Katzeff Recording: Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; FOB, Row V Center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 685. 09/08/90 Flac 16 Mtx - 0, 97359 Richfield Richfield Coliseum flac16; matrix of SBD: shnid=92241 and AUD: shnid=11662 by hansokolow using ProTools notes 686. 09/08/90 Flac 16 - 0, 112302 Richfield Richfield Coliseum flac16; Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5; Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC; Recorded, transferred, tracked & FLAC'd by Greg Holtz notes 687. 09/08/90 Flac 24/96 - 0, 131696 Richfield Richfield Coliseum SHNID: 131696 flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 688. 09/08/90 Flac 16 - 0, 131695 Richfield Richfield Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename This is your collection notes 689. 09/08/90 Flac 16 - 0, 92241 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 690. 09/08/90 Shn - 0, 14045 Richfield Richfield Coliseum Set 2 only SBD>CM>DAT>CDR>EAC>SHN All transcription and conversion from DAT done by JR Fishman NY, NY fishmanj_98@yahoo.com notes 691. 09/08/90 Flac 16 - 0, 101148 Richfield Richfield Coliseum flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Maxel XL II-S) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped by John Bleich from OTS sec 8, row ccc, seat 14 notes 692. 09/08/90 Flac 16 - 0, 98889 Richfield Richfield Coliseum flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8 notes 693. 09/08/90 Shn - 0, 11662 Richfield Richfield Coliseum AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes 694. 09/08/90 Flac 16/48 - 0, 144620 Richfield Richfield Coliseum flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick 2019 notes 695. 09/08/90 Flac 16/48 - 0, 146061 Richfield Richfield Coliseum flac16/48kHz; Set 1 Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k) Location: (DFC, Row 1, OTS); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes 696. 09/10/90 Flac 16 - 0, 80955 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 697. 09/10/90 Flac 16 Mtx - 0, 137115 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:80955)Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; Audience (Shnid:11807) Source: AUD(Nak. 300's>D-5)>CM>??>CDR>There maybe another Cass. gen in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) notes 698. 09/10/90 Flac 16/48 - 0, 142361 Philadelphia The Spectrum flac16/48kHz; Set I - Rick Katzeff Recording; Schoeps CMC44 (110ยบ ORT F) > M100 > DAT (Panasonic SV250). Location; FOB, Sect 102; Row 14; Seat 13; Set II - Rich Berner; B&K 4011's (110ยบ ORTF) > Neumann P.S. > DAT (Sony D10 Pro); Location; Row 16; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV notes 699. 09/10/90 Shn - 0, 11807 Philadelphia The Spectrum AUD(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley notes 700. 09/10/90 Shn - 0, 8702 Philadelphia The Spectrum AUD>DAT>CDR; Seeded to etree by Tim Wiley notes 701. 09/10/90 Flac 16/48 - 0, 146062 Philadelphia The Spectrum flac16/48kHz; Recording info: Schoeps CMC4/MK4 (110°) > M1000 Cables > Oade Preamp > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes 702. 09/11/90 Flac 16 - 0, 122145 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 703. 09/11/90 Flac 24/48 - 0, 122144 Philadelphia The Spectrum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 704. 09/11/90 Flac 16 - 0, 121665 Philadelphia The Spectrum notes 705. 09/11/90 Flac 24/96 - 0, 121664 Philadelphia The Spectrum flac24; Master Audience Recorded By MR. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 706. 09/11/90 Shn - 0, 11809 Philadelphia The Spectrum (Healy Mix)SBD>DAT>C>DAT>CDR; with FOB(Nak. 300's>D-5)>CM>??>CDR patches; See info file for details; via Paul B and Dan Faust; Seeded to Etree by T. Wiley notes 707. 09/11/90 Flac 16 Mtx - 0, 137116 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:122145) Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Audience (shnid:011808)Source: FOB(Nak. 300's > D-5) > CM >?? > CDR >There maybe another Cass. gen. in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable notes 708. 09/11/90 Flac 16/48 - 0, 142423 Philadelphia The Spectrum flac16/48kHz; Set 1 Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV This is your collection notes 709. 09/11/90 Shn - 0, 11808 Philadelphia The Spectrum FOB(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley notes 710. 09/11/90 Flac 16/48 - 0, 146063 Philadelphia The Spectrum flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes 711. 09/12/90 Flac 16 - 0, 74247 Philadelphia The Spectrum flac16; SBD > Dat > Cassette Master (TDK SA100) > Dat (44.1k) > Sony D8 > VX Pocket 440 > Sony Vaio C1VP > Samplitude Professional v7.02 > FLAC; Transfers and Mastering By Charlie Miller notes 712. 09/12/90 Shn - 0, 8818 Philadelphia The Spectrum First set only; (Healy Mix) SBD> Cassette Master> ??> CDR; Seeded to etree by Tim W notes 713. 09/12/90 Flac 16 Mtx - 0, 137117 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:74247) Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC; Audience (Shnid:7741)Source:Schoeps CMC-34?s, FOB-AUD>DAT>CDR notes 714. 09/12/90 Flac 16/48 - 0, 142424 Philadelphia The Spectrum flac16/48kHz; Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV notes 715. 09/12/90 Shn - 0, 7741 Philadelphia The Spectrum Schoeps CMC-34?s, FOB-AUD> DAT> CDR; via Paul B.; Tim Wiley notes 716. 09/12/90 Flac 16/48 - 0, 146065 Philadelphia The Spectrum flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: FOB, Sec 102, Row 15 (s1) Row 14 (s2), Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes 717. 09/12/90 Shn - 0, 13141 Philadelphia The Spectrum Schoeps MK4V> DAT> CD-R> EAC> ADDAWAV (for retracking set 1)> CDRWAV> MKWACT> SHN; via JR Fishman notes 718. 09/14/90 Flac 16 Mtx - 0, 97443 New York Madison Square Garden flac16; matrix of DSBD: shnid=74405 and DAUD: shnid=88942 by hansokolow using ProTools notes 719. 09/14/90 Flac 16 - 0, 74405 New York Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 720. 09/14/90 Shn - 0, 7769 New York Madison Square Garden analog sbd> dat> cd> eac> cd; via Jeff Fishman; Steve Barbella notes 721. 09/14/90 Flac 16 - 0, 92017 New York Madison Square Garden flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F. notes 722. 09/14/90 Flac 16/48 - 0, 141164 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes 723. 09/14/90 Flac 16 - 0, 88942 New York Madison Square Garden flac16; Ambient Recording by Sean Weber & Rick Katseff B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master notes 724. 09/14/90 Flac 16 - 0, 117928 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 725. 09/14/90 Shn - 0, 11810 New York Madison Square Garden Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley notes 726. 09/14/90 Flac 16/48 - 0, 144756 New York Madison Square Garden flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019 notes 727. 09/14/90 Shn - 0, 9623 New York Madison Square Garden Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). notes 728. 09/14/90 Flac 16/48 - 0, 150531 New York Madison Square Garden flac16/48kHz; Recording info: (FOB) B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: Section 2, row 15, seat 1 (mics on stand at 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition) August 22, 2020 notes 729. 09/15/90 Flac 16 - 0, 89070 New York Madison Square Garden flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 730. 09/15/90 Flac 16 Mtx - 0, 97498 New York Madison Square Garden flac16; matrix of SBD: shnid=89070 and DAUD: shnid=9047 by hansokolow using ProTools notes 731. 09/15/90 Flac 24/96 - 0, 131637 New York Madison Square Garden flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 732. 09/15/90 Flac 16 - 0, 131636 New York Madison Square Garden flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 733. 09/15/90 Flac 24 - 0, 132066 New York Madison Square Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 734. 09/15/90 Flac 16 - 0, 132065 New York Madison Square Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 735. 09/15/90 Shn - 0, 7770 New York Madison Square Garden analog sbd>dat>cd>eac>cd; via Jeff Fishman; Steve Barbella notes 736. 09/15/90 Shn - 0, 7746 New York Madison Square Garden DSBD> Sony SDT-9000> VDAT> WAV> CDWAV; via Martman notes 737. 09/15/90 Flac 16 - 0, 77205 New York Madison Square Garden flac16; source: dsbd > dat > dat > dat@44k transfer: Sony D8(modified) > dat@44K > wavelab5.0 > wav > flac16 see text file for details notes 738. 09/15/90 Flac 16 - 0, 92063 New York Madison Square Garden flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F. notes 739. 09/15/90 Flac 16 - 0, 77295 New York Madison Square Garden flac16; SBD -> Dat -> Cassette Master -> Dat Transferred By bendover@theotherones.org Mastered By Charlie Miller notes 740. 09/15/90 Flac 16/48 - 0, 141165 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes 741. 09/15/90 Flac 16 - 0, 91474 New York Madison Square Garden b>flac16; Sennheiser ME-80's>Techinics SV-MD1 from Taper's Section Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Keith Litzenberger notes 742. 09/15/90 Flac 16 - 0, 88946 New York Madison Square Garden flac16; Ambient Recording by tdarian - John Corso B&K 4011's ORTF -> Grace Pre -> Panasonic SV250 line-in FOB 17th Row seat 3 near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master notes 743. 09/15/90 Shn - 0, 9047 New York Madison Square Garden Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). notes 744. 09/15/90 Flac 16/48 - 0, 144813 New York Madison Square Garden flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019 notes 745. 09/15/90 Flac 16 - , 150667 New York Madison Square Garden flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 TDK MA-X 90 And 110 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback) >Edirol R-09 HR (24/44.1 KHZ) >CD Wav Editor>Traders Little Helper >Flac level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes 746. 09/16/90 Flac 16 - 0, 132022 New York Madison Square Garden flac16; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 747. 09/16/90 Flac 24 - 0, 132021 New York Madison Square Garden flac24; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 748. 09/16/90 Flac 16 - 0, 92158 New York Madison Square Garden flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F notes 749. 09/16/90 Flac 16 Mtx - 0, 136806 New York Madison Square Garden flac16; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 tape speed correction, Multiband Compression, Equalization, Volume and DC Offset notes 750. 09/16/90 Flac 16/48 - 0, 141166 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes 751. 09/16/90 Flac 16 - 0, 125564 New York Madison Square Garden flac16; Taper: M. Laurentus; Loge/Taper Section Sec 57F,Row A,Seat 14; AT835B's- AT 8202’s-SONY TCD-5M-Cassette- Cassette-Tascam DR5 Line In-CD Wave- FLAC notes 752. 09/16/90 Flac 16 - 0, 97707 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger notes 753. 09/16/90 Shn - 0, 9435 New York Madison Square Garden Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor notes 754. 09/16/90 Shn - 0, 11663 New York Madison Square Garden Recorded by Dave Brotman, FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); via Paul B; Seeded to Etree by T. Wiley notes 755. 09/16/90 Flac 16 - 0, 88947 New York Madison Square Garden flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT line-in Section 1 row 18 center - on center aisle Seat A FOB near center. transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 CDR master transfer by Mike French notes 756. 09/16/90 Flac 16 - 0, 144815 New York Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This fileset is 16 bit @ 44.1 notes 757. 09/16/90 Flac 16/48 - 0, 144814 New York Madison Square Garden flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019 notes 758. 09/16/90 Flac 24 - 0, 144784 New York Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 759. 09/16/90 Flac 16 Mtx - 0, 145946 New York Madison Square Garden flac16; Matrix: SBD (shnid=144815): Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) and AUD (shnid=141166): Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS) notes 760. 09/18/90 Flac 16 - 0, 86952 New York Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC. All Transfers and Mastering By Charlie Miller. (Fixes a dropout in shn id 79022; see info file for details) notes 761. 09/18/90 Flac 16 Mtx - 0, 96156 New York Madison Square Garden flac16; matrix of DSBD: shnid=79022 and DAUD: shnid=9772 by hansokolow using ProTools notes 762. 09/18/90 Shn - 0, 11811 New York Madison Square Garden SBD>DAT MASTER>DATX2>CD; via the Piper; Seeded to etree by troy richey notes 763. 09/18/90 Flac 24/96 - 0, 131909 New York Madison Square Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 764. 09/18/90 Flac 16 - 0, 131908 New York Madison Square Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 765. 09/18/90 Flac 16 - 0, 35162 New York Madison Square Garden flac16; Fix of shn id 12885 - SBD->Cm->Dat->CD->Cool Edit Pro->CD>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 766. 09/18/90 Flac 16 - 0, 79022 New York Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes 767. 09/18/90 Shn - 0, 12885 New York Madison Square Garden Lineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller notes 768. 09/18/90 Flac 16/48 - 0, 139520 New York Madison Square Garden flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 769. 09/18/90 Flac 16/48 - 0, 141167 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes 770. 09/18/90 Shn - 0, 9772 New York Madison Square Garden DFOB MAD>D>CD Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). 4, 1 second d/o's were patched w/ an FOB source; See info file for details; Seeded to etree by Darrin Sacks notes 771. 09/18/90 Flac 16 - 0, 88968 New York Madison Square Garden flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master This is your collection notes 772. 09/18/90 Flac 16 Mtx - 0, 138069 New York Madison Square Garden flac16; Matrix by photoleon; Ambient Recording by Tom Darian; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; From Section A Row 19, seat 2 FOB - near center; transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700; and SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes 773. 09/18/90 Flac 16 - 0, 124767 New York Madison Square Garden flac16; Taper: M. Laurentus; Loge/Taper Section Sec 56D,Row A,Seat 12; AT835B's- AT 8202’s-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 774. 09/18/90 Flac 16 - 0, 96934 New York Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC (This source was originally seeded missing Heaven's Door & Other One; then reseeded with Heaven's Door added.). A version of this source without the missing songs now circulates. notes 775. 09/18/90 Flac 16 - 0, 97021 New York Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In- Creative Recorder-CD Wave- FLAC; This is the fixed/complete version of source id 96934. notes 776. 09/18/90 Flac 16/48 - 0, 144893 New York Madison Square Garden flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 notes 777. 09/18/90 Flac 24 UMtx. - 0, 147622 New York Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 778. 09/18/90 Flac 16 - 0, 147781 New York Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 779. 09/18/90 Flac 16/48 - 0, 150544 New York Madison Square Garden flac16/48kHz; Recording Info: (FOB) Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 19 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020). August 22, 2020 notes 780. 09/18/90 Flac 16 Mtx - , 152738 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86952 & 141167. notes 781. 09/19/90 Flac 16 Mtx - 0, 97641 New York Madison Square Garden flac16; matrix of DSBD: shnid=85003 and DAUD: shnid=11664 by hansokolow using ProTools notes 782. 09/19/90 Flac 16 - 0, 85003 New York Madison Square Garden flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller notes 783. 09/19/90 Shn - 0, 3373 New York Madison Square Garden Updated lineage: SBD> CM> DAT> CDR> EAC> SHN; via Jeff M. notes 784. 09/19/90 Shn - 0, 14674 New York Madison Square Garden Jay Ashley remaster of previous sbd source. SBD>>DAT>>CASS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN notes 785. 09/19/90 Flac 16 Mtx - 0, 96157 New York Madison Square Garden flac16; matrix of DSBD: shnid=3373 and DAUD: shnid=11664 by hansokolow using ProTools notes 786. 09/19/90 Shn - 0, 26081 New York Madison Square Garden amalgam of 2 previous seeds A and B, remastered by Tim Wiley; see info file for details notes 787. 09/19/90 Flac Mtx.16/48 - 0, 138055 New York Madison Square Garden flac16/48kHz; MTX from Audience recording: Recording by Tom Darian; From Section A Row 19, seat 2 FOB - near center; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; Transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master and SBD Recording: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD; Set 2: SBD -> Dat Master -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC notes 788. 09/19/90 Flac 24/96 - 0, 143131 New York Madison Square Garden 24 bit George Sterry (OTS) Recording: Sony ECM-909A > Cassette Master (Sony TC-158SD) Charlie Miller Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96 Edited & Mastered by Joe Noel Flac 24/96 > Audacity > Flac 24/96 notes 789. 09/19/90 Shn - 0, 9988 New York Madison Square Garden MAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks notes 790. 09/19/90 Shn - 0, 11664 New York Madison Square Garden Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes 791. 09/19/90 Flac 16 - 0, 88969 New York Madison Square Garden flac16; Ambient recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 notes 792. 09/19/90 Flac 16 - 0, 96927 New York Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row B,Seat 2 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC notes 793. 09/19/90 Flac 24 UMtx. - 0, 147623 New York Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 794. 09/19/90 Flac 16 - 0, 147888 New York Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 795. 09/19/90 Flac 16/48 - 0, 149583 New York Madison Square Garden flac16/48kHz; Recording info: Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes 796. 09/19/90 Flac 16/48 - 0, 150545 New York Madison Square Garden flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer Info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020); Notes: Remaster of shnid 149583 notes 797. 09/20/90 Shn Mtx - 0, 30868 New York Madison Square Garden BD + AUD Matrix Mix (50%-SBD/50%-AUD) using SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN, shn id 12111 and AUD Source: FOB > Scheops > DAT > CDR Location: Row 15, Center shn id 11633 notes 798. 09/20/90 Shn - 0, 14855 New York Madison Square Garden Bertha Remaster of the original DSBD Source. SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+ notes 799. 09/20/90 Shn Dts - 0, 31773 New York Madison Square Garden DTS-Audio 5.1; mix of SBD > DAT > Samplitude > Cool Edit Pro > SHN & Dave Brotman FOB > Scheops > DAT > CDR notes 800. 09/20/90 Shn - 0, 465 New York Madison Square Garden set II,E; Ultramix SBD > DAT > CD-R; CD Mastering by C.J. Eichinger; Tape from T. Buller; see pub comments for flaw note notes 801. 09/20/90 Shn - 0, 28691 New York Madison Square Garden SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN. There was a flaw in the original transfer (d3t05 - Throwing Stones) that has been fixed. Flaws in d1t02 and d3t01 were also fixed notes 802. 09/20/90 Shn - 0, 12111 New York Madison Square Garden SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN; Seeded to etree by Charlie Miller notes 803. 09/20/90 Shn - 0, 34629 New York Madison Square Garden Seamless fix of shn id 28691 - SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN notes 804. 09/20/90 Flac 16/48 - 0, 141168 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes 805. 09/20/90 Shn - 0, 9989 New York Madison Square Garden Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); With SBD patches in Truckin', see info file for details; Seeded to etree by Darrin Sacks notes 806. 09/20/90 Shn - 0, 11633 New York Madison Square Garden FOB AUD Schoeps (Row 15,Center)> DAT> CDR> EAC> CEP editing> SHN; taped by Dave Brotman; Seeded by Tim Wiley from Paul B. source discs notes 807. 09/20/90 Flac 16 - 0, 88970 New York Madison Square Garden flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 notes 808. 09/20/90 Flac 16 - 0, 96918 New York Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat-14 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC notes 809. 09/20/90 Flac 16 Mtx - 0, 138036 New York Madison Square Garden b>flac16; 2 source matrix: shnid: 108849 - SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC and shnid: 88970 - Ambient Recording by Ted Darian; B&K 4011's ORTF-> ProLink cable-> Neumann p48v-> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+; transfer and edit notes: Tascam DA20mkII 48k DAT master> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 notes 810. 09/20/90 Flac 16 - 0, 132709 New York Madison Square Garden flac16; Recording info: FOB (Section A, Row 18, Seat 1); Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255 by Rick Katzeff; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 23, 2015 by Will Petty notes 811. 09/20/90 Flac 16 - 0, 108849 New York Madison Square Garden flac16; Recording Info: SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 812. 09/20/90 Flac 16/48 - 0, 149578 New York Madison Square Garden flac16/48kHz; Recording info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k). Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 1648 notes 813. 09/20/90 Flac 16/48 - 0, 150546 New York Madison Square Garden flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel; Notes: Remaster of shnid 149578 notes 814. 09/20/90 Flac 16 Mtx - , 152739 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 108849 & 141168. notes 815. 09/20/90 Flac 16 - , 150669 New York Madison Square Garden flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>1 TDM MA-90 Metal Cassette Tape (1stSet) And 1 100 Minute Sony Metal SR Cassette Tape(2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flace Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes 816. 09/20/90 Flac 24/96 - , 156442 New York Madison Square Garden flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 817. 09/20/90 Flac 16/44 - , 156488 New York Madison Square Garden flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156442 2496 > 1644.1 notes 818. 09/28/90 Shn - 0, 13531 San Rafael Front Street Unknown SBD> ? (possible cassette gen)> CDR> EAC> SHN; via Jeff M notes 819. 10/13/90 Shn - 0, 21971 Stockholm Ice Stadium DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 820. 10/13/90 Shn - 0, 11627 Stockholm Ice Stadium SBD>MC>C>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes 821. 10/13/90 Flac 16 - 0, 92841 Stockholm Ice Stadium flac16; Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) notes 822. 10/13/90 Flac 16 - 0, 90031 Stockholm Ice Stadium flac16; Source: Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 16, 2008 notes 823. 10/13/90 Flac 16/48 - 0, 138953 Stockholm Ice Stadium flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes 824. 10/13/90 Flac 24 U Mtx - 0, 141086 Stockholm Ice Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 825. 10/13/90 Flac 16 U Mtx - 0, 141088 Stockholm Ice Stadium SHNID: 141088 notes 826. 10/13/90 Flac 16 - 0, 128225 Stockholm Ice Stadium flac16; Recording Info :SONY WM-D6C > MARANTZ EM-8 > Cassette Tape; Transfer Info: Cassette Tape > Nakamichi Dragon Cassette Deck > SONY PCM-M10 (24bit/44,1kHz) > iZotope RX (for hissreduction and sometimes minor eq) > Audacity for Mac (for track splitting) WAV>TLH>FLAC notes 827. 10/17/90 Shn - 0, 11613 Essen GrugaHalle DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes 828. 10/17/90 Flac 16 - 0, 112818 Essen GrugaHalle flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 829. 10/17/90 Flac 24 - 0, 112819 Essen GrugaHalle flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 830. 10/17/90 Flac 16 - 0, 92977 Essen GrugaHalle flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) notes 831. 10/17/90 Flac 16 Mtx - 0, 143496 Essen GrugaHalle flac16; Two source matrix 70% sbd/30% aud; Sources: sbd - shnid 11613 DSBD > DAT > CDR; aud - shnid 143495 Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3; edited and matrix SIRMick November 2018 notes 832. 10/17/90 Flac 16/48 - 0, 143495 Essen GrugaHalle flac16/48kHz; Source: (probably) Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3 (48k) - Taped by Jeff Silberman and provided by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick October 2018 notes 833. 10/17/90 Flac 24/96 - 0, 144816 Essen GrugaHalle flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes 834. 10/17/90 Flac 16 - 0, 144817 Essen GrugaHalle flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes 835. 10/17/90 Flac 16 - 0, 89987 Essen GrugaHalle flac16; Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 12, 2008 notes 836. 10/19/90 Shn - 0, 12892 Berlin Internationales Congress Centrum DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter notes 837. 10/19/90 Shn - 0, 8199 Berlin Internationales Congress Centrum [D]SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon notes 838. 10/19/90 Flac 16 - 0, 93854 Berlin Internationales Congress Centrum flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) notes 839. 10/19/90 Flac 16 - 0, 90094 Berlin Internationales Congress Centrum flac16; Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media Maxell MX-90, MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 20, 2008 notes 840. 10/19/90 Flac 16 - 0, 131475 Berlin Internationales Congress Centrum flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5) notes 841. 10/19/90 Flac 24/96 - 0, 144894 Berlin Internationales Congress Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes 842. 10/19/90 Flac 16 - 0, 144895 Berlin Internationales Congress Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes 843. 10/20/90 Flac 16 Mtx - 0, 98728 Berlin Internationales Congress Centrum flac16; matrix of SBD: shnid=12931 and DAUD: shnid=90641 by hansokolow using ProTools notes 844. 10/20/90 Shn - 0, 12931 Berlin Internationales Congress Centrum DSBD: Healy mix>MD>D>CD notes 845. 10/20/90 Flac 16 - 0, 115551 Berlin Internationales Congress Centrum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 846. 10/20/90 Flac 24/96 - 0, 115552 Berlin Internationales Congress Centrum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes 847. 10/20/90 Shn - 0, 8245 Berlin Internationales Congress Centrum Source : SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon notes 848. 10/20/90 Flac 16 - 0, 90641 Berlin Internationales Congress Centrum flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 6, 2008 notes 849. 10/20/90 Flac 16/48 - 0, 138476 Berlin Internationales Congress Centrum flac16/48kHz; Mark Teitelbaum Recording: B&K 4011 (ORTF) > Neumann power supply > Panasonic SV255; FOB w/ stand; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Joe Noel Edits: (re)Track & Pack: Flac > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Set 1 is 48kHz, Set 2 is 44.1kHz notes 850. 10/20/90 Flac 16/48 - 0, 139112 Berlin Internationales Congress Centrum flac16/48kHz; source: aud dat master > dat> dat; Doug Lamarre’s clone via Dan Liff r.i.p; taped by Jeff Silberman; neumann U89 > sonosax 5000 > sony tcd-d10 pro; transferred & seeded by Rob Berger notes 851. 10/20/90 Flac 16 - 0, 131473 Berlin Internationales Congress Centrum flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5) notes 852. 10/20/90 Flac 16/48 - 0, 144552 Berlin Internationales Congress Centrum flac16/48kHz; Source: Schoeps MK4 > Schoeps CMC4 > VMS52UB > Sony SBM-1 > Panasonic SV-255; Transfer: DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Thanks to Dave Flaschner for the DATs; Transfer & edits by Jeff Mitchell notes 853. 10/20/90 Flac 24/96 - 0, 144900 Berlin Internationales Congress Centrum flac24; source: aud cassette master; taped by Doug Lamarre;sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes 854. 10/20/90 Flac 16 - 0, 144901 Berlin Internationales Congress Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes 855. 10/20/90 Flac 16 - 0, 150273 Berlin Internationales Congress Centrum flac16; SBD > ? > FLAC notes 856. 10/20/90 Flac 16/44 - , 153737 Berlin Internationales Congress Centrum flac15/44 Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-10-01 transfer by Willer [light EQ + levels + normalizing - Downsampled to 44,1/16] notes 857. 10/22/90 Shn - 0, 22315 Frankfurt Festhalle DSBD > CD > EAC > SHN; No cut in Bird Song; EAC/SHN by Darryl Hinko notes 858. 10/22/90 Flac 16 - 0, 114392 Frankfurt Festhalle flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater; Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 859. 10/22/90 Flac 24/96 - 0, 114393 Frankfurt Festhalle flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 860. 10/22/90 Shn - 0, 13466 Frankfurt Festhalle SBD>CM>D>CD>EAC>SHN, transcribed by JR Fishman notes 861. 10/22/90 Shn - 0, 8722 Frankfurt Festhalle SBD>DAT>C>DAT>CDR; Seeded to etree by Tony Gardner notes 862. 10/22/90 Flac 16 - 0, 90745 Frankfurt Festhalle flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set: TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 11, 2008 notes 863. 10/22/90 Flac 16 - 0, 131001 Frankfurt Festhalle flac16; Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac 16-Level 8/md5); Transfer completed August 18, 2014 by jwpetty notes 864. 10/22/90 Shn - 0, 12833 Frankfurt Festhalle 2 Beyer M160> Sony TCD5M Front Of Board Master Cassette> CDR via unknown seeder notes 865. 10/22/90 Flac 16/48 - 0, 143528 Frankfurt Festhalle flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes 866. 10/22/90 Flac 24/96 - 0, 144925 Frankfurt Festhalle flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes 867. 10/22/90 Flac 16 - 0, 144926 Frankfurt Festhalle flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes 868. 10/24/90 Flac 16 - 0, 84961 Hamburg Sportsahalle flac16; SBD->DAT->CDR->EAC->WAV->FLAC notes 869. 10/24/90 Flac 16 - 0, 131010 Hamburg Sportsahalle flac16; Digital FOB (20') Recording by Lance Deal using Schoeps CMC 521's (110°)> Schoeps VMS 52UB p/s> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Liberated on August 21, 2014 by jwpetty notes 870. 10/24/90 Shn - 0, 11612 Hamburg Sportsahalle SBD>DAT>C>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable); via Paul B; Seeded to Etree by T. Wiley notes 871. 10/24/90 Flac 16 - 0, 90754 Hamburg Sportsahalle flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 12, 2008 notes 872. 10/24/90 Flac 16/48 - 0, 139115 Hamburg Sportsahalle flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes 873. 10/24/90 Flac 16 - 0, 141756 Hamburg Sportsahalle flac16; Source Info: Master UltraMatrix Soundboard Dat > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes 874. 10/24/90 Flac 16 - 0, 131010 Hamburg Sportsahalle flac16; Digital FOB (20') Recording by Lance Deal using Schoeps CMC 521's (110°)> Schoeps VMS 52UB p/s> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Liberated on August 21, 2014 by jwpetty notes 875. 10/24/90 Flac 16/48 - 0, 143962 Hamburg Sportsahalle flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018 notes 876. 10/27/90 Shn - 0, 9373 Paris The Zenith SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman notes 877. 10/27/90 Shn - 0, 21254 Paris The Zenith sbe-fixed version of the SBD>DAT>CD source notes 878. 10/27/90 Flac 16 - 0, 90800 Paris The Zenith flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 14, 2008 notes 879. 10/27/90 Flac 16/48 - 0, 139118 Paris The Zenith flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes 880. 10/27/90 Flac 24/96 - 0, 141604 Paris The Zenith flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes 881. 10/27/90 Flac 16 - 0, 141693 Paris The Zenith flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes 882. 10/27/90 Flac 16 - 0, 113534 Paris The Zenith >flac16; Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski notes 883. 10/27/90 Flac 16 - 0, 84288 Paris The Zenith flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, April 2007. Taped and transferred by Andrew F. notes 884. 10/27/90 Flac 16/48 - 0, 144199 Paris The Zenith flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018 notes 885. 10/28/90 Shn - 0, 3264 Paris The Zenith SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan notes 886. 10/28/90 Flac 16 - 0, 114394 Paris The Zenith flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helpe notes 887. 10/28/90 Flac 24/96 - 0, 114395 Paris The Zenith flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 888. 10/28/90 Flac 16 - 0, 83696 Paris The Zenith flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, March 2007. Taped and transferred by Andrew F notes 889. 10/28/90 Flac 16 - 0, 90833 Paris The Zenith flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 15, 2008 notes 890. 10/28/90 Flac 16/48 - 0, 139119 Paris The Zenith flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes 891. 10/28/90 Flac 24/96 - 0, 141605 Paris The Zenith flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes 892. 10/28/90 Flac 16 - 0, 141694 Paris The Zenith flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes 893. 10/28/90 Flac 16 - 0, 113591 Paris The Zenith flac16; RECORDING LINEAGE: Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski notes 894. 10/28/90 Flac 16/48 - 0, 144200 Paris The Zenith flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018 notes 895. 10/30/90 Flac 16 - 0, 34545 London Wembley Arena flac16; Seamless fix of shn id 6678 - dsbd>dat>cd>shn>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 896. 10/30/90 Flac 16 Mtx - 0, 126879 London Wembley Arena flac16; 2 Source matrix by Dave Usborne; Soundboard shnid:34645); dsbd>dat>cd>shn>WAV>FLAC via Bill Tetzeli;Audience (shnid:81706); Taped and transferred by Andrew F;AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks;Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 notes 897. 10/30/90 Shn - 0, 7449 London Wembley Arena SBD> DAT> CDR; EAC'ed / SHN'ed by Dieter; to abgd notes 898. 10/30/90 Shn - 0, 6678 London Wembley Arena dsbd> dat> cd> shn; via Steve Barbella notes 899. 10/30/90 Flac 16 - 0, 90836 London Wembley Arena flac16; Set 2 only Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008 notes 900. 10/30/90 Flac 16 Mtx - 0, 136847 London Wembley Arena flac16; SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm notes 901. 10/30/90 Flac 16/48 - 0, 139120 London Wembley Arena flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes 902. 10/30/90 Flac 24 UMtx - 0, 140864 London Wembley Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 903. 10/30/90 Flac 16 - 0, 140898 London Wembley Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 904. 10/30/90 Flac 16 - 0, 81706 London Wembley Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007. Taped and transferred by Andrew F notes 905. 10/30/90 Flac 16/48 - 0, 143863 London Wembley Arena flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes 906. 10/31/90 Shn - 0, 8070 London Wembley Arena SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets notes 907. 10/31/90 Flac 16 Mtx - 0, 125745 London Wembley Arena flac16; 2 Source Matrix by dusborne; Soundboard (shinid:8070) Source: SBD > DAT > CDR > WAV > SHNv3; DAE(EAC) > SHNTOOL > MKWACT via Chris L. and Audience (shnid:90844) Source: Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B; Tapers: Alf Houck and Robert Wright Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC; Transfer and Mastered by Bill Koucky March 16, 2008 notes 908. 10/31/90 Flac 16 - 0, 90844 London Wembley Arena b>flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008 notes 909. 10/31/90 Flac 16/48 - 0, 138688 London Wembley Arena flac16/48kHz; Set I: Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; Set II: Rick Katzeff FOB recording w/stand; Schoeps CMC34 at 110 degrees ORTF > MIT Cables > Oade PS > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT notes 910. 10/31/90 Flac 16/48 - 0, 139125 London Wembley Arena flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes 911. 10/31/90 Flac 16/48 - 0, 139615 London Wembley Arena flac16/48kHz; Source: (FOB) Schoeps cmc4 mk41 > modified Panasonic SV-250 > Dat x 2 (48k) - Recorded by Jim Oade and provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 notes 912. 10/31/90 Flac 16/48 - 0, 142715 London Wembley Arena flac16/48kHz; Dave Brotman FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 913. 10/31/90 Flac 16/48 - 0, 142734 London Wembley Arena flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer from clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes 914. 10/31/90 Flac 16 - 0, 85914 London Wembley Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, June 2007. Taped and transferred by Andrew F. notes 915. 10/31/90 Flac 16/48 - 0, 143864 London Wembley Arena flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes 916. 10/31/90 Flac 24 UMtx. - 0, 150006 London Wembley Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 notes 917. 10/31/90 Flac 16 - 0, 150234 London Wembley Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 918. 11/01/90 Shn - 0, 8068 London Wembley Arena SBD > DAT > CDR > WAV > SHNv3; via Tim S., neo_levo notes 919. 11/01/90 Shn - 0, 34651 London Wembley Arena SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 8068 notes 920. 11/01/90 Flac 16 Mtx - 0, 125953 London Wembley Arena flac16; 2 Source Matrix by dusborne; Soundboard (shinid:34651) Souce: SBD > DAT > CDR > WAV > SHNv3 and Audience (shinid:90994) Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC notes 921. 11/01/90 Shn - 0, 3861 London Wembley Arena Set 1= MDAT AUD> DAT> CDR> EAC> SHN (taper unknown); Set 2= MSBD DAT> DAT> CDR> EAC> SHN; transfer by Karen Benbrook; editing and shn by Jeff Romanowski (see his notes in info file) notes 922. 11/01/90 Flac 16 - 0, 82406 London Wembley Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, February 2007. Taped and transferred by Andrew F notes 923. 11/01/90 Flac 16 - 0, 90994 London Wembley Arena flac16; Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC Transfer and Mastered by Bill Koucky March 25, 2008 notes 924. 11/01/90 Flac 16/48 - 0, 138689 London Wembley Arena flac16/48kHz; Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT notes 925. 11/01/90 Flac 16/48 - 0, 139147 London Wembley Arena flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes 926. 11/01/90 Flac 16/48 - 0, 143865 London Wembley Arena flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick November 2018 notes 927. 11/01/90 Flac 24 UMtx - 0, 145544 London Wembley Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 928. 11/01/90 Flac 16 - 0, 145663 London Wembley Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This file set is 16 bit @ 44.1 notes 929. 12/03/90 Flac 16 - 0, 81740 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Maxell Metal Capsule/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 930. 12/03/90 Flac 16 - 0, 119331 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 931. 12/03/90 Shn - 0, 13992 Oakland Oakland-Alameda County Coliseum AUD(Nak mics + CP4)>DAT>CDR; via Paul B; Seeded to etree by Tim Wiley notes 932. 12/03/90 Flac 16/48 - 0, 138092 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'1", 2nd set at 6'3"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 933. 12/03/90 Flac 24 UMtx - 0, 143373 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 notes 934. 12/03/90 Flac 16 U Mtx - 0, 143512 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16/44.1 notes 935. 12/03/90 Flac 16/48 - 0, 145151 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 notes 936. 12/03/90 Flac 24/96 - 0, 150663 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020 notes 937. 12/03/90 Flac 16 - 0, 150691 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson notes 938. 12/03/90 Flac 24/96 - , 153867 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 939. 12/03/90 Flac 16/44 - , 154445 Oakland Oakland-Alameda County Coliseum flac16/44 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153867 2496 > 1644 notes 940. 12/04/90 Shn - 0, 9365 Oakland Oakland-Alameda County Coliseum SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002 notes 941. 12/04/90 Flac 16 - 0, 105425 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 Mics > Sony TC-D5M 25 feet from stage - center - mics @ 5.5 feet high on a stand > analog cassette master Maxell Metal cassettes with Dolby on - Limiter off Transfer: Analog cassette master (original record deck-Dolby off) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 942. 12/04/90 Flac 16/48 - 0, 138093 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'3", 2nd set at 6'4"; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 943. 12/04/90 Flac 24 - 0, 143376 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 944. 12/04/90 Flac 16/48 - 0, 143441 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Digital Soundboard > DAT (clone); Transfer: DAT (clone) > Sony PCM-R500 > Marantz PMD661 (via SPDIF) > FLAC 16/48; Edited & Mastered by Joe Noel; Flac > Audacity Flac 16/48 notes 945. 12/04/90 Flac 16 U Mtx - 0, 143517 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1 notes 946. 12/04/90 Flac 16/48 - 0, 145225 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 notes 947. 12/04/90 Flac 16/44,1 - 0, 143584 Oakland Oakland-Alameda County Coliseum flac16/44.1khz Source Info: Soundboard (Ultra-Matrix?) -> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes 948. 12/04/90 Flac 24/96 - 0, 150654 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020 notes 949. 12/04/90 Flac 16 - 0, 150692 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson notes 950. 12/08/90 Shn - 0, 472 Chandler Compton Terrace Amphitheatre S:PCM> DAT> ZA2> CD; no encore; unfortunate diginoise during Victim (on all DATs); seeded by D. Hollister; via Skank, and/or J. Sachs to abgd?; via A. Stern to etree; note d2t3 gives an error when burning with CDRWin- to fix, Adam suggests opening this track in a wav editor (like CEP) and saving before burning notes 951. 12/08/90 Flac 16 - 0, 124096 Chandler Compton Terrace Amphitheatre flac16; Recording Info: Set 1 SBD>CM>DAT>CD>WAV (remaster of shnid=472); Set 2 SBD>CM>CAS1>WAV; Set 2 Transfer Info: Nak CR-7A > MADA-2-> Sequoia 11-> FLAC; Mastered by Jim Blackwood notes 952. 12/08/90 Flac 16 - 0, 117558 Chandler Compton Terrace Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 953. 12/08/90 Flac 24/48 - 0, 117559 Chandler Compton Terrace Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 954. 12/08/90 Flac 24/96 - 0, 141606 Chandler Compton Terrace Amphitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes 955. 12/08/90 Flac 16 - 0, 141700 Chandler Compton Terrace Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes 956. 12/08/90 Flac 16 - 0, 130961 Chandler Compton Terrace Amphitheatre flac16; Digital Audience Recording by R. Katzeff/Schoeps CMC321 subs (fob)> ?> sv-250> L. Deal clone; Transfer: Panasonic SV-3500 (spdif)> M-Audio Audiophile 24/96> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16-Level 8/ffp); Transfer completed August 14, 2014 by jwpetty; the original seed for this source was missing set2t06; please do not circulate that version notes 957. 12/08/90 Flac 16 - 0, 89867 Chandler Compton Terrace Amphitheatre flac16; AT Shotguns > unknown decks x2 > PMD430 Tapers section on lawn behind SBD PMD430 > SB Audigy Line IN > Adobe Audition @24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs notes 958. 12/09/90 Flac 16 - 0, 76351 Chandler Compton Terrace flac16; source: SBD > DAT(x?) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav tracked in CDWav/44.1 output notes 959. 12/09/90 Flac 16 - 0, 117610 Chandler Compton Terrace flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 960. 12/09/90 Shn - 0, 5155 Chandler Compton Terrace SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller; DAE (EAC > shntool > mkwact) by C. Ladner notes 961. 12/09/90 Flac 24/48 - 0, 117609 Chandler Compton Terrace flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 962. 12/09/90 Flac 24/96 - 0, 141607 Chandler Compton Terrace flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes 963. 12/09/90 Flac 16 - 0, 141701 Chandler Compton Terrace flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes 964. 12/09/90 Shn - 0, 4182 Chandler Compton Terrace source: ? (info to follow) betaseed; via Tony Gardner with thanks to Andrew McCall; Space cut notes 965. 12/09/90 Flac 16 - 0, 130925 Chandler Compton Terrace flac16; Set 1 Master Audience Recording by R. Katzeff/Schoeps CMC32S (fob/spaced 8.5 feet Section D & E/Row 6/Seats 2 & 2)> pro-link> sv-250> clone; Transfer: Fostex D-5 (spdif out)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/ffp) notes 966. 12/09/90 Flac 16 - 0, 89799 Chandler Compton Terrace flac16; Nak 300's > Unknown Deck > Marantz pmd430 Taper section on lawn behind SBD PMD430 > SB Audigy Line IN> Adobe Audition @ 24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs notes 967. 12/09/90 Flac 16/48 - 0, 76477 Chandler Compton Terrace flac16/48; source: SBD > DAT(x?) > ? > CD Wave > flac notes 968. 12/12/90 Flac 16 - 0, 109289 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 969. 12/12/90 Flac 16 - 0, 120137 Denver McNichols Sports Arena flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 970. 12/12/90 Flac 16 - 0, 87372 Denver McNichols Sports Arena flac16; Set 2 only, SBD > Healy DAT > PCM > DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 > ? > FLAC notes 971. 12/12/90 Flac 16 Mtx - 0, 87659 Denver McNichols Sports Arena flac16; Matrix 3 Source Mix - SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - matrix mixing by Kevin Tobin notes 972. 12/12/90 Flac 24 - 0, 120136 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 973. 12/12/90 Flac 16 - 0, 87660 Denver McNichols Sports Arena flac16; AUD : Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master by Dean Grabski - patched and speed correction of shn id 32020 by Kevin Tobin notes 974. 12/12/90 Flac 16 - 0, 87461 Denver McNichols Sports Arena flac16; Set 1 only, Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes 975. 12/12/90 Shn - 0, 2030 Denver McNichols Sports Arena SBD> D-> CDR-> EAC> SHN; Ripped by John Zei notes 976. 12/12/90 Flac Dts 5.1 - 0, 87686 Denver McNichols Sports Arena DTS Audio 5.1; SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - dts mixing by Kevin Tobin notes 977. 12/12/90 Flac 16/48 - 0, 140071 Denver McNichols Sports Arena flac16/48kHz; Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wave > flac 16/48; Checksum & tags created in xACT notes 978. 12/12/90 Flac 16 Mtx - 0, 140146 Denver McNichols Sports Arena flac16; Two Source Matrix by PhotoLeon: Source #1 Recording Info: SBD -> Dat (48k) and Source #2 Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB) notes 979. 12/12/90 Flac 16 - 0, 142547 Denver McNichols Sports Arena flac16; Patched & Pitch Corrected Audience (original shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes 980. 12/12/90 Flac 16/48 - 0, 142550 Denver McNichols Sports Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes 981. 12/12/90 Flac Dts 5.1 - 0, 142549 Denver McNichols Sports Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes 982. 12/12/90 Flac 16 Mtx - 0, 142548 Denver McNichols Sports Arena flac16; Matrix 2 Source Mix - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 983. 12/12/90 Flac 16 - 0, 127359 Denver McNichols Sports Arena flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES X-Click, Paragraphic EQ & Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper (SBE check, FLAC & FLAC fingerprint) > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 984. 12/12/90 Flac 16 - 0, 32020 Denver McNichols Sports Arena flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski notes 985. 12/12/90 Flac 16 - 0, 109289 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 986. 12/12/90 Flac 24 UMtx. - 0, 149544 Denver McNichols Sports Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 987. 12/12/90 Flac 16 - 0, 149736 Denver McNichols Sports Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 988. 12/13/90 Flac 16 - 0, 108981 Denver McNichols Sports Arena flac16; Recording Info:SBD -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 989. 12/13/90 Flac 16 - 0, 120150 Denver McNichols Sports Arena b>flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section EEE Row 6 Seat 15/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 990. 12/13/90 Shn - 0, 224411 Denver McNichols Sports Arena Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon notes 991. 12/13/90 Flac 24/48 - 0, 120149 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section EEE Row 6 Seat 15/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 992. 12/13/90 Shn - 0, 4988 Denver McNichols Sports Arena similar to previous shn set except d2t1 checksum differs, and no seeder attribution in info file; noted 8/01 at hydro (with 11/00 datestamp) notes 993. 12/13/90 Shn - 0, 2031 Denver McNichols Sports Arena SBD> D> CDR> EAC> SHN; Ripped by John Zei notes 994. 12/13/90 Flac 16 - 0, 32021 Denver McNichols Sports Arena flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski notes 995. 12/13/90 Flac 16/48 - 0, 138731 Denver McNichols Sports Arena flac16/48kHz; Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT notes 996. 12/13/90 Flac 16/48 - 0, 140290 Denver McNichols Sports Arena flac16/48kHz; Two Source Matrix: Source #1 (shnid: 108981) Recording Info: SBD -> Dat (48k) and Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; Joe Noel Edits: Wave > Audacity > flac 16/48 notes 997. 12/13/90 Flac 16 - 0, 127360 Denver McNichols Sports Arena flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer, a 2 second section of s1t10 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 998. 12/13/90 Flac 24 UMtx. - 0, 149556 Denver McNichols Sports Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 999. 12/13/90 Flac 16 - 0, 149746 Denver McNichols Sports Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1000. 12/14/90 Flac 16 - 0, 89127 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 notes 1001. 12/14/90 Flac 1644 - 0, 120165 Denver McNichols Sports Arena flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1002. 12/14/90 Flac 24/48 - 0, 120164 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1003. 12/14/90 Flac 16 - 0, 32022 Denver McNichols Sports Arena flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski notes 1004. 12/14/90 Flac 16/48 - 0, 138732 Denver McNichols Sports Arena flac16/48kHz; Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT notes 1005. 12/14/90 Flac 16/48 - 0, 140291 Denver McNichols Sports Arena flac16/48kHz; Two Source Matrix: Source #1 (shnid: 89127) Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) and Source #2 (shnid 138732) Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; Joe Noel Edits: Wave > Audacity > flac 16/48 notes 1006. 12/14/90 Flac 16 - 0, 127361 Denver McNichols Sports Arena flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 1007. 12/14/90 Flac 24 UMtx. - 0, 149608 Denver McNichols Sports Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1008. 12/14/90 Flac 16 - 0, 149757 Denver McNichols Sports Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 1009. 12/27/90 Shn - 0, 8193 Oakland Oakland-Alameda County Coliseum 2nd set only; SBD(matrix)>DAT>CDR; Seeded to etree by Tony Gardner; Note- There is now a 'retracked' version of disc 1 circ'ing, I have included the md5's here. notes 1010. 12/27/90 Flac 16 - 0, 76115 Oakland Oakland-Alameda County Coliseum flac16; Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN; Set Two: SBD -> Dat -> SHN; Seamless edit of shn id 21928 notes 1011. 12/27/90 Shn - 0, 21928 Oakland Oakland-Alameda County Coliseum Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant notes 1012. 12/27/90 Flac 16/48 - 0, 138040 Oakland Oakland-Alameda County Coliseum flac16/48kHz; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave. By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Set 1 is 16 bit 44.1 kHz, Set 2 is 16 bit 48kHz notes 1013. 12/27/90 Flac 24 - 0, 138473 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1014. 12/27/90 Flac 16 - 0, 138519 Oakland Oakland-Alameda County Coliseum b>flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138473 24 bit -> 16 bit notes 1015. 12/27/90 Flac 16/48 - 0, 138040 Oakland Oakland-Alameda County Coliseum flac16/48kHz; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 44.1 kHz, Set 2 at 16 bit 48kHz; the fixed version is all 48kHz notes 1016. 12/27/90 Flac 16 - 0, 116109 Oakland Oakland-Alameda County Coliseum flac16; Set 2 source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1017. 12/27/90 Shn - 0, 28385 Oakland Oakland-Alameda County Coliseum set2; FOB AKG 460/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN ; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes 1018. 12/27/90 Flac 16 - 0, 127387 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300x3; 2 CP-4 Shotgun Capsules + 1 CP-1; Cardioid Capsule > Boss BX-4 Mixer > Sony WM-D6C (MX-S 100 Masters); Transfer: Cassette Masters > Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 112; Recorded/Transferred By: Jeff Bowen notes 1019. 12/28/90 Flac 16 - 0, 114440 Oakland Oakland-Alameda County Coliseum flac16; Recording Info:SBD -> Dat (48k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1020. 12/28/90 Shn - 0, 11498 Oakland Oakland-Alameda County Coliseum (Healy Mix)SBD>??>DAT>CDR; Seeded to etree by T. Wiley notes 1021. 12/28/90 Ultra Mtx Flac - 0, 140147 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1022. 12/28/90 Flac 16 - 0, 127432 Oakland Oakland-Alameda County Coliseum flac16; Set 1 Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (MX-S 90); MX-S 90 Master Transferred: Sony TC-D5M > HHb CDR 800 PRO > CD Master > FLAC (Level 8) Via xACT 2.25; Location: OTS; Exact Row, Seat # Not Recorded; Recorded/Transferred By: Jeff Bowen notes 1023. 12/28/90 - 0, 136762 Oakland Oakland-Alameda County Coliseum flac16: Recorded by Chris Dusio AT835's>SonyD6>That's Metal Cassette>ZoomF8>Audacity notes 1024. 12/28/90 Flac 16/48 - 0, 138057 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set I: B&K 4011 > Schoeps T-bar @ 100 degrees ORTF > ProLink Cables > Mod Neumann PS > Panasonic SV255; hand held by Rob Darroch; Set 2: Schoeps CMC 34 > Schoeps T-bar @ 100 degrees ORTF > MIT Cables >Oade PS > Panasonic SV250; with stand through drums; hand held by Rick Katzeff from Space; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave by John Ammons; Wave > Audacity > labeled > patched > export multiple > flac 16/48 (level 8); Checksum & tags created in xACT; Tracking, patch, checksum & tags by Joe Noel notes 1025. 12/28/90 Flac 16 - 0, 140247 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1026. 12/28/90 Flac 16 - 0, 116114 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1027. 12/30/90 Flac 16 - 0, 119696 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD (Dan Healy's UltraMatrix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1028. 12/30/90 Flac 16 - 0, 116105 Oakland Oakland-Alameda County Coliseum flac16; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 1029. 12/30/90 Flac 24/96 - 0, 116104 Oakland Oakland-Alameda County Coliseum flac24; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 1030. 12/30/90 Shn - 0, 22025 Oakland Oakland-Alameda County Coliseum Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller notes 1031. 12/30/90 Shn - 0, 11669 Oakland Oakland-Alameda County Coliseum SBD>??>DAT>CDR; Seeded to Etree by T. Wiley notes 1032. 12/30/90 Flac 16/48 - 0, 138190 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 1033. 12/30/90 Flac 24 UMtx - 0, 141848 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1034. 12/30/90 Flac 16 - 0, 141864 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1035. 12/30/90 Flac 16 - 0, 127333 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100) SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; Recorded/Transferred By: Jeff Bowen notes 1036. 12/30/90 Flac 16 - 0, 116142 Oakland Oakland-Alameda County Coliseum flac16: Recorded by "Da Weez". Transferred and mastered to .wav files by D5scott; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1037. 12/31/90 Flac 16 - 0, 90102 Oakland Oakland-Alameda County Coliseum flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. notes 1038. 12/31/90 Flac 16 - 0, 121782 Oakland Oakland-Alameda County Coliseum flac16; timing corrected and patched upgrade of (shnid 116141):Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files. Upgrade by Kevin Tobin notes 1039. 12/31/90 Shn - 0, 1688 Oakland Oakland-Alameda County Coliseum Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall notes 1040. 12/31/90 Flac Dts 5.1 - 0, 121792 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + AUD2 (no shn id) Video soundtrack used to patch AUD1 - dts mixing by Kevin Tobin notes 1041. 12/31/90 Flac 16 - 0, 126823 Oakland Oakland-Alameda County Coliseum flac16; FM live stereo broadcast (not pre-recorded) > Yamaha 500 reciever with digital tuner and wire antenna > (tracks 10-16:) Teac 3340 reel recorder, no dolby (3.3/4 ips) > Maxell UD 7" master reel tape > played on Akai GX-77 reel deck into soundforge (wav) > (tracks 1-9 and 17-20:) Maxell MX 90 minute metal master cassette > Nak. BX- 100 cassette deck (dolby off) > played on tascam 112 into soundforge (wav) > flac (sb's aligned) notes 1042. 12/31/90 Flac 16/48 - 0, 138041 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel track, flac & pack: Wave > flac > Audacity > tracked > export multiple > flac 16/44; Checksum & tags created in xACT notes 1043. 12/31/90 Flac 24 - 0, 138723 Oakland Oakland-Alameda County Coliseum flac24; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes 1044. 12/31/90 Flac 16 - 0, 138744 Oakland Oakland-Alameda County Coliseum flac16; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller, This is 138723 24 bit -> 16 bit notes 1045. 12/31/90 Flac 16 Mtx - 0, 121790 Oakland Oakland-Alameda County Coliseum flac16; Matrix 3 Source Mix - SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + AUD2 (no shn id) Audience recording from Vidoe soundtrack - matrix mixing by Kevin Tobin notes 1046. 12/31/90 Flac 24 - 0, 140734 Oakland Oakland-Alameda County Coliseum flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes 1047. 12/31/90 Flac 16 - 0, 140733 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes 1048. 12/31/90 Flac 16 - 0, 140720 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 1049. 12/31/90 Flac 24 U Mtx - 0, 141792 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1050. 12/31/90 Flac 16 - 0, 141868 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1051. 12/31/90 Flac 16 - 0, 127388 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300 CP-4 Shotguns > Sony TC-153SD (TDK SA-X Masters); Cassette Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 111, Row N, Seat #3; Recorded/Transferred By: Jeff Bowen notes 1052. 12/31/90 Flac 16 - 0, 116141 Oakland Oakland-Alameda County Coliseum flac16: Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1053. 12/31/90 Flac 16/48 - 0, 138041 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel track, flac & pack: Wave > flac > Audacity > tracked > export multiple > flac 16/44; Checksum & tags created in xACT notes 1054. 02/19/91 Shn - 0, 8574 Oakland Oakland-Alameda County Coliseum SBD > DAT > Soundforge> CDR > WAV > SHN; DAE(EAC)> SHN (MKWACT), via neo_levo with thanks to Charlie Miller notes 1055. 02/19/91 Flac 16 - 0, 132350 Oakland Oakland-Alameda County Coliseum flac16; FOB/Schoeps CMC 34's> Oade p/s> M-1000 cables> SV-255 by Ted Mattes. DAT clone provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on January 27, 2015 by Will Petty notes 1056. 02/19/91 Flac 24 - 0, 141764 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1057. 02/19/91 Flac 16 - 0, 141849 Oakland Oakland-Alameda County Coliseum flac16;; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version of source ID 141847 notes 1058. 02/19/91 - 0, Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version in circulation notes 1059. 02/20/91 Flac 16 - 0, 28471 Oakland Oakland-Alameda County Coliseum flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 1060. 02/20/91 Flac 16 - 0, 118255 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1061. 02/20/91 Shn - 0, 11271 Oakland Oakland-Alameda County Coliseum Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs notes 1062. 02/20/91 Flac 24 - 0, 141769 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1063. 02/20/91 Flac 16 - 0, 141851 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1064. 02/20/91 Flac 16/48 - 0, 138072 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255. Set 1 hand held by Rob, set 2 on stand at 6'2"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 notes 1065. 02/21/91 Shn - 0, 22308 Oakland Oakland-Alameda County Coliseum Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN 3 Discs Audio / 2 Discs SHN Re-tracked and Normalized with Samplitude v7.02 Professional By Charlie Miller charliemiller87@earthlink.net 2/11/04 notes 1066. 02/21/91 Flac 16 - 0, 93474 Oakland Oakland-Alameda County Coliseum flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master using Sony 75ES -> Technics SV-DA10 Recording Equipment : B&K 4011 Cardiod (ORTF) -> Rob’s Neumann Supply -> Panasonic sv255 -> On Stand (6’ 3”) Recording Location: FOB DFC Sweet Spot Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1067. 02/21/91 Shn - 0, 1469 Oakland Oakland-Alameda County Coliseum SBD > DAT x2; Transfer TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN; transfer and hosted by John D'Auria notes 1068. 02/21/91 Flac 16 - 0, 93842 Oakland Oakland-Alameda County Coliseum flac16; Hat-mounted realistic pzm's with Sony WMD6-C 30 feet,dfc MAC>D6>HD>Audacity>cdwave>TLH notes 1069. 02/21/91 Flac 24 - 0, 141771 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1070. 02/21/91 Flac 16 - 0, 141853 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1071. 02/21/91 Flac 16 - 0, 121377 Oakland Oakland-Alameda County Coliseum flac16; Source for 1st set: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassette; Source for 2nd set: 2 Schoeps ? microphones - up front/center> Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1072. 03/17/91 Flac 16 - 0, 28295 Landover Capital Centre flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller notes 1073. 03/17/91 Shn - 0, 8745 Landover Capital Centre SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy notes 1074. 03/17/91 Flac 24/96 - 0, 132297 Landover Capital Centre flac24; Master Audience Recorded By J.B., Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-90, Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1075. 03/17/91 Flac 16 - 0, 132296 Landover Capital Centre flac16; Master Audience Recorded By J.B., Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-90, Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1076. 03/17/91 Flac 16/48 - 0, 135341 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - mixing by Kevin Tobin notes 1077. 03/17/91 Flac 16 - 0, 135338 Landover Capital Centre flac16; (original shnid = 8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy - pitch correction and patches by Kevin Tobin notes 1078. 03/17/91 Flac 16 Mtx - 0, 135339 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin notes 1079. 03/17/91 Flac Dts 5.1 - 0, 135340 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - dts mixing by Kevin Tobin notes 1080. 03/17/91 Flac 16 - 0, 94062 Landover Capital Centre flac16; Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger (The original source is missing Crazy Finders, d2t05.) notes 1081. 03/17/91 Shn - 0, 28386 Landover Capital Centre FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Jeff Metchik (sp?); Transferred By Charlie Miller notes 1082. 03/17/91 Flac 16 - 0, 107115 Landover Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 Ft. Stand (Sec. 128, Row C, seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules> Nakamichi 550 w/Maxell XLIIS cassette masters Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 1083. 03/17/91 Flac 16/48 - 0, 149502 Landover Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48); Location: Section 2, Row R, Seat 14, DFC; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick notes 1084. 03/17/91 Flac 24 - 0, 149656 Landover Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1085. 03/17/91 Flac 16 - 0, 149664 Landover Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1086. 03/18/91 Flac 16 - 0, 28162 Landover Capital Centre flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 1087. 03/18/91 Shn - 0, 10926 Landover Capital Centre 2nd Set; SBD>MC>DAT>CD; via Paul; Seeded to etree by eD(efojr) notes 1088. 03/18/91 Flac 24/96 - 0, 132303 Landover Capital Centre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D6, Tapes:Maxell MX-90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1089. 03/18/91 Flac 16 - 0, 132302 Landover Capital Centre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D6, Tapes:Maxell MX-90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1090. 03/18/91 Flac Dts 5.1 - 0, 33770 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD:SBD > MC > DAT > CD;AUD:AUD (unknown mics) >DAT>Cass (X1)>CDR; mixed by ktobin notes 1091. 03/18/91 Flac 16 - 0, 107155 Landover Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 foot stand (sec. 128 Row B Seat 13) 3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 1092. 03/18/91 Shn - 0, 16779 Landover Capital Centre AUD (unknown mics) >DAT>Cass (X1)>CDR via D.Duquette. DAE/SHN encoding neo_levo/candyman notes 1093. 03/18/91 Flac 16/48 - 0, 149503 Landover Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48); Location: first row center, taper’s section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick notes 1094. 03/18/91 Flac 16 - 0, 149665 Landover Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1095. 03/18/91 Flac 24 - 0, 149661 Landover Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1096. 03/20/91 Flac 16 Mtx - 0, 111794 Landover Capital Centre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 1097. 03/20/91 Flac 16 - 0, 93177 Landover Capital Centre flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d2t01 of the previous Charlie Miller source.) notes 1098. 03/20/91 Flac 24/96 - 0, 132417 Landover Capital Centre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1099. 03/20/91 Flac 16 - 0, 123416 Landover Capital Centre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1100. 03/20/91 Flac 16 - 0, 93038 Landover Capital Centre flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1101. 03/20/91 Shn - 0, 11272 Landover Capital Centre SBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr) notes 1102. 03/20/91 Flac 16 - 0, 34559 Landover Capital Centre flac16; **SOUNDCHECK** Recording Info:Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck notes 1103. 03/20/91 Flac 16 - 0, 76521 Landover Capital Centre flac16; Set 2 only - MAC>CDR Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section. recorded by Boyd McHugh Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files (updated mic info) notes 1104. 03/20/91 Flac 16/48 - 0, 138740 Landover Capital Centre flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes 1105. 03/20/91 Flac 16 - 0, 107168 Landover Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 1106. 03/20/91 Flac 16/48 - 0, 149506 Landover Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: First Row Center, Taper’s Section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes 1107. 03/20/91 Flac 24/96 - 0, 152131 Landover Capital Centre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1108. 03/20/91 Flac 16/44 - , 154460 Landover Capital Centre flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 --- This is 152131 2496 > 1644 notes 1109. 03/21/91 Flac 16 Mtx - 0, 111877 Landover Capital Centre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 1110. 03/21/91 Flac 16 - 0, 132471 Landover Capital Centre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1111. 03/21/91 Flac 24/96 - 0, 132472 Landover Capital Centre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1112. 03/21/91 Shn - 0, 474 Landover Capital Centre SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King notes 1113. 03/21/91 Flac 16 - 0, 87289 Landover Capital Centre flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 1114. 03/21/91 Flac 16/48 - 0, 138994 Landover Capital Centre flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017 notes 1115. 03/21/91 Flac 16 - 0, 109365 Landover Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules & 1 Nakamichi CM300/CP1 > Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 1116. 03/21/91 Flac 16 - 0, 94179 Landover Capital Centre flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC notes 1117. 03/21/91 Flac 16/48 - 0, 149507 Landover Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: first row center, taper’s section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes 1118. 03/21/91 Flac 24/96 - 0, 151341 Landover Capital Centre flac24/96khz Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1119. 03/21/91 Flac 16 - 0, 151624 Landover Capital Centre flac16/44khz Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151341 24 -> 16 @ 44.1 notes 1120. 03/23/91 Flac 16 - 0, 87729 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 1121. 03/23/91 Flac 16 - 0, 133033 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1122. 03/23/91 Flac 24/96 - 0, 133034 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1123. 03/23/91 Flac 16 - 0, 81969 Albany Knickerbocker Arena flac16; Recorded by B.Koucky, patched out of B.Glassberg. Source: FOB Nak 700s > Sony D5 > Type IV cassette (Maxell MX100s), no Dolby during recording. Transfer and mastering: MAC playback on Nakamichi CR-7A with manually adjusted azmimuth > Presonus Firebox Neutrik inputs > Firewire/XP Pro > Wavelab 5, recorded as 24 bit 96 KHz PCM WAV > Waves L3 Multimaximizer (-1.7 dB/-0.1 ceiling > rendered to 16 bit/44.1 KHz WAV using UV22 HR, normal/no autoblack > CDWAV 1.9 > FLAC (level 8) by C.Ladner notes 1124. 03/23/91 Flac 16 - 0, 34967 Albany Knickerbocker Arena flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree. Taped and transferred by Andrew F. notes 1125. 03/23/91 Shn - 0, 9507 Albany Knickerbocker Arena AUD: Schoeps CMC 34?s>DAT; via Paul; Seeded to etree by eD(efojr) notes 1126. 03/23/91 Flac 16 - 0, 94366 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 1127. 03/23/91 Flac 16/48 - 0, 145316 Albany Knickerbocker Arena flac16/48kHz; Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 notes 1128. 03/23/91 Flac 16/48 - 0, 149299 Albany Knickerbocker Arena flac16/48kHz; Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone; Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits notes 1129. 03/23/91 Flac 24/96 - 0, 152177 Albany Knickerbocker Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1130. 03/23/91 Flac 16/44 - , 154461 Albany Knickerbocker Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152177 2496 > 1644 notes 1131. 03/24/91 Shn - 0, 25274 Albany Knickerbocker Arena SBD > MC > DAT > CD > EAC > SHN; Patched with AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; EAC/SHN by Darryl Hinko notes 1132. 03/24/91 Flac - 0, 122515 Albany Knickerbocker Arena flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1133. 03/24/91 Shn - 0, 18119 Albany Knickerbocker Arena Source: SBD>CM>DAT>Cx>CDR>WAV>SHN Transfer via Ja.Buzz420 (playback on Denon DRM-540 > HHB 830 CDR). SHN and encoding and hosting via neo_levo/candyman FTP notes 1134. 03/24/91 Flac - 0, 115573 Albany Knickerbocker Arena flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 1135. 03/24/91 Flac - 0, 113002 Albany Knickerbocker Arena flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Wavelab (SRC & Dither) > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 04/2011 notes 1136. 03/24/91 Flac 24 - 0, 113127 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-s 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1137. 03/24/91 Flac - 0, 133126 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-s 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helepr; Metadata Tagging With Tag&Rename notes 1138. 03/24/91 Flac 24 - 0, 122514 Albany Knickerbocker Arena flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1139. 03/24/91 Flac 24 - 0, 115572 Albany Knickerbocker Arena flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 1140. 03/24/91 Flac 24 - 0, 137075 Albany Knickerbocker Arena flac24; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 1141. 03/24/91 Flac - 0, 137101 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes 1142. 03/24/91 Shn - 0, 12093 Albany Knickerbocker Arena AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; via WIlliam-O; Seeded to etree by eD notes 1143. 03/24/91 Flac 16 - 0, 97694 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC notes 1144. 03/24/91 Shn - 0, 28388 Albany Knickerbocker Arena FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes 1145. 03/24/91 Flac 16/48 - 0, 149546 Albany Knickerbocker Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: @ soundboard, section 5, row F, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel notes 1146. 03/24/91 Flac 24/96 - 0, 152197 Albany Knickerbocker Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1147. 03/24/91 Flac 16/44 - , 154462 Albany Knickerbocker Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152197 2496 > 1644 notes 1148. 03/25/91 Flac 16 - 0, 87731 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 1149. 03/25/91 Shn - 0, 18376 Albany Knickerbocker Arena sbd>cass-master>dat>shn notes 1150. 03/25/91 Flac 16 - 0, 122507 Albany Knickerbocker Arena flac16; Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1151. 03/25/91 Flac 24/96 - 0, 133309 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1152. 03/25/91 Flac 16 - 0, 133308 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1153. 03/25/91 Flac 24/96 - 0, 122506 Albany Knickerbocker Arena flac24; Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1154. 03/25/91 Flac 24/96 - 0, 111860 Albany Knickerbocker Arena flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 1155. 03/25/91 Flac 16/48 - 0, 138814 Albany Knickerbocker Arena flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 110 degrees ORTF > M1000 Cables > Tao Research Power Supply > Panasonic SV255; 3 rows FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edited & Mastered in Audacity, exported > flac 16/48; Checksum & tags created in xACT notes 1156. 03/25/91 Flac 16 - 0, 91972 Albany Knickerbocker Arena flac16; Source:Sennheiser ME-80's>Techics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 1157. 03/25/91 Flac 16 - 0, 84645 Albany Knickerbocker Arena flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in front row of taper's section, one seat off center. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony D10-P > Coax SPDIF > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred (April 2007) by Andrew F notes 1158. 03/25/91 Flac 16/48 - 0, 146016 Albany Knickerbocker Arena flac16/48kHz; Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019 notes 1159. 03/25/91 Flac 16 - 0, 111859 Albany Knickerbocker Arena flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Traders Little Helper notes 1160. 03/25/91 Flac 16/48 - 0, 149547 Albany Knickerbocker Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: FOB three rows in front of soundboard; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel notes 1161. 03/25/91 Flac 24/96 - 0, 152198 Albany Knickerbocker Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1162. 03/25/91 Flac 16/44 - , 154463 Albany Knickerbocker Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152198 2496 > 1644 notes 1163. 03/27/91 Flac 16 - 0, 120855 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10. notes 1164. 03/27/91 Shn - 0, 9405 Uniondale Nassau Veterans Memorial Coliseum SBD> Master Cassette > DAT> CD> SHN; Box of Rain from aud patch; via Rob Harrison; Seeded to etree by Peter Braverman notes 1165. 03/27/91 Shn - 0, 10310 Uniondale Nassau Veterans Memorial Coliseum Chris L shntool fix of original Braverman seed; SBD> Master Cassette > DAT> CD notes 1166. 03/27/91 Flac 16 - 0, 35163 Uniondale Nassau Veterans Memorial Coliseum flac16; Fix of shn id 14486 - SBD -> Cm (Sony D5) -> Dat. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1167. 03/27/91 Flac 16 - 0, 112169 Uniondale Nassau Veterans Memorial Coliseum flac16: AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony DTC-690 > Optical Out > Marantz CDR-500 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 04/2011 notes 1168. 03/27/91 Flac - 0, 144486 Uniondale Nassau Veterans Memorial Coliseum Recording Info: SBD -> Cm (Sony D5) -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices USB Pre -> Sony Vaio C1VP -> Samplitude 6.0 -> Cool Edit Pro v2.0 -> SHN; Transfered and Remastered By Charlie Miller; Upgrade in circulation notes 1169. 03/27/91 Flac 24/96 - 0, 120857 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10. notes 1170. 03/27/91 Flac 24/96 - 0, 133608 Uniondale Nassau Veterans Memorial Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio shack Mixer > Sony D5,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1171. 03/27/91 Flac 16 - 0, 133607 Uniondale Nassau Veterans Memorial Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio shack Mixer > Sony D5,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1172. 03/27/91 Shn - 0, 9980 Uniondale Nassau Veterans Memorial Coliseum Tony G shntool fix of original Braverman seed; SBD> Master Cassette > DAT> CD notes 1173. 03/27/91 Flac 16/48 - 0, 139159 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017 notes 1174. 03/27/91 Flac 16/48 - 0, 141407 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 1175. 03/27/91 Shn - 0, 9189 Uniondale Nassau Veterans Memorial Coliseum AUD>DAT>CDR; Seeded to etree by eD notes 1176. 03/27/91 Flac 16 - 0, 91484 Uniondale Nassau Veterans Memorial Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 Recorded in the Taper Section by Keith Litzenberger DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades & Sample Rate Conversion)>CDWAV>FLAC notes 1177. 03/27/91 Shn - 0, 28390 Uniondale Nassau Veterans Memorial Coliseum set2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller notes 1178. 03/27/91 Flac 16/48 - 0, 146181 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019 notes 1179. 03/27/91 Flac 24/96 - 0, 152199 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1180. 03/27/91 Flac 16/44 - , 154474 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152199 2496 > 1644 notes 1181. 03/28/91 Flac 16 - 0, 87732 Uniondale Nassau Coliseum flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Mill notes 1182. 03/28/91 Shn - 0, 7287 Uniondale Nassau Coliseum SBD> DAT> CDR> EAC> SHN (seekable) via Steve Barbella notes 1183. 03/28/91 Flac 16 - 0, 107569 Uniondale Nassau Coliseum flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 05/2010 notes 1184. 03/28/91 Flac 24/96 - 0, 133617 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1185. 03/28/91 Flac 16 - 0, 133516 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1186. 03/28/91 Flac 16/48 - 0, 140091 Uniondale Nassau Coliseum flac16/48kHz; Rich Gastwirt recording: (OTS) Schoeps CMC4 MK4 (ortf)> DAT (Panasonic SV-255); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 1187. 03/28/91 Flac 16/48 - 0, 141408 Uniondale Nassau Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 1188. 03/28/91 Flac 16 U Mtx - 0, 142169 Uniondale Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1189. 03/28/91 Flac 24 UMtx - 0, 142213 Uniondale Nassau Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=142161 notes 1190. 03/28/91 Flac 16 - 0, 142428 Uniondale Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=142161 notes 1191. 03/28/91 Flac 16 - 0, 91713 Uniondale Nassau Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred by Keith Litzenberger notes 1192. 03/28/91 Shn - 0, 28391 Uniondale Nassau Coliseum FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes 1193. 03/28/91 Flac 16/48 - 0, 146430 Uniondale Nassau Coliseum flac16/48khz Source: (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648 edited and mastered SIRMick May 2019 notes 1194. 03/28/91 Flac 24 UMtx. - 0, 142161 Uniondale Nassau Coliseum b>flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version in circulation notes 1195. 03/28/91 Flac 16/48 - 0, 149560 Uniondale Nassau Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section B1, row 19, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes 1196. 03/29/91 Shn - 0, 8232 Uniondale Nassau Coliseum SBD> DAT> Cassette> DAT> Tascam DA-20 MKII> Delta Dio 2496> Cool Edit> CDR; via Rob Harrison; Seeded to etree by Tim Wiley notes 1197. 03/29/91 Shn - 0, 12757 Uniondale Nassau Coliseum SBD> Cass(1)> DAT> SHN; DAT> SHN conversion done by Leo Samouilidis: DAT> Opcode SonicPort> HD(Cool Edit)> MKW ACT> SHN notes 1198. 03/29/91 Flac 16 - 0, 109110 Uniondale Nassau Coliseum flac16; Master Audience Four Mic Mix Nakamichi CM300's/CP4 Sotguns And Sennheiser 441's> unknown Mixer>Sony D-6>--# Patch out of ?--- Tapes:Maxell MX-S 100's Transfer: Nakamichi MR-1>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz>Sample rate conversion with AudioGate software to 32 bit float/96kHz Wave>Dithered with Korg Aqua to 16/44 notes 1199. 03/29/91 Flac 24/96 - 0, 133624 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1200. 03/29/91 Flac 16 - 0, 133623 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1201. 03/29/91 Flac 24/48 - 0, 114398 Uniondale Nassau Coliseum flac24; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 (lead deck) > Sony TC-D5M (first deck out) > Maxell MXS 90/100. Mics on 7-foot stand, front row OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448. Transfer by Andrew F. July 2011. notes 1202. 03/29/91 Flac 16 - 0, 114339 Uniondale Nassau Coliseum flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 (lead deck) > Sony TC-D5M (first deck out) > Maxell MXS 90/100. Mics on 7-foot stand, front row OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. July 2011. notes 1203. 03/29/91 Flac 24 - 0, 137079 Uniondale Nassau Coliseum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 1204. 03/29/91 Flac 16 - 0, 137102 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes 1205. 03/29/91 Flac 16/48 - 0, 141409 Uniondale Nassau Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 1206. 03/29/91 Flac 24 UMtx - 0, 142237 Uniondale Nassau Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1207. 03/29/91 Flac 24 - 0, 142236 Uniondale Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a pitch corrected (remastered) version of shnid=137079 notes 1208. 03/29/91 Flac 16 U Mtx - 0, 142431 Uniondale Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1209. 03/29/91 Flac 16 - 0, 142430 Uniondale Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a pitch corrected (remastered) version of shnid=137079 This is your collection notes 1210. 03/29/91 Flac 16/48 - 0, 146568 Uniondale Nassau Coliseum flac16/48kHz; Source: (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick May 2019 notes 1211. 03/29/91 Flac 16/48 - 0, 149579 Uniondale Nassau Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: FOB mics hand held, section B1, row 19, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes 1212. 03/29/91 Flac 16 U Mtx. - 0, 149815 Uniondale Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1, contains fixed New Speedway Boogie notes 1213. 03/31/91 Flac 16 - 0, 120029 Greensboro Greensboro Coliseum flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1214. 03/31/91 Flac 16 - 0, 93473 Greensboro Greensboro Coliseum flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> MIT Cable -> Oade Power Supply -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1215. 03/31/91 Shn - 0, 31955 Greensboro Greensboro Coliseum SBD dat master > dat > cd (eac, secure) > SHN notes 1216. 03/31/91 Shn - 0, 9451 Greensboro Greensboro Coliseum SBD > ?? > EAC > Multiquence > Shn; Seeded by C Perkins with thanks to Chris Luper; see text file for noted flaws.Samson and Eyes appear on Dick's Picks 17, Please support the artist and their commercial releases go buy it notes 1217. 03/31/91 Flac 16 Mtx - 0, 99386 Greensboro Greensboro Coliseum flac16; Matrix: SBD (shnid=31955) and AUD (shnid=93473); matrix by Joey South (shn and flac>wav>wavelab>wav>cd wave for tracking>flac) notes 1218. 03/31/91 Flac 16 - 0, 109862 Greensboro Greensboro Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich notes 1219. 03/31/91 Flac 24/96 - 0, 112999 Greensboro Greensboro Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz notes 1220. 03/31/91 Flac 16 - 0, 113300 Greensboro Greensboro Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua to 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 1221. 03/31/91 Flac 16/48 - 0, 149580 Greensboro Greensboro Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, center section, row S, seat 9; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes 1222. 03/31/91 Flac 24/96 - 0, 152200 Greensboro Greensboro Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1223. 03/31/91 Flac 16/44 - , 154477 Greensboro Greensboro Coliseum flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152200 2496 > 1644 notes 1224. 04/01/91 Flac 16 - 0, 31966 Greensboro Greensboro Coliseum flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller notes 1225. 04/01/91 Shn - 0, 2021 Greensboro Greensboro Coliseum SBD> D-> cdr-> EAC-> shn; Ripped by John Zei notes 1226. 04/01/91 Flac 16 - 0, 109943 Greensboro Greensboro Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich notes 1227. 04/01/91 Shn - 0, 9732 Greensboro Greensboro Coliseum Sources: Primary Source; Jay Serafin's seed SBD>D>A>D>SSSB: Secondary Source:SBD>DAT>CDR (Musicfan's seed to abgd; Secondary Source provides d1t01-t04; the last 5 seconds of d1t07;the last 2:01 of d1t09; CD Remastering by Charlie Connor; Seeded to Fun_Gus and abgd by Charlie Connor notes 1228. 04/01/91 Shn - 0, 8257 Greensboro Greensboro Coliseum set 2 plus partial set 1; SBD > D > A > D > SSSB; via Jay Serafin to gdlive notes 1229. 04/01/91 - 0, 137439 Greensboro Greensboro Coliseum flac24; Recording Info: SBD > Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1230. 04/01/91 Flac 16 - 0, 137352 Greensboro Greensboro Coliseum flac16; Recording Info: SBD > Dat Master > PCM; Transfer Info: PCM (Sony SL-HF500) > Sony PCM601-ESD > Omega Fenix HT > Audio Audition 6.0 > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC; Transferred By David Minches; Mastered By Charlie Miller; the original version had a drop out in Peggy-O; please don't circulate that version notes 1231. 04/01/91 Flac 16 - 0, 141915 Greensboro Greensboro Coliseum flac16; Recording Info: SBD > Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1232. 04/01/91 Flac 24/96 - 0, 148614 Greensboro Greensboro Coliseum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; AKG C522 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 1233. 04/01/91 Flac 16/48 - 0, 148613 Greensboro Greensboro Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; AKG C522 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1234. 04/01/91 Flac 16/48 - 0, 149231 Greensboro Greensboro Coliseum flac16/48kHz; Source Info: FOB Schoeps CMC3 MK4-> Oade P/S/-> Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Taped: Believed to be Clay Brennecke & Jamie Young; Transfers by Pete Ebel notes 1235. 04/01/91 Flac 24 UMtx. - 0, 149649 Greensboro Greensboro Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1236. 04/01/91 Flac 16 U Mtx. - 0, 149666 Greensboro Greensboro Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1237. 04/01/91 Flac 16/48 - 0, 149611 Greensboro Greensboro Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4s (ORTF) > Panasonic SV-255 (16/48); Location: FOB mics on stand, center section, row U, seat 9; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel notes 1238. 04/03/91 Flac - 0, 107083 Atlanta The Omni flac16; sbd> dat> cass(2)> dat> spdif> cdr> eac> shn> wav (CE Processing)>flac; Pitch corrected version of source ID 4735 notes 1239. 04/03/91 Flac - 0, 103622 Atlanta The Omni flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes 1240. 04/03/91 Shn - 0, 4735 Atlanta The Omni sbd> dat> cass(2)> dat> spdif> cdr> eac> shn; via Tony Gardner; Pitch corrected upgrade in circulation notes 1241. 04/03/91 Flac 16 - 0, 112293 Atlanta The Omni flac16; Master Audience Nakamichi CM300/CP4 Shotguns>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua to 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 1242. 04/03/91 Flac 24 - 0, 112294 Atlanta The Omni flac24; Master Audience Nakamichi CM300/CP4 Shotguns>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz notes 1243. 04/03/91 Flac - 0, 133733 Atlanta The Omni flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1244. 04/03/91 Flac 24 - 0, 133732 Atlanta The Omni flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1245. 04/03/91 Flac 16/44 - 0, 152010 Atlanta The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151842 24 > 16 @ 44.1 notes 1246. 04/03/91 Flac 24/96 - 0, 151842 Atlanta The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1247. 04/04/91 Flac 16 - 0, 99240 Atlanta The Omni flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1248. 04/04/91 Flac 16 - 0, 93472 Atlanta The Omni flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1249. 04/04/91 Flac 16 - 0, 103623 Atlanta The Omni flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes 1250. 04/04/91 Flac 16 - 0, 112310 Atlanta The Omni flac16; Master Audience Nakamichi CM300 CP4 Shotguns + Sennheiser 441's>Radio Shack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit 5.6 MHz Tracking Sample Rate Conversion Metadata Tagging With AudioGate Software To 32 Bit Float 96 kHz Dithered Flacked With Korg Aqua To 16 44 SBE's Checked Fixed With Trader's Little Helper notes 1251. 04/04/91 Flac 24 - 0, 133810 Atlanta The Omni flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1252. 04/04/91 Flac 16 - 0, 133809 Atlanta The Omni flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1253. 04/04/91 Flac 24/96 - 0, 112309 Atlanta The Omni flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441\'s>Radio Shack Mixer>?>Sony D6; Tapes From Floater,Transfer By Keo; Tapes:Maxell MX 90,MX-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 1254. 04/04/91 Flac 16/48 - 0, 138838 Atlanta The Omni flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; 7 Rows FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 1255. 04/04/91 Flac 16/48 - 0, 140691 Atlanta The Omni flac16/48kHz; Set 2 Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 1256. 04/04/91 Shn - 0, 24711 Atlanta The Omni patched shnID 15548, FOB> AKGc1000s>Sony Cassette D3 > cdr >Eac > cool edit > shntool > cdwav >shnv3 with patch of promised land with cassette master by cdipietro; source of patch: AT835's> D5ProII> master cassette crossfaded with soundforge 7.0 via Tol notes 1257. 04/04/91 Shn - 0, 15548 Atlanta The Omni FOB> AKGc1000s>Sony Cassette D3 > cdr Eac > cool edit > shntool > cdwav >shnv3 Taped by Thomas Larson Discs provided by Chris Adams Eac >shn (secure with proper offsets) by Ernie Dodd notes 1258. 04/04/91 Flac 16 - 0, 31954 Atlanta The Omni flac16; record: Audio Technica 835a's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>M Audio Audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record & transfer by cdipietro notes 1259. 04/04/91 Flac 16/48 - 0, 149626 Atlanta The Omni flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section 5, row FF, seat 7; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes 1260. 04/04/91 Flac 16 - 0, 152093 Atlanta The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152022 24 -> 16 @ 44.1 notes 1261. 04/04/91 Flac 24/96 - 0, 152022 Atlanta The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1262. 04/05/91 Shn - 0, 4162 Atlanta The Omni sbd> ?> cdr> eac> shn; shn by Jay James, hosted by Tony Gardner notes 1263. 04/05/91 Flac 16 - 0, 103624 Atlanta The Omni flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes 1264. 04/05/91 Flac 16 - 0, 112389 Atlanta The Omni flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 1265. 04/05/91 Flac 16 - 0, 133955 Atlanta The Omni flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1266. 04/05/91 Flac 24 - 0, 133956 Atlanta The Omni flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1267. 04/05/91 Flac 16/48 - 0, 132572 Atlanta The Omni flac16/48kHz; DAT sound board master recorded by Dan Healy; DAT x Zero-Cassette x Zero Transfer By Dan Healy using his custom built multi cassette cloning machine nicknamed "The "Gorgon"; Analog Cassette (via Dick Latvala) to DAT Digital-Nakamichi Dragon-Sony PCM R-500 DAT@ 48KHz (circa 1998); DAT play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV; Editing(Adobe Audition 3.0)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise notes 1268. 04/05/91 Flac 24 - 0, 112390 Atlanta The Omni flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz notes 1269. 04/05/91 Flac 16/48 - 0, 138839 Atlanta The Omni flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xAC notes 1270. 04/05/91 Flac 16/48 - 0, 140692 Atlanta The Omni flac16/48kHz; Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 1271. 04/05/91 Flac 16/48 - 0, 149628 Atlanta The Omni flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section 5, row FF, seat 7; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes 1272. 04/05/91 Flac 16 - 0, 152171 Atlanta The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152099 24 > 16 @ 44.1 notes 1273. 04/05/91 Flac 24/96 - 0, 152099 Atlanta The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1274. 04/07/91 Shn - 0, 31953 Orlando Orlando Arena SBD DAT master > DAT > CD-R my discs (made from DAT) > EAC (secure) > SHN w/mkw-act seekable notes 1275. 04/07/91 Shn - 0, 476 Orlando Orlando Arena SBD > ? > SHN; via M. Ferguson, neo_levo notes 1276. 04/07/91 Shn - 0, 2022 Orlando Orlando Arena SBD> D-> cdr-> EAC->shn; Ripped by John Zei notes 1277. 04/07/91 Flac 16 - 0, 115109 Orlando Orlando Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes 1278. 04/07/91 Flac 24 - 0, 137080 Orlando Orlando Arena flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 1279. 04/07/91 Flac 16 - 0, 137081 Orlando Orlando Arena flac16; Recording Info: Set 1: SBD -> Cassette Master (TDK SA-X100); Set 2: SBD -> Dat (44.1k); Set 1 Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/16; Set 2 Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1280. 04/07/91 Flac 16/48 - 0, 138128 Orlando Orlando Arena flac16/48kHz; Dan (?) running Bob Melomed's rig (Set I) FOB Schoeps CMC34 110 degrees ORTF on Scheops t-bar > M1000 Cable > Tao Research Power Supply > SV255; 5 Rows FOB; Chuck Vasseur recording (Set II) Neumann KM54 tube mics > Technics SVMD1; 14th Row center; John Ammons Transfer: from his DAT clones of the masters. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Patched, Track'd, Flac'd & Pack'd: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 1281. 04/07/91 Flac 16/48 - 0, 33337 Orlando Orlando Arena flac16/48; Sennheiser ME-80's/KU-3's > Casio DA-7; Wavelab > CD Wave > flac notes 1282. 04/07/91 Flac 16/48 - 0, 143388 Orlando Orlando Arena flac16/48kHz; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes 1283. 04/07/91 Flac 16 - 0, 149622 Orlando Orlando Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 1284. 04/07/91 Flac 24 - 0, 149563 Orlando Orlando Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1285. 04/07/91 Flac 16/48 - 0, 149826 Orlando Orlando Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (16/48); Location: FOB mics hand held, section F5, row B, seat 5; Transfer: DAT (Tascam DA-40) > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel notes 1286. 04/07/91 Flac 16 Mtx - 0, 150455 Orlando Orlando Arena flac16; Set 2 Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081 & 138128. notes 1287. 04/07/91 Flac 16 Mtx - 0, 150456 Orlando Orlando Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081, 31953 & 138128. notes 1288. 04/08/91 Flac 16 Mtx - 0, 95260 Orlando Orlando Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 1289. 04/08/91 Shn - 0, 10060 Orlando Orlando Arena SBD>DAT>C>DAT>CDR; via Paul "Raoul B." Duke; seeded to etree by Brad Ingle notes 1290. 04/08/91 Flac - 0, 115377 Orlando Orlando Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes 1291. 04/08/91 Shn - 0, 9384 Orlando Orlando Arena SBD> DAT> C> DAT> CD> SHN; via PB (el otro); Seeded to etree by Peter Braverman notes 1292. 04/08/91 Flac 16/44 - 0, 137103 Orlando Orlando Arena flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes 1293. 04/08/91 Flac 24 - 0, 137100 Orlando Orlando Arena flac24; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 1294. 04/08/91 Flac 16/48 - 0, 34297 Orlando Orlando Arena flac16/48; Sen. 421's ~> Casio DA-7 Wavelab > CD Wave w/ Flac (48kHz files) notes 1295. 04/08/91 Flac 16/48 - 0, 143389 Orlando Orlando Arena flac16/48kHz; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes 1296. 04/08/91 Flac 16/48 - 0, 149300 Orlando Orlando Arena flac16/48kHz; Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone; Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits notes 1297. 04/08/91 Flac 16/48 - 0, 149657 Orlando Orlando Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (1648); Location: FOB mics hand held, section F5, row B, seat 6; Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes 1298. 04/08/91 Flac 24/96 - 0, 152230 Orlando Orlando Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes 1299. 04/08/91 - , 154478 Orlando Orlando Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152230 2496 > 1644 - This is 152230 2496 > 1644 notes 1300. 04/09/91 Shn - 0, 25466 Orlando Orlando Arena Recording Info: SBD -> Master Dat (Panasonic 3700) -> Master Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Master Cassette (Nakamichi CR-7A) -> Dat (Sony R500/48k/SBM On) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes 1301. 04/09/91 Flac 16 - 0, 115534 Orlando Orlando Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes 1302. 04/09/91 Flac 16 - 0, 93471 Orlando Orlando Arena flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) ->Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1303. 04/09/91 Flac 16 - 0, 113172 Orlando Orlando Arena flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo notes 1304. 04/09/91 Shn - 0, 10061 Orlando Orlando Arena SBD>??>DAT>??>CDR (Liberated Bootleg); Missing Masterpiece, NFA & Brokedown; Some distortion throughout; See info file for details; via PBR Duke; Seeded to etree by Brad Ingle notes 1305. 04/09/91 Flac 24 - 0, 113168 Orlando Orlando Arena flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo notes 1306. 04/09/91 Flac 24/96 - 0, 137171 Orlando Orlando Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper. notes 1307. 04/09/91 Flac 24 - 0, 137163 Orlando Orlando Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1308. 04/09/91 Flac 16/48 - 0, 34654 Orlando Orlando Arena flac16/48; Sen. ME-80's/KU-3's ~> Casio DA-7 Dat master > m-audio usb > Wavelab > CD Wave w/ Flac notes 1309. 04/09/91 Flac 16/48 - 0, 143390 Orlando Orlando Arena flac16/48kHz;; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes 1310. 04/09/91 Flac 16/48 - 0, 149658 Orlando Orlando Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (1648); Location: FOB mics hand held, section F5, row B, seat 6; Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes 1311. 04/09/91 Flac 24/96 - 0, 152232 Orlando Orlando Arena flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1312. 04/09/91 Flac 16/48 - 0, 152231 Orlando Orlando Arena flac16/48 Set 2 Recording Info: SBD > DAT Master (48k) Transfer Info: DAT Master (Sony PCM-R500) > Sound Devies 744T (16-bit/48k) > Samplitude Pro X5 Suite > FLAC notes 1313. 04/09/91 Flac 24/96 - 0, 152233 Orlando Orlando Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 1314. 04/09/91 Flac 16/44 - , 154481 Orlando Orlando Arena flac16/44 Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152232 2496 > 1644 notes 1315. 04/09/91 Flac 16/44 - , 154480 Orlando Orlando Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152233 2496 > 1644 notes 1316. 04/27/91 Flac 16 - 0, 26332 Las Vegas Sam Boyd Silver Bowl flac16; 3 source combo: 1: SBD> Dat> Cassette Master> Dat (48k); 2: SBD> Dat> Sonic Solutions> CD; 3: (FOB) Schoeps CMC3/MK2> Dat (48k); Transfer: Dat or CD> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transfers and Editing By Charlie Miller notes 1317. 04/27/91 Flac 16 Mtx - 0, 102906 Las Vegas Sam Boyd Silver Bowl flac16; 3 source matrix: a - SBD -> Dat -> Cassette Master -> Dat (48k) (shnid 26332) b - FOB Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 (shnid 93470) c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest a - 60% both channels, b - 40% left channel, c - 40% right channel notes 1318. 04/27/91 Flac 16 - 0, 93470 Las Vegas Sam Boyd Silver Bowl flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 Recording Location: FOB Recorded By: James Young (patched into the Schoeps Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1319. 04/27/91 Shn - 0, 6111 Las Vegas Sam Boyd Silver Bowl Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes notes 1320. 04/27/91 Shn - 0, 12018 Las Vegas Sam Boyd Silver Bowl SBD material from previous shn set with AUD patches added by Alan J. Fink from eD's first-gen source cass notes 1321. 04/27/91 Flac 16 - 0, 118572 Las Vegas Sam Boyd Silver Bowl flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Sec FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua T0 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1322. 04/27/91 Flac 24/48 - 0, 118571 Las Vegas Sam Boyd Silver Bowl flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Sec FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename notes 1323. 04/27/91 Flac 16 - 0, 91055 Las Vegas Sam Boyd Silver Bowl flac16; Set 2 only - 1st gen; (FOB) unknown modified vintage microphone > Sony D5 > MAC > D5 > TDK SA90. Taper: unknown via Justin R. Mastered by Alex Ford. 1st Gen Audience Cassette provided by Mark McCue. notes 1324. 04/27/91 Flac 16 - 0, 112862 Las Vegas Sam Boyd Silver Bowl flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1325. 04/27/91 Flac 24/96 - , 156258 Las Vegas Sam Boyd Silver Bowl flac2496: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 1326. 04/27/91 Flac 16/44,1 - , 156404 Las Vegas Sam Boyd Silver Bowl flac1644.1: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156358 2496 > 1644.1 notes 1327. 04/28/91 Flac 16 - 0, 92278 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info:Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD; Set 2: SBD -> Dat (44.1k); Transfer Info: Set 1: CD -> Samplitude Professional v10.02 -> FLAC Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1328. 04/28/91 Flac 16 Mtx - 0, 102923 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; 3 source matrix: a - shnid 92278: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD, Set 2: SBD -> Dat (44.1k), b - shnid 93469: FOB Digital Audience Recording Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recorded By: James Young c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest; Mix: a - 60%, b - 20%, c - 20% notes 1329. 04/28/91 Flac 16 - 0, 118632 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1330. 04/28/91 Flac 16 - 0, 93469 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recording Location: FOB Recorded By: James Young (patched into the Neumann Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1331. 04/28/91 Shn - 0, 6112 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes notes 1332. 04/28/91 Flac 24/48 - 0, 118631 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename notes 1333. 04/28/91 Flac 16 - 0, 83074 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Main source: (purported) SBD> Phil Lesh's cassette master>DAT>CDR>EAC>mkw>SHN Patch source A: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN (shnid 19161) and Patch source B: FOB Neumann U87's > ? > CDR > EAC(secure) > mkwact(seekable) (shnid 8196) by Bill Tetzeli notes 1334. 04/28/91 Flac 16 - 0, 112926 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1335. 04/28/91 Shn - 0, 8196 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. FOB Neumann U87's > ? > CDR; via Marcus Thunich; Seeded to etree by Matt Vernon notes 1336. 04/28/91 Shn - 0, 19161 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN. Mastering: SHN>WAV>CE2K>SHNTOOL>mkwACT. Mastered & seeded by MattMan. notes 1337. 04/28/91 Flac 16 - 0, 116859 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Source: (FOB) AT853a [cardioids/xy] > Panasonic SV-255; Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster notes 1338. 04/28/91 Flac 24/96 - , 156366 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac2496 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 1339. 04/28/91 Flac 16/48 - , 151049 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 1340. 04/28/91 Flac 24/96 - , 151050 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1341. 04/28/91 Flac 16/44,1 - , 156406 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac1644.1: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156366 2496 > 1644.1 notes 1342. 05/03/91 Flac 16 - 0, 109233 Sacramento Cal Expo flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k) Set 2: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1343. 05/03/91 Shn - 0, 8831 Sacramento Cal Expo Source: SBD > DAT > C > DAT > CDR > WAV > SHN notes 1344. 05/03/91 Flac 24 - 0, 142256 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1345. 05/03/91 Flac 16 - 0, 142435 Sacramento Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1346. 05/03/91 Flac 16 - 0, 113064 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1347. 05/03/91 Flac 16 - 0, 91195 Sacramento Cal Expo flac16; Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Panasonic sv250 Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 notes 1348. 05/04/91 Flac 16 - 0, 109234 Sacramento Cal Expo flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1349. 05/04/91 Shn - 0, 9117 Sacramento Cal Expo SBD > DAT > C > DAT > CDR; via R. Martin; Seeded to etree by C. Ladner notes 1350. 05/04/91 Flac 16/48 - 0, 138120 Sacramento Cal Expo flac16/48kHz; Set 2 Rob Darroch & John Ammons recording: B&K 4006 Omni's in SASS mount > Hoyt Power Supply > Panasonic SV255; FOB DFC with stand @ 5' 11"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 notes 1351. 05/04/91 - 0, 113100 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1352. 05/04/91 Flac 24/48 - 0, 97785 Sacramento Cal Expo flac24; OTS Nak 300's > unknown DAT deck > DATmaster > Master Analog Cassettes MAC > SBaudigy > Adobe Audition @ 24bit/48khz Adobe Audition: noise reduction, pop/click eliminator, fade in/out. CD wave: Tracking. Trader's little Helper: md5, ffp, flac notes 1353. 05/04/91 Flac 16 - 0, 116894 Sacramento Cal Expo flac16; Source: (FOB) AT853a [cardioids/xy] > Panasonic SV-255; Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster notes 1354. 05/04/91 Flac 16 - 0, 98069 Sacramento Cal Expo flac16; OTS Nak 300's > unknown DATdeck > DATmaster > Master Analog Cassettes MAC > SBaudigy > Adobe Audition @ 24bit/48khz Adobe Audition: noise reduction, pop/click eliminator, fade in/out, dithered/resampled to 16/44.1 CD wave: Tracking. Trader's little Helper: md5, ffp, flac; transfered by Chris LaPorte notes 1355. 05/04/91 Flac 24 - 0, 150657 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1356. 05/04/91 Flac 16 - 0, 150676 Sacramento Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 1357. 05/05/91 Shn - 0, 19181 Sacramento Cal Expo DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 1358. 05/05/91 Shn - 0, 9367 Sacramento Cal Expo Set 1: AUD:Schoeps CMC-34's>DAT>CDR Set 2: SBD>DAT>C>DAT>CDR; Missing Encore; via Paul; Seeded to etree by eD(efojr) - 05/05/02 notes 1359. 05/05/91 Flac 1644 - 0, 140123 Sacramento Cal Expo flac16/44.1 Source Info: TS Nak 300 CP-4 (Shotgun)-> DAT Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Early 2000's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes 1360. 05/05/91 Flac 16 - 0, 140179 Sacramento Cal Expo flac16; AUD: Schoeps CMC4/Hyper-cards (MK41) > Sony TC-D5 (no Dolby) > Maxell XLII-S 90/100, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes 1361. 05/05/91 Flac 24/96 - 0, 150666 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 32-bit/192k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/96k); All Transfers and Mastering by Charlie Miller notes 1362. 05/05/91 Flac 16 - 0, 150665 Sacramento Cal Expo notes 1363. 05/05/91 Flac 16 - 0, 150702 Sacramento Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 32-bit/192k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/96k); All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 1364. 05/10/91 Shn - 0, 6257 Mountain View Shoreline Amphitheatre SBD > DAT > CDR > WAV > SHNv3; DAE (EAC) > boundary checking (shntool) > compression (mkwact) via neo_levo, with thanks to C. Miller notes 1365. 05/10/91 Flac 16/48 - 0, 138129 Mountain View Shoreline Amphitheatre flac16/48kHz; John Ammons recording: Schoeps CMC32s > M1000 Cable > Tao Research Power Supply > Panasonic SV255; omni's spaced 8 1/2 feet with 6' 7" stands; Section 202, Row F, Seats 20 & 25 (1st row behind Healy); John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 1366. 05/10/91 Flac 16 - 0, 149676 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1367. 05/10/91 Flac 24 - 0, 149670 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1368. 05/10/91 Flac 16 Mtx - , 166598 Mountain View Shoreline Amphitheatre flac1644; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut for pre- and post-mix EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shind's 6257 & 138129. notes 1369. 05/11/91 Shn - 0, 7638 Mountain View Shoreline Amphitheatre SBD : DAT > C (Latvala) > DAT > CDR; via Tom Angello; d2 tracked for 80 min notes 1370. 05/11/91 Flac 16 - 0, 111121 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 1371. 05/11/91 Flac 24 - 0, 149686 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 notes 1372. 05/11/91 Flac 16 - 0, 149697 Mountain View Shoreline Amphitheatre flac16: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1373. 05/11/91 Flac 16/48 - 0, 150239 Mountain View Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - surround mixing by Kevin Tobin notes 1374. 05/11/91 Flac 16 Dts.5.1 - 0, 150238 Mountain View Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - dts mixing by Kevin Tobin notes 1375. 05/11/91 Flac 16 - 0, 150236 Mountain View Shoreline Amphitheatre flac16; Patched & Pitch Corrected Audience - (original shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - pitch correction and patches by Kevin Tobin notes 1376. 05/11/91 Flac 16 Mtx - 0, 150237 Mountain View Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - matrix mixing by Kevin Tobin notes 1377. 05/11/91 Flac 16/48 - , 151051 Mountain View Shoreline Amphitheatre flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1378. 05/11/91 Flac 24/96 - , 151052 Mountain View Shoreline Amphitheatre flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1379. 05/12/91 Flac 16 - 0, 31962 Mountain View Shoreline Amphitheatre flac16; SBD -> Dat Transferred and Edited By Charlie Miller notes 1380. 05/12/91 Flac 16 - 0, 111372 Mountain View Shoreline Amphitheatre flac16; Schoeps MK4 w/ RBox 16 Bit 48K. Do not recall DAT use to master this show. Recorded from section 102. Transferred by Nick C using Sony D7>Edirol R-44 via coax digital. Processed using Soundforge 10b, resample, to 16bit 44.1K and split tracks TLH to convert to Flac notes 1381. 05/12/91 Shn - 0, 7362 Mountain View Shoreline Amphitheatre Master Soundboard Cassette > CDR; via Scott Clugston notes 1382. 05/12/91 Flac 16 - 0, 137353 Mountain View Shoreline Amphitheatre flac16; Set 1 Recording Info: SBD > Dat Master > PCM; Transfer Info: PCM (Sony SL-HF500) > Sony PCM601-ESD > Omega Fenix HT > Audio Audition 6.0 > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC; Transferred By David Minches; Mastered By Charlie Miller notes 1383. 05/12/91 Flac 16 - 0, 111135 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones (15th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 1384. 05/12/91 Shn - 0, 9402 Mountain View Shoreline Amphitheatre FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr) notes 1385. 05/12/91 Flac 24 - 0, 149691 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 notes 1386. 05/12/91 Flac 16 - 0, 149700 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1387. 05/12/91 Flac 16/48 - , 151053 Mountain View Shoreline Amphitheatre flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 1388. 05/12/91 Flac 24/96 - , 151054 Mountain View Shoreline Amphitheatre flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1389. 06/01/91 Shn - 0, 6020 Los Angeles Los Angeles Coliseum DSBD> Dat> c> Dat> CD> EAC> SHN; via Steve Barbella, with thanks to John Valter, Paul B. notes 1390. 06/01/91 Flac 16 44,1khz - 0, 139357 Los Angeles Los Angeles Coliseum flac16 44.1khz Source: NAK 300-> DAT (Tapers Section) Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel notes 1391. 06/01/91 Flac 24 - 0, 140453 Los Angeles Los Angeles Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1392. 06/01/91 Flac 16 - 0, 140459 Los Angeles Los Angeles Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1393. 06/01/91 Flac 16/44,1 - 0, 151504 Los Angeles Los Angeles Coliseum flac16/44.1khz Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 69 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC notes 1394. 06/01/91 Flac 24/96 - , 151056 Los Angeles Los Angeles Coliseum flac24/96khz Source : AT-815As (near soundboard) > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1395. 06/01/91 Flac 24/96 - , 151505 Los Angeles Los Angeles Coliseum flac24/96khz Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 68 2496 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC notes 1396. 06/01/91 Flac 16/48 - , 151055 Los Angeles Los Angeles Coliseum flac16/48khz Source : AT-815As (near soundboard) > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 1397. 06/06/91 Shn - 0, 18711 Noblesville Deer Creek Music Center Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 -> CD -> EAC (Secure Mode) -> SHN (3 Discs Audio / 2 Discs SHN) All transfers done by Charlie Miller notes 1398. 06/06/91 Shn - 0, 478 Noblesville Deer Creek Music Center DSBD -> 48 KHz DAT Read in by Other1: DigiI/O via SGI DAT drive -> shn file -> internet to chastewk -> unshned -> sample rate conversion and normalization with Cooledit 96 -> tracked w/ CD-WAV > SHN notes 1399. 06/06/91 Flac 16 - 0, 118714 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1400. 06/06/91 Flac 24 - 0, 118713 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1401. 06/06/91 Flac 1644 - 0, 140234 Noblesville Deer Creek Music Center flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). This is 24 bit -> 16 bit. Transfers by Pete Ebel notes 1402. 06/06/91 Flac 24 - 0, 140482 Noblesville Deer Creek Music Center flac24 96khz Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes 1403. 06/06/91 Shn - 0, 11604 Noblesville Deer Creek Music Center Nakamichi 300 shotguns, back tapers lawn > Sony D-6 (Denon Hd8-100 masters output from same deck) > Sony ES-59 DAT; Seeded to etree by JamPhan notes 1404. 06/06/91 Flac 16 - 0, 95639 Noblesville Deer Creek Music Center flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1405. 06/06/91 Flac 24 - 0, 149524 Noblesville Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 1406. 06/06/91 Flac 16 - 0, 149638 Noblesville Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1407. 06/07/91 Shn - 0, 18712 Noblesville Deer Creek Music Center Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 ->CD -> EAC (Secure Mode) -> SHN All transfers done by Charlie Miller notes 1408. 06/07/91 Flac 16 - 0, 95640 Noblesville Deer Creek Music Center flac16; Set 2 only, Lineage: DAT1 – Cloned from DAT Master Recording Equipment: AKG C460 w/ CK61 110º ORTF -> Grace Supply -> Master DAT Recording Location: FOB Recorded By: JC Mahoney Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1409. 06/07/91 Shn - 0, 480 Noblesville Deer Creek Music Center via Other1 and Chas; note d2t4 bad- to be replaced >9/12 notes 1410. 06/07/91 Flac 16 - 0, 118760 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1411. 06/07/91 Flac 16 - 0, 105581 Noblesville Deer Creek Music Center flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/22/10] notes 1412. 06/07/91 Flac 1644 - 0, 140239 Noblesville Deer Creek Music Center b/>flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). Transfers by Pete Ebel notes 1413. 06/07/91 Flac 24 - 0, 140484 Noblesville Deer Creek Music Center flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes 1414. 06/07/91 Flac 24/48 - 0, 118759 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1415. 06/07/91 Flac 16/48 - 0, 149420 Noblesville Deer Creek Music Center flac16/48kHz; Source Info: Set #1: T/S B&K 4011-> Sony D10 Pro II-> DAT; Clay Brennecke & Jamie Young Recording; Set #2: FOB:AKG C460 w/ CK61 110º ORTF -> Grace Supply -> Master DAT (SHN ID#095640); Recorded By: JC Mahoney; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 1416. 06/07/91 Flac 24 - 0, 149529 Noblesville Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 1417. 06/07/91 Flac 16 - 0, 149639 Noblesville Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1418. 06/09/91 Shn - 0, 12756 Hebron Buckeye Lake Music Center SBD> DAT> CD> SHN; provenance unknown, submitted by user kberry notes 1419. 06/09/91 Flac 16 Mtx - 0, 128299 Hebron Buckeye Lake Music Center flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:012756) SBD>DAT>CD>SHN; Audience (shnid:095641) B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; DFC Front Row Taper Section; Recorded By: James Young & Clay Brennecke and Audience (shnid:118811) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M; Tapes Sony Metal-ES notes 1420. 06/09/91 Flac 16 - 0, 118811 Hebron Buckeye Lake Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1421. 06/09/91 Flac 16 - 0, 138333 Hebron Buckeye Lake Music Center flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is 138321 24 bit -> 16 bit notes 1422. 06/09/91 Flac 24 - 0, 138321 Hebron Buckeye Lake Music Center flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1423. 06/09/91 Flac 1644 - 0, 140238 Hebron Buckeye Lake Music Center flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). This is 24 bit -> 16 bit. Transfers by Pete Ebel. notes 1424. 06/09/91 Flac 24 - 0, 140469 Hebron Buckeye Lake Music Center flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes 1425. 06/09/91 Flac 16/48 - 0, 140670 Hebron Buckeye Lake Music Center flac16/48; taper unknown: FOB Schoeps CMC32s spaced 8 ft > Tao Research PS > M1000 cables > Panasonic SV255 with 6'3" stands; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Edited & mastered in Audacity by Joe Noel: WAV > Flac48 notes 1426. 06/09/91 Flac 16 - 0, 134008 Hebron Buckeye Lake Music Center flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 1427. 06/09/91 Flac 16 - 0, 95641 Hebron Buckeye Lake Music Center flac16; Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1428. 06/09/91 Flac 16/48 - 0, 150368 Hebron Buckeye Lake Music Center flac16/48kHz; Recording: FOB Schoeps CMC32's spaced 8' > Tao Research PS > M1000 cables > Panasonic SV255mod> Master DAT. Location: FOB on stand @ 6'3"; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 01, 2020 notes 1429. 06/11/91 Shn - 0, 5609 Charlotte Charlotte Coliseum source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set notes 1430. 06/11/91 Flac 16 - 0, 95642 Charlotte Charlotte Coliseum flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1431. 06/11/91 Shn - 0, 5158 Charlotte Charlotte Coliseum SBD > CM > DAT > CDR; DAE: EAC (high, secure, offset corrected) > shntools (boundaries confirmed) > MKWACT > SHNv3 by Chris L.; with thanks to J.Valter for seed; reported problems in West LA- upgrade now in circulation notes 1432. 06/11/91 Flac 16 - 0, 138388 Charlotte Charlotte Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 138322 24 bit -> 16 bit notes 1433. 06/11/91 Flac 24 - 0, 138322 Charlotte Charlotte Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1434. 06/11/91 Flac 16 Mtx - 0, 138343 Charlotte Charlotte Coliseum flac16; Two source matrix: 70% sbd/30% aud with a few level adjustments; sbd: Cassette Master (TDK SA-X100/Tascam Deck); transferred and master by Charlie Miller; Resampled an dithered with iZotope RX 6 Advanced; and aud: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recorded by James Young & Clay Brennecke, transferred by Todd Evans and mastered by Jamie Waddell; matrix created with Adobe Audition 1.5 SIRMick notes 1435. 06/11/91 Flac 16 - 0, 132802 Charlotte Charlotte Coliseum notes 1436. 06/11/91 Flac 16 - 0, 111294 Charlotte Charlotte Coliseum notes 1437. 06/12/91 Shn - 0, 13266 Charlotte Charlotte Coliseum SBD> DAT> CDR (previous shn set) + AUD patch for encore notes 1438. 06/12/91 Flac 16 - 0, 95643 Charlotte Charlotte Coliseum flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1439. 06/12/91 Shn - 0, 9403 Charlotte Charlotte Coliseum SBD>DAT>CDR; via Paul; Seeded to etree by eD(efoj notes 1440. 06/12/91 Flac 24 - 0, 138334 Charlotte Charlotte Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1441. 06/12/91 Flac 16 - 0, 138341 Charlotte Charlotte Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138334 24 bit -> 16 bit notes 1442. 06/12/91 Flac 16 - 0, 94310 Charlotte Charlotte Coliseum flac16; Sennheiser ME-80\'s>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 1443. 06/12/91 Flac 16 - 0, 132803 Charlotte Charlotte Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes 1444. 06/12/91 Flac 16/48 - 0, 150369 Charlotte Charlotte Coliseum flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ortf) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1; Center Orchestra Row R, Seat 7 (hand held); Location: Set 2; Center Orchestra Row R, Seat 7 (on stand); Transfer: Master DAT > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer by Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020 notes 1445. 06/14/91 Shn - 0, 16816 Washington Robert F. Kennedy Stadium SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) notes 1446. 06/14/91 Flac 16 Mtx - 0, 100610 Washington Robert F. Kennedy Stadium flac16; Matrix - Audience source: soundtrack from a low gen, audience shot, VHS, provided by Greyful Dave amd Soundboard source: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN (shnid16816) seeded by Peter Braverman notes 1447. 06/14/91 Flac 16 Mtx - 0, 128575 Washington Robert F. Kennedy Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:016816) Lineage: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN and Audience (shnid:094371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 1448. 06/14/91 Flac 16 - 0, 111113 Washington Robert F. Kennedy Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Lineage: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes 1449. 06/14/91 Flac 16/48 - 0, 135774 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - mixing by Kevin Tobin notes 1450. 06/14/91 Flac Dts 5.1 - 0, 135773 Washington Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - DTS mixing by Kevin Tobin notes 1451. 06/14/91 Flac 16 Mtx - 0, 135771 Washington Robert F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin notes 1452. 06/14/91 Flac 16 - 0, 135770 Washington Robert F. Kennedy Stadium flac16; (original shnid = 16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) - pitch correction and patches by Kevin Tobin notes 1453. 06/14/91 Flac 16 - 0, 94371 Washington Robert F. Kennedy Stadium flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 1454. 06/14/91 Flac 16 - 0, 149642 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This fie set is 16 bit @ 44.1 notes 1455. 06/14/91 Flac 24 - 0, 149609 Washington Robert F. Kennedy Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1456. 06/16/91 Flac - 0, 34783 East Rutherford Giants Stadium flac16; DSBD>DAT>WAV>CD>EAC>SHN>WAV>FLAC - Seamless fix of shn id 17028. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1457. 06/16/91 Flac - 0, 128625 East Rutherford Giants Stadium flac16; 2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's notes 1458. 06/16/91 Shn - 0, 4798 East Rutherford Giants Stadium SBD > ? > DAT > CDR > WAV > SHNv3, further source info is pending; DAE: EAC (high, secure mode, offset corrected) > shntool (boundaries confirmed); brief bout of digistatic ~ 31 seconds into d1t05; via Chris L. with thanks to John Valter; can be tracked 2x80 (see info file) notes 1459. 06/16/91 Shn - 0, 17028 East Rutherford Giants Stadium Source: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF notes 1460. 06/16/91 Flac - 0, 109124 East Rutherford Giants Stadium flac16; Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 notes 1461. 06/16/91 Flac - 0, 122648 East Rutherford Giants Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1462. 06/16/91 Flac 24 - 0, 122647 East Rutherford Giants Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1463. 06/16/91 Flac LPCM 5.1 - 0, 135892 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - mixing by Kevin Tobin notes 1464. 06/16/91 Flac Dts 5.1 - 0, 135891 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - DTS mixing by Kevin Tobin notes 1465. 06/16/91 Flac - 0, 135889 East Rutherford Giants Stadium flac16; (original shnid = 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - pitch correction and patches by Kevin Tobin notes 1466. 06/16/91 Flac Mtx. - 0, 135890 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - matrix mixing by Kevin Tobin notes 1467. 06/16/91 Flac - 0, 135888 East Rutherford Giants Stadium flac16; (original shnid = 17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF - pitch correction and patches by Kevin Tobin notes 1468. 06/16/91 Flac 16 - 0, 134056 East Rutherford Giants Stadium flac16; Source: B&K 4011 (ORTF) > SONY D10 Pro > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 1469. 06/16/91 Flac 24 - 0, 149986 East Rutherford Giants Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1470. 06/16/91 Flac 16 - 0, 150162 East Rutherford Giants Stadium b>flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1471. 06/16/91 Flac 16/48 - 0, 150370 East Rutherford Giants Stadium flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020 notes 1472. 06/17/91 Shn - 0, 25608 East Rutherford Giants Stadium SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.] notes 1473. 06/17/91 Flac 16 Mtx - 0, 31606 East Rutherford Giants Stadium flac16; SBD + AUD Matrix Mix notes 1474. 06/17/91 Flac 16 Mtx - 0, 128692 East Rutherford Giants Stadium flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's notes 1475. 06/17/91 Flac 16 - 0, 95644 East Rutherford Giants Stadium flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1476. 06/17/91 Dts 5.1 Mix - 0, 33670 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix notes 1477. 06/17/91 Shn - 0, 3591 East Rutherford Giants Stadium sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman notes 1478. 06/17/91 Flac 16 - 0, 122791 East Rutherford Giants Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1479. 06/17/91 Shn - 0, 484 East Rutherford Giants Stadium DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1 notes 1480. 06/17/91 Flac 24/96 - 0, 122790 East Rutherford Giants Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 1481. 06/17/91 Flac 16/48 - 0, 135941 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin notes 1482. 06/17/91 Flac Dts 5.1 - 0, 135943 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin notes 1483. 06/17/91 Flac16 Mtx - 0, 135942 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin notes 1484. 06/17/91 Flac 24 - 0, 137545 East Rutherford Giants Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1485. 06/17/91 Flac 16/48 - 0, 86659 East Rutherford Giants Stadium notes 1486. 06/17/91 Flac 16 - 0, 134054 East Rutherford Giants Stadium flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 1487. 06/17/91 Flac 16 - 0, 86660 East Rutherford Giants Stadium flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F. notes 1488. 06/17/91 Flac 16 - 0, 137457 East Rutherford Giants Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain notes 1489. 06/17/91 Flac 16/48 - 0, 150371 East Rutherford Giants Stadium flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 04, 2020 notes 1490. 06/17/91 Flac 16 - 0, 150677 East Rutherford Giants Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1491. 06/19/91 Shn - 0, 2786 Clarkston Pine Knob Music Theater SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.) notes 1492. 06/19/91 Shn - 0, 109345 Clarkston Pine Knob Music Theater SBD>CM>DAT>SHN>CD; edited and transferred to cd by michael lai notes 1493. 06/19/91 Flac 16 - 0, 116154 Clarkston Pine Knob Music Theater flac16; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 1494. 06/19/91 Flac 16 - 0, 95645 Clarkston Pine Knob Music Theater flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1495. 06/19/91 Shn - 0, 2786 Clarkston Pine Knob Music Theater SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.) notes 1496. 06/19/91 Flac 24 - 0, 116153 Clarkston Pine Knob Music Theater flac24; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 1497. 06/19/91 Flac 16 - 0, 138579 Clarkston Pine Knob Music Theater flac16; SBD>CM>DAT>SHN>CD; This is a minor remaster of shnid: 109345 notes 1498. 06/19/91 Flac 24 - 0, 140452 Clarkston Pine Knob Music Theater b/>flac24/96Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel notes 1499. 06/19/91 Shn - 0, 18392 Clarkston Pine Knob Music Theater FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes 1500. 06/19/91 Shn - 0, 19144 Clarkston Pine Knob Music Theater Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner. notes 1501. 06/19/91 Flac 16 - 0, 149645 Clarkston Pine Knob Music Theater flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1502. 06/19/91 Flac 24 - 0, 149584 Clarkston Pine Knob Music Theater flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 1503. 06/19/91 Flac 16/48 - 0, 150372 Clarkston Pine Knob Music Theater flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set I FOB, Section Center, Row O, Seat 18 (hand held);Location: Set II FOB, Section Center, Row O, Seat 18 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick. Transfer By Charlie Miller. Edited & Mastered using Adobe Audition by Joe Noel.May 16, 2020 notes 1504. 06/20/91 Shn - 0, 2787 Clarkston Pine Knob Music Theater SBD > DAT > Cass > DAT > CD > EAC, with Audience patch: Unknown DAUD > CD > EAC; All editing done with EAC, CDWave and SoundForge 4.5, by Ivan Kotch; to etree via Adam Jerugim; see info file for notes notes 1505. 06/20/91 Flac 16 - 0, 95646 Clarkston Pine Knob Music Theater flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1506. 06/20/91 Flac 16 - 0, 105023 Clarkston Pine Knob Music Theater flac16; Source: Audience > Nakamichi CM-300 mics with CP-4 shotgun caps > Sony TC-D5 > mac Lineage: mac > Tascam 122b > Tascam HD-P2 > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > Flac 16 Taped by Gregg Holtz, from front of OTS, DFC notes 1507. 06/20/91 Flac 24 - 0, 140466 Clarkston Pine Knob Music Theater flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes 1508. 06/20/91 Shn - 0, 2187 Clarkston Pine Knob Music Theater unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes notes 1509. 06/20/91 Shn - 0, 28393 Clarkston Pine Knob Music Theater FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes 1510. 06/20/91 Flac 16 - 0, 149646 Clarkston Pine Knob Music Theater flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 1511. 06/20/91 Flac 24 - 0, 149585 Clarkston Pine Knob Music Theater flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1512. 06/20/91 Flac 16/48 - 0, 150373 Clarkston Pine Knob Music Theater b>flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section Center, Row O, Seat 15 (hand held); Location: Set 2 FOB, Section Center, Row O, Seat 15 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020 notes 1513. 06/22/91 Flac 16 - 0, 112775 Chicago Soldier Field flac16; Recording Info: SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1514. 06/22/91 Flac 16 - 0, 105541 Chicago Soldier Field flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1515. 06/22/91 Flac - 0, 29057 Chicago Soldier Field This is shn id 485 with undocumented changes. See the comments here for a possible explanation. Via Tol and LMA. notes 1516. 06/22/91 Flac 16 - 0, 118489 Chicago Soldier Field flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1517. 06/22/91 Flac 24/48 - 0, 118488 Chicago Soldier Field flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1518. 06/22/91 Flac 16/48 - 0, 150374 Chicago Soldier Field flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section B, Row 26, Seat 39 (hand held - two seats off center); Location: Set 2 FOB, Section B, Row 26, Seat 39 (on stand @ 6' - two seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020 notes 1519. 06/22/91 Flac 24 - 0, 150648 Chicago Soldier Field flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1520. 06/22/91 Flac 16 - 0, 150678 Chicago Soldier Field flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 1521. 06/24/91 Flac 16 - 0, 35351 Bonner Springs Sandstone Ampitheatre flac16; Fix of shn id 2533 - DSBD>DAT>CDR>WAV>SHN>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1522. 06/24/91 Flac 16 - 0, 118934 Bonner Springs Sandstone Ampitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1523. 06/24/91 Shn - 0, 2533 Bonner Springs Sandstone Ampitheatre DSBD> DAT> CDR; EAC> SHN by Jeff M. notes 1524. 06/24/91 Flac 24/48 - 0, 118933 Bonner Springs Sandstone Ampitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1525. 06/24/91 Shn - 0, 28394 Bonner Springs Sandstone Ampitheatre FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); plus patch from Schoeps hypercards> custom supply> SV255 section tape; Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill, with patch source by Ed Boardman; Transferred By Charlie Miller notes 1526. 06/24/91 Shn - 0, 21648 Bonner Springs Sandstone Ampitheatre FOB AKG 460 cardioid > DAT > CD DAT > CD: Panasonic sv3700 > Cool Edit Pro > CD Wave > mkw notes 1527. 06/24/91 Flac 16 - 0, 116711 Bonner Springs Sandstone Ampitheatre flac16; Schoeps CMC5u/ MK-4 > Panasonic SV 255 > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, center, ORTF, 10' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > CuBase SX; Digital editing: CuBase SX (pre and post set fades, level correction, WAVES 10 band Paragraphic EQ, WAVES L1 Ultramaximizer (limiting), cassette flips patched with etree source #28394); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded via analog patch from Richard Wood, processed and distributed by Chuck Miller notes 1528. 06/24/91 Flac 24 - 0, 146590 Bonner Springs Sandstone Ampitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1529. 06/24/91 Flac 16 - 0, 147391 Bonner Springs Sandstone Ampitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1 notes 1530. 06/24/91 Flac 16/48 - 0, 150375 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section 3, Row W, Seat 2 (hand held - 5 seats off center); Location: Set 2 FOB, Section 3, Row W, Seat 2 (on stand @ 6'5" - 5 seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. June 18, 2020 notes 1531. 06/25/91 Shn - 0, 15590 Bonner Springs Sandstone Ampitheatre SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > mkwACT; fades have been patched; EAC'd/SHN'd by Doug Nawrocki notes 1532. 06/25/91 Flac 16 - 0, 95647 Bonner Springs Sandstone Ampitheatre flac16; Lineage: Clone of Master DAT Recording Equipment: AKG C460B/CK61 (ORTF) -> Mike Grace Early Preamp -> Dat Master (Casio DA-7/ 16-bit - 48kHz) Recording Location: FOB Recorded By: JC Mahoney & Dan Oneil Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1533. 06/25/91 Shn - 0, 26350 Bonner Springs Sandstone Ampitheatre SBD> Vault Dat> Dat> Dat (44.1k); Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg) notes 1534. 06/25/91 Shn - 0, 489 Bonner Springs Sandstone Ampitheatre DSBD Boot? > CDR > SHN (EAC); 2x80 min; liberated KTS bootleg; via screenwriter to abgd 11/99; to etree ~12/3 notes 1535. 06/25/91 Flac 16 - 0, 119018 Bonner Springs Sandstone Ampitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1536. 06/25/91 Flac 24/48 - 0, 119017 Bonner Springs Sandstone Ampitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1537. 06/25/91 Flac 16 - 0, 123825 Bonner Springs Sandstone Ampitheatre flac16; nak300>cp4>pmd430 no dbx; ots dfc mics@12 ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.1.cdwave splits tlh flac 8; t&s by c. cage notes 1538. 06/25/91 Flac 16 - 0, 116626 Bonner Springs Sandstone Ampitheatre notes 1539. 06/25/91 Shn - 0, 28403 Bonner Springs Sandstone Ampitheatre FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes 1540. 06/25/91 Flac 24 - 0, 149530 Bonner Springs Sandstone Ampitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1541. 06/25/91 Flac 16 - 0, 149647 Bonner Springs Sandstone Ampitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 1542. 06/25/91 Flac 16/48 - 0, 150376 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (110˚)> Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section 3, Row Y, Seat 3 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel.June 18, 2020 notes 1543. 06/28/91 Shn - 0, 11706 Denver Mile High Stadium SBD> Dat> Samplitude> CD, Seed Supplied By David Gans; Transfer Info: Sony R500> Behringer SRC2000> M-Audio Dio 2448> Compaq 5452, Transfer done by Charlie Miller; Recorded with Samplitude v6.0, Fades done with Cool Edit Pro v1.2, Tracked with CDWave v1.71, SHN'd with MKW v0.97 Beta1 notes 1544. 06/28/91 Flac 16 - 0, 119064 Denver Mile High Stadium flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1545. 06/28/91 Flac 16 - 0, 96359 Denver Mile High Stadium flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - 20th Row - Hand Held Both Sets Recorded By: James Young Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1546. 06/28/91 Shn - 0, 9592 Denver Mile High Stadium SBD>DAT>CDR; via Paul; Seeded to etree by eD(efojr); Note- May be an FM source notes 1547. 06/28/91 Flac 24/48 - 0, 119063 Denver Mile High Stadium flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename by Keo notes 1548. 06/28/91 Flac 16 - 0, 84509 Denver Mile High Stadium flac16; Recorded by Patrick H. Source: Sony ECM33F mics -> Sony D6 -> Master cassette TDK SA90 No Dolby Type II Location: In front of band Transfer: Nak -> MC (TDK SA90) -> RME DIGI Interface -> Samplitude 6.0 -> Flac(8) notes 1549. 06/28/91 Flac 16 - 0, 150679 Denver Mile High Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1550. 08/12/91 Flac 16 - 0, 29496 Sacramento Cal Expo flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 1551. 08/12/91 Flac 16 - 0, 119081 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1552. 08/12/91 Flac 16 - 0, 96371 Sacramento Cal Expo flac16; Lineage: Clone from Master DAT Recording Equipment: Schoeps Omni -> Oade Supply -> Panasonic SV-255 Recording Location: FOB, on stands 8 feet hight and mic stands spaced 8.5 feet apart Recorded By: Unknown Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1553. 08/12/91 Shn - 0, 8109 Sacramento Cal Expo Don Pearson Master Cassette > Cassette > D > CD-r; d3 circs w/ filler from 8-13-91 set 1; Same source; via JR Fishman notes 1554. 08/12/91 Flac 24/48 - 0, 119080 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1555. 08/12/91 Flac 16 - 0, 137911 Sacramento Cal Expo flac16; DAT Master DSBDs, no transfer inf0 > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes 1556. 08/12/91 Flac 16 - 0, 113423 Sacramento Cal Expo Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1557. 08/12/91 Flac 16 - 0, 143090 Sacramento Cal Expo flac16; Unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44 notes 1558. 08/12/91 Flac 16 - 0, 148406 Sacramento Cal Expo flac16; Source Info: FOB Schoeps CMC3 MK4-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 1559. 08/12/91 Flac 24 - 0, 150299 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1560. 08/13/91 Flac 16 - 0, 109241 Sacramento Cal Expo flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1561. 08/13/91 Flac 16 - 0, 119112 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1562. 08/13/91 Shn - 0, 10927 Sacramento Cal Expo SBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr) notes 1563. 08/13/91 Flac 24/48 - 0, 119111 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1564. 08/13/91 Flac 16 - 0, 137912 Sacramento Cal Expo flac16; DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes 1565. 08/13/91 Flac 16/48 - 0, 138191 Sacramento Cal Expo flac16/48kHz; 1st set [partial]: B&K 4011's 110 degrees ORTF with Schoeps t-bar > Mod Neumann PS > Panasonic SV255 with stand, recorded by Rob Darroch; 2nd set: Schoeps CMC34 110 degrees ORTF with Schoeps t-bat > Canare Cable > Tao Research PS > Pro-Link jumper cable > Panasonic SV255 hand held at 5'10" by John Ammons; John Ammons Transfer: master DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 1566. 08/13/91 Flac 16 - 0, 91678 Sacramento Cal Expo flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 1567. 08/13/91 Flac 16 - 0, 113426 Sacramento Cal Expo flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1568. 08/13/91 Flac 16 - 0, 143088 Sacramento Cal Expo flac16; unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44 notes 1569. 08/13/91 Flac 16/48 - 0, 148404 Sacramento Cal Expo flac16/48kHz; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)->SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 1570. 08/13/91 Flac 16 - 0, 148403 Sacramento Cal Expo flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 1571. 08/13/91 Flac 24 - 0, 15ß306 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes 1572. 08/14/91 Flac 16 - 0, 30073 Sacramento Cal Expo flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 1573. 08/14/91 Flac 16 - 0, 119112 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1574. 08/14/91 Shn - 0, 9798 Sacramento Cal Expo SBD>DAT>??>DAT>CDR; via Paul; Seeded to etree by eD(efojr) notes 1575. 08/14/91 Flac 24/48 - 0, 119121 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1576. 08/14/91 Flac 16 - 0, 137920 Sacramento Cal Expo flac16; DAT Master SBDs no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes 1577. 08/14/91 Flac 16 - 0, 113427 Sacramento Cal Expo Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1578. 08/14/91 Flac 16 - 0, 143089 Sacramento Cal Expo flac16; Set 2 Unknown taper: FOB Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44 notes 1579. 08/14/91 Flac 16 - 0, 148407 Sacramento Cal Expo flac16; Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 1580. 08/16/91 Flac - 0, 17011 Mountain View Shoreline Amphitheatre ource: SB DAT 48khz low-gen clone Conversion: Sony PCM-1 (7-pin optical) > Zoltrix C-Media CMI8738/C3DX PCI (optical) > Ce2k pro record (48) > Ce2k pro convert sample (44.1, highest quality, pre-post filter) > CDWav > FLAC notes 1581. 08/16/91 Flac - 0, 111330 Mountain View Shoreline Amphitheatre flac16; Updated Source Info: SBD > ? > DAT Clone > FLAC (Had been marked Schoeps MK4 w/ RBox 16 Bit 48K...) notes 1582. 08/16/91 Shn - 0, 6676 Mountain View Shoreline Amphitheatre SBD:DAT> DAT> SF> WAV> SHN; via J.T. James, Peter Braverman notes 1583. 08/16/91 Flac - 0, 81571 Mountain View Shoreline Amphitheatre flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC notes 1584. 08/16/91 Flac 16 - 0, 121806 Mountain View Shoreline Amphitheatre flac16; AKG451 w/ CK1's>DAT>?DAT?>501PCM>BETA tape>601PCM>coax> DAD USB>Audacity> 24-48 WAV...>PATCH W/SBD>flac16-44>tlh sbe fix. set1:ots AKG 451 CK1,set2 ots 460 CK8; patches from sbd source nickc shn 111330. notes 1585. 08/16/91 Flac - 0, 137942 Mountain View Shoreline Amphitheatre b>flac16/48kHz; DSBD 16 bit 48kHz DAT; Ampex 467 R-124 Certified Mastering Audio Cassettes [DATs]-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Norm notes 1586. 08/16/91 Flac 24/96 - 0, 141274 Mountain View Shoreline Amphitheatre flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes 1587. 08/16/91 Flac 16 - 0, 141316 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes 1588. 08/16/91 Flac 16/48 - , 151057 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 1589. 08/16/91 Flac 24/96 - , 151058 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1590. 08/17/91 Flac 16 Mtx - 0, 107826 Mountain View Shoreline Amphitheatre flac16; Hansokolow matrix of these digital sources: SBD: shnid=20696 // AUD: shnid=94196 (Taped by: Keith Litzenberger) notes 1591. 08/17/91 Shn - 0, 20696 Mountain View Shoreline Amphitheatre Source: SBD -> DAT Master -> DAT Clone -> Tascam DA40 ->(SPDIF)-> SB Live -> SoundForge -> wav -> shn. This set of files represents a SHNTOOL fixed correction of the previously circulating SHN set (http://db.etree.org/shninfo_detail.php?shnid=497). notes 1592. 08/17/91 Flac 16/48 - 0, 81572 Mountain View Shoreline Amphitheatre flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC notes 1593. 08/17/91 Shn - 0, 497 Mountain View Shoreline Amphitheatre SBD -> DAT Master -> DAT Clone -> Tascam DA40 -> (SPDIF)-> SB Live -> SoundForge -> Wav -> Shorten; via J. Josephs, originally named by song, with underscores, apostrophes et al; C. Hannigan renamed and reordered tracks to fit so the encore is at the beginning- see his new info file notes 1594. 08/17/91 Flac 24/96 - 0, 141289 Mountain View Shoreline Amphitheatre flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes 1595. 08/17/91 Flac 16 - 0, 141317 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes 1596. 08/17/91 Flac 16 - 0, 94196 Mountain View Shoreline Amphitheatre flac16; Source: Sennheiser ME-80\'s> Technics SV-MD1 (DAT) Lineage: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Taped by: Keith Litzenberger from Section 202 Row E Seat 23 (Front Row Center OTS) Transferred by: Keith Litzenberger notes 1597. 08/17/91 Flac 16 - 0, 119208 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1598. 08/17/91 Flac 16/48 - 0, 149444 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Set #1: T/S Sennheiser ME 88->DAT; Set #2: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 1599. 08/17/91 Flac 16/48 - , 151059 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 1600. 08/17/91 Flac 24/96 - , 151060 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1601. 08/18/91 Flac 16 Mtx - 0, 107883 Mountain View Shoreline Amphitheatre flac16; Matrix by hansokolow of these two sources: DSBD: (shnid=21349) SB DAT 48khz low-gen clone // DAUD: (shnid=94188) Sennheiser ME-80's>Technics SV-MD1; By Keith Litzenberger notes 1602. 08/18/91 Flac 16/48 - 0, 81573 Mountain View Shoreline Amphitheatre flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC notes 1603. 08/18/91 Shn - 0, 21349 Mountain View Shoreline Amphitheatre Source:SB DAT 48khz low-gen clone via kung@steve-behan.com Patch Source: SBD > DAT > ZA2 > CDR > EAC Patched, retracked, shn'd... by Doug Nawrocki notes 1604. 08/18/91 Flac - 0, 19870 Mountain View Shoreline Amphitheatre Source: SBD DAT 48khz low-gen clone (on 60 min/120 minute audio dats, 93?) Transfer: Sony PCM-1 / 7 pin > Nightengale PCI / Optical (reverse format) > Ce Pro 2000 Record 48k > Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter > CDWav > ShnTool > FLAC notes 1605. 08/18/91 Flac 24/96 - 0, 141295 Mountain View Shoreline Amphitheatre flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes 1606. 08/18/91 Flac 16 - 0, 141326 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes 1607. 08/18/91 Flac 16 - 0, 94188 Mountain View Shoreline Amphitheatre flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded,Transferred & Uploaded By Keith Litzenberger notes 1608. 08/18/91 Flac 24 - 0, 147507 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal notes 1609. 08/18/91 Flac 16 - 0, 148256 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal (3 static bursts remain @ 7:10, 7:12, 7:18 on aLL know sources), This file set is 16 bit @ 44.1 notes 1610. 08/18/91 Flac 16/48 - 0, 149439 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 1611. 08/18/91 Flac 16/48 - , 151061 Mountain View Shoreline Amphitheatre flac16/48khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 1612. 08/18/91 Flac 24/96 - , 151062 Mountain View Shoreline Amphitheatre flac24/96khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1613. 09/04/91 Flac 16 - 0, 95313 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1614. 09/04/91 Shn - 0, 5558 Richfield Richfield Coliseum sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs notes 1615. 09/04/91 Flac 16 - 0, 111271 Richfield Richfield Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes 1616. 09/04/91 Flac 16 Mtx - 0, 132960 Richfield Richfield Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095313) SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091802) Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 notes 1617. 09/04/91 Shn - 0, 28404 Richfield Richfield Coliseum Schoeps CMC4/MK4 (FOB/Row Q, ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller notes 1618. 09/04/91 Flac 16 - 0, 132810 Richfield Richfield Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes 1619. 09/04/91 Flac 16 - 0, 96192 Richfield Richfield Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 1620. 09/04/91 Flac 16 - 0, 121608 Richfield Richfield Coliseum flac16; Original Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Transfers and Mastering By Charlie Miller; Tech Notes: Levels Ran Throughout(to my fine tuned ears) way Too HOT!!; Decoded To Wave w/Traders Little Helper v2.7.1; Normalized to -7 dB w/Audacity v2.0.1(64 bit), DC Offsets Removed. Channels Independently Changed; Re-encoded to Flac Level 8 w/TLH. Tagged w/Foobar2000 v.1.1.13/tradersfriend addon; Checksums Rehashed & Verified w/TLH v271 Additional Editing & Coding By Joe "Terrapin" Barberi notes 1621. 09/04/91 Flac 24/48 - 0, 147568 Richfield Richfield Coliseum flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel notes 1622. 09/04/91 Flac 16 - 0, 91802 Richfield Richfield Coliseum b>flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1623. 09/04/91 Flac 16/48 - 0, 149459 Richfield Richfield Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 1624. 09/04/91 Flac 24 - 0, 150016 Richfield Richfield Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes 1625. 09/04/91 Flac 16 - 0, 150284 Richfield Richfield Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1626. 09/04/91 Flac 16/48 - 0, 151811 Richfield Richfield Coliseum flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: Set 1; Row Q (handheld), Set 2; Row Q (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 27, 2021. Notes: Fresh transfer & processing of shnid 91802. notes 1627. 09/05/91 Flac 16 - 0, 121620 Richfield Richfield Coliseum flac16; sbd > dat > cassette > dat > cdr; Levels Ran Throughout(to my fine tuned ears) way Too HOT!!; Decoded To Wave w/Traders Little Helper v2.7.1; Normalized to -7 dB w/Audacity v2.0.1(64 bit), DC Offsets Removed. Channels Independently Changed. Clipped Excess Blank/Silent Space at end of 1st & 2nd sets. Fixed Gap Between d1t01 & d1t02. Encoded to Flac Level 8 w/TLH. Tagged w/Foobar2000 v.1.1.13/tradersfriend addon. Checksums Rehashed & Verified w/TLH v2.7.1; Additional Editing & Coding By Joe "Terrapin" Barberi notes 1628. 09/05/91 Flac 16 Mtx - 0, 92785 Richfield Richfield Coliseum flac16; Matrix sources: (shnid 5559) sbd > dat > c > dat > cdr and (shnid 91803) FOB Digital Audience Recording Matrixed by SIRMick July 2008 notes 1629. 09/05/91 Flac 16 - 0, 91803 Richfield Richfield Coliseum flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1630. 09/05/91 Shn - 0, 5559 Richfield Richfield Coliseum sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs notes 1631. 09/05/91 Flac 16 Mtx - 0, 132961 Richfield Richfield Coliseum flac16; 2 Source Matrix by Dusborne Soundboard (shnid:005559) sbd>dat>c>dat>cdr and Audience (shnid:091803) Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. 16 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 notes 1632. 09/05/91 Flac 16 - 0, 138373 Richfield Richfield Coliseum flac16; Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D notes 1633. 09/05/91 Flac 16 - 0, 94300 Richfield Richfield Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 1634. 09/05/91 Flac 16 - 0, 132811 Richfield Richfield Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes 1635. 09/05/91 Flac 16/48 - 0, 147493 Richfield Richfield Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - surround mixing by Kevin Tobin notes 1636. 09/05/91 Flac 16 Dts.5.1 - 0, 147492 Richfield Richfield Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - dts mixing by Kevin Tobin notes 1637. 09/05/91 Flac 16 Mtx - 0, 147491 Richfield Richfield Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - matrix mixing by Kevin Tobin notes 1638. 09/05/91 Flac 24/48 - 0, 147569 Richfield Richfield Coliseum flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel notes 1639. 09/05/91 Flac 16/48 - 0, 149460 Richfield Richfield Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 1640. 09/05/91 Flac 24 - 0, 150030 Richfield Richfield Coliseum b>flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes 1641. 09/05/91 Flac 16 - 0, 150285 Richfield Richfield Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1642. 09/05/91 Flac 16/48 - 0, 151812 Richfield Richfield Coliseum flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB-DFC; Set 1 Row R, Seat 10 (handheld); Set 2 Row R Seat 10 (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 28, 2021. Notes: fresh transfer & processing of shnid 91802. notes 1643. 09/06/91 Flac 16 - 0, 95314 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1644. 09/06/91 Flac 16 - 0, 91804 Richfield Richfield Coliseum flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, Tag & Rename for FLAC Meta-Tagging FLAC’d Flac Frontend level 8 notes 1645. 09/06/91 Shn - 0, 5560 Richfield Richfield Coliseum sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs notes 1646. 09/06/91 Shn - 0, 82052 Richfield Richfield Coliseum sbd>dat>c>dat>cdr>shn>patching/editing>shn notes 1647. 09/06/91 Flac 16 Mtx - 0, 132965 Richfield Richfield Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095314) SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091804) Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 6 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 notes 1648. 09/06/91 Flac 16 - 0, 132813 Richfield Richfield Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes 1649. 09/06/91 Shn - 0, 28405 Richfield Richfield Coliseum FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller notes 1650. 09/06/91 Flac 16 - 0, 94234 Richfield Richfield Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 1651. 09/06/91 Flac 24/48 - 0, 147570 Richfield Richfield Coliseum flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel notes 1652. 09/06/91 Flac 16 - 0, 149462 Richfield Richfield Coliseum flac16; Source Info: TS Schoeps CMC 4 Mk41-> Koch P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 1653. 09/06/91 Flac 16/48 - 0, 149641 Richfield Richfield Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 1654. 09/06/91 - 0, Richfield Richfield Coliseum notes 1655. 09/06/91 Flac 24 - 0, 150031 Richfield Richfield Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes 1656. 09/06/91 Flac 16 - 0, 150286 Richfield Richfield Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1657. 09/06/91 Flac 16/48 - 0, 151813 Richfield Richfield Coliseum flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k). Location: FOB-DFC. Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 29, 2021. Notes: fresh transfer & processing of shnid 91804. notes 1658. 09/08/91 Shn - 0, 75772 New York Madison Square Garden DSBD > CDA > DAT; Cleaned up copy of SHNid=1069; Clean up by Darryl Hinko notes 1659. 09/08/91 Flac 16 - 0, 130711 New York Madison Square Garden flac16; Recording Info: DSBD > DAT > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; A fresh transfer of my DAT clone. Upgrade to single source SBD. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014 notes 1660. 09/08/91 Flac 16 Mtx - 0, 99108 New York Madison Square Garden flac16; SBD + AUD Matrix Mix - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392); 65%-SBD, 20%-AUD1, 15%-AUD2 notes 1661. 09/08/91 Flac 16 - 0, 96398 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Row R, Off Center Set 2 On Stand, Row R, On Aisle Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1662. 09/08/91 Shn - 0, 1069 New York Madison Square Garden DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments notes 1663. 09/08/91 Flac 16 - 0, 34661 New York Madison Square Garden flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 1069, fade tracks added. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1664. 09/08/91 Flac 16 Dts - 0, 99074 New York Madison Square Garden flac16; DTS-Audio-CD 5.1 Mix - 3 Source Mix of SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392) notes 1665. 09/08/91 Flac 24/48 - 0, 123844 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2013 notes 1666. 09/08/91 Flac 16 - 0, 98392 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 from OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger notes 1667. 09/08/91 Flac 16/48 - 0, 88003 New York Madison Square Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 1668. 09/08/91 Flac 16 - 0, 88002 New York Madison Square Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes 1669. 09/08/91 Flac 24 - 0, 149783 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1670. 09/08/91 Flac 16 - 0, 149846 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1671. 09/08/91 Flac 16/48 - 0, 150539 New York Madison Square Garden flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick August 2020 notes 1672. 09/09/91 Flac 16 - 0, 96399 New York Madison Square Garden b>flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 3, Row S, On Aisle Set 2 On Stand, Section 3, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes 1673. 09/09/91 Flac 16 Mtx - 0, 110640 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=508 (DSBD>>DAT>>CDA) // DAUD: shnid=96399 (Recording Equipment: B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes 1674. 09/09/91 Flac 16 - 0, 34677 New York Madison Square Garden flac16; SBD>>DAT>>CDA>>WAV>>SHN>>WAV>>FLAC - Seamless fix of shn id 508. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1675. 09/09/91 Shn - 0, 75773 New York Madison Square Garden DSBD > DAT > CDA; Clean up copy of SHNid=508; Clean up by Darryl Hinko notes 1676. 09/09/91 Shn - 0, 508 New York Madison Square Garden DSBD> DAT> CD; via C. Miller, J. Ashley notes 1677. 09/09/91 Flac 24/48 - 0, 123544 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 01/2013 notes 1678. 09/09/91 Shn - 0, 28851 New York Madison Square Garden Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Dan O'Neill Transferred By Charlie Miller notes 1679. 09/09/91 Flac 24 - 0, 149749 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1680. 09/09/91 Flac 16 - 0, 149777 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1681. 09/09/91 Flac 16/48 - 0, 150412 New York Madison Square Garden flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick July 2020 notes 1682. 09/09/91 Flac 16/48 - 0, 151920 New York Madison Square Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 25, 2021. notes 1683. 09/10/91 Flac 16 - 0, 89085 New York Madison Square Garden flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 notes 1684. 09/10/91 Flac 16 - 0, 34678 New York Madison Square Garden flac16; DSBD>DATs>CDRs>EAC>SHN>WAV>FLAC - Seamless fix of shn id 511. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1685. 09/10/91 Shn - 0, 511 New York Madison Square Garden complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks notes 1686. 09/10/91 Flac 16 Mtx - 0, 98132 New York Madison Square Garden flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz) notes 1687. 09/10/91 Flac 16 - 0, 96422 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging. notes 1688. 09/10/91 Flac 24 Mtx - 0, 98701 New York Madison Square Garden flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422) notes 1689. 09/10/91 Flac - 0, 30755 New York Madison Square Garden Source: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by dan@am-dig.com notes 1690. 09/10/91 Flac 16 - 0, 117024 New York Madison Square Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 1691. 09/10/91 Shn Dts - 0, 98655 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; Source Info - SBD (shnID = 89085) and AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke notes 1692. 09/10/91 Flac 24/48 - 0, 122424 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2012 notes 1693. 09/10/91 Flac 24/96 - 0, 117023 New York Madison Square Garden flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 1694. 09/10/91 Flac 16/48 - 0, 138917 New York Madison Square Garden flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, set 1 handheld, Set 2 stand over 6'; location: Sec 2, Row V, Seat 3 notes 1695. 09/10/91 Flac 24 - 0, 149509 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1696. 09/10/91 Flac 16 - 0, 149650 New York Madison Square Garden flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1697. 09/10/91 Flac 16/48 - 0, 151921 New York Madison Square Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel.January 25, 2021. Notes: Fresh transfer & mastering of shnid 138917. notes 1698. 09/10/91 Flac 16/44 - , 153418 New York Madison Square Garden fkac16/44 A Photoleon Matrix Source: Schoeps Cmc34 (ortf) > M1000 Cables > Tao Research Oade Supply > Panasonic Sv255> Master Dat (48k) + (ots) Nak Cm300 Cp4 Shotguns> Cassette + Sbd> Dat(?). Fob Recording By Dan O'neill. Ots Recording By Jb. Sbd Dat Sourced From Todd Evans. Matrix Created By Joe Noel. August 03, 2021 notes 1699. 09/12/91 Flac 16 - 0, 110641 New York Madison Square Garden flac16; This is a matrix of these sources: DSBD: shnid=28871 (soundboard > DAT > CDR > SHN) // DAUD: shnid=97386 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes 1700. 09/12/91 Shn - 0, 28871 New York Madison Square Garden Clean up of SHNid=516; SBD > DAT > CDR > SHN; Cleaned by Darryl Hinko. See notes. notes 1701. 09/12/91 Flac 16 - 0, 97386 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1702. 09/12/91 Shn - 0, 516 New York Madison Square Garden SBD > DAT > CDR > .shn; .via Jon, Adam Roux; (note may have been in abgd before this perhaps?) notes 1703. 09/12/91 Flac 24/48 - 0, 122165 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes 1704. 09/12/91 Flac 16/48 - 0, 139651 New York Madison Square Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rick Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 notes 1705. 09/12/91 Flac 24 - 0, 149784 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1706. 09/12/91 Flac 16 - 0, 149847 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1707. 09/12/91 Flac 16/48 - 0, 150655 New York Madison Square Garden flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick October 2020 notes 1708. 09/13/91 Flac 16 - 0, 110642 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=31244 (DSBD > DAT > CD > EAC > FLAC) // DAUD: shnid=97387 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes 1709. 09/13/91 Flac 16 - 0, 31244 New York Madison Square Garden flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko; No cut in Masterpiece notes 1710. 09/13/91 Flac 16 - 0, 97387 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1711. 09/13/91 Shn - 0, 520 New York Madison Square Garden via A. Kowalski to offer notes 1712. 09/13/91 Flac 16 - 0, 34679 New York Madison Square Garden flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 520. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1713. 09/13/91 Flac 16 - 0, 111224 New York Madison Square Garden flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes 1714. 09/13/91 Flac 24/48 - 0, 122120 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes 1715. 09/13/91 Flac 16/48 - 0, 138572 New York Madison Square Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick June 2017 notes 1716. 09/13/91 Flac 16 - 0, 141921 New York Madison Square Garden flac16; Matrix: 1. SHNID 97387 Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; 2. SHNID 138572 Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) and 3. SHNID 31244 Source: Source: DSBD > DAT > CD > EAC > FLAC notes 1717. 09/13/91 Flac 16/48 - 0, 147304 New York Madison Square Garden flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick August 2019 notes 1718. 09/13/91 Flac 24 - 0, 149790 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1719. 09/13/91 Flac 16 - 0, 149851 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1720. 09/13/91 Flac 16/48 - 0, 150956 New York Madison Square Garden Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and nastered SIRMick November 2020 notes 1721. 09/14/91 Flac 16 - 0, 110643 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=77789 (SBD -> Dat -> CD) // DAUD: shnid=97388 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes 1722. 09/14/91 Flac 16 - 0, 32904 New York Madison Square Garden flac16; SBD -> Dat -> CD All Transfers and Mastering By Charlie Miller notes 1723. 09/14/91 Flac 16 - 0, 97388 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1724. 09/14/91 Shn - 0, 77789 New York Madison Square Garden SBD -> Dat -> CD; Clean up of SHNid=32904 by Darryl Hinko notes 1725. 09/14/91 Shn - 0, 522 New York Madison Square Garden sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed notes 1726. 09/14/91 Flac 16 - 0, 111250 New York Madison Square Garden flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes 1727. 09/14/91 Flac 24/48 - 0, 122035 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes 1728. 09/14/91 Flac - 0, 25318 New York Madison Square Garden NAK CM 300s + CP4->Casio DA7 Location:On The Floor Directly Behind The Soundboard In Front Of The Official Taper Section. Conversion: Sony 60 ES-> Emagic AudiowerkII -> Soundforge (record/resample) -> CDWAV (track) -> FLAC notes 1729. 09/14/91 Flac 16/48 - 0, 138918 New York Madison Square Garden flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, FOB/DFC notes 1730. 09/14/91 Flac 16/48 - 0, 147629 New York Madison Square Garden flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes 1731. 09/14/91 Flac 24 - 0, 149977 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1732. 09/14/91 Flac 16 - 0, 150163 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1733. 09/14/91 Flac 16/48 - 0, 151340 New York Madison Square Garden flac16/48khz Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick January 2021 notes 1734. 09/16/91 Shn - 0, 525 New York Madison Square Garden sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed notes 1735. 09/16/91 Flac 16 Mtx - 0, 100910 New York Madison Square Garden flac16; SBD + AUD Matrix Mix (65%-SBD, 35%-AUD) Source Info: SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke notes 1736. 09/16/91 Flac 16 - 0, 98389 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1737. 09/16/91 Flac 16 Dts - 0, 100911 New York Madison Square Garden flac16; DTS-Audio-CD 5.1 Mix of SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke notes 1738. 09/16/91 Flac 24/48 - 0, 121949 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes 1739. 09/16/91 Flac 16 - 0, 135484 New York Madison Square Garden flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1740. 09/16/91 Flac 16/48 - 0, 139795 New York Madison Square Garden flac16/48kHz; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 notes 1741. 09/16/91 Flac 16 - 0, 94246 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 1742. 09/16/91 Shn - 0, 4868 New York Madison Square Garden FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young notes 1743. 09/16/91 Flac 16 - 0, 149653 New York Madison Square Garden flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1744. 09/16/91 Flac 24 - 0, 149633 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1745. 09/16/91 Flac 16/48 - 0, 151778 New York Madison Square Garden Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2021 notes 1746. 09/16/91 Flac 16/48 - , 152918 New York Madison Square Garden flac16/48 Recording: Fob Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat (panasonic Sv-255mod) (16 Location: Set I Fob, Section 3, Row U, Seat 14 (on Stand @ 6') Location: Set Ii Fob, Section 3, Row U, Seat 14 (on Stand @ 6'5") Transfer: Dat > Tascam Da-40 > Tascam Da-3000 > Flac 16 48 Master Digital Fob Recording By Dave Brotman & Jeff Metchick Transfer By Charlie Miller Edited & Mastered Using Adobe Audition By Joe Noel July 02, 2020 notes 1747. 09/16/91 Flac 16/44 - , 153419 New York Madison Square Garden flac16/44 A Photoleon Matrix: (fob) Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat + (ots) Schoeps Cmc4 Mk4> Master Dat + Sbd> Master Cassette. Fob Recording By Dave Brotman & Jeff Metchick. Ots Recording By Rich Gastwirt. Sbd Recording By Don Pearson & Dan Healy Matrix Created By Joe Noel. July 28, 2021 notes 1748. 09/17/91 Flac 16 Mtx - 0, 110644 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=12847 (SBD: DAT> CD> EAC> SHN) // DAUD: shnid=97390 (B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes 1749. 09/17/91 Shn - 0, 12847 New York Madison Square Garden SBD: DAT> CD> EAC> SHN notes 1750. 09/17/91 Flac 16 - 0, 113422 New York Madison Square Garden flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 1751. 09/17/91 Flac 24/96 - 0, 113421 New York Madison Square Garden flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files notes 1752. 09/17/91 Flac 24/48 - 0, 121837 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes 1753. 09/17/91 Flac 16 - 0, 97390 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1754. 09/17/91 Flac 16 - 0, 94213 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 1755. 09/17/91 - 0, 150054 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1756. 09/17/91 Flac 16 - 0, 150293 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1757. 09/17/91 Flac 16/48 - 0, 151779 New York Madison Square Garden Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2021 notes 1758. 09/18/91 Flac 16 Mtx - 0, 110645 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=2788 (DSBD -> DAT -> CD -> EAC -> SHN) // DAUD: shnid=97391 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes 1759. 09/18/91 Shn - 0, 2788 New York Madison Square Garden DSBD -> DAT -> CD -> EAC -> SHN; via Adam Jerugim notes 1760. 09/18/91 Shn - 0, 527 New York Madison Square Garden dsbd> dat(s)> cd; via A. Kowalski to offer; 1/01 to etree notes 1761. 09/18/91 Flac 24/48 - 0, 121805 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes 1762. 09/18/91 Flac 16 - 0, 97391 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 1763. 09/18/91 Flac 16 - 0, 94309 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1>Sony TCD-D3 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 1764. 09/18/91 Flac 16 - 0, 150680 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1765. 09/18/91 Flac 16/48 - 0, 152268 New York Madison Square Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick April 2021 notes 1766. 09/20/91 Flac 16 Mtx - 0, 111352 Boston Boston Garden flac16; Matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; editing and matrix by SIRMick notes 1767. 09/20/91 Shn - 0, 34799 Boston Boston Garden SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 5700 notes 1768. 09/20/91 Flac 16 - 0, 101438 Boston Boston Garden flac16; Lineage: Set 2 Master DAT, Set 1 Clone of Master DAT Recording Equipment: Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255 Set 2 - B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: Set 1 FOB - Set 2 FOB Section BB Row 24 Seat 3 Recorded By: Set 1 by Dan Oneil and Set 2 by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes 1769. 09/20/91 Shn - 0, 21647 Boston Boston Garden Unknown SBD source. Hosted by tol.etree.org; seeded via bittorrent by Tony G. notes 1770. 09/20/91 Shn - 0, 5700 Boston Boston Garden SBD > DAT > CDR > WAV > SHNv3; via Chris L. from Andy 'Bear' G. seed notes 1771. 09/20/91 Flac 16 - 0, 94608 Boston Boston Garden flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > flac mastered with iZotope Ozone and iZotope RX Advanced transferred, edited and mastered SIRMick notes 1772. 09/20/91 Flac 16 - 0, 124202 Boston Boston Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1773. 09/20/91 Flac 16 Mtx - 0, 133731 Boston Boston Garden flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:034799) SBD > DAT > CDR > WAV > SHNv3 and Audience (shnid:101438) Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255; Set 2 - B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro 16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 notes 1774. 09/20/91 Flac 16/48 - 0, 138147 Boston Boston Garden flac16/48kHz; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes 1775. 09/20/91 Flac 16/48 - 0, 139815 Boston Boston Garden flac16/48kHz; source: daud; taped by Dan Liff R.I.P; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger notes 1776. 09/20/91 Shn - 0, 18596 Boston Boston Garden Recorded with nakamichi 300 plus cp4 (shotguns) from the taping section by Mark Horvath notes 1777. 09/20/91 Flac 16 Mtx - 0, 111333 Boston Boston Garden flac16; matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; Upgrade in circulation notes 1778. 09/20/91 Flac 24/96 - 0, 124201 Boston Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 1779. 09/20/91 Flac 16/48 - 0, 148910 Boston Boston Garden flac16/48kHz; Source: Neuman KMi86 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2020 notes 1780. 09/20/91 Flac 24 - 0, 149505 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1781. 09/20/91 Flac 16 - 0, 149655 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1782. 09/20/91 Flac 16/48 - 0, 151922 Boston Boston Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB/DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand) Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited and Mastered (Adobe Audition) by Joe Noel. January 24, 2021 Notes: Set I fresh transfer and mastering of shnid 101438 Set II new to circulation notes 1783. 09/20/91 Flac 16/44 - 0, 152512 Boston Boston Garden notes 1784. 09/20/91 Flac 16 Mtx - , 153420 Boston Boston Garden flac16/44 A Photoleon Matrix: Source: (fob) Schoeps Cmc34> Master Dat + Sbd > Cassette Master. Fob Recording By Dan O'neill. Sbd Recording By Don Pearson & Dan Healy. Matrix Created By Joe Noel September 15, 2021 notes 1785. 09/20/91 Flac 16/48 - , 154501 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick November 2021 notes 1786. 09/21/91 Shn - 0, 529 Boston Boston Garden sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com notes 1787. 09/21/91 Flac 16 - 0, 101439 Boston Boston Garden flac16; Lineage: Set 1 Clone of Master DAT, Set 2 Master DAT Set 1 Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes 1788. 09/21/91 Flac 16 - 0, 124450 Boston Boston Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flcked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1789. 09/21/91 Flac 16 Mtx - 0, 134353 Boston Boston Garden flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000529) SBD->DAT->CDR->EAC->SHN and Audience(shnid:101439)Set 2 Master DAT, Set 1 Clone of Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 notes 1790. 09/21/91 Flac 24/96 - 0, 124449 Boston Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 1791. 09/21/91 Flac 16 - 0, 94674 Boston Boston Garden flac16; source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S taped by John Bleich from section V, row K, seat 3 transfer: mac > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac notes 1792. 09/21/91 Flac 16 - 0, 138148 Boston Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes 1793. 09/21/91 Flac 16/48 - 0, 139816 Boston Boston Garden flac16/48kHz; source: daud; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger notes 1794. 09/21/91 Flac 16 - 0, 106585 Boston Boston Garden flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section BB, Row 31, Seat 14 by Bob & Sam Morris notes 1795. 09/21/91 Flac 16 - 0, 85221 Boston Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes 1796. 09/21/91 Flac 16/48 - 0, 85222 Boston Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred (5/2007) by Andrew F. notes 1797. 09/21/91 Flac 16/48 - 0, 149852 Boston Boston Garden flac16/48kHz; Source: Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648 notes 1798. 09/21/91 Flac 24 - 0, 149996 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1799. 09/21/91 Flac 16 - 0, 150164 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1800. 09/21/91 Flac 16/48 - 0, 151923 Boston Boston Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB-DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand) Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 25, 2021. notes 1801. 09/21/91 Flac 16/48 - , 154722 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick December 2021 notes 1802. 09/22/91 Shn - 0, 17180 Boston Boston Garden DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman notes 1803. 09/22/91 Flac 16 - 0, 83156 Boston Boston Garden flac 16; Source: Soundboard -> DAT @ 48kHz. Transfer: Sony PCM-R500 -> Nuendo Multiset -> WaveLab 4.0g Resampled with WaveLab 4.0g, tracked with CDWav 1.91 and converted to FLAC. notes 1804. 09/22/91 Flac 16 - 0, 101440 Boston Boston Garden flac16; Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes 1805. 09/22/91 Flac 16 - 0, 34686 Boston Boston Garden flac16; SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB - Seamless fix of shn id 7692 notes 1806. 09/22/91 Shn - 0, 530 Boston Boston Garden DSBD> DAT> ZA2> CD-R; 6/99 first seed, some skips in d1 from ZA2 probs; 1/3 retransfer- still a skip? (see pub comment); via Frank Spinale (and to abgd 1/9) notes 1807. 09/22/91 Shn - 0, 7692 Boston Boston Garden updated lineage SBD > ? [reputed GD master multitrack- see pub comment] > DAT > SSSB; via Jay Serafin; GDLive notes 1808. 09/22/91 Flac 16 Mtx - 0, 134354 Boston Boston Garden flac16; 3 Source Matrix byDusborne;Soundboard (shnid:83156)Soundboard -> DAT @ 48kHz,Audience set 1(shnid:101440)B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0, Audience Set 2 (shnid:124594)AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's,Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz notes 1809. 09/22/91 Flac 24/96 - 0, 124593 Boston Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 1810. 09/22/91 Flac 16 - 0, 138149 Boston Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes 1811. 09/22/91 Flac 16/48 - 0, 139817 Boston Boston Garden flac16/48kHz; source: daud; taped by Dan Liff r.i.p; neumann rsm 190i > sony tcd-d10 pro; transferred & seeded - Rob Berger notes 1812. 09/22/91 Flac 16/48 - 0, 85224 Boston Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred (5/2007) by Andrew F. notes 1813. 09/22/91 Flac 16 - 0, 85223 Boston Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes 1814. 09/22/91 Flac 24 - 0, 150637 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1815. 09/22/91 Flac 16 - 0, 150681 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 1816. 09/22/91 Flac 16/48 - , 155571 Boston Boston Garden flac16/48Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick 02/03/2022 notes 1817. 09/24/91 Flac - 0, 25939 Boston Boston Garden SBD> Dat x 3; Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> SHN; All Transfers and Editing by Charlie Miller; reported upgrade to previous circulating copies notes 1818. 09/24/91 Flac 16 - 0, 101441 Boston Boston Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 24 Seat 10 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes 1819. 09/24/91 Shn - 0, 7693 Boston Boston Garden updated lineage: SBD > ? [reputed GD master multitrack- see pub comment] > DAT > SSSB; via Jay Serafin; GDLive notes 1820. 09/24/91 Flac 24/96 - 0, 97595 Boston Boston Garden flac24; Set 2 Recording Info: SBD -> Dat x (presumably? - best guess for the era) -> Analog Master -> First Generation Cassette Transfer Info: First Generation Cassette -> Sony TC WE475 Cassette Deck -> Rotel 680BX preamplifier -> M-Audio Audiophile 192 at 96,000 Hz 24bit -> Soundforge 8 -> .flac level 6 via Traders Little Helper notes 1821. 09/24/91 Shn - 0, 2374 Boston Boston Garden SBD > MC > DAT > CDR; vtree round 2 (8/00), to etree 11/00 notes 1822. 09/24/91 Shn - 0, 33813 Boston Boston Garden Refix of Jay Serafin seed using "orthodox" methods SBD> ? > DAT > SSB notes 1823. 09/24/91 Flac 16 - 0, 116037 Boston Boston Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 1824. 09/24/91 Flac 16 - 0, 35363 Boston Boston Garden flac16; SBD -> Dat x 3 -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN (-> WAV -> FLAC) - Seamless fix of shn id 25939. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1825. 09/24/91 Flac 16 Mtx - 0, 134355 Boston Boston Garden flac16; 2 Source Matrix byDusborne; Soundboard (shnid:025939,SBD -> Dat x 3,Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN, Audience (shnid:101441),Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,Transfer:16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 notes 1826. 09/24/91 Flac 24/96 - 0, 116036 Boston Boston Garden flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 1827. 09/24/91 Flac 16 - 0, 138150 Boston Boston Garden flac16; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes 1828. 09/24/91 Flac 16/48 - 0, 139829 Boston Boston Garden flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger notes 1829. 09/24/91 Flac 16 - 0, 84982 Boston Boston Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F notes 1830. 09/24/91 Flac 16/48 - 0, 84983 Boston Boston Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 1831. 09/24/91 Flac 16 - 0, 148445 Boston Boston Garden flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Master>2 Maxell XL-II-S Tapes (1 90 Minite For 1st Set, 1 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section U, Row E, Seat 10 notes 1832. 09/24/91 Flac 16/48 - 0, 150196 Boston Boston Garden flac16/48kHz; Source: (FOB) Schoeps cmc4/mk4 (ortf) > Oade modified Panasonic SV-255 > dat master (48k) - Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > CD Wave > Flac 16/48; edited and mastered SIRMick Junwe 2020 notes 1833. 09/24/91 Flac 24 - 0, 150638 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1834. 09/24/91 Flac 16 - 0, 150682 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 1835. 09/24/91 Flac 16 Mtx - , 153241 Boston Boston Garden flac16/44 A Photoleon Matrix: Source; (fob) B&k 4011> Dat Master + (eof) Schoeps Cmc3 Mk4> Dat Master + Sbd> Cassette Master. Fob Recording By James Young & Clay Brennecke. Eof Recording By Andrew F. Sbd Recording By Don Pearson & Dan Healy. Matrix Created By Joe Noel August 17, 2021 notes 1836. 09/24/91 Flac 16/48 - , 155581 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2022 notes 1837. 09/25/91 Flac 16 - 0, 101442 Boston Boston Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes 1838. 09/25/91 Flac 16 - 0, 138151 Boston Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 20 notes 1839. 09/25/91 Flac 16/48 - 0, 139839 Boston Boston Garden flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger notes 1840. 09/25/91 Shn - 0, 16667 Boston Boston Garden Nakamichi CM300 + CP4REAR > d-5>cm >cdr Taped and discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd notes 1841. 09/25/91 Flac 16/48 - 0, 84858 Boston Boston Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 1842. 09/25/91 Flac 16 - 0, 84857 Boston Boston Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes 1843. 09/25/91 Flac 16/48 - 0, 148726 Boston Boston Garden flac16/48kHz; Source: Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience recording by Tim Dalton; Transfer by Charlie Miller; Edited & Mastered w/ Adobe Audition by Joe Noel notes 1844. 09/25/91 Flac 16 - 0, 149681 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1845. 09/25/91 Flac 24 - 0, 149672 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1846. 09/25/91 Flac 16 - 0, 148533 Boston Boston Garden flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes (1 90 Minute For 1st Set, 1 TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section M, Row K, Seat 10 notes 1847. 09/25/91 Flac 16/48 - , 156464 Boston Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick April 2022 notes 1848. 09/26/91 Flac 16 Mtx - 0, 95247 Boston Boston Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 1849. 09/26/91 Flac 16 - 0, 95534 Boston Boston Garden flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v7.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1850. 09/26/91 Flac16 Mtx - 0, 101543 Boston Boston Garden flac16; Matrix of Soundboard (shnid 95534) and Front of Board Audience (shnid 101443) -> Matrix by Amdig notes 1851. 09/26/91 Flac 16 - 0, 101443 Boston Boston Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes 1852. 09/26/91 Shn - 0, 1575 Boston Boston Garden SBD> MC> DAT> CDA; high pitched buzz (9200hz- 10200hz) throughout the show removed with a 30% notch filter; via Jay Ashley; etreed; presumably identical source to abgd copy, but md5s differ notes 1853. 09/26/91 Shn - 0, 21242 Boston Boston Garden SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back. Listener reports probably one cassette generation. Transfers and conversions all done by JR Fishman notes 1854. 09/26/91 Flac 16 - 0, 124759 Boston Boston Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1855. 09/26/91 Flac 16 - 0, 121750 Boston Boston Garden flac16; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1856. 09/26/91 Flac 16 - 0, 34852 Boston Boston Garden flac16; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 44kHz > flac (8) notes 1857. 09/26/91 Flac 16 - 0, 76050 Boston Boston Garden flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 1858. 09/26/91 Flac Dts 5.1 - 0, 102067 Boston Boston Garden DTS Audio 5.1; Mix of SBD (shnID = 95534) SBD > DAT > CD > EAC > SHN; Via A. Kowalski and AUD (shnID = 101443) FOB Digital Audience Recording notes 1859. 09/26/91 Flac 24/96 - 0, 121758 Boston Boston Garden flac24; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 1860. 09/26/91 Flac 16/48 - 0, 34851 Boston Boston Garden flac16/48; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 48kHz > flac (8) notes 1861. 09/26/91 Flac 16 - 0, 138152 Boston Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes 1862. 09/26/91 Flac 16/48 - 0, 139874 Boston Boston Garden flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger notes 1863. 09/26/91 Flac 16 - 0, 94247 Boston Boston Garden flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 1864. 09/26/91 Flac 16 - 0, 84852 Boston Boston Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes 1865. 09/26/91 Flac 16/48 - 0, 84853 Boston Boston Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 1866. 09/26/91 Flac 24/96 - 0, 124758 Boston Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 1867. 09/26/91 Flac 16/48 - 0, 148727 Boston Boston Garden flac16/48kHz; Source: Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience recording by Tim Dalton; Transfer by Charlie Miller; Edited & Mastered w/ Adobe Audition by Joe Noel notes 1868. 09/26/91 Flac 24 - 0, 149553 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 1869. 09/26/91 Flac 16 - 0, 149662 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1870. 09/26/91 Flac 16 - 0, 148585 Boston Boston Garden flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes (1 90 Minute For 1st Set,1TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section U, Row E,Seat 7 notes 1871. 09/26/91 Flac 16 Mtx - , 153422 Boston Boston Garden flac16/44 A Photoleon Matrix: Source: (fob) B&k 4011> Master Dat + (ots) Neumann Tlm 170> Master Dat + Sbd (dat). Fob Recording By James Young & Clay Brennecke. Ots Recording By Tim Dalton. Sbd Shared By Po & Stucco Tina Holmes. Matrix Created By Joe Noel August 12, 2021 notes 1872. 09/26/91 Flac 16/48 - , 156465 Boston Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 EDited and mastered SIRMick April 2022 notes 1873. 09/26/91 Flac 16/48 - , 156465 Boston Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 EDited and mastered SIRMick April 2022 notes 1874. 10/27/91 Flac 16 - 0, 81199 Oakland Oakland-Alameda County Coliseum flac16; Source: SBD > DAT(48KHz) > DAT playback on Sony PCM-R500 > XLR analog outputs > Mogami Gold cables > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV withWavelab 5 > mastered with Waves L3 Multimaximizer (threshold of -2.9 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering (normal/no autoblack) > tracked with CDWAV 1.9 > FLAC notes 1875. 10/27/91 Flac 16 - 0, 120120 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1876. 10/27/91 Flac 16 - 0, 102206 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging notes 1877. 10/27/91 Shn - 0, 537 Oakland Oakland-Alameda County Coliseum SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric, Jeff notes 1878. 10/27/91 Flac 24/48 - 0, 120119 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 1879. 10/27/91 Flac 16/48 - 0, 137738 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes 1880. 10/27/91 Flac 24 - 0, 139272 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1881. 10/27/91 Flac 16 - 0, 139300 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139272 24 bit -> 16 bit notes 1882. 10/27/91 Flac 16 - 0, 117198 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1883. 10/28/91 Shn - 0, 12789 Oakland Oakland-Alameda County Coliseum SBD> DAT (n clones)> PCM> DAT; Conversion: Tascam DA-20 MK II > Delta Dio 2496 > Soundforge XP 4.5 > CDWave > SHN by Rob (Odeo) Harrison; tracked for 2x80 notes 1884. 10/28/91 Flac - 0, 120100 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Renam notes 1885. 10/28/91 Flac 24 - 0, 120099 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 1886. 10/28/91 Flac - 0, 102207 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging notes 1887. 10/28/91 Flac 24 - 0, 139274 Oakland Oakland-Alameda County Coliseum b>flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1888. 10/28/91 Flac - 0, 139303 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139274 24 bit -> 16 bit notes 1889. 10/28/91 Flac 16 - 0, Oakland Oakland-Alameda County Coliseum notes 1890. 10/30/91 Shn - 0, 25262 Oakland Oakland-Alameda County Coliseum DSBD > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 1891. 10/30/91 Flac 16 - 0, 120061 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1892. 10/30/91 Flac 16 - 0, 102209 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging notes 1893. 10/30/91 Flac 24/48 - 0, 120060 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 1894. 10/30/91 Flac 24 - 0, 139275 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1895. 10/30/91 Flac 16 - 0, 139304 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139275 24 bit -> 16 bit notes 1896. 10/30/91 Shn - 0, 9762 Oakland Oakland-Alameda County Coliseum Senn 421's>DAT>CDR; via Paul; Seeded to etree by eD(efojr) notes 1897. 10/31/91 Flac16 Mtx - 0, 102252 Oakland Oakland-Alameda County Coliseum flac16; SBD+AUD Matrix Mix (60% SBD & 40% AUD); Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig notes 1898. 10/31/91 Shn - 0, 540 Oakland Oakland-Alameda County Coliseum SBD; set 1 and set II seeded separately, but merged together here; seeded by Ghost and Andrew Elborgen; Update 11/18/08 I found discs of these so I added the md5s I have with mine. Darryl Hinko notes 1899. 10/31/91 Flac 16 - 0, 32241 Oakland Oakland-Alameda County Coliseum flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 1900. 10/31/91 Flac 16 - 0, 120041 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; The original source for this seed has an encoding error on track 20 notes 1901. 10/31/91 Flac 24/48 - 0, 120040 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 1902. 10/31/91 Flac 16 - 0, 102211 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging notes 1903. 10/31/91 Flac - 0, 30699 Oakland Oakland-Alameda County Coliseum Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller notes 1904. 10/31/91 Shn - 0, 2897 Oakland Oakland-Alameda County Coliseum sbd> ?> shn; via Tony Gardner notes 1905. 10/31/91 Flac 24 - 0, 102251 Oakland Oakland-Alameda County Coliseum flac24; SBD+AUD Matrix Mix (60% SBD & 40% AUD) Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig notes 1906. 10/31/91 Flac Dts 5.1 - 0, 103307 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; Source Info: SBD (shnID = 32241) DSBD > DAT > CD > EAC > FLAC and AUD (shnID = 101443) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke notes 1907. 10/31/91 Flac 24 - 0, 139276 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1908. 10/31/91 Flac 16 - 0, 139305 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139276 24 bit -> 16 bit notes 1909. 10/31/91 Shn - 0, 28612 Oakland Oakland-Alameda County Coliseum Recording Info: (FOB) Schoeps CMC3/MK4 -> 'Tao Research" Oade -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Marcus Buick (mics in a giant costume hat) Transferred By Charlie Miller notes 1910. 11/03/91 Flac 16 - 0, 107797 San Francisco Polo Field, Golden Gate Park flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1911. 11/03/91 Flac 24/48 - 0, 117752 San Francisco Polo Field, Golden Gate Park flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 1912. 11/03/91 Flac 16 - 0, 34912 San Francisco Polo Field, Golden Gate Park flac16; Source: FM > VHS HiFi (Maxell XL120) Transfer: Panasonic AG-5210 > Soundforge 8 - 44.1KHz/24bit > highpass triangular dither-> 16bit > CD Wave > FLAC16 notes 1913. 11/03/91 Shn - 0, 19292 San Francisco Polo Field, Golden Gate Park Source: Liberated Bootleg CD>EAC>SHN notes 1914. 11/03/91 Flac 24/48 - 0, 117752 San Francisco Polo Field, Golden Gate Park flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 1915. 11/03/91 Flac 24/96 - 0, 150808 San Francisco Polo Field, Golden Gate Park flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1916. 11/03/91 Flac 16/48 - 0, 150807 San Francisco Polo Field, Golden Gate Park flac16/48kHz; Recording Info: UltraMatrix SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 1917. 11/03/91 Flac 16 - , 153785 San Francisco Polo Field, Golden Gate Park flac16; Pitch Corrected Audience - (original shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction by Kevin Tobin notes 1918. 11/03/91 Flac 24/48 - , 153784 San Francisco Polo Field, Golden Gate Park flac24; Pitch Corrected Audience - (original shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction by Kevin Tobin notes 1919. 11/03/91 Flac 16/48 - , 153783 San Francisco Polo Field, Golden Gate Park flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin notes 1920. 11/03/91 Flac 16 Dts 5.1 - , 153782 San Francisco Polo Field, Golden Gate Park DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - dts mixing by Kevin Tobin notes 1921. 11/03/91 Flac 16 Mtx - , 153781 San Francisco Polo Field, Golden Gate Park fflac16; Matrix 2 Source Mix - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin notes 1922. 11/03/91 Flac 24 Mtx. - , 153780 San Francisco Polo Field, Golden Gate Park flac24; Matrix 2 Source Mix - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin notes 1923. 12/27/91 Flac 16 - 0, 105582 Oakland Oakland-Alameda County Coliseum flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1924. 12/27/91 Shn - 0, 25944 Oakland Oakland-Alameda County Coliseum DSBD > DAT > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko, with patches added from previous AUD source notes 1925. 12/27/91 Flac 16 - 0, 127428 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (w/Dolby C) > Cassette Master (MX-S 100); Masters Transferred Via: WM-D6C (Original Record Deck w/Dolby C) > HHb CDR 800 > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, Low And Center (Exact Row, Seat # Not Recorded); Recorded/Transferred By: Jeff Bowen notes 1926. 12/27/91 Shn - 0, 12094 Oakland Oakland-Alameda County Coliseum AUD> DAT> CDR; Schoeps MK4's; via Billy DeLyon; Seeded to etree by eD notes 1927. 12/27/91 Flac 24/96 - 0, Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1928. 12/28/91 Flac 16 - 0, 104999 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging notes 1929. 12/28/91 Flac 16 Mtx - 0, 97730 Oakland Oakland-Alameda County Coliseum flac16; matrix of DSBD: shnid=76116 and DAUD: shnid=4534 by hansokolow using ProTools notes 1930. 12/28/91 Flac 16 - 0, 76116 Oakland Oakland-Alameda County Coliseum flac16; Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (> WAV > FLAC); Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN (> WAV > FLAC) - Seamless edit of shn id 21615 notes 1931. 12/28/91 Shn - 0, 4534 Oakland Oakland-Alameda County Coliseum FOB/DFC B&K 4011 ORTF > Canari ?(Canare cables?) > Neumann (phantom?) > Sony TDC D10 Pro 2 (w/Oade modification) notes 1932. 12/28/91 Flac 16 MTX - 0, 143947 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - matrix mixing by Kevin Tobin notes 1933. 12/28/91 Flac 16/48 - 0, 143949 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - surround mixing by Kevin Tobin notes 1934. 12/28/91 Flac 16 Dts - 0, 143948 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - dts mixing by Kevin Tobin notes 1935. 12/28/91 Flac 24 - 0, 143856 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes 1936. 12/28/91 Flac 16 - 0, 143857 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16 bit @ 44.1 notes 1937. 12/28/91 Shn - 0, 21615 Oakland Oakland-Alameda County Coliseum Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN notes 1938. 12/28/91 Flac 16 - 0, 144616 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Dat Master (44.1k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 1939. 12/28/91 Flac 16/48 - 0, Oakland Oakland-Alameda County Coliseum notes 1940. 12/30/91 Flac 16 - 0, 32574 Oakland Oakland-Alameda County Coliseum flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller notes 1941. 12/30/91 Flac 16/48 - 0, 135054 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - mixing by Kevin Tobin notes 1942. 12/30/91 Flac Dts 5.1 - 0, 135052 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - dts mixing by Kevin Tobin notes 1943. 12/30/91 Flac 16 Mtx - 0, 135051 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - matrix mixing by Kevin Tobin notes 1944. 12/30/91 Shn - 0, 6812 Oakland Oakland-Alameda County Coliseum FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. notes 1945. 12/30/91 Flac 16 - 0, 105000 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K4011s > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging notes 1946. 12/30/91 Flac 16/48 - 0, Oakland Oakland-Alameda County Coliseum notes 1947. 12/31/91 Flac 16 - 0, 76545 Oakland Oakland-Alameda County Coliseum flac16; SBD->Satellite Feed->DAT>CDR->WAV->SHNv3->FLAC; fix of shn id 5921 notes 1948. 12/31/91 Shn - 0, 5921 Oakland Oakland-Alameda County Coliseum SBD > Satellite Feed > DAT> CDR > WAV > SHNv3; DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > SHNv3 (mkwact) via C.Ladner, from C.Larson for seed discs notes 1949. 12/31/91 Flac 16 - 0, 94248 Oakland Oakland-Alameda County Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger from front row Taper's Section notes 1950. 12/31/91 Flac 24 - 0, 149557 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 1951. 12/31/91 Flac 16/48 - 0, 149558 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording Info: UltraMatrix SBD (Broadcast Mix) > DAT Master (48k); Transfer Info: DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 1952. 12/31/91 Flac 16 - 0, 149663 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1953. 02/13/92 Shn - 0, 17404 San Rafael Club Front DSBD->CD->EAC->SHN by Joe Samaritano Studio Rehearsal of So Many Roads notes 1954. 02/21/92 Shn - 0, 8189 San Rafael Club Front Studio Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here. notes 1955. 02/22/92 Flac 16 - 0, 96395 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1956. 02/22/92 Flac 16 - 0, 77722 Oakland Oakland-Alameda County Coliseum flac16; FOB Digital Audience Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro Jamie Young Rig) Set 2: Schoeps CMC34 -> Panasonic sv250 (Marcus Rig) notes 1957. 02/22/92 Shn - 0, 9981 Oakland Oakland-Alameda County Coliseum SBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G notes 1958. 02/22/92 Flac 16/48 - 0, 138245 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017 notes 1959. 02/22/92 Flac 16 - 0, 117851 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1960. 02/22/92 Flac 24 - 0, 149848 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 1961. 02/22/92 Flac 16 - 0, 145007 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1962. 02/23/92 Flac 16 - 0, 96396 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1963. 02/23/92 Flac 16 - 0, 119790 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1964. 02/23/92 Flac 24/48 - 0, 119789 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 1965. 02/23/92 Flac 16 - 0, 138164 Oakland Oakland-Alameda County Coliseum flac16; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; edited and mastered SIRMick April 2017 notes 1966. 02/23/92 Shn - 0, 9982 Oakland Oakland-Alameda County Coliseum AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G notes 1967. 02/23/92 Flac 16/48 - 0, 149263 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB Sennheiser 421-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 1968. 02/23/92 Flac 16/48 - 0, 149262 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 1969. 02/23/92 Flac 24 - 0, 149829 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 1970. 02/23/92 Flac 16 - 0, 150012 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1971. 02/24/92 Flac 16 - 0, 96397 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1972. 02/24/92 Flac 16 - 0, 119799 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 1973. 02/24/92 Shn - 0, 9983 Oakland Oakland-Alameda County Coliseum 2nd Set; SBD>MC>C>DAT>CDR; Missing encore, last song cuts; via Paul; Seeded to etree by Tony G notes 1974. 02/24/92 Flac 16 - 0, 95566 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1975. 02/24/92 Flac 24/48 - 0, 119798 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo notes 1976. 02/24/92 Flac 16 - 0, 117852 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 1977. 02/24/92 Flac 16/48 - 0, 140814 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set I - B&K 4011 > DAT (unknown taper* - FOB); Set II - Soundboard > DAT (Dan Healy mix); Both sets transferred by Charlie Miller: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 1978. 02/24/92 Shn - 0, 17680 Oakland Oakland-Alameda County Coliseum B&K 4011> Neumann PS> Sony D10ProII, FOB, Stand D> CD: Tascam DA-P20> HHb-850> EAC> CDWAV> SHN via Roy Earl Pettus notes 1979. 02/24/92 Flac 24 - 0, 149849 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1980. 02/24/92 Flac 16 - 0, 149850 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > DAT (44.1k); Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 1981. 02/24/92 Flac 16 - 0, 150023 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 1982. 03/01/92 Flac 16 - 0, 97712 Atlanta The Omni flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC notes 1983. 03/01/92 Flac - 0, 92617 Atlanta The Omni OTS AUD: Nakamichi CM-300's with CP-4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 1984. 03/01/92 Flac 16 - 0, 105618 Atlanta The Omni flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/22/10] notes 1985. 03/01/92 Flac 24 - 0, 140221 Atlanta The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1986. 03/01/92 Flac 16 - 0, 140287 Atlanta The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1987. 03/01/92 Shn - 0, 4736 Atlanta The Omni Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner notes 1988. 03/01/92 Flac 16/48 - , 155822 Atlanta The Omni flac16/48 Recording Info (set I): (fob) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Section 5, Row Ff, Set 7 Recording Info (set Ii): (ots) Neumann Tlm 170's > Dat Transfer: Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Set I Recorded By Dave Brotman & Jeff Metchick Set Ii Recorded By Unknown & Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 6, 2022 notes 1989. 03/02/92 Flac 16 - 0, 105675 Atlanta The Omni flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/26/10] notes 1990. 03/02/92 Flac 16 - 0, 92749 Atlanta The Omni flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, next to lighting board area, stage right. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC. Taped and transferred by Andrew F. notes 1991. 03/02/92 Flac 16/48 - 0, 92748 Atlanta The Omni flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, next to lighting board area, stage right. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 1992. 03/02/92 Flac 24 - 0, 140255 Atlanta The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1993. 03/02/92 Flac 16 - 0, 140297 Atlanta The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1994. 03/02/92 Shn - 0, 4737 Atlanta The Omni Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner notes 1995. 03/02/92 Flac 16/48 - , 155823 Atlanta The Omni flac16/48 Recording (set I): (fob) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Row Ff Recording (set Ii): (ots) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Ots Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recorded By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 06, 2022 notes 1996. 03/02/92 Flac 16/48 - , 155824 Atlanta The Omni flac16/48 Recording: (fob) B&k4011 > Sony D10 Pro Ii > Dat > Clone Transfer: Clone > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recorded By Clay Brennecke Source Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 11, 2022 notes 1997. 03/03/92 Flac 16 - 0, 92897 Atlanta The Omni flac16; OTS AUD: Nakamichi CM-300's with CP-4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 1998. 03/03/92 Flac 24 - 0, 140251 Atlanta The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 1999. 03/03/92 Flac 16 - 0, 140298 Atlanta The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2000. 03/03/92 Shn - 0, 9471 Atlanta The Omni AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G notes 2001. 03/03/92 Flac 16/48 - , 155825 Atlanta The Omni flac16/48 Source: Fob Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Row J Seat 8 Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 07, 2022 notes 2002. 03/05/92 Flac - 0, 27422 Hampton Hampton Coliseum SBD > DAT > C > DAT > CD > EAC > FLAC; includes patching from B&K4011's ORTF FOB; EAC/FLAC by Darryl Hinko notes 2003. 03/05/92 Shn - 0, 5240 Hampton Hampton Coliseum SBD> DAT> ?> CD> EAC> SHN; EAC> SHN by Ben Luton; small dropout d3t4 5:56 ; upgrade in circulation notes 2004. 03/05/92 Flac 24 - 0, 140253 Hampton Hampton Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2005. 03/05/92 Flac 16 - 0, 140299 Hampton Hampton Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2006. 03/05/92 Flac 16 - 0, 25729 Hampton Hampton Coliseum B&K4011's ORTF FOB On Stand (6 - 7 feet high) >Neumann BS48i-2 Supply> Modified Sony D10 Pro (Modified by Bob Katz) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC notes 2007. 03/05/92 Flac 16/48 - 0, 148535 Hampton Hampton Coliseum flac16/48kHz; Source Info: Sennheiser 421-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 2008. 03/05/92 Flac 16/48 - , 155826 Hampton Hampton Coliseum flac16/48 Source: Fob Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 20th Row Center, Mics On Stand @ 7' Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 08, 2022 notes 2009. 03/06/92 Flac 16/48 - 0, 131577 Hampton Hampton Coliseum flac16/48kHz; DAT soundboard master > Cassette; Cassette > DAT via Nakamichi Dragon to Sony PCM R-500 DAT 48khz; Digital Transfer and FLAC encoding by Jim Wise: October 2014; DAT played back on a Sony PCM R-500-> Digital Audio Labs Carddeluxe-> WAV [16/48]; Adobe Audition 3.0- FLAC encoding; Digital Transfer and FLAC encoding by Jim Wise: October 2014 notes 2010. 03/06/92 Flac 16/48 - 0, 85418 Hampton Hampton Coliseum flac16/48; FOB AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at aprx 5-1/2 feet. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 2011. 03/06/92 Flac 16 - 0, 85420 Hampton Hampton Coliseum flac16; FOB AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at aprx 5-1/2 feet. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes 2012. 03/06/92 Flac 24 - 0, 140254 Hampton Hampton Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2013. 03/06/92 Flac 16 - 0, 140300 Hampton Hampton Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2014. 03/06/92 Shn - 0, 9472 Hampton Hampton Coliseum AUD>DAT>CDR (Nak 700?s>Sony D-3); via Paul; seeded to etree by Tony G notes 2015. 03/06/92 Flac 16/48 - 0, 148536 Hampton Hampton Coliseum flac16/48kHz; Source Info: B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 2016. 03/06/92 Flac 16/48 - , 155827 Hampton Hampton Coliseum flac16/48 Source: Fob Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 20th Row Center Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 08, 2022 notes 2017. 03/08/92 Flac 16 - 0, 113040 Landover Capital Centre flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX-S 100's Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 2018. 03/08/92 Shn - 0, 14083 Landover Capital Centre S : MC > D > CDR; see info file for edit notes; via Paul B; Tony G; Alan Fink notes 2019. 03/08/92 Flac 16 - 0, 111091 Landover Capital Centre flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Lineage: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes 2020. 03/08/92 Flac 24/96 - 0, 113039 Landover Capital Centre flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX-S 100's Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 2021. 03/08/92 Flac 24 - 0, 141627 Landover Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2022. 03/08/92 Flac 16 - 0, 141705 Landover Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2023. 03/08/92 Flac 24/96 - 0, 148230 Landover Capital Centre flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 2024. 03/08/92 Flac 16 - 0, 148229 Landover Capital Centre flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2025. 03/09/92 Shn - 0, 9755 Landover Capital Centre SBD> DAT> C> PCM> DAT> CD; via Rob Harrison; Seeded to etree by Peter Braverman; Shntool fix by Tony G notes 2026. 03/09/92 Flac 24/88 - 0, 112438 Landover Capital Centre flac24; SBD Master Casettes >> 24BIT 88.2kHz; All Transfers and Mastering by Jim Blackwood and Jamie Waddell notes 2027. 03/09/92 Shn - 0, 8110 Landover Capital Centre Soundboard -> DAT -> Cassette -> PCM -> DAT; upgrade in circulation notes 2028. 03/09/92 Flac 24/96 - 0, 115700 Landover Capital Centre flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Sony D6(Patched); Tapes From Floater,Transfer By Keo; Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes 2029. 03/09/92 Flac 16 - 0, 115701 Landover Capital Centre flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Sony D6(Patched); Tapes From Floater,Transfer By Keo; Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 2030. 03/09/92 Flac 24 - 0, 141629 Landover Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2031. 03/09/92 Flac 24/48 - 0, 141719 Landover Capital Centre flac24; OTS AUD: AKG-568's > lead decks(s) > Sony TC-D5 > Maxell XLII's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2018 notes 2032. 03/09/92 Flac 16 - 0, 141720 Landover Capital Centre flac16; OTS AUD: AKG-568's > lead decks(s) > Sony TC-D5 > Maxell XLII's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2018 notes 2033. 03/09/92 Flac 16 - 0, 141716 Landover Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2034. 03/09/92 Flac 24/96 - 0, 148231 Landover Capital Centre flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 2035. 03/09/92 Flac 16 - 0, 148232 Landover Capital Centre flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2036. 03/09/92 Flac 16/48 - , 155828 Landover Capital Centre flac16/48 Source: (fob) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 14, 2022 notes 2037. 03/11/92 Shn - 0, 9398 Uniondale Nassau Coliseum SBD>DAT>CDR (probable cassette gen); Seeded to etree by Tony G notes 2038. 03/11/92 Flac 24/96 - 0, 109266 Uniondale Nassau Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D-6 Tapes Maxell MX-s 90,100; Transfer Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24/96kHz notes 2039. 03/11/92 Flac 16 - 0, 109265 Uniondale Nassau Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D-6 Tapes Maxell MX-s 90,100; Transfer Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithered with Korg Aqua to 16/44 notes 2040. 03/11/92 Flac 16/48 - 0, 138278 Uniondale Nassau Coliseum flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017 notes 2041. 03/11/92 Flac 16 Mtx - 0, 138279 Uniondale Nassau Coliseum flac16; Matrix: 60/40; soundboard - shnid 9398, seeded by Tony Gardner and audience - shnid 138278, taped by Rich Gastwirt; edited and mastered SIRMick May 2017 notes 2042. 03/11/92 Flac 24 - 0, 141616 Uniondale Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2043. 03/11/92 Flac 16 - 0, 141717 Uniondale Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2044. 03/11/92 Flac 24/96 - 0, 135166 Uniondale Nassau Coliseum flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II MX-S 100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes 2045. 03/11/92 Flac 16 - 0, 127220 Uniondale Nassau Coliseum flac16; Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center; Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> WavEditor 1.5.7 (iZotope Resampler, MBIT+ Dither)> xACT 2.25(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe notes 2046. 03/11/92 Flac 2448 - 0, 127219 Uniondale Nassau Coliseum flac24; Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center; Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.25(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe notes 2047. 03/11/92 Flac 16 - 0, 148349 Uniondale Nassau Coliseum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2048. 03/11/92 Flac 16/48 - , 155829 Uniondale Nassau Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 11, 2022 notes 2049. 03/12/92 Flac 24/96 - 0, 135463 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2050. 03/12/92 Flac 16 - 0, 135464 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2051. 03/12/92 Flac 16/48 - 0, 86703 Uniondale Nassau Coliseum flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 2052. 03/12/92 Flac 16 - 0, 86704 Uniondale Nassau Coliseum flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1 kHz) > TLH > FLAC. Taped and transferred by Andrew F. notes 2053. 03/12/92 Flac 24 - 0, 141617 Uniondale Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2054. 03/12/92 Flac 16 - 0, 141718 Uniondale Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2055. 03/12/92 Shn - 0, 9476 Uniondale Nassau Coliseum ACM>DAT>CDR (Schoeps CMC4); via Paul; Seeded to etree by Tony G notes 2056. 03/12/92 Flac 16 - 0, 142173 Uniondale Nassau Coliseum flac16/48kHz; Source: Schoeps cmc4 mk4(ortf) > Oade modified Panasonic SV-255 > Dat (48k) 0- Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick June 2018 notes 2057. 03/12/92 Flac 16 - 0, 148350 Uniondale Nassau Coliseum flac16; Source Info: FOB Schoeps CMC3 Mk4-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2058. 03/12/92 Flac 16/48 - , 155830 Uniondale Nassau Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 11, 2022 notes 2059. 03/13/92 Flac 16 - 0, 137748 Uniondale Nassau Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes 2060. 03/13/92 Flac 24/96 - 0, 137749 Uniondale Nassau Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96> fission> adobe audition cc> xACT flac; transferred - Rob Berger notes 2061. 03/13/92 Flac 16/48 - 0, 139621 Uniondale Nassau Coliseum flac16/48kHz; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > Dat (48k) - Taped by Rich Gastwirt from 1st row tapers section; Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; editerd and mastered SIRMick October 2017 notes 2062. 03/13/92 Flac 24 - 0, 141618 Uniondale Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2063. 03/13/92 Flac 16 - 0, 141721 Uniondale Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2064. 03/13/92 Flac 24/96 - 0, 134996 Uniondale Nassau Coliseum flac24; Source: Nakamichi CM-300s/2-Mic, CP-1 Cardioids, ORTF -> Sony Walkman Pro, Maxell MX-S 100 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 2065. 03/13/92 Shn - 0, 9477 Uniondale Nassau Coliseum ACM>DAT>CDR (Nak 700?s>Sony D-3); via Paul; Seeded to etree by Tony G notes 2066. 03/13/92 Flac 16 - 0, 148351 Uniondale Nassau Coliseum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2067. 03/13/92 Flac 16/48 - , 155831 Uniondale Nassau Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 18th Row Center Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 16, 2022 notes 2068. 03/16/92 Flac 16 - 0, 122021 Philadelphia The Spectrum flac16; SBD->DAT->?->Cas->CD->EAC->SHN via Dan - patched and speed corrected version of shnid 13571 by Kevin Tobin notes 2069. 03/16/92 Shn - 0, 13571 Philadelphia The Spectrum SBD->DAT->?->Cas->CD->EAC->SHN via Dan notes 2070. 03/16/92 Flac Dts 5.1 - 0, 122040 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - dts mixing by Kevin Tobin notes 2071. 03/16/92 Flac 16 Mtx - 0, 122020 Philadelphia The Spectrum flac16; Matrix 3 Source Mix - SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin notes 2072. 03/16/92 Flac 16/48 - 0, 85338 Philadelphia The Spectrum flac 16-48kHz; Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 2073. 03/16/92 Flac 16 - 0, 85423 Philadelphia The Spectrum flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes 2074. 03/16/92 Flac 24 - 0, 138163 Philadelphia The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2075. 03/16/92 Flac 16 - 0, 138167 Philadelphia The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138163 24 > 16 notes 2076. 03/16/92 Flac 16/48 - 0, 139653 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston notes 2077. 03/16/92 Flac 16 - 0, 147757 Philadelphia The Spectrum flac16; Source:Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector BoundariesAligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section notes 2078. 03/16/92 Flac 16 - 0, 148408 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2079. 03/16/92 Flac 16 - 0, 148530 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD; Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel; Note: This Version Fixes Digital Noise on source ID 148408 during Corrina notes 2080. 03/16/92 Flac 16 - 0, 149240 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel; This Version Fixes Digital Noise on source ID 148530during Scarlet Begonias notes 2081. 03/16/92 Flac 16/48 - , 155832 Philadelphia The Spectrum flac16/48 Recording Info (set I): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat > Clone Recording Info (set Ii): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 18th Row Center Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 17, 2022 notes 2082. 03/17/92 Flac 16 - 0, 126961 Philadelphia The Spectrum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2083. 03/17/92 Flac 24/96 - 0, 126960 Philadelphia The Spectrum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2084. 03/17/92 Flac 16/48 - 0, 139654 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston notes 2085. 03/17/92 Flac 24 - 0, 140827 Philadelphia The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2086. 03/17/92 Flac 16 - 0, 140843 Philadelphia The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2087. 03/17/92 Shn - 0, 16052 Philadelphia The Spectrum Nak 300 > Sony d-5 > cass master > cdr; Eac > cool edit pro > shntool > cdwav > shnv3; Taped and discs kindly provided by Mark Horvath; eac > shn (secure with proper offsets) by Ernie Dodd notes 2088. 03/17/92 Flac 16 - 0, 148367 Philadelphia The Spectrum flac16; Source: Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes 2089. 03/17/92 Flac 16 - 0, 148409 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2090. 03/17/92 Flac 16/48 - , 155642 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - surround mixing by Kevin Tobin notes 2091. 03/17/92 Flac 16 Dts 5.1 - , 155641 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - dts mixing by Kevin Tobin notes 2092. 03/17/92 Flac 16 - , 155640 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin notes 2093. 03/17/92 Flac 16 - , 155639 Philadelphia The Spectrum flac16; Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project notes 2094. 03/17/92 Flac 16/48 - , 155833 Philadelphia The Spectrum flac16/48 Recording Info (set I): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Recording Info (set Ii): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat > Clone Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 18, 2022 notes 2095. 03/18/92 Flac 16 - 0, 90077 Philadelphia The Spectrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. notes 2096. 03/18/92 Flac 16/48 - 0, 139655 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston notes 2097. 03/18/92 Flac 24 - 0, 141628 Philadelphia The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2098. 03/18/92 Flac 16 - 0, 141800 Philadelphia The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2099. 03/18/92 Shn - 0, 9756 Philadelphia The Spectrum AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G notes 2100. 03/18/92 Flac 16 - 0, 111290 Philadelphia The Spectrum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes 2101. 03/18/92 Flac 16 - 0, 148368 Philadelphia The Spectrum flac16; Source: Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8 Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes 2102. 03/18/92 Flac 16 - 0, 148410 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2103. 03/18/92 Flac 16/48 - , 154887 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141800) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 9756) AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G - surround mixing by Kevin Tobin notes 2104. 03/18/92 Flac 16 Dts 5.1 - , 154886 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141800) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 9756) AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G - dts mixing by Kevin Tobin notes 2105. 03/18/92 Flac 16 Mtx - , 154885 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 141800) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 9756) AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G - matrix mixing by Kevin Tobin notes 2106. 03/18/92 Flac 16/48 - , 155834 Philadelphia The Spectrum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 48) > Master Dat Location: 18th Row Center, Mics On Stand @ 6' Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 19, 2022 notes 2107. 03/20/92 Flac 16 Mtx - 0, 95208 Hamilton Copps Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 2108. 03/20/92 Shn - 0, 9757 Hamilton Copps Coliseum SBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G notes 2109. 03/20/92 Flac 16 - 0, 76478 Hamilton Copps Coliseum flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and aslight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH notes 2110. 03/20/92 Flac 24 - 0, 141785 Hamilton Copps Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2111. 03/20/92 Flac 24 - 0, 141785 Hamilton Copps Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2112. 03/20/92 Flac 16 - 0, 116465 Hamilton Copps Coliseum flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 15th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick notes 2113. 03/20/92 Flac 16 - 0, 96171 Hamilton Copps Coliseum flac16; Recording Info: Sennheiser ME-80's>Technics SV-MD1; Transfer Info: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Processed By Keith Litzenberger notes 2114. 03/20/92 Flac 24/96 - 0, 149301 Hamilton Copps Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 2115. 03/20/92 Flac 16/48 - 0, 149525 Hamilton Copps Coliseum flac16/48kHz; Set 2 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Taped By Clay Brennecke; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes 2116. 03/20/92 Flac 16/48 - , 155835 Hamilton Copps Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 12, 2022 notes 2117. 03/21/92 Shn - 0, 17696 Hamilton Copps Coliseum SBD DAT master > cass (suspected) > DAT > CD (mine) > EAC > SHN via Peter Braverman notes 2118. 03/21/92 Flac 16 - 0, 76484 Hamilton Copps Coliseum flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; tracked in CDWav/48k output *Re-Sampled to 44.1k via r8brain @ Highest Quality settings.* Flac Level 8 in TLH notes 2119. 03/21/92 Flac 24 - 0, 141786 Hamilton Copps Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2120. 03/21/92 Flac 16 - 0, 141807 Hamilton Copps Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2121. 03/21/92 Flac 16 - 0, 116405 Hamilton Copps Coliseum flac16; Set 1 and partial Set 2 Master: B&K 4011's>Sony D10 Pro>D5 by Alan Schmit, 14th row center, patched out of Clay Brennecke; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC; by Dave Mallick notes 2122. 03/21/92 Flac 16 - 0, 116108 Hamilton Copps Coliseum flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP1 Cardioids>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped In Official Taper Section notes 2123. 03/21/92 Flac 16 - 0, 97542 Hamilton Copps Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades/Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 2124. 03/21/92 Shn - 0, 11268 Hamilton Copps Coliseum Schoeps CMC 34's > PCM > DAT > CDR; via Dave DiMartino; Seeded to etree by Doug Nawrocki notes 2125. 03/21/92 Flac 24/96 - 0, 149302 Hamilton Copps Coliseum flac24; Set 2 Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 2126. 03/21/92 Flac 16/48 - 0, 149526 Hamilton Copps Coliseum flac16/48kHz; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Taped By Clay Brennecke; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); this is the same source used in SHN ID #116405 minus the Cassette generation notes 2127. 03/21/92 Flac 16/48 - , 155836 Hamilton Copps Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 15, 2022 notes 2128. 03/23/92 Shn - 0, 451 Auburn Hills The Palace SBD> D->CDR-> EAC> SHN; Ripped by John Zei notes 2129. 03/23/92 Flac 24 - 0, 141787 Auburn Hills The Palace flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2130. 03/23/92 Flac 16 - 0, 141808 Auburn Hills The Palace flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2131. 03/23/92 Flac 16 - 0, 116458 Auburn Hills The Palace flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 16th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick notes 2132. 03/23/92 Flac 24/96 - 0, 148319 Auburn Hills The Palace flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 2133. 03/23/92 Flac 16 - 0, 148316 Auburn Hills The Palace flac16; Source Info: FOB AKG 460-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2134. 03/23/92 Flac 16/48 - , 155837 Auburn Hills The Palace flac16/48 Recording: (fob) Akg 460 > Oade P S > Panasonic Sv255 > Dat Transfer: Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By B. Gately Dat Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 23, 2022 notes 2135. 03/24/92 Shn - 0, 17024 Auburn Hills The Palace SBD>DAT>CASS>DAT>CD. dat > cd via stand alone CD-R; CDs (first gen) > EAC > SHN Note: These are a second EAC from the same source disks by Nick George but the md5's are different from his first shn set circulated. notes 2136. 03/24/92 Flac 16 - 0, 116616 Auburn Hills The Palace flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 16th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick notes 2137. 03/24/92 Flac 24 - 0, 141788 Auburn Hills The Palace >flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2138. 03/24/92 Flac 16 - 0, 141809 Auburn Hills The Palace flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2139. 03/24/92 Flac 24/96 - 0, 148323 Auburn Hills The Palace flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 2140. 03/24/92 Flac 16 - 0, 148322 Auburn Hills The Palace flac16; Source Info: FOB AKG 460-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2141. 03/24/92 Flac 16/48 - , 155838 Auburn Hills The Palace flac16/48 Recording: (fob) Akg 460 > Oade P S > Panasonic Sv255 > Dat Transfer: Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By B. Gately Dat Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 15, 2022 notes 2142. 05/19/92 Flac 16 - 0, 92286 Sacramento Cal Expo flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 2143. 05/19/92 Flac 16 - 0, 119815 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2144. 05/19/92 Shn - 0, 20003 Sacramento Cal Expo Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN Source B:SBD>CM>CDR>EAC>Cool Edit>SHN shntool fix of Wiley seed with patched encore notes 2145. 05/19/92 Shn - 0, 7856 Sacramento Cal Expo SBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley; upgrade in circulation notes 2146. 05/19/92 Flac 16/48 - 0, 86251 Sacramento Cal Expo flac16/48; AKG 460/CK8s (25-foot split) > Tascam DA-P20; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. Transfer by Scott Swayne notes 2147. 05/19/92 Flac 16 - 0, 86238 Sacramento Cal Expo flac16; AKG 460/CK8s (25-foot split) > Tascam DA-P20; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. Transfer by Scott Swayne notes 2148. 05/19/92 Flac 24/48 - 0, 119814 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2149. 05/19/92 Flac 16 - 0, 118736 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2150. 05/19/92 Flac 24 - 0, 150040 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 2151. 05/19/92 Flac 16 - 0, 150294 Sacramento Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 2152. 05/20/92 Flac 16 - 0, 92387 Sacramento Cal Expo flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 2153. 05/20/92 Flac 16 - 0, 119829 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Ditherd/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2154. 05/20/92 Shn - 0, 16580 Sacramento Cal Expo Please NOTE this is a fixed copy of the original SHN set ; SBD>DAT>C>DAT>CDR ; See info file for details; Seeded By T. Wiley notes 2155. 05/20/92 Flac 16/48 - 0, 86455 Sacramento Cal Expo flac16/48; Field: AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. notes 2156. 05/20/92 Flac 16 - 0, 86454 Sacramento Cal Expo flac16; Field: AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. notes 2157. 05/20/92 Flac 24 - 0, 119827 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2158. 05/20/92 Flac 24 - 0, 140700 Sacramento Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2159. 05/20/92 Flac 16 - 0, 140816 Sacramento Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2160. 05/20/92 Shn - 0, 8040 Sacramento Cal Expo 2nd Set; AUD (Schoeps MK4's)> DAT> CDR; via Tim Wiley notes 2161. 05/20/92 Flac 16 - 0, 149280 Sacramento Cal Expo flac16; Source Info: Set #1: TS AKG 568B-> DAT; Set #2: FOB Schoeps CMC 54-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2162. 05/20/92 Flac 24/96 - , 151064 Sacramento Cal Expo b/>flac24/96khz Source : Unspecified mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2163. 05/20/92 Flac 16/48 - , 151063 Sacramento Cal Expo flac16/48khz Source : Unspecified mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2164. 05/21/92 Flac 16 - 0, 92355 Sacramento Cal Expo flac16; Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Mille notes 2165. 05/21/92 Flac 24/48 - 0, 119840 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2166. 05/21/92 Shn - 0, 8703 Sacramento Cal Expo Pre-FM DSBD> DAT (48kHz)> DAT> ZA2 (S/PDIF)> Samplitude 2496> CDR; via Tom and Roger; Seeded to etree by Chris Larson notes 2167. 05/21/92 Flac 16 - 0, 119841 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2168. 05/21/92 Flac 16/48 - 0, 86281 Sacramento Cal Expo flac16/48; AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) notes 2169. 05/21/92 Flac 16 - 0, 86280 Sacramento Cal Expo flac16; AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes 2170. 05/21/92 Shn - 0, 9655 Sacramento Cal Expo Pre FM SBD> DAT> CD-R (single Track) > EAC 0.9 > Cool Edit Pro > CDR Win (for track cuts) > SHN (via MKWACT); see editing notes in info file; via JR Fishman, Steve Barbella; upgrade in circulation notes 2171. 05/21/92 Flac 24 - 0, 150055 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 2172. 05/21/92 Flac 16 - 0, 150295 Sacramento Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 2173. 05/21/92 Flac 16/48 - , 151065 Sacramento Cal Expo flac16/48khz Source : AKG 568 (behind soundboard) > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2174. 05/21/92 Flac 24/96 - , 151066 Sacramento Cal Expo flac24/96khz Source : AKG 568 (behind soundboard) > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2175. 05/23/92 Flac 16 - 0, 92271 Mountain View Shoreline Amphitheatre flac16; Recording Info:SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2176. 05/23/92 - 0, Mountain View Shoreline Amphitheatre AKG 460/CK8X -> Dat (Sony D3) -> PCM -> Dat (Sony R500/44.1k) recorded by Paul Tumolo, shn conversion Charlie Miller notes 2177. 05/23/92 Flac 16/48 - 0, 85245 Mountain View Shoreline Amphitheatre flac16/48; Location: OTS Row F center Equipment: AKG 460-CK8's spaced 5' apart -> TEAC DA-P20 Transfer: TASCAM DA-30 (48k)-(S/PDIF)-> Diamond Xtreme Sound Card-> Cool Edit Pro -> CDWave -> FLAC Taped By: Scott Swayne Transfer By: Scott Swayne notes 2178. 05/23/92 Flac 16 - 0, 149285 Mountain View Shoreline Amphitheatre flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes 2179. 05/23/92 Flac 24/48 - 0, 150399 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes 2180. 05/23/92 Flac 16 - 0, 150506 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 2181. 05/23/92 Flac 16/48 - , 151067 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2182. 05/23/92 Flac 24/96 - , 151068 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2183. 05/24/92 Flac 16 - 0, 92272 Mountain View Shoreline Amphitheatre flac16; Recording Info:SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Mille notes 2184. 05/24/92 Shn - 0, 8704 Mountain View Shoreline Amphitheatre SBD> MC> DAT> ZA2 (S/PDIF)> Wavelab3.03> SHN; via Roger and Tom; Seeded to etree by Chris Larson notes 2185. 05/24/92 Flac 16 - 0, 119319 Mountain View Shoreline Amphitheatre flac16; Source: 2 Sennheiser 441 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2186. 05/24/92 Flac 16/48 - 0, 142238 Mountain View Shoreline Amphitheatre flac16/48kHz; source: AKG 460/CK8 microphones>DAT; recorded by Scott Swayne; lineage: DAT clone of master>Tascam DA-20 mkII>S/PDIF> MOTU 2408 mkII>computer>Wavelab (fades only)>CD Wav>TLH>flac1648; xfer/edits: Henry Heikkinen notes 2187. 05/24/92 Flac 16 - 0, 149286 Mountain View Shoreline Amphitheatre flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes 2188. 05/24/92 Flac 24 - 0, 150425 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k); All Transfers and Mastering by Charlie Miller notes 2189. 05/24/92 Flac 16 - 0, 150516 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k); All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 2190. 05/24/92 Flac 16/48 - , 151069 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2191. 05/24/92 Flac 24/96 - , 151070 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2192. 05/25/92 Shn - 0, 16469 Mountain View Shoreline Amphitheatre SBD> DAT> C> DAT> CDR; via Tim Wiley; improvements over prior seed- see notes (pitch and amplitude correction, but no NR) notes 2193. 05/25/92 Flac 16 - 0, 119933 Mountain View Shoreline Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2194. 05/25/92 Flac 24/48 - 0, 119932 Mountain View Shoreline Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2195. 05/25/92 Flac 16 - 0, 149287 Mountain View Shoreline Amphitheatre flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes 2196. 05/25/92 Flac 24/48 - 0, 150463 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) notes 2197. 05/25/92 Flac 16 - 0, 150517 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k). This file set is 16 bit @ 44.1 notes 2198. 05/25/92 Flac 16/48 - , 151071 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2199. 05/25/92 Flac 24/96 - , 151072 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2200. 05/29/92 Shn - 0, 35295 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. SBD*>DAT>CDR>WAV>SHN; Cleaned up copy of SHNid=21320; Clean up and SHN by Darryl Hinko notes 2201. 05/29/92 Shn - 0, 21320 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: SBD monitor mix>DAT>CDR>WAV>SHN.; upgrade in circulation notes 2202. 05/29/92 Flac 16 - 0, 84998 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; FOB Schoeps MK4s -> Reutelhuber-> sv255 -> (clone) Teac DA-p20 -> Tascam DA-30 -> Diamond xTreme Sound Card -> Cool Edit Pro -> CDWave -> flac notes 2203. 05/29/92 Shn - 0, 9990 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. AKG 460/ck8x > DAT > CDR; via Charlie Miller; Seeded to etree by neo_levo notes 2204. 05/29/92 Flac 16 - 0, 116446 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, centered, DIN, 9' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5 Digital editing: WaveLab 5 (pre and post set fades, speed correction, cassette flips patched with etree source #84998) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller notes 2205. 05/29/92 Flac 24 - 0, 150037 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 2206. 05/29/92 Flac 16 - 0, 150296 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 2207. 05/29/92 Flac 24/96 - , 151085 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24/96khz Set 2 Only. Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2208. 05/29/92 Flac 16/48 - , 151084 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48khz Set 2 Only. Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2209. 05/30/92 Flac 16 Mtx - 0, 83094 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Matrix 2 Source Mix - SBD (shnid 75698) + AUD (shnid 10063) mixed by Kevin Tobin notes 2210. 05/30/92 Flac 16 - 0, 76082 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR > EAC > SHN - Seamless edit of shn id 75698 notes 2211. 05/30/92 Flac 16 - 0, 75698 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR > EAC > SHN; speed corrected version of shn id 8255 (via Charlie Kidder); fix by Kevin Tobin ; upgrade in circulation notes 2212. 05/30/92 Shn Dts 5.1 - 0, 75713 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. DTS Audio 5.1; Mix SBD:SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; AUD:(FOB) Schoeps MK4 > DAT > CDR > WAV > SHN; mixed by ktobin notes 2213. 05/30/92 Shn - 0, 8255 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. whole show; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; CDR> EAC> WAV> MKW> SHN by Charlie Kidder; upgrade in circulation notes 2214. 05/30/92 Shn - 0, 10063 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. (FOB) Schoeps MK4 > DAT > CDR; via C. M.; Seeded to etree by neo_levo notes 2215. 05/30/92 Flac 16 - 0, 116403 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, centered, NOS, 8' up; Master format(analog): Maxell MX 100 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5; Digital editing: WaveLab 5 (pre and post set fades, speed correction, DC offset removal, cassette flips patched with etree source #10063); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, processed and distributed by Chuck Miller notes 2216. 05/30/92 Flac 24 - 0, 150038 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 notes 2217. 05/30/92 Flac 16 - 0, 150297 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 2218. 05/31/92 Flac 16 - 0, 92388 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 2219. 05/31/92 Flac 16 - 0, 34692 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Seamless fix of shn id 544 - SBD > DAT > SONY D8 (S/PDIF) > HD > SHN > WAV > FLAC; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 2220. 05/31/92 Shn - 0, 544 Las Vegas Sam Boyd Silver Bowl, U.N.L.V SBD > DAT > SONY D8 (S/PDIF) > HD > SHN; via Mike Lai; listeners John Florek et al report diginoise d1t8 ~1:50-2:00; upgrade in circulation notes 2221. 05/31/92 Flac 16 - 0, 87281 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; SBD -> Dat -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony D8) -> Behringer Ultramatch Pro SRC2496 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes 2222. 05/31/92 Flac 16 - 0, 118794 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2223. 05/31/92 Flac 16 - 0, 116420 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > PC > WaveLab 5 > CD Wave Editor 1.95.1 > Flac Frontend 1.7.1 > Flac; Taped and Transferred by Chuck Miller notes 2224. 05/31/92 Flac 24 - 0, 150039 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 2225. 05/31/92 Flac 16 - 0, 150298 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 2226. 05/31/92 Flac 16/48 - , 151086 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2227. 05/31/92 Flac 24/96 - , 151087 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2228. 05/31/92 Flac 16/48 - , 151086 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2229. 06/06/92 Shn - 0, 14042 Orchard Park Rich Stadium Second Set Only SBD>DAT>WAV>CoolEdit>CDWAV>SHN; upgrade in circulation notes 2230. 06/06/92 Flac 16 - 0, 82444 Orchard Park Rich Stadium flac16; MAD Recording - FOB DFC Audience: 1st Two Songs of Set 1 - B&K4011's Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 notes 2231. 06/06/92 Shn - 0, 16815 Orchard Park Rich Stadium set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (previous source but with sbe's fixed and made seekable) encoded by Chris Ladner notes 2232. 06/06/92 Flac 24/96 - 0, 134943 Orchard Park Rich Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2233. 06/06/92 Flac 16 - 0, 134942 Orchard Park Rich Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2234. 06/06/92 Flac 16 - 0, 111171 Orchard Park Rich Stadium SHNID: 111171 notes 2235. 06/06/92 Flac 24/96 - 0, 137752 Orchard Park Rich Stadium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes 2236. 06/06/92 Flac 16 - 0, 137751 Orchard Park Rich Stadium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes 2237. 06/06/92 Flac 24 - 0, 140203 Orchard Park Rich Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2238. 06/06/92 Flac 16 - 0, 140277 Orchard Park Rich Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2239. 06/06/92 Flac 16 - 0, 119035 Orchard Park Rich Stadium flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) notes 2240. 06/06/92 Flac 16 - 0, 124862 Orchard Park Rich Stadium notes 2241. 06/06/92 Shn - 0, 8242 Orchard Park Rich Stadium AUD > CM > DAT > CDR > WAV > SHN;(unk. mic); Unknown seeder notes 2242. 06/08/92 Flac 16 - 0, 89981 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 2243. 06/08/92 Flac 16 - 0, 83493 Richfield Richfield Coliseum flac16; MAD FOB DFC Digital Audience Recording Taped by Todd Evans, Section 2, Row S, Seats 8 and 9 Recording Info: Schoeps CMC34 (cardiod) > Oade Mic Preamp > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 notes 2244. 06/08/92 Flac 16 - 0, 81791 Richfield Richfield Coliseum flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney notes 2245. 06/08/92 Flac - 0, 12561 Richfield Richfield Coliseum flac16 format; DSBD > DAT > 1C > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens, Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (normalize, 48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > FLAC Frontend; (no DAE ; 48k, unmodified FLAC archived and available upon request); upgrade in circulation notes 2246. 06/08/92 Flac 16 - 0, 111193 Richfield Richfield Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes 2247. 06/08/92 Flac 16 44,1 - 0, 141251 Richfield Richfield Coliseum flac16/44.1 Set 1 Only. Source Info: FOB B&K 4011-> DAT (Clay and Jamie?) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes 2248. 06/08/92 Flac 24 - 0, 150494 Richfield Richfield Coliseum flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) notes 2249. 06/08/92 Flac 16 - 0, 150518 Richfield Richfield Coliseum flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 notes 2250. 06/09/92 Flac 16 - 0, 89985 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 2251. 06/09/92 Flac 16 - 0, 81856 Richfield Richfield Coliseum flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney notes 2252. 06/09/92 Flac 16 44,1 - 0, 141250 Richfield Richfield Coliseum flac16/44.1 Source Info: FOB B&K 4011-> DAT (Clay and Jamie?). Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes 2253. 06/09/92 Flac 16 - 0, 12574 Richfield Richfield Coliseum flac16 format; Set I: AUD, FOB Schoeps CMC32's > DAT > PCM > DAT, Set II: AUD, OTS AKG 568's > DAT > PCM > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWav v1.71 > FLAC Frontend (no DAE) notes 2254. 06/09/92 Flac 16 - 0, 111202 Richfield Richfield Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes 2255. 06/09/92 Flac 24/48 - 0, 150594 Richfield Richfield Coliseum flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) notes 2256. 06/09/92 Flac 16 - 0, 150703 Richfield Richfield Coliseum flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 notes 2257. 06/11/92 Flac 16 - 0, 90105 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 2258. 06/11/92 Flac 16 - 0, 110979 Albany Knickerbocker Arena flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo notes 2259. 06/11/92 Shn - 0, 8069 Albany Knickerbocker Arena sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation notes 2260. 06/11/92 Flac 16 - 0, 134956 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2261. 06/11/92 Flac 24/96 - 0, 134957 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes 2262. 06/11/92 Flac 24/96 - 0, 110978 Albany Knickerbocker Arena flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo notes 2263. 06/11/92 Flac 16 - 0, 137549 Albany Knickerbocker Arena flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section notes 2264. 06/11/92 Flac 24/96 - 0, 137755 Albany Knickerbocker Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes 2265. 06/11/92 Flac 16 - 0, 137754 Albany Knickerbocker Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes 2266. 06/11/92 Flac 24 - 0, 139452 Albany Knickerbocker Arena flac24; AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz notes 2267. 06/11/92 Shn - 0, 18581 Albany Knickerbocker Arena AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon notes 2268. 06/11/92 Flac 16 - 0, 86034 Albany Knickerbocker Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. This is your collection notes 2269. 06/11/92 Flac 16/48 - 0, 86035 Albany Knickerbocker Arena flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. notes 2270. 06/11/92 Flac 16 - 0, 116122 Albany Knickerbocker Arena flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker notes 2271. 06/11/92 Flac 16 - 0, 149565 Albany Knickerbocker Arena b>flac16; Source Info: TS: Schoeps CMC3 MK4-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped By Jeff Travitz; Transfers by Pete Ebel notes 2272. 06/11/92 Flac 16 - 0, 149564 Albany Knickerbocker Arena flac16; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2273. 06/11/92 Flac 24/48 - , 152717 Albany Knickerbocker Arena flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes 2274. 06/11/92 Flac 16/44 - , 154484 Albany Knickerbocker Arena flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152717 2496 > 1644 notes 2275. 06/12/92 Flac 16 - 0, 90111 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 2276. 06/12/92 Flac 16 - 0, 83891 Albany Knickerbocker Arena flac16; Main Source: MSC > cassette > DAT > CoolEdit > CD > Peak edits > SHN (shnid 15821) Patch Source: (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3 (shnid 4882) Edit: SHN > WAV > editing in Cool Edit Pro > CD Wave (patched tracks) > shntool > FLAC. Pitch correction of shnid 15821 by Bill Tetzeli notes 2277. 06/12/92 Shn - 0, 15821 Albany Knickerbocker Arena SBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN via Johnny Venus encoded by Peter Braverman; upgrade in circulation notes 2278. 06/12/92 Flac 24/96 - 0, 134968 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes 2279. 06/12/92 Flac 16 - 0, 134967 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2280. 06/12/92 Flac 24/96 - 0, 111079 Albany Knickerbocker Arena flac24; Source: Master Audience > Nakamichi CM300 with CP4 caps > Sony D6 > (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo notes 2281. 06/12/92 Flac 16 - 0, 111080 Albany Knickerbocker Arena flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo notes 2282. 06/12/92 Flac 16 - 0, 137823 Albany Knickerbocker Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes 2283. 06/12/92 Flac 24/96 - 0, 137824 Albany Knickerbocker Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes 2284. 06/12/92 Flac 16 - 0, 86095 Albany Knickerbocker Arena flac16; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC notes 2285. 06/12/92 Flac 16 - 0, 96095 Albany Knickerbocker Arena flac16; Sennheiser MD421's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2286. 06/12/92 Flac 16/48 - 0, 86096 Albany Knickerbocker Arena flac16/48; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC notes 2287. 06/12/92 Flac 16 - 0, 116279 Albany Knickerbocker Arena flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boudaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, 1st Row Taper Section. notes 2288. 06/12/92 Flac 16 - 0, 123682 Albany Knickerbocker Arena flac16; Source: OTS/DFC/Audix shotguns > Sony WM-D6 (Set 1: 90 min Denon HD8; Set 2: 100 min Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16 bit, tracking, added fades and normalize) > TLH (flac@8/ffp/sbe); Recorded, transferred and seeded by Bob Crupi notes 2289. 06/12/92 Flac 16 - 0, 137492 Albany Knickerbocker Arena flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck(Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal; Tapes, 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section notes 2290. 06/12/92 Shn - 0, 4882 Albany Knickerbocker Arena (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne notes 2291. 06/12/92 Flac 16 - 0, 145128 Albany Knickerbocker Arena flac16; Recording info: Set I: AKG 451eb/ck3 (FOB) > DAT (Sony D10 Pro) > PCM; Set II: Neumann KMi86 (OTS) > DAT (Panasonic SV255) > PCM; Transfer info: Beta PCM (video track) digital output: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k); Digital Recordings made by unknown notes 2292. 06/12/92 Flac 24/48 - , 152725 Albany Knickerbocker Arena flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes 2293. 06/12/92 Flac 16/44 - , 154491 Albany Knickerbocker Arena flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152725 2448 > 1644 notes 2294. 06/14/92 Flac 16 - 0, 89071 East Rutherford Giants Stadium flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 2295. 06/14/92 Flac 16 - 0, 85997 East Rutherford Giants Stadium flac16; Source: FOB(30 yrd line) Neumann KM82i's > Sony D5 > Maxell MX90 type IV stereo cassette. Taped by B. Koucky. Transfer: MAC playback on Nakamichi CR-7A, azimuth adjusted > Lynx RCA-XLR cables > Lunatec V3 @ 96 KHz, AES XLR digital out > AES digital input, LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transferred and mastering by C.Ladner. notes 2296. 06/14/92 Flac 16 - 0, 105592 East Rutherford Giants Stadium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010 notes 2297. 06/14/92 Shn - 0, 1035 East Rutherford Giants Stadium "analog sbd", no further info available; 2-3 spots of diginoise; via Aaron Kowalski to BUDD offer; circ as 3-disc shn set with 7/10/89; txt/md5s here courtesy DES, 6/23/01; upgrade in circulation notes 2298. 06/14/92 Flac 16/48 - 0, 138565 East Rutherford Giants Stadium flac16/48kHz; Unknown Taper: B&K 4011 (ORTF) > Neumann PS > Sony D10Pro; FOB w/stand; Stand specified at 6' 5" for 2nd set; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 2299. 06/14/92 Flac 24/96 - , 153971 East Rutherford Giants Stadium flac24/96 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24 notes 2300. 06/14/92 Flac 16/44 - , 154495 East Rutherford Giants Stadium flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24 - This is 153971 2448 > 1644 notes 2301. 06/15/92 Flac 16 - 0, 32449 East Rutherford Giants Stadium flac16; SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller notes 2302. 06/15/92 Flac 16 Mtx - 0, 122576 East Rutherford Giants Stadium flac16; Matrix - sbd 65%/aud 35%: 1) SBD -> Dat -> CD and 2) FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 notes 2303. 06/15/92 Flac 16 - 0, 105593 East Rutherford Giants Stadium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010 notes 2304. 06/15/92 Shn - 0, 9972 East Rutherford Giants Stadium FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250; via John Valter; Seeded to etree by eD(efojr) notes 2305. 06/17/92 Flac 16 - 0, 32486 Charlotte Charlotte Coliseum flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes 2306. 06/17/92 Flac 24/96 - 0, 110947 Charlotte Charlotte Coliseum flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo notes 2307. 06/17/92 Flac 24/96 - 0, 134987 Charlotte Charlotte Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes 2308. 06/17/92 Flac 16 - 0, 134986 Charlotte Charlotte Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2309. 06/17/92 Flac 16 - 0, 110948 Charlotte Charlotte Coliseum flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo notes 2310. 06/17/92 Shn - 0, 4673 Charlotte Charlotte Coliseum AUD (CMC-31)> DAT> CDR> EAC> CDWAVE (excess silences removed)> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs notes 2311. 06/18/92 Flac 16 - 0, 32487 Charlotte Charlotte Coliseum flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes 2312. 06/18/92 Shn - 0, 29702 Charlotte Charlotte Coliseum Set II only: Source: Sbd > ?? > CD's (likely a cassette gen) Transfer: CD's > EAC (secure) > MKWACT > SHN EAC/SHN by Chris Davis; upgrade in circulation notes 2313. 06/18/92 Flac 16 - 0, 134975 Charlotte Charlotte Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2314. 06/18/92 Flac 24/96 - 0, 134976 Charlotte Charlotte Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes 2315. 06/18/92 Flac 24 - 0, 139446 Charlotte Charlotte Coliseum flac24; Nakamichi CM-300, CP-4 Shotguns > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh notes 2316. 06/18/92 Shn - 0, 4674 Charlotte Charlotte Coliseum AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone notes 2317. 06/18/92 Flac 16 - 0, 96087 Charlotte Charlotte Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger notes 2318. 06/18/92 Flac 16/48 - 0, 144379 Charlotte Charlotte Coliseum flac16/48khz Recorded by: Mark Lynn Source: NAK 300s + CP4 shotguns > Casio DA7 with emphasis > DAT @48 kHz (on floor) Transferred by Mark Lynn & morst: Mark Lynn: DAT master > Sound Devices 722 morst: FLAC > Audacity 2.1.0 > WAVs > xACT 2.47 > FLACs @ 48kHz notes 2319. 06/20/92 Flac 16 - 0, 32488 Washington Robert F. Kennedy Stadium flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes 2320. 06/20/92 Flac 16 - 0, 93996 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC with fixed d2t01 by Tim Leavy (see info file for details). This is a fixed version of shn ID shn id 32488 notes 2321. 06/20/92 Flac 16/48 - 0, 33953 Washington Robert F. Kennedy Stadium flac16/48; Master Soundboard DAT @ 48KHZ->DAT x 4; Conversion: Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC, by Mark Lynn notes 2322. 06/20/92 Shn - 0, 546 Washington Robert F. Kennedy Stadium SBD> DATs> CDRs> EAC> SHN; via Darrin Sacks; level change during Corinna- a few min in the level suddenly goes up a bit and may actually clip then immediately goes down by about 6db and stays that way for the rest of the set; upgrade in circulation notes 2323. 06/20/92 Shn - 0, 2207 Washington Robert F. Kennedy Stadium DSBD, no other info available; has same change in level in Corinna as mentioned on the other shn set in circulation; via Tony Gardner; upgrade in circulation notes 2324. 06/20/92 Flac 16/48 - 0, 34827 Washington Robert F. Kennedy Stadium flac16/48; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans notes 2325. 06/20/92 Flac 16 - 0, 34817 Washington Robert F. Kennedy Stadium flac16; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans notes 2326. 06/20/92 Flac 16 - 0, 94214 Washington Robert F. Kennedy Stadium flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2327. 06/22/92 Flac 16 - 0, 32490 Burgettstown Star Lake Amphitheatre flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes 2328. 06/22/92 Flac 24/96 - 0, 135072 Burgettstown Star Lake Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes 2329. 06/22/92 Flac 16 - 0, 135071 Burgettstown Star Lake Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2330. 06/22/92 Shn - 0, 14043 Burgettstown Star Lake Amphitheatre Second Set Only SBD ?>DAT>WAV>CE>CDWAV>CDR & SHN [probable cassette generation]; upgrade in circulation notes 2331. 06/22/92 Flac 16 - 0, 86435 Burgettstown Star Lake Amphitheatre flac16; source : aud > Nak 300s > WMD-6 > mac taped by John Bleich transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav (24/96) > flac downsampled to 16/44.1 with Wavelab and dithered with iZotope Ozone notes 2332. 06/22/92 Flac 16 - 0, 121415 Burgettstown Star Lake Amphitheatre flac16; Set 2 Source: 2 Beyer M160 microphones - 9th row/center> Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2333. 06/22/92 Shn - 0, 5218 Burgettstown Star Lake Amphitheatre DAUD (master) > CDR > EAC > CDWAV > SHN >wav > shn w/seeking, plus encore: SBD > DAT > Cassette > DAT > Delta Dio 2496 > CDR > EAC> .shn; via brothercrow, harlan from D. Loebig, Rob Harrison seeds notes 2334. 06/23/92 Flac 16 - 0, 32491 Burgettstown Star Lake Amphitheatre flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes 2335. 06/23/92 Shn - 0, 6024 Burgettstown Star Lake Amphitheatre SBD> Dat> c> Dat> Cool Edit> cd> EAC> SHN (seekable);EAC>SHN Steve Barbella, from John Valter seed discs; upgrade in circulation notes 2336. 06/23/92 Flac 24/96 - 0, 135074 Burgettstown Star Lake Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes 2337. 06/23/92 Flac 16 - 0, 135073 Burgettstown Star Lake Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rena notes 2338. 06/23/92 Shn - 0, 9985 Burgettstown Star Lake Amphitheatre DAUD (master) > CDR; via D. Loebig; Seeded to etree by Harlan notes 2339. 06/23/92 Flac 16 - 0, 86634 Burgettstown Star Lake Amphitheatre flac16; source: aud > Nak 300s > WMD-6 > mac taped by John Bleich transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav (24/96) > flac downsampled to 16/44.1 with Wavelab and dithered with iZotope Ozone notes 2340. 06/25/92 Flac - 0, 32496 Chicago Soldier Field flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes 2341. 06/25/92 Shn - 0, 22794 Chicago Soldier Field Source: Soundboard (was originally labeled as Shure Beta 57's > Tascam Porta 5 DBX Analog Deck > Cass Master > DAT > CDR) Transfer: EAC > CDR > FLAC Taper: Jim O'Malley Location: "...down on the field close to the stage..." notes 2342. 06/25/92 Shn - 0, 2258 Chicago Soldier Field SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Missing encore; upgrade in circulation notes 2343. 06/25/92 Shn - 0, 548 Chicago Soldier Field SBD->CASS0->DAT @ 44.1 Khz (encore 48 Khz, resampled via CoolEdit Pro @ 999 qs); Transfer: DAT->PC (S/PDIF, TB Fiji), SHNs from original WAVs, A. Shiffman; see info file for flaw notes; upgrade in circulation notes 2344. 06/25/92 Flac - 0, 34801 Chicago Soldier Field flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB notes 2345. 06/25/92 Shn - 0, 8959 Chicago Soldier Field SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB; Seeded to etree by Jay Serafin notes 2346. 06/25/92 Flac - 0, 138876 Chicago Soldier Field flac16/48kHz; Set 2, unknown taper: B&K 4011 at 110 degrees ORTF > Neumann PS > Sony D10Pro - FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 2347. 06/25/92 Flac - 0, 139264 Chicago Soldier Field flac16 44.1khz Set 1 only. Recorded by David Cohen & Justin Lee. OTS 8 foot stand. 2 Nakamichi CM300 Omnis spaced 2 meters >Sony D10Pro II DAT 48K Master sample rate converted to 44.1 in Wavelab notes 2348. 06/25/92 Flac - 0, 139369 Chicago Soldier Field flac16 44.1khz Source Info: FOB B&K 4011-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes 2349. 06/25/92 Flac - 0, 139368 Chicago Soldier Field flac16 44.1khz Source Info: FOB Schoeps CMC3 MK2-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1).Transfers by Pete Ebel notes 2350. 06/26/92 Flac - 0, 32497 Chicago Soldier Field flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes 2351. 06/26/92 Shn - 0, 9118 Chicago Soldier Field DAUD[master] > CDR; via D. Loebig; Seeded to etree by harlan notes 2352. 06/28/92 Flac 16 - 0, 32550 Noblesville Deer Creek Music Center flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes 2353. 06/28/92 Flac 16 Mtx - 0, 97810 Noblesville Deer Creek Music Center flac16; matrix of DSBD: shnid=32550 and DAUD: shnid=90152 by hansokolow using ProTools notes 2354. 06/28/92 Flac 16/48 - 0, 90149 Noblesville Deer Creek Music Center flac16/48; AUD: Schoeps CMC3/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > Sony DDS-Dat tape. Mics on seven foot stand, set up dead center, front edge of grass, just behind last seating row. Transfer: MAD > Sony TCD-D10P > Audiophile 2496 SPDIF-In > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F notes 2355. 06/28/92 Shn - 0, 8601 Noblesville Deer Creek Music Center SBD; Lineage; Master Cassette> DAT> CD; 1st set via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation notes 2356. 06/28/92 Flac 16 - 0, 28395 Noblesville Deer Creek Music Center flac16; SBD> Dat> CD> CD> Sonic Solutions> CD> CD> EAC> FLAC; via Charlie Miller; upgrade in circulation notes 2357. 06/28/92 Flac 24/96 - 0, 135321 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes 2358. 06/28/92 Flac 16 - 0, 135322 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2359. 06/28/92 Flac 24 - 0, 140204 Noblesville Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2360. 06/28/92 Flac 16 - 0, 140280 Noblesville Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2361. 06/28/92 Flac 16 - 0, 132788 Noblesville Deer Creek Music Center flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes 2362. 06/28/92 Shn - 0, 550 Noblesville Deer Creek Music Center FOB (hand held) B&K 4011's -> D10 Pro, P. Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32, D. Nawrocki notes 2363. 06/28/92 Flac 16/48 - 0, 149397 Noblesville Deer Creek Music Center flac16/48kHz; Source Info:;FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes 2364. 06/28/92 Flac 16/48 - 0, 149398 Noblesville Deer Creek Music Center flac16/48kHz; Set 1 Source Info: Beyer CM 101-> Casio DA-7-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes 2365. 06/29/92 Shn - 0, 9399 Noblesville Deer Creek Music Center SBD>DAT>C>DAT>CDR; Seeded to etree by Tony G notes 2366. 06/29/92 Flac 24/96 - 0, 135350 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes 2367. 06/29/92 Flac 16 - 0, 135351 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2368. 06/29/92 Flac 24 - 0, 140222 Noblesville Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2369. 06/29/92 Flac 16 - 0, 140285 Noblesville Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2370. 06/29/92 Flac 16 - 0, 132789 Noblesville Deer Creek Music Center flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes 2371. 06/29/92 Shn - 0, 2281 Noblesville Deer Creek Music Center Nak300 (CP-4 shotgun caps) -> Sony D5M-Pro (used as mic preamp) -> Yamaha MT1X cassette deck using DBX type II encoding; A/D Playback: Cassette Master in Yamaha MT120S using DBX type II decoding ->Tascam DA20 -> Zefiro ZA2 -> CoolEdit editing -> CDR; slight bit of the beginning of Desolation is missing, as well as the first couple notes of Deal; tape flip in Drums/Space spliced together with Cool Edit; Recording by Pat Volkerding and Eddie Wahba; A>D>CDR transfer by by Pat Volkerding; upload by Chris Ladner; see info file for burning notes notes 2372. 06/29/92 Flac 16 - 0, 91644 Noblesville Deer Creek Music Center flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 2373. 06/29/92 Flac 16/48 - 0, 149399 Noblesville Deer Creek Music Center flac16/48kHz; Source Info: FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes 2374. 07/01/92 Shn - 0, 5701 Hebron Buckeye Lake Music Center preFM SBD > CM > DAT > CDR > WAV > SHNv3; d1 tracked for 80 min; some clipping; via Chris L. notes 2375. 07/01/92 Flac 24/96 - 0, 110853 Hebron Buckeye Lake Music Center flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo notes 2376. 07/01/92 Flac 16 - 0, 81844 Hebron Buckeye Lake Music Center flac16; Schoeps CMC32's (8 foot spaced omnis on 6 foot stands) -> Monster M1000 Cable -> Oade Mic Preamp -> Monster M1000 Jumper Cables -> Panasonic sv255 DAT Deck; DAT > TASCAM DA-20 > M-Audio FireWire Solo > Soundforge 8.0 wav notes 2377. 07/01/92 Flac 16 - 0, 110852 Hebron Buckeye Lake Music Center flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped by Baker and transferred by Keo notes 2378. 07/01/92 Flac 24 - 0, 140128 Hebron Buckeye Lake Music Center flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2379. 07/01/92 Flac 16 - 0, 140226 Hebron Buckeye Lake Music Center flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2380. 07/01/92 Flac 16/48 - 0, 147571 Hebron Buckeye Lake Music Center b>flac16/48kHz; Source Info: Beyer CM 101-> Casio DA-7-> DAT (Taped by Pete Ebel); Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 2381. 12/02/92 Flac 16 - 0, 119982 Denver McNichols Sports Arena flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2382. 12/02/92 Flac 16 - 0, 82302 Denver McNichols Sports Arena flac16; MAD FOB Digital Audience Recording - 13th Row Schoeps Mk4v Cardiod Capsule (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer- MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 notes 2383. 12/02/92 Flac 24/48 - 0, 119982 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 2384. 12/02/92 Flac 24 - 0, 140148 Denver McNichols Sports Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2385. 12/02/92 Flac 16 - 0, 140248 Denver McNichols Sports Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2386. 12/02/92 Flac 16/48 - 0, 141410 Denver McNichols Sports Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 2387. 12/02/92 Flac 16/48 - 0, 132562 Denver McNichols Sports Arena flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac; minor level adjustments during T2/FLAS notes 2388. 12/02/92 Shn - 0, 9991 Denver McNichols Sports Arena 2nd Set; AUD(Neumann KM 140's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes 2389. 12/02/92 Shn - 0, 12228 Denver McNichols Sports Arena (Unknown Audience) Digital Master> DAT> DMXFire> CDWav> mkw> shn; shn info submitted by user ststephen notes 2390. 12/03/92 Flac 16 - 0, 120034 Denver McNichols Sports Arena flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2391. 12/03/92 Flac 16 - 0, 82352 Denver McNichols Sports Arena flac16; MAD FOB Digital Audience Recording - 14th Row Schoeps Mk4v Cardiod Capslue (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer: MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 notes 2392. 12/03/92 Flac 24/48 - 0, 120033 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 2393. 12/03/92 Flac 24 - 0, 140149 Denver McNichols Sports Arena flac24; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2394. 12/03/92 Flac 16 - 0, 140249 Denver McNichols Sports Arena flac16; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2395. 12/03/92 Flac 16/48 - 0, 141411 Denver McNichols Sports Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 2396. 12/03/92 Shn - 0, 9474 Denver McNichols Sports Arena Neumann KM 140's > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes 2397. 12/03/92 Flac 16 - 0, 30071 Denver McNichols Sports Arena flac16; Recording Info: (FOB/ORTF) B&K 4011 -> Modified Neumann Power supply -> Dat (Modified Sony D10 Pro) -> Dat Clone Transfer Info: Dat Clone (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC notes 2398. 12/03/92 Flac 16/48 - 0, 132563 Denver McNichols Sports Arena flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3 in the taper section) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac notes 2399. 12/05/92 Flac - 0, 33827 Tempe Compton Terrace Amphitheatre Digital Audience Recording Taped by Todd Evans Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 DAT Master from Todd Evans MASTER DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Soundforge 8.0 for 48/44.1>tracked in shntool-2.0.3> FLAC Frontend Level8 notes 2400. 12/05/92 Flac 16 - 0, 117623 Tempe Compton Terrace Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 2401. 12/05/92 Flac - 0, 117622 Tempe Compton Terrace Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 2402. 12/05/92 Flac 24 - 0, 140150 Tempe Compton Terrace Amphitheatre flac24; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2403. 12/05/92 Flac 16 - 0, 140250 Tempe Compton Terrace Amphitheatre flac16; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2404. 12/05/92 Shn - 0, 8757 Tempe Compton Terrace Amphitheatre AUD(AKG-460's)>DAT>CDR; Seeded to etree by Tim W notes 2405. 12/06/92 Flac 16 - 0, 94107 Tempe Compton Terrace Amphitheatre flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2406. 12/06/92 Flac 16 Mtx - 0, 97819 Tempe Compton Terrace Amphitheatre flac16; matrix of DSBD: shnid=94107 and DAUD: shnid=33956 by hansokolow using ProTools notes 2407. 12/06/92 Flac 16 - 0, 117626 Tempe Compton Terrace Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 2408. 12/06/92 Flac 16 - 0, 33956 Tempe Compton Terrace Amphitheatre flac16; Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 soundforge 8.0 48kHz/44.1kHz conversion> tracked in CDWav>FLAC; Taped by Todd Evans; patched with shnid 8706, a GEMS production notes 2409. 12/06/92 Flac 24/48 - 0, 117627 Tempe Compton Terrace Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 2410. 12/06/92 Shn - 0, 8706 Tempe Compton Terrace Amphitheatre SBD>D> Delta Dio 2496 > Cool Edit >CDR; Seeded to etree by Tim Wiley notes 2411. 12/06/92 Flac 16/44,1 - 0, 141065 Tempe Compton Terrace Amphitheatre flac16/44.1khz Source Info: FOB AKG 460-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 2412. 12/06/92 Flac 16 - 0, 125410 Tempe Compton Terrace Amphitheatre flac16; Shoeps 441>DAT>CM>WAV>FLAC; TRANSFER NAKCR1>TEAC CRW250>WAV>FLAC notes 2413. 12/06/92 Shn - 0, 10381 Tempe Compton Terrace Amphitheatre Unknown aud > ? > CDR; via Raoul Duke and Ziggy; Seeded to etree by Matt Vernon notes 2414. 12/06/92 Flac 16 - 0, 117301 Tempe Compton Terrace Amphitheatre flac16; dave homes dat master; lineage: audience dat master to cdr krw_co transfer to eac to tlh flac level 8 notes 2415. 12/06/92 Flac 16 - 0, 114526 Tempe Compton Terrace Amphitheatre flac16; Source DAT labeled AKG C-61's w/ Hyper-Cardiod caps > Denon DTR-80P ; Source taped by Steve Fink and Marcus Barnett Tascam DA-40 > S/PDIF > M-Audio 2496 @ 48khz > 44khz sample rate conversion via iZotope SRC 64 bit SRC Tracking performed in Adobe Audition 3.0 FLAC conversion via Trader's Little Helper; All transfers by ifthir@hotmail.com 7/8/2011 notes 2416. 12/11/92 Shn - 0, 9534 Oakland Oakland-Alameda County Coliseum SBD DAT master > DAT/1 > CDR > iMac > SHN; note shntool-fixed version of previous shn set, via Nathan Scott; seekable notes 2417. 12/11/92 Shn - 0, 5548 Oakland Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa\'s nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; missing Deal; upgrade in circulation notes 2418. 12/11/92 Flac 16 - 0, 79264 Oakland Oakland-Alameda County Coliseum flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master from collection of Todd Evans DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info - Wavelab 6.0 - 48/16 wav> BBE, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE notes 2419. 12/11/92 Flac 16 - 0, 86009 Oakland Oakland-Alameda County Coliseum flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 notes 2420. 12/11/92 Flac 16/48 - 0, 86010 Oakland Oakland-Alameda County Coliseum flac16/48; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 ; 48k version notes 2421. 12/11/92 Flac 16/48 - 0, 139686 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 2422. 12/11/92 Flac 24 - 0, 140828 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2423. 12/11/92 Flac 16 - 0, 140846 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2424. 12/11/92 Shn - 0, 9773 Oakland Oakland-Alameda County Coliseum AUD (AKG-460's) >DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes 2425. 12/11/92 Flac 16/48 - 0, 141731 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Set I: Schoeps CMC34 (110° ORTF) > MIT Cable > TAO Research P.S. > Panasonic SV225 > DAT Recorded by John Ammons, hand held @ 5'9" FOB, center; Set II: AMS ST-250 (ambisonic mode)> 4 track Nagra D open reel 24 bit digital deck> 2 channel stereo DAT (Blumlein pattern)> DAT; Recorded by Jeff Silberman, just left of center, FOB; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Transfer by John Ammons of his s1 Master DAT & s2 clone of Silberman Master DAT notes 2426. 12/11/92 Flac 16/48 - 0, 150535 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF)> MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz); Location, FOB, DFC; Mics handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel notes 2427. 12/12/92 Flac 16 Mtx - 0, 97937 Oakland Oakland-Alameda County Coliseum flac16; matrix of SBD: shnid=5549 and AUD: shnid: set 1=23220, set 2=28878 by hansokolow using ProTools notes 2428. 12/12/92 Shn - 0, 5549 Oakland Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min notes 2429. 12/12/92 Flac 16 - 0, 79599 Oakland Oakland-Alameda County Coliseum flac16; Recording info-Digital FOB Audience Schoeps CMC54 taper: unknown Transfer info-DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info-Edited and Mastered By Blingfreein Adobe Audition 1.5; -48/44.1 SRC(Crystal Ultra), L3 type 1 dither in Wavelab 6.0 by Jamie Waddell - Flac Level 8 in FLACFrontend SBE FREE notes 2430. 12/12/92 Flac 16/48 - 0, 139687 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 2431. 12/12/92 Flac 24 - 0, 140829 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2432. 12/12/92 Flac 16 - 0, 140850 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2433. 12/12/92 Shn - 0, 28878 Oakland Oakland-Alameda County Coliseum Set 2 only; Recording Info: (FOB) Soundfield AMS ST250 (Blumlein) -> Nagra D Digital Reel To Reel (20 bit) -> Dat -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Jeff Silberman Dat Supplied By JC Mahoney Transferred By Charlie Miller notes 2434. 12/12/92 Flac - 0, 23220 Oakland Oakland-Alameda County Coliseum Source: fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables>koch power supply > canare star quad cables>koch modified panasonic sv-255 panasonic sv-3700>hhb 830>CD-r>EAC (secure mode)>.wav>Flac Taped and transfered (DAT to Cd-r) Ed Boardman & CD-r>EAC>.wav>Flac by C Evans notes 2435. 12/12/92 Shn - 0, 9510 Oakland Oakland-Alameda County Coliseum AUD (AKG-460's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes 2436. 12/12/92 Flac 16/48 - 0, 150536 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF, FOB) > MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit 48kHz); Location, FOB, DFC. Mic handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel notes 2437. 12/13/92 Shn - 0, 10928 Oakland Oakland-Alameda County Coliseum Steve Barbella retrack of of original Healy Master seed; Dan Healy 2 track pa sbd dat master > Healy cassette; via Tommy Banjo & MerryPranksterTree; Seeded to etree by StoneBear notes 2438. 12/13/92 Flac 16 - 0, 79352 Oakland Oakland-Alameda County Coliseum flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info - All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3(w type 1 dither), Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE notes 2439. 12/13/92 Flac 16 - 0, 86041 Oakland Oakland-Alameda County Coliseum flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes 2440. 12/13/92 Flac 16/48 - 0, 86037 Oakland Oakland-Alameda County Coliseum flac16/48; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8 notes 2441. 12/13/92 Flac 16/48 - 0, 139688 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 2442. 12/13/92 Flac 16/48 - 0, 140381 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes 2443. 12/13/92 Flac 24 - 0, 140830 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2444. 12/13/92 Flac 16 - 0, 140851 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2445. 12/13/92 Flac 16/48 - 0, 149335 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB Neumann Mics-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 2446. 12/16/92 Shn - 0, 5551 Oakland Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear notes 2447. 12/16/92 Flac 16 - 0, 79547 Oakland Oakland-Alameda County Coliseum flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE notes 2448. 12/16/92 Flac 16 Mtx - 0, 27580 Oakland Oakland-Alameda County Coliseum flac16; Matrix mix of Set 2 SBD (shnid=5551) plus FOB (shnid=25812) by MattMan; SHN/FLAC> WAV> Adobe Audition> CDWAV> shntool> FLAC Frontend notes 2449. 12/16/92 Flac 16/48 - 0, 138710 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: unknown aud (possibly AKGs) > dat (48k) provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes 2450. 12/16/92 Flac 16/48 - 0, 140423 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 2 Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 notes 2451. 12/16/92 Flac 24 - 0, 140831 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2452. 12/16/92 Flac 16 - 0, 140853 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2453. 12/16/92 Flac 16/48 - 0, 140956 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > MIT Cable > Tao Research Power Supply > Panasonic SV255; Location info: FOB, one person right of center, directly under center court Warriors scoreboard. Set 1 handheld at 5'9" & Set 2 w/ 5'11" stand; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Master DAT Recording & transfer by John Ammons notes 2454. 12/16/92 Shn - 0, 15395 Oakland Oakland-Alameda County Coliseum FOB Schoeps MK4V> Sony D3> D> CD> EAC> WAV> SHN encoded by JR Fishman notes 2455. 12/16/92 Flac 16 - 0, 25812 Oakland Oakland-Alameda County Coliseum flac16; FOB center (30' from stage) hand held CMC 4,41 ORTF> Canare star quad cables> Koch power supply > Canare star quad cables> Koch modified Panasonic sv-255 >hhb 830> CD-r> EAC >.wav> Flac; taped, transferred by Ed Boardman; DAE> flac by Chris Evans notes 2456. 12/16/92 Flac 16/48 - 0, 138068 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 2 Fob recording > AKG 414 > Oade preamp > Sony D-10 Pro > DAT; recorded by Jim Wise; Transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Taped and transferred by Jim Wise; Lineage: wav 16/48 > Adobe Audition 3.1 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick notes 2457. 12/16/92 Shn - 0, 9631 Oakland Oakland-Alameda County Coliseum AUD>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes 2458. 12/17/92 Shn - 0, 5552 Oakland Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear notes 2459. 12/17/92 DTS - 0, 88013 Oakland Oakland-Alameda County Coliseum DTS Audio 5.1; 4 Source Mix - SBD (shn id 5552) Dan Healy 2 track pa sbd dat master > Healy cassette + AUD1 (shn id 79732) Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 + AUD2 (shn id 29086) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz + AUD3 AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest - dts mixing by Kevin Tobin notes 2460. 12/17/92 Flac 16 Mtx - 0, 87983 Oakland Oakland-Alameda County Coliseum flac16; Matrix 4 Source Mix - SBD (shn id 5552) Dan Healy 2 track pa sbd dat master > Healy cassette + AUD1 (shn id 79732) Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 + AUD2 (shn id 29086) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz + AUD3 AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest - matrix mixing by Kevin Tobin notes 2461. 12/17/92 Flac 16 - 0, 79732 Oakland Oakland-Alameda County Coliseum flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans - DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE notes 2462. 12/17/92 Flac 24 - 0, 140832 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2463. 12/17/92 Flac 16 - 0, 140854 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2464. 12/17/92 Shn - 0, 29086 Oakland Oakland-Alameda County Coliseum Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson notes 2465. 12/17/92 Flac 16 - 0, 119222 Oakland Oakland-Alameda County Coliseum flac16; Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2466. 12/17/92 Shn - 0, 28903 Oakland Oakland-Alameda County Coliseum Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson notes 2467. 01/24/93 Shn - 0, 5610 Oakland Oakland-Alameda County Coliseum SBD > DAT > C > DAT > CDR > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; see info file for lineage notes notes 2468. 01/24/93 Flac 16 - 0, 85009 Oakland Oakland-Alameda County Coliseum flac16; Set 2: FOB Schoeps MK4s > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 > Diamond xTreme Sound Card >Cool Edit Pro > CDWave > Flac16 notes 2469. 01/24/93 Flac 16 - 0, 116031 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4's up front-center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2470. 01/24/93 Flac 16/48 - 0, 138078 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 notes 2471. 01/24/93 Flac 16/44,1 - 0, 141070 Oakland Oakland-Alameda County Coliseum flac16/44.1 set 2 only. Source Info: FOB Schoeps CMC3 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 2472. 01/24/93 Flac 16 - 0, 142855 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 2473. 01/24/93 Flac 16 - 0, 142856 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2474. 01/24/93 Flac 24 - 0, 142854 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2475. 01/25/93 Shn - 0, 9368 Oakland Oakland-Alameda County Coliseum SBD>CM>DAT>CDR; via Rick M; neo_levo/candyman FTP notes 2476. 01/25/93 Flac 16 - 0, 116032 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2477. 01/25/93 Flac 16/44,1 - 0, 141064 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC3 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 2478. 01/25/93 Flac 16 - 0, 142994 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 2479. 01/25/93 Flac 24 - 0, 142995 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2480. 01/25/93 Flac 16 - 0, 143521 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1 notes 2481. 01/26/93 Shn - 0, 26346 Oakland Oakland-Alameda County Coliseum SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller notes 2482. 01/26/93 Flac 16/48 - 0, 85934 Oakland Oakland-Alameda County Coliseum flac16/48; AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8 notes 2483. 01/26/93 Flac 16 - 0, 85933 Oakland Oakland-Alameda County Coliseum flac16; AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1kHz) > CDWave > FLAC (L8 notes 2484. 01/26/93 Flac 16/48 - 0, 134781 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Unknown FOB AUD > DAT; Transfer: DATx > Microtrack 24/96 16/48 > WAV > Flac (TLH) notes 2485. 01/26/93 Shn - 0, 4083 Oakland Oakland-Alameda County Coliseum AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff notes 2486. 01/26/93 Shn - 0, 21493 Oakland Oakland-Alameda County Coliseum Source: AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff (jon@seff.net); d2t2, d2t3 fixed from http://db.etree.org/shninfo_detail.php?shnid=4083 notes 2487. 01/26/93 Flac 16/48 - 0, 141744 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 2 Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes 2488. 01/26/93 Flac 16/48 - 0, Set 2 Only Oakland Oakland-Alameda County Coliseum notes 2489. 01/26/93 Flac 24 - 0, 143161 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 notes 2490. 01/26/93 Flac 16 - 0, 143219 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 This file set is 16 bit @ 44.1 notes 2491. 02/13/93 Shn - 0, 17435 San Rafael Club Front Club Front Studio Rehearsal; DSBD->CD->EAC->SHN; CD->EAC->SHN by Joe Samaritano notes 2492. 02/21/93 Flac 16 - 0, 86058 Oakland Oakland-Alameda County Coliseum flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> Trac'ed cdwave,Flac'ed level 8 TLH notes 2493. 02/21/93 Flac 16 - 0, 132376 Oakland Oakland-Alameda County Coliseum flac16; SBD> DAT> Steve Block CAS master> DAT> CDR> Sequoia 11-> WAV notes 2494. 02/21/93 Flac 16 - 0, 138697 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes 2495. 02/21/93 Shn - 0, 1055 Oakland Oakland-Alameda County Coliseum FOB (mics unknown) > DAT @ 48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/normalized to 98% > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; note tracked for 1x80, 1x74 notes 2496. 02/22/93 Shn - 0, 19283 Oakland Oakland-Alameda County Coliseum DSBD: DAT > DAT > CD encoded by Matt Vernon notes 2497. 02/22/93 Flac 16 - 0, 116143 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2498. 02/22/93 Flac 16 - 0, 138698 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes 2499. 02/22/93 Flac 16 44,1 - 0, 141178 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC 5 MK 4-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 2500. 02/22/93 Flac 16/48LPCM - 0, 149128 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.-surround mixing by Kevin Tobin notes 2501. 02/22/93 Flac 16 Dts.5.1 - 0, 149127 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.-dts mixing by Kevin Tobin notes 2502. 02/22/93 Flac 16 Mtx - 0, 149126 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.- matrix mixing by Kevin Tobin notes 2503. 02/22/93 Flac 16 - 0, 149125 Oakland Oakland-Alameda County Coliseum flac16; Patched & Pitch Corrected Audience AUD (original shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - pitch correction and patches by Kevin Tobin notes 2504. 02/23/93 Flac 16 Mtx - 0, 123213 Oakland Oakland-Alameda County Coliseum flac16; Matrix created with Audacity, Sbd +0 dB Gain, Aud -8 dB Gain, with slight variations to avoid clipping; soundboard source - gd93-02-23.sbd.unknown.14485.sbeok.shnf and aud source - gd1993-02-23.116152.NeumannKMF4.daweez.d5scott notes 2505. 02/23/93 Shn - 0, 14485 Oakland Oakland-Alameda County Coliseum SBD>DAT(S)>CDR with Brokedown from unspecified audience source notes 2506. 02/23/93 Flac 16/48 - 0, 134784 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Neumann TLM 170 FOB AUD > DAT; Transfer: DATx (Sony 60ES) > Microtrack 24/96 WAV > TLH Flac 16/48 notes 2507. 02/23/93 Flac 16 - 0, 116152 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones-up front > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2508. 02/23/93 Flac 16/48 - 0, 138786 Oakland Oakland-Alameda County Coliseum b>flac16/48kHz; Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 notes 2509. 02/23/93 Flac 16/44,1 - 0, 141069 Oakland Oakland-Alameda County Coliseum flac16/44.1 set 1 only. Source Info: FOB Mic's Unknown-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 2510. 02/23/93 Flac 16/44,1 - 0, 141067 Oakland Oakland-Alameda County Coliseum fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 2511. 02/23/93 Flac 16/48 - 0, 142897 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - surround mixing by Kevin Tobin notes 2512. 02/23/93 Flac Dts 5.1 - 0, 142896 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - dts mixing by Kevin Tobin notes 2513. 02/23/93 Flac 16 Mtx - 0, 142895 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes 2514. 02/23/93 Shn - 0, 1611 Oakland Oakland-Alameda County Coliseum SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall notes 2515. 02/23/93 Flac 16/48 - 0, 149400 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB Schoeps MK4->Reutelhuber P/S->Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes 2516. 03/09/93 Flac - 0, 110510 Rosemont Rosemont Horizon flac16; Recording Info:SBD -> Master Dat (44.1k); Transfer Info:Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2517. 03/09/93 Flac - 0, 119620 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2518. 03/09/93 Flac 24 - 0, 119619 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2519. 03/09/93 Flac - 0, 96075 Rosemont Rosemont Horizon flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2520. 03/09/93 Shn - 0, 10084 Rosemont Rosemont Horizon AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G notes 2521. 03/09/93 Flac - 0, 132702 Rosemont Rosemont Horizon flac16; Recording info: FOB/Schoeps CMC 34> Oade p/s> SV-255 by Vezzetti; DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M Audio USB Transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes 2522. 03/10/93 Flac - 0, 120543 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2523. 03/10/93 Flac - 0, 119635 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 2 Row 49 Seat 5/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2524. 03/10/93 Shn - 0, 35215 Rosemont Rosemont Horizon Sbd > DAT master > analog > DAT > CDR > EAC > SHN - Seamless fix of shn id 2024 notes 2525. 03/10/93 Shn - 0, 2024 Rosemont Rosemont Horizon Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder notes 2526. 03/10/93 Flac 24 - 0, 119634 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 2 Row 49 Seat 5/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2527. 03/10/93 Flac - 0, 96436 Rosemont Rosemont Horizon flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2528. 03/11/93 Flac 16 - 0, 120726 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2529. 03/11/93 Flac 16 Mtx - 0, 120865 Rosemont Rosemont Horizon flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes 2530. 03/11/93 Flac 16 - 0, 119637 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2531. 03/11/93 Flac 24/48 - 0, 119636 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2532. 03/11/93 Flac 16 - 0, 96384 Rosemont Rosemont Horizon flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2533. 03/11/93 Shn - 0, 10538 Rosemont Rosemont Horizon AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G notes 2534. 03/11/93 Shn - 0, 10383 Rosemont Rosemont Horizon SBD>CAS>DAT>CD; Seeded to etree by wharf_ratt notes 2535. 03/14/93 Flac 16 - 0, 96305 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat Master (44.1k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2536. 03/14/93 Flac 16 - 0, 110491 Richfield Richfield Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell MX-s 90,100 Taper:JB Transfer By;Keo Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz Dithered with Korg Aqua to 16 Bit/44.1kHz notes 2537. 03/14/93 Flac 16 - 0, 119653 Richfield Richfield Coliseum flac16; Master Audience Recorded By Mr. Darby And Mr. Walker; AKGC460B/CK61's (DIN/DFC/Middle Of OTS/8 Feet High)> AKGB18's (With 48V Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Dennon HD-M; Mr. Darby Was Patched Out Of His Late Friend Rob Walker; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2538. 03/14/93 Flac 16 - 0, 83162 Richfield Richfield Coliseum flac16; Recording Info: Schoeps Mk4 (cardiod) > Schoeps KC5 active Cable > Schoeps CMC 3 mic body > Monster M1000 Jumper cable > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Trac'ed Cdwave, Flac'ed level 8 TLH notes 2539. 03/14/93 Shn - 0, 19782 Richfield Richfield Coliseum Source: Set I: AUD, OTS, Sennheiser ME80's > Teac DA-P20 ; Set II: SBD, DSBD > ?C > DAT ; seeded to etree by Dan Stephens (dms@well.com) notes 2540. 03/14/93 Flac 24/96 - 0, 136407 Richfield Richfield Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2541. 03/14/93 Flac 16 - 0, 136408 Richfield Richfield Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2542. 03/14/93 Flac 24/96 - 0, 110493 Richfield Richfield Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell MX-s 90,100 Taper:JB Transfer By;Keo Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz notes 2543. 03/14/93 Flac 24/48 - 0, 119652 Richfield Richfield Coliseum flac24; Master Audience Recorded By Mr. Darby And Mr. Walker; AKGC460B/CK61's (DIN/DFC/Middle Of OTS/8 Feet High)> AKGB18's (With 48V Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Dennon HD-M; Mr. Darby Was Patched Out Of His Late Friend Rob Walker; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2544. 03/14/93 Shn - 0, 14830 Richfield Richfield Coliseum Source: Sennheiser ME80's (taper section)>Teac DA-P20 Transfer: Panasonic SV-3700>HHb CDR-800>EAC>Shn notes 2545. 03/14/93 Flac 16 - 0, 117608 Richfield Richfield Coliseum flac16; Source: Sony D6 Cassette master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD WavEditor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Official Taper Section notes 2546. 03/14/93 Shn - 0, 4703 Richfield Richfield Coliseum AKG468 shotguns > DAT; Conversion: DAT (Panasonic SV-3800) > CD (HHB CDR-850) > EAC (Plextor PX-40TS, secure mode) > SHN; seed by Robert Brown to abgd notes 2547. 03/16/93 Flac - 0, 120741 Landover Capital Centre flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2548. 03/16/93 Shn - 0, 5442 Landover Capital Centre sbd> dat> c> dat> cdr; via Tony Gardner, from Paul B. seed discs notes 2549. 03/16/93 Flac Dts 5.1 - 0, 135259 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=120741) Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 85173) AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) - mixing by Kevin Tobin notes 2550. 03/16/93 Flac Mtx. - 0, 135257 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (shnid=120741) Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 85173) AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) - matrix mixing by Kevin Tobin notes 2551. 03/16/93 Flac - 0, 97708 Landover Capital Centre flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger notes 2552. 03/16/93 Flac - 0, 85173 Landover Capital Centre flac16; AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) notes 2553. 03/16/93 Shn - 0, 28658 Landover Capital Centre Source: Af: AKG 414's>D Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03.CDWav>.wav or .shn notes 2554. 03/16/93 Flac - 0, 31958 Landover Capital Centre flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro notes 2555. 03/16/93 Flac - 0, 139672 Landover Capital Centre flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes 2556. 03/16/93 Flac - 0, 140082 Landover Capital Centre flac16/48kHz; Set 2 Rich Gastwirt recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 2557. 03/16/93 Flac 16 Dts.5.1 - 0, 135258 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD (shnid=120741) Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 85173) AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) - dts mixing by Kevin Tobin notes 2558. 03/17/93 Flac - 0, 79050 Landover Capital Centre flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes 2559. 03/17/93 Flac - 0, 86711 Landover Capital Centre flac16; Source: Unknown AUD > ? > Cassette. Transfer: Cassette > Sony TC-D5M (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC (August 2007) by Andrew F. (note: the date in the info file and file names is incorrect; this is from 3/17/93.) notes 2560. 03/17/93 Shn - 0, 4979 Landover Capital Centre SBD > MC > DAT > CDR > WAV > SHN; see info file for notes; upload C. Ladner, from cm's seed notes 2561. 03/17/93 Flac - 0, 77788 Landover Capital Centre flac16; NAK-300s > Sony D-5, using Dolby B. Two Maxwell MXS tapes recorded by Boyd McHugh from tapers' section Transfer: MC > standalone Philips 880 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks > EAC to extract to hard drive, CD Wave for splitting resulting .wav files, flac Fromtend to encode to flac. This is done by Bzl notes 2562. 03/17/93 Flac - 0, 31957 Landover Capital Centre flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro notes 2563. 03/17/93 Flac - 0, 34421 Landover Capital Centre flac16; **SOUNDCHECK** Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 2564. 03/17/93 Flac - 0, 89163 Landover Capital Centre flac 16; Source: AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 ->Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) notes 2565. 03/17/93 Flac - 0, 117743 Landover Capital Centre flac16; Source: Sony D6 Cassette master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker,Official Taper Section notes 2566. 03/17/93 Flac - 0, 138877 Landover Capital Centre flac16/48kHz; Set 2, Taped by Ron Keyser: AMS ST-250 Soundfield mic > Modified Sony D10Pro> DAT - FOB; John Ammons Transfer from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 2567. 03/18/93 Flac - 0, 79070 Landover Capital Centre flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes 2568. 03/18/93 Shn - 0, 16814 Landover Capital Centre FOB (SoundField ST250)>DAT(playback on Panasonic SV-3800)>HHb CDR-850>CDR>WAV>SHN. CDR source via D.Duquette. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP. notes 2569. 03/18/93 Shn - 0, 28659 Landover Capital Centre Source: Af: Schoeps cmc5&mk21's>D 11th row, center Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav>CD or .shn notes 2570. 03/18/93 Flac - 0, 118320 Landover Capital Centre flac16; Source:Sony D6 cassette Master(Dolby "B" On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section notes 2571. 03/18/93 Flac - 0, 106322 Landover Capital Centre flac16/48kHz; Source: Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer: Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend; Tapers Unknown ,Eliot Byron's Rig,Eliot Byron's tape marked Master. Transfer and upload by Frank D'Auria. notes 2572. 03/18/93 Flac - 0, 139673 Landover Capital Centre flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes 2573. 03/20/93 Flac 16 - 0, 28428 Atlanta The Omni flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; plus patch from FOB Soundfield AMS ST250 source; Edited By Charlie Miller notes 2574. 03/20/93 Shn - 0, 3385 Atlanta The Omni AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner notes 2575. 03/20/93 Flac 16 - 0, 111267 Atlanta The Omni flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)>NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); notes 2576. 03/20/93 Flac 16/48 - 0, 147585 Atlanta The Omni flac16/48kHz; Source Info: TS Nak 300-> Casio DA-7-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Taped & Transfers by Pete Ebel notes 2577. 03/20/93 Flac 16 - 0, 149271 Atlanta The Omni flac16; Source Info: FOB AMS ST-250-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) notes 2578. 03/20/93 Flac 24/48 - 0, 151158 Atlanta The Omni flac24/48khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 notes 2579. 03/20/93 Flac 16/44 - 0, 151663 Atlanta The Omni flac16/44khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151158 24 -> 16 @ 44.1 notes 2580. 03/21/93 Flac - 0, 28429 Atlanta The Omni flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller notes 2581. 03/21/93 Flac - 0, 132695 Atlanta The Omni flac16; Set One recording info on DAT: Neumann TLM-170/Oade (presumed Oade recording); Set Two recording info on DAT: B&K 4011 received from Jim Lyle; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on by Will Petty notes 2582. 03/21/93 Shn - 0, 3386 Atlanta The Omni AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner notes 2583. 03/21/93 Flac - 0, 111268 Atlanta The Omni flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)> NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); (OTS/sec 128F-row PP-seat 14) notes 2584. 03/21/93 Shn - 0, 7470 Atlanta The Omni FOB/DFC Soundfield ST-250 > Sony D10 Pro-II (48k) Master DAT Mastered live by James Young / Ron kaiser; via nick@nickspicks.com notes 2585. 03/21/93 Flac 24/48 - 0, 151159 Atlanta The Omni flac24/48khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 notes 2586. 03/21/93 Flac 16/44 - 0, 151664 Atlanta The Omni flac16/44khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151159 24 -> 16 @ 44.1 notes 2587. 03/22/93 Flac 16 - 0, 28430 Atlanta The Omni flac16; set1; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller notes 2588. 03/22/93 Flac 16 - 0, 1132696 Atlanta The Omni flac16; Recording info on DAT: Neumann TLM 170/Oade (presumed Oade Brothers recording); DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on by Will Petty notes 2589. 03/22/93 Flac 16 - 0, 111269 Atlanta The Omni b>flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)> NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); (OTS/sec 128F-row NN-seat 14) notes 2590. 03/22/93 Shn - 0, 3388 Atlanta The Omni AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC with proper offset-> SHN; known flaw: glitch at 2:00 on d3t03; via Tony Gardner; note gaps from previous version are fixed in this copy notes 2591. 03/22/93 Flac 24 - 0, 141620 Atlanta The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2592. 03/22/93 Flac 16 - 0, 141812 Atlanta The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2593. 03/24/93 Flac - 0, 109210 Chapel Hill Dean Smith Center flac16; Recording Info: SBD -> Dat Master (48k) Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller notes 2594. 03/24/93 Flac - 0, 25664 Chapel Hill Dean Smith Center Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC notes 2595. 03/24/93 Shn - 0, 16885 Chapel Hill Dean Smith Center SBD > D10 proII transfered and encoded by Doug Nawrocki notes 2596. 03/24/93 Shn - 0, 4707 Chapel Hill Dean Smith Center SBD > DAT > CDR > EAC > SHN; DAE and shn conversion by Jason Parmer notes 2597. 03/24/93 Shn - 0, 100675 Chapel Hill Dean Smith Center Updated lineage: SBD > ? > SHN (Had been marked Unknown Audience source notes 2598. 03/24/93 Flac - 0, 85794 Chapel Hill Dean Smith Center flac16; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 notes 2599. 03/24/93 Flac - 0, 89795 Chapel Hill Dean Smith Center flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 ** 48k version ** notes 2600. 03/24/93 Flac - 0, 25754 Chapel Hill Dean Smith Center Set 2 Only: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC notes 2601. 03/24/93 Flac - 0, 139181 Chapel Hill Dean Smith Center flac16/48kHz; source: sbd dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; sony tcd-d10 pro; transferred & seeded by Rob Berger notes 2602. 03/24/93 Flac Mtx. - 0, 140000 Chapel Hill Dean Smith Center flac16; Matrix of Source 1 (shnid 109210): Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; and Source 2 (shnid 85794): Recording info: AKG 460/CK8's > Marantz PMD-700; Transfer info: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes 2603. 03/25/93 Flac 16 - 0, 103176 Chapel Hill Dean Smith Center flac16; Recording Info:SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2604. 03/25/93 Flac 16 - 0, 25820 Chapel Hill Dean Smith Center flac16; SBD> Panasonic SV255 (Master DAT)> Modified Sony D10 Pro (Master DAT) Recorded By Ron Keyser. Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC Aud. Patch: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young notes 2605. 03/25/93 Shn - 0, 10078 Chapel Hill Dean Smith Center SBD>DAT>CD (This lineage is probable but not confirmed.); via Donnie Loeffler; Seeded to etree by Peter Braverman notes 2606. 03/25/93 Shn - 0, 3191 Chapel Hill Dean Smith Center SBD> DAT, with first 2 songs patched in from AUD AMS ST-250>D10; SBD via Pete Delgado; Transfer by Doug Nawrocki: DA-P1> Montego II> CE2k> CDWav> MKWAct; some declicking (see notes in info file) notes 2607. 03/25/93 Shn - 0, 16433 Chapel Hill Dean Smith Center SBD > D10proII; Transfer: DA-P1 > Montego II > CE2000 > CDWave > shn > CEP 2.0 (Slightly smoothed audience patch and boosted levels 3db on entire show) > shn; presumably an edit of previous shn set, by unIDed person notes 2608. 03/25/93 Flac 16 - 0, 85829 Chapel Hill Dean Smith Center flac16; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 notes 2609. 03/25/93 Flac 16/48 - 0, 85830 Chapel Hill Dean Smith Center flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 **48k version ** notes 2610. 03/25/93 Shn - 0, 14831 Chapel Hill Dean Smith Center Nak 300's at 8'> sony d3; transfer: Dat> sblive> cdwave> mkw audio tools> SHN; Taped By Wally Stine, locn TS notes 2611. 03/25/93 Flac 16 - 0, 25805 Chapel Hill Dean Smith Center set 1 only; flac16; AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO; recorded By James Young; Transfer: Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF> Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC, by Ron Keyser notes 2612. 03/25/93 Flac 16/48 - 0, 139204 Chapel Hill Dean Smith Center flac16/48kHz; source: sbd dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; sony tcd-d10 pro; transferred & seeded by Rob Berger notes 2613. 03/27/93 Flac 16 - 0, 92523 Albany Knickerbocker Arena flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat Set 2: SBD -> Dat Transfer Info: Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV Mastering Info: WAV -> Samplitude Professional v10.1 -> FLAC All Transfers By Charlie Miller and Joe Samaritano All Mastering By Charlie Miller notes 2614. 03/27/93 Flac 16 - 0, 110576 Albany Knickerbocker Arena flac16; Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz,Dithered with Korg Aqua to 16/44 notes 2615. 03/27/93 Shn - 0, 555 Albany Knickerbocker Arena SBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki notes 2616. 03/27/93 Flac 24/96 - 0, 110577 Albany Knickerbocker Arena flac24; Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz No Dithering on these files notes 2617. 03/27/93 Shn - 0, 31956 Albany Knickerbocker Arena Source: SBD > DAT Transfer: D8 > 7 pin/digi coax > Montego II > CDWave > SHN by Doug Nawrocki with patched d2t03 notes 2618. 03/27/93 Shn - 0, 6701 Albany Knickerbocker Arena FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by nick@nickspicks.com notes 2619. 03/27/93 Flac 16 - 0, 95958 Albany Knickerbocker Arena flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) TLH > FLAC; Taped & transferred by Andrew F. notes 2620. 03/27/93 Flac 16 - 0, 119209 Albany Knickerbocker Arena flac16; Audience Recording Source:Sony D6 Cassette Master(Dolby "B" ON>Maxell MX-S Metal Cassettes)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker. Official Tapers Section notes 2621. 03/27/93 Flac 16/48 - 0, 139670 Albany Knickerbocker Arena flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes 2622. 03/27/93 Flac 16/48 - 0, 140009 Albany Knickerbocker Arena flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes 2623. 03/27/93 Flac 16/48 - 0, 144223 Albany Knickerbocker Arena flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell notes 2624. 03/27/93 Flac 24/96 - 0, 136687 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2625. 03/27/93 Flac 16 - 0, 136688 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2626. 03/27/93 Flac 16 Mtx - , 152952 Albany Knickerbocker Arena flac16; Matrix by Hunter Seamons using Final Cut Pro for set 1 and Soundtrack Pro for set 2 (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 92523 & 140009. notes 2627. 03/28/93 Flac 16 - 0, 96215 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Master Dat -> soundBlade -> DVD (16bit/44.1k); Transfer Info:DVD -> Samplitude Professional v10.1 -> FLAC; Transferred and Mastered By David Gans; Additional Mastering By Charlie Miller notes 2628. 03/28/93 Shn - 0, 16747 Albany Knickerbocker Arena SBD>DAT>C>DAT>CDR encoded by Dan Carr [note: a fix of a d/o on d1t05 also circulates] notes 2629. 03/28/93 Flac 16 - 0, 95962 Albany Knickerbocker Arena flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F notes 2630. 03/28/93 Shn - 0, 5702 Albany Knickerbocker Arena FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by nick@nickspicks.com notes 2631. 03/28/93 Flac 16 - 0, 136700 Albany Knickerbocker Arena flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2632. 03/28/93 Flac 24/96 - 0, 136669 Albany Knickerbocker Arena flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2633. 03/28/93 Flac 16/48 - 0, 95961 Albany Knickerbocker Arena flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. notes 2634. 03/28/93 Flac 24/48 - 0, 124514 Albany Knickerbocker Arena b>flac24; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar v4LE >Sound Forge 9.0 (tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi notes 2635. 03/28/93 Flac 16 - 0, 124513 Albany Knickerbocker Arena flac16; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar4 LE > Sound Forge 9.0 (convert 16/44.1, tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi notes 2636. 03/28/93 Flac 16 - 0, 119290 Albany Knickerbocker Arena flac16; Source: Sony D6 Cassette Master(Maxell MX-S Metal Cassettes, Dolby "B" ON>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Official Taper Section notes 2637. 03/28/93 Flac 16 - 0, 106368 Albany Knickerbocker Arena b>flac16; Source:Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer:Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend Taped by Eliot Byron and others unknown. Taped from row 15 FOB,Up front in the hat notes 2638. 03/28/93 Flac 16/48 - 0, 139671 Albany Knickerbocker Arena flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes 2639. 03/28/93 Flac 16/48 - 0, 140016 Albany Knickerbocker Arena flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes 2640. 03/28/93 Flac 16/48 - 0, 144224 Albany Knickerbocker Arena flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell notes 2641. 03/28/93 Flac 16 Mtx - , 154748 Albany Knickerbocker Arena Flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 96215 & 140016. notes 2642. 03/29/93 Shn - 0, 13512 Albany Knickerbocker Arena SBD>DAT>Cass>DAT; via Chris Larson ; Seeded to etree by T. Wiley notes 2643. 03/29/93 Flac 16/44 - , 154852 Albany Knickerbocker Arena flac16/44; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 151665 & 140019. notes 2644. 03/29/93 Flac 16/48 - 0, 134819 Albany Knickerbocker Arena flac16/48kHz; Source: FOB > DAT; unknown taper and equipment; Transfer: DAT (x) > 60ES > Microtrack 24/96 > WAV 16/48 > Flac 16/48; Patch source: DAUD/OTS Schoeps mk4(ORTF); taped by Eliot Byron; transfer>upload by Jim Raras SHNID 8376 notes 2645. 03/29/93 Flac 16 - 0, 96029 Albany Knickerbocker Arena flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. notes 2646. 03/29/93 Flac 16 - 0, 136710 Albany Knickerbocker Arena flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 100 + 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2647. 03/29/93 Flac 24/96 - 0, 136708 Albany Knickerbocker Arena flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 100 + 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2648. 03/29/93 Flac 16/48 - 0, 96025 Albany Knickerbocker Arena flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. notes 2649. 03/29/93 Flac 16 - 0, 119472 Albany Knickerbocker Arena flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns(Maxell MX-s Metal Tapes,Dolby "B" ON)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper.Taped By Dave Boedicker,Official Taper Section notes 2650. 03/29/93 Shn - 0, 8376 Albany Knickerbocker Arena DAUD/OTS Schoeps mk4(ORTF); taped by Eliot Byron; transfer>upload by Jim Raras; QC courtesy Dankseeds notes 2651. 03/29/93 Flac 16/48 - 0, 140019 Albany Knickerbocker Arena flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes 2652. 03/29/93 Flac 16/48 - 0, 144225 Albany Knickerbocker Arena flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell notes 2653. 03/29/93 Flac 16/48 - 0, 139668 Albany Knickerbocker Arena flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes 2654. 03/29/93 Flac 24/48 - 0, 151342 Albany Knickerbocker Arena flac24/48khz Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 notes 2655. 03/29/93 Flac 16/44 - 0, 151665 Albany Knickerbocker Arena flac16/44khz Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151342 24 -> 16 @ 44.1 notes 2656. 03/31/93 Flac 16 - 0, 1144456 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2657. 03/31/93 Shn - 0, 18750 Uniondale Nassau Coliseum Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD -> EAC -> SHN All transfers done by Charlie Miller notes 2658. 03/31/93 Shn - 0, 31000 Uniondale Nassau Coliseum Soundcheck ; *Note* this is a fixed copy of Ken K's original flac seed. Source: Unknown Generation cassette (a montior feed or an "AUD" tape made inside the venue?) ; Transfer & Encoding by Ken K. ; track renaming and sector error fix by one of the folks @ tmnsp.net notes 2659. 03/31/93 Flac 16 - 0, 96100 Uniondale Nassau Coliseum flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. notes 2660. 03/31/93 Flac 16/48 - 0, 96099 Uniondale Nassau Coliseum flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. notes 2661. 03/31/93 Flac 16 - 0, 124440 Uniondale Nassau Coliseum flac16; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16/44.1, tracking, fades and normalize) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi notes 2662. 03/31/93 Flac 16/48 - 0, 139689 Uniondale Nassau Coliseum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes 2663. 03/31/93 Flac 16/48 - 0, 139964 Uniondale Nassau Coliseum flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes 2664. 03/31/93 Shn - 0, 8756 Uniondale Nassau Coliseum AUD(Schoeps CMC 541's)>DAT>CDR; Unknown Seeder notes 2665. 03/31/93 Flac 24 - 0, 149467 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 2666. 03/31/93 Flac 16 - 0, 150156 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 2667. 04/01/93 Shn - 0, 23822 Uniondale Nassau Coliseum DSBD > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 2668. 04/01/93 Flac - 0, 96103 Uniondale Nassau Coliseum flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. notes 2669. 04/01/93 Flac - 0, 96102 Uniondale Nassau Coliseum flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. notes 2670. 04/01/93 Shn - 0, 17682 Uniondale Nassau Coliseum B&K 4011 w/balls > HDS1@stacks front center of ts > CD; Conversion: CD > EAC > Cool Edit 2000 > CDWav > mkwACT 0.97 > shn by Steve Blanchard notes 2671. 04/01/93 Flac - 0, 139690 Uniondale Nassau Coliseum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes 2672. 04/01/93 Flac - 0, 139965 Uniondale Nassau Coliseum flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes 2673. 04/01/93 Flac 24 - 0, 149968 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 2674. 04/01/93 Flac 16 - 0, 150157 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 2675. 04/02/93 Shn - 0, 13500 Uniondale Nassau Coliseum SBD>DAT>C>DAT>CDR>EAC>WAV>MKW>SHNv3 notes 2676. 04/02/93 Shn - 0, 18527 Uniondale Nassau Coliseum AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon notes 2677. 04/02/93 Flac - 0, 139691 Uniondale Nassau Coliseum flac16/48kHz; Set 2 Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes 2678. 04/02/93 Flac - 0, 139966 Uniondale Nassau Coliseum flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes 2679. 04/02/93 Flac 24 - 0, 149469 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes 2680. 04/02/93 Flac 16 - 0, 150158 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 2681. 04/04/93 Flac 16 - 0, 27976 Uniondale Nassau Coliseum flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 2682. 04/04/93 Flac 16/48 - 0, 85860 Uniondale Nassau Coliseum flac16/48; AKG 460/CK8's (2' apart on a custom T-Bar) -> Panasonic SV-255 -> Teac DA-P20 -> Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) **48k version** notes 2683. 04/04/93 Flac 16 - 0, 85859 Uniondale Nassau Coliseum flac16; AKG 460/CK8's (2' apart on a custom T-Bar) -> Panasonic SV-255 -> Teac DA-P20 -> Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes 2684. 04/04/93 Shn - 0, 18978 Uniondale Nassau Coliseum Source: Nak 300/CP4>CM>CDR>WAV>SHN. CDR source via O.Clark. SHN encoding/FTP via C.Ladner/candyman FTP. notes 2685. 04/04/93 Shn - 0, 18528 Uniondale Nassau Coliseum AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon notes 2686. 04/04/93 Flac 16 - 0, 138482 Uniondale Nassau Coliseum flac16 Source - Lineage : OTS - Nak CM 300 > CP-4S > Sony TCD5 > Cassette Master > Transfer to CD > me > EAC > TLH level 8 > flac 16 > you > enjoy ! Tape and Transferred by Jon Pasternak notes 2687. 04/04/93 Flac 16/48 - 0, 139692 Uniondale Nassau Coliseum flac16/48kHz; Set 2 Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes 2688. 04/04/93 Flac 24 - 0, 149970 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 2689. 04/04/93 Flac 16 - 0, 150159 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 2690. 04/05/93 Shn - 0, 12095 Uniondale Nassau Coliseum SBD>MC>DAT>CDR; via Raoul Duke; Seeded to etree by Tony G notes 2691. 04/05/93 Shn - 0, 8842 Uniondale Nassau Coliseum 1st set only; DAUD/FOB Schoeps mk21(ORTF); via Dankseeds notes 2692. 04/05/93 Flac 16 - 0, 107784 Uniondale Nassau Coliseum flac16; Recording: Sonic Solutions DSM-6P -> Sony D6 Section B1, Row 16, Seat 9 (DFC) Transfer: Onkyo TA-2600 -> Audacity -> Wav -> xACT -> Flac notes 2693. 04/05/93 Flac 16/48 - 0, 139693 Uniondale Nassau Coliseum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes 2694. 04/05/93 Flac 24 - 0, 149971 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 2695. 04/05/93 Flac 16 - 0, 150160 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 2696. 05/14/93 Flac 16/48 - 0, 137245 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Recording Info: (FOB) Schoeps MK41 -> Dat (Panasonic SV-255/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2697. 05/14/93 Shn - 0, 17812 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. A : ? > DAT > CDR > EAC > SHN; CDR > EAC > CDWAV > SHN by Alan J Fink, with thanks to Paul B. notes 2698. 05/14/93 Flac 16 - 0, 94259 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2699. 05/14/93 Flac 16 - 0, 112085 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: FOBH 30' center Schoeps Mk-41 3.5" @ 90* ( 1/2 O.R.T.F ) > Schoeps KC5 Actives > CMC 4 > Canare Star Quad > Koch Power Supply > Canare Star Quad > Koch Modified Panasonic SV-255; Transfer Info: DAT x 3 48k > Hosa ODL-276 > Nomad Jukebox 3 > USB > Dell Home Computer > R8t Brain 48K to 44.1k > CD Wave > Flac Frontend notes 2700. 05/14/93 Flac 24 - 0, 140129 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2701. 05/14/93 Flac 16 - 0, 140224 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2702. 05/14/93 Flac 16/48 - 0, 141491 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 2703. 05/15/93 Flac - 0, 32091 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: FOBH 30' center Schoeps Mk-41 3.5" @ 90* ( 1/2 O.R.T.F ) > Schoeps KC5 Actives > CMC 4 > Canare Star Quad > Kock Power Supply > Canare Star Quad > Koch Modified Panasonic SV-255. Transfer Info: DAT x 3 48k > Hosa ODL-276 > Nomad Jukebox 3 > USB > Dell Home Computer > R8t Brain 48K to 44.1k > CD Wave > Flac Frontend. notes 2704. 05/15/93 Flac - 0, 137246 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Recording Info: (FOB) Schoeps MK41 -> Dat (Panasonic SV-255/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2705. 05/15/93 Shn - 0, 17955 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. A : Schoeps CMC 521's > DAT > CDR > EAC > CE Pro > SHN; CDR > EAC > CE Pro > SHN by Alan J Fink (aj.fink@verizon.net) notes 2706. 05/15/93 Flac 24 - 0, 140130 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2707. 05/15/93 Flac - 0, 140225 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2708. 05/15/93 Flac 16/48 - 0, 141493 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Set 2 Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 2709. 05/16/93 Flac 16 - 0, 34826 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Seamless fix of shn id 32348 - SBD -> Master Dat -> Sonic Solutions -> CD -> EAC -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 2710. 05/16/93 Flac 16 - 0, 32348 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD -> Master Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC notes 2711. 05/16/93 Shn - 0, 4183 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Internal FM> DAT (48kHz); Transfer: DAT> ZA2 (S/PDIF)> Samplitude2496> shn; Conversion by Chris Larson, from Tom and Roger's tapes notes 2712. 05/16/93 Shn - 0, 11934 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. SBD>DAT(48kHz); via Steve Herman; Seeded to etree by M. Walke notes 2713. 05/16/93 Flac 16 - 0, 135614 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes 2714. 05/16/93 Flac 16 - 0, 116301 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2715. 05/16/93 Flac 24 - 0, 140260 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2716. 05/16/93 Flac 16 - 0, 140326 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2717. 05/16/93 Flac 16/48 - 0, 141494 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 2718. 05/16/93 Flac 24/96 - 0, 151343 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24/96khz Remastered Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Samplitude Pro X5 Suite > FLAC/24 notes 2719. 05/16/93 Flac 16/44 - 0, 151684 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/44khz Remastered Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Samplitude Pro X5 Suite > FLAC/24 151343 24 -> 16 @ 44.1 notes 2720. 05/21/93 Flac 16 - 0, 32499 Mountain View Shoreline Amphitheatre flac16; SBD -> Master Dat -> Sonic Solutions -> CD Converted By Charlie Miller notes 2721. 05/21/93 Flac 16/48 - 0, 137252 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2722. 05/21/93 Flac 16/48 - 0, 137355 Mountain View Shoreline Amphitheatre b>flac16/48kHz; Set 2 Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2723. 05/21/93 Shn - 0, 9400 Mountain View Shoreline Amphitheatre AUD(Schoeps CMC 521?s)>DAT>CDR; Seeded to etree by Tony G notes 2724. 05/21/93 Flac 24 - 0, 140856 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2725. 05/21/93 Flac 16 - 0, 140870 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2726. 05/22/93 Shn - 0, 11665 Mountain View Shoreline Amphitheatre SBD -> Dat -> Sonic Solutions -> CD; Seeded to etree by Charlie Miller notes 2727. 05/22/93 Shn - 0, 9401 Mountain View Shoreline Amphitheatre SBD>DAT>??>DAT>CDR; Seeded to etree by Tony G notes 2728. 05/22/93 Flac - 0, 137254 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2729. 05/22/93 Flac - 0, 137350 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2730. 05/22/93 Flac - 0, 127320 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 x 3; 2 CP-4’s + 1 CP-1 > Boss BX-4 Mixer > Sony TC-D5M XLIIS Cass Master; Transferred: TC-D5M (Original Record Deck) > HHb CDR 800 PRO via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, SEC 202, Left; Recorded/Transferred By:Jeff Bowen notes 2731. 05/23/93 Shn - 0, 8707 Mountain View Shoreline Amphitheatre DSBD>DAT>CDR; Seeded to etree by Tim Wiley notes 2732. 05/23/93 Flac - 0, 137255 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2733. 05/23/93 Flac - 0, 137351 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2734. 05/23/93 Flac - 0, 94352 Mountain View Shoreline Amphitheatre flac16; Neumann KM140's>Panasonic SV-250>Analog out>Technics SV-MD1(don't have preamp used written on my label) DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2735. 05/25/93 Shn - 0, 19224 Sacramento Cal Expo DSBD: DAT > DAT > Sonic Solutions > CD > CD encoded by Matt Vernon notes 2736. 05/25/93 Flac 16/48 - 0, 34853 Sacramento Cal Expo flac16/48; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav notes 2737. 05/25/93 Flac 16 - 0, 34849 Sacramento Cal Expo flac16; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav notes 2738. 05/25/93 Flac 16/48 - 0, 137257 Sacramento Cal Expo flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2739. 05/25/93 Shn - 0, 19223 Sacramento Cal Expo Schoeps > DAT > CDR via Tom Bellanca encoded by Matt Vernon notes 2740. 05/25/93 Flac 24 - 0, 140499 Sacramento Cal Expo flac24/96 Source AK40's (in kangol hat)>lc3 cables>km100's>Neumann 48v. P.S.>(Oade Modifed) SV-250. Lineage DAT Master>SV-3700 (digital out)>Apogee Duet>Macbook Pro>Audacity>Audition>Flac24/48. Taped by Taper Troy. notes 2741. 05/26/93 Flac - 0, 27776 Sacramento Cal Expo flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller notes 2742. 05/26/93 Flac - 0, 84031 Sacramento Cal Expo flac16; Recording Info: FOB Schoeps Mk2 Omni Capsule (omnis in hat) spaced 8 feet apart -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Tracked: Cdwave Flac'ed Level 8 Tlh notes 2743. 05/26/93 Shn - 0, 19132 Sacramento Cal Expo DSBD>CASS>DAT>CDx2 > EAC in secure mode > SHN notes 2744. 05/26/93 Shn - 0, 1958 Sacramento Cal Expo M:C> D> CD> EAC> SHN; via Nick Georges; CD insert available at www.nickspicks.com notes 2745. 05/26/93 Flac - 0, 15384 Sacramento Cal Expo flac16; FOB Schoeps CMC3, 2-> OADE/PS-SV255; DAT>CD conversion, unknown; My audio discs > EAC (secure) > FLAC; ripped/FLAC'd/edits done by Nick Georges notes 2746. 05/26/93 Flac - 0, 140311 Sacramento Cal Expo flac16/48kHz; Set 1 Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes 2747. 05/26/93 Flac 16/48 - 0, 152130 Sacramento Cal Expo flac16/48 Recording Info: (FOB) Schoeps MK41 > DAT Master (Modified Panasonic SV-255/48k) Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k notes 2748. 05/27/93 Flac - 0, 27777 Sacramento Cal Expo flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller notes 2749. 05/27/93 Flac - 0, 100800 Sacramento Cal Expo flac16; FOB Digital Audience Recording Lineage: Clone of Master DAT Recording Equipment: Schoeps Mk2 Omni Capsules in-hat human mic stands spaced 8' apart -> Schoeps Active Cables -> Schoeps CMC Mic Body -> Oade Mic Pre -> Panasonic sv255 Recorded By: Unknown; Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0; Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 SBE FREE Tag & Rename for FLAC Meta-Tagging notes 2750. 05/27/93 Shn - 0, 1932 Sacramento Cal Expo M:C> D> transfer via dap1>zoltrix nightengale> SHN; no noise reduction; via Nick Georges; may or may not have extra cass gen- see Nick's listening notes in info file notes 2751. 05/27/93 Flac - 0, 137258 Sacramento Cal Expo flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2752. 05/27/93 Flac - 0, 91374 Sacramento Cal Expo flac16; Neumanns(model forgotten over the last 15 years, likely KM150's)>Technics SV-MD1 Recorded FOB By Steve Fink & Keith Litzenberger Transfer by Keith Litzenberger DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC notes 2753. 05/27/93 Flac - 0, 109587 Sacramento Cal Expo flac16; Sankens COS1 FOB -> ? -> DAT (16 bit/48 khz); Transfer: Sony R500->Sound Devices 722; Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, minor clap removal during some quiet parts of drums/space, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav; Recorded By ?; Transfer, mastering, and tracking August 2010 by Scott Bernstein notes 2754. 06/05/93 Shn - 0, 8328 East Rutherford Giants Stadium DSDB master> DAT Clone> ?> CDR; Seeded to etree by Tim Wiley notes 2755. 06/05/93 Flac 16 - 0, 104982 East Rutherford Giants Stadium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, set up back of floor. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 notes 2756. 06/05/93 Flac 24/96 - 0, 136842 East Rutherford Giants Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2757. 06/05/93 Flac 16 - 0, 135843 East Rutherford Giants Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2758. 06/05/93 Shn - 0, 8ß41 East Rutherford Giants Stadium AUD>DAT>CDR; via Paul B.; Tim Wiley notes 2759. 06/05/93 Flac 16/48 - 0, 141595 East Rutherford Giants Stadium flac16/48kHz; Set 2 Source Info: Jim Wise's Master (FOB) Audience Dat; Modified Nakamichi 700 mics > Sony D10 (16-bit/48k); Transfer Info: Dat (16/48k)(Sony PCM-R500) > Tascam DA-3000 > .wav 16-bit/48k > Adobe Audition 3.0 > TLH flac1648 notes 2760. 06/05/93 Flac 16/48 - 0, 149527 East Rutherford Giants Stadium flac16/48kHz; Source Info: FOB Sennheiser MKH-40 (Wide-Angled Cardioid)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes 2761. 06/06/93 Flac 16 - 0, 100023 East Rutherford Giants Stadium flac16:; Replaygain and repeat-glitch fix of DSBD>CDR>shn>WAV>FLAC: SHNID 34835, which was in turn a seamless fix of SHNID 8246. notes 2762. 06/06/93 Shn - 0, 8246 East Rutherford Giants Stadium DSBD> CDR> shn; via Andy Gustin with thanks to Kevin Kaye notes 2763. 06/06/93 Flac 16 - 0, 105266 East Rutherford Giants Stadium flac16; FOB AUD: Sonics Studios mics > Cassette > 1C. Transfer: 1st gen Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged notes 2764. 06/06/93 Shn - 0, 8329 East Rutherford Giants Stadium DSBD master> Dat Clone> ?> CDR; Seeded to etree by Tim Wiley notes 2765. 06/06/93 Flac 16 - 0, 136851 East Rutherford Giants Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2766. 06/06/93 Flac 24/96 - 0, 136850 East Rutherford Giants Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2767. 06/06/93 Flac 24/96 - 0, 135170 East Rutherford Giants Stadium b>flac24; Source: Previously unreleased FOB DAT -> cassette. Sennheiser MKH 40 Cardioids, ORTF, 5'8" High on stand -> Canare Cable -> Sennheiser MSA 14 Power Supplies -> Sony TCDC-D10 DAT, Sec. 6, row 3, Seat 18, ~24 rows from stage, 2 seats right of center, FOB; DAT x-fer -> Apogee 701 BETA -> Nak BX300 / TDK MA110 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded by Richard Berner notes 2768. 06/06/93 Flac 16/48 - 0, 149528 East Rutherford Giants Stadium flac16/48kHz; Source Info: FOB Sennheiser MKH-40 (Wide-Angled Cardioid)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); this is the same source as (#135170) minus the Cassette generation notes 2769. 06/08/93 Shn - 0, 6673 Auburn Hills The Palace DSBD > DAT (possibly DSBD > 1C > DAT); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson notes 2770. 06/08/93 Flac 16 - 0, 116346 Auburn Hills The Palace flac16; First Generation Tapes Of Unknown Mics/Deck; Transfer By Keo; Tapes:Maxell XLII 90,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed with Traders Little Helper notes 2771. 06/08/93 Flac 24/96 - 0, 116345 Auburn Hills The Palace flac24; First Generation Tapes Of Unknown Mics/Deck; Transfer By Keo; Tapes:Maxell XLII 90,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes 2772. 06/08/93 Flac 16/48 - 0, 150587 Auburn Hills The Palace flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 2773. 06/09/93 Shn - 0, 13601 Auburn Hills The Palace SBD>Dat>Cm>Dat>Samplitude>CD; Seeded to etree by Charlie Miller notes 2774. 06/09/93 Shn - 0, 6674 Auburn Hills The Palace DSBD > 1C > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson notes 2775. 06/09/93 Shn - 0, 9457 Auburn Hills The Palace S>D>C>D>CD; Unknown seeder notes 2776. 06/09/93 Flac 16 - 0, 94350 Auburn Hills The Palace flac16; Sennheiser ME-80's>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2777. 06/09/93 Flac 16/48 - 0, 150588 Auburn Hills The Palace flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 2778. 06/11/93 Shn - 0, 34399 Hebron Buckeye Lake Music Center SBD>MDAT>Sonic Solutions>CD->EAC->SHN - Seamless fix of shn id 19217 notes 2779. 06/11/93 Flac - 0, 100405 Hebron Buckeye Lake Music Center flac16; 3-Source SBD/AUD Matrix: SBD: shnid=34399, AUD 1: shnid=34163, and AUD 2: shnid=3192 see info files for details notes 2780. 06/11/93 Shn - 0, 19217 Hebron Buckeye Lake Music Center Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano. notes 2781. 06/11/93 Flac - 0, 34163 Hebron Buckeye Lake Music Center flac16; FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8) notes 2782. 06/11/93 Flac - 0, 111293 Hebron Buckeye Lake Music Center flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony Tc We-325 Home Cassette Deck(PLayback)>Edirol R-09 HR>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper notes 2783. 06/11/93 Flac - 0, 109886 Hebron Buckeye Lake Music Center flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 2784. 06/11/93 Shn - 0, 3192 Hebron Buckeye Lake Music Center AKG 451 hypercardioid (90 deg XY)> TCD-D3> Dio2448> CE2k (48>44.1)> WAV> SHN; via Doug Nawrocki. [Note added 8/27/2003: An sbe-fixed shn set also circulates] notes 2785. 06/11/93 Flac 16/48 - 0, 149566 Hebron Buckeye Lake Music Center flac16/48kHz; Set 1 Source Info: Beyer CM 101-> Casio DA-7-> DAT; Transfer Info: Master DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 2786. 06/13/93 Flac 16 - 0, 105491 Orchard Park Rich Stadium flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2787. 06/13/93 Flac 16 - 0, 116901 Orchard Park Rich Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Sony Metal SR-100,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 2788. 06/13/93 Shn - 0, 8584 Orchard Park Rich Stadium FOB-AUD (Schoeps CMC-32?s)> DAT> CDR> WAV> SHN; DAE (EAC)> Boundary Check (SHNTOOL)> SHNv3 (MKWACT)> FTP via neo_levo notes 2789. 06/13/93 Flac 24/96 - 0, 136917 Orchard Park Rich Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2790. 06/13/93 Flac 16 - 0, 136918 Orchard Park Rich Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2791. 06/13/93 Flac 24/96 - 0, 116900 Orchard Park Rich Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Sony Metal SR-100,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes 2792. 06/13/93 Flac - 0, 111953 Orchard Park Rich Stadium flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette Transfer Date: 2011-02-15; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section, on the floor, behind the soundboard notes 2793. 06/13/93 Flac 16 - 0, 147183 Orchard Park Rich Stadium flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Master>2 Maxell MX-90 And MX-100 Cassette Master Tapes (1 For Each Set)>Sony TC-D5 M Cassette Deck(Playback)CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes 2794. 06/15/93 Shn - 0, 10085 Louisville Freedom Hall SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by Tony G notes 2795. 06/15/93 Flac 16 - 0, 117680 Louisville Freedom Hall flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 2796. 06/15/93 Flac 16 - 0, 105743 Louisville Freedom Hall flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/30/10] notes 2797. 06/15/93 Flac 16/48 - 0, 117679 Louisville Freedom Hall flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 2798. 06/15/93 Flac 16/48 - 0, 137334 Louisville Freedom Hall flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2799. 06/15/93 Flac 16/48 Mtx - 0, 137863 Louisville Freedom Hall flac16/48kHz; Matrix Source 1 (shnid 137334): Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k and Source 2 (shnid 106551): Recording info: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer info: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit notes 2800. 06/15/93 Shn - 0, 18984 Louisville Freedom Hall FOB/DFC Soundfield ST-250 (blumlein mode) > Sony D10-Pro II (48k); hand held for first set; on stand (6') for second set; upgrade in circulation notes 2801. 06/15/93 Flac 16 - 0, 106551 Louisville Freedom Hall flac16; Source: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts 16/48k Master FLAC available notes 2802. 06/15/93 Flac 16 - 0, 99146 Louisville Freedom Hall flac16; FOB/DFC Soundfield ST-250 (blumlein mode) > Sony D10-Pro II (48k) hand held for set one, on stand (6') for 2nd set 1st gen clone played back through Sony PCM-M1 > Oade active cable > Edirol UA-5 (hardware resample to 44.1k) > USB out > HP Omnibook (cool Edit 2000 for record/edit) > CD-WAV > SHN; fix of source ID 18984 notes 2803. 06/15/93 Flac 16 - 0, 125096 Louisville Freedom Hall flac16; SBD>DAT>C>DAT>CDR>WAV>SHN>WAV>FLAC - fix of shnid 10085 notes 2804. 06/15/93 Flac 16/44 - 0, 152513 Louisville Freedom Hall flac16/44 Source: Af: Schoeps CMC34 -> Oade M148 -> Panasonic SV-255>D Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav>CD or .shn Transfered by Chris Larson (gdvault@gmail.com) 3/13/2002 notes 2805. 06/16/93 Shn - 0, 13330 Louisville Freedom Hall SBD>DAT>C>DAT>Samplitude>CD>EAC>SHN seeded by Tom Eliason notes 2806. 06/16/93 Flac 16/48 - 0, 117681 Louisville Freedom Hall flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 2807. 06/16/93 Flac 16 - 0, 117682 Louisville Freedom Hall flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 2808. 06/16/93 Flac 16/48 - 0, 137335 Louisville Freedom Hall b>flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2809. 06/16/93 Flac 16Mtx16/48 - 0, 137894 Louisville Freedom Hall flac16/48kHz; Matrix: Source 1 (shnid 137335): Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; and Source 2 (shnid 131217): Recording info: FOB (20th Row)/Schoeps CMC 521's> Schoeps VMS 52 UB> Sony D-3 by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminous Monarch> M-Audio Audiophile 2496 (s/pdif)> Audacity @ 16/48> 16/44> CD Wav (Tracking)> TLH (SBE's/Flac16/md5) notes 2810. 06/16/93 Shn - 0, 10929 Louisville Freedom Hall Nak 300's>sonyD3 at soundboard. DAt>sblive>cdwave; Seeded to etree by Wally Stine notes 2811. 06/16/93 Shn - 0, 8192 Louisville Freedom Hall Taper Section Neumann TLM 170's (cardioid) > Teac DA-20; via Doug Nawrocki notes 2812. 06/16/93 Flac 16 - 0, 99155 Louisville Freedom Hall flac16; 4 x Nak CM-300/CP-4's (3' spread @ 12' height) -> Sony TCD-D3 DAT @ 48k -> Audigy 2 -> Adobe Audition 3.0 -> 16/44.1 wave -> TLH -> Flac 16 notes 2813. 06/16/93 Flac 16 - 0, 107044 Louisville Freedom Hall flac16; Partial Set 1 Source: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts notes 2814. 06/16/93 Flac 16 - 0, 131217 Louisville Freedom Hall flac16; Source: FOB (20th Row)/Schoeps CMC 521's> Schoeps VMS 52 UB> Sony D-3 by Lance Deal; Master DAT provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminous Monarch> M-Audio Audiophile 2496 (s/pdif)> Audacity @ 16/48> 16/44> CD Wav (Tracking)> TLH (SBE's/Flac16/md5); Trasferred and liberated to etree.org on September 4, 2014 by Will Petty notes 2815. 06/16/93 Flac 16 - 0, 110439 Louisville Freedom Hall flac16; Source: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) provided by Alan Schmit; Transfer by Terry Watts notes 2816. 06/16/93 Flac 16/44 - 0, 152514 Louisville Freedom Hall flac16/44 Source: A(ts):D(48kHz) Audio Technica 815A Shotguns>Panasonic sv250 Transfer: D ( through a Panasonic sv 3700)>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav(or shn) Thanks to Tom and Roger for the dats Transferred by Chris Larson (gdvault@gmail.com) notes 2817. 06/18/93 Shn - 0, 13784 Chicago Soldier Field SBD>Dat>Samplitude>Cool Edit Pro>CD; Box Of Rain and Liberty patched from unknown Digital Audience source. notes 2818. 06/18/93 Shn - 0, 2033 Chicago Soldier Field SBD> D-> CDR-> EAC> SHN; Ripped by John Zei notes 2819. 06/18/93 Flac - 0, 119661 Chicago Soldier Field flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2820. 06/18/93 Flac - 0, 33932 Chicago Soldier Field flac16; Fob Digital Audience Recording Schoeps CMC321 (Sub Cardiods) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans, Adam Gross and Bill Pobega DAT Master from Todd Evans DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav 48K >> 44.1 resampling (audacity 1.2.3), tracking (shntool 2.0.3) and flac16 encoding (flac 1.1.2) running on FC3 linux by triportweek. notes 2821. 06/18/93 Flac - 0, 119660 Chicago Soldier Field flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2822. 06/18/93 Flac 16/48 - 0, 150589 Chicago Soldier Field flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 2823. 06/19/93 Flac 16 - 0, 28298 Chicago Soldier Field flac16; SBD> Dat> CD> EAC> Sampltiude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller; Dat supplied by David Gans, original mastering by Donnie Loeffler, Thanks to Bob Kidder for the vine disc notes 2824. 06/19/93 Flac 16 - 0, 119664 Chicago Soldier Field flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2825. 06/19/93 Flac 16/48 - 0, 119662 Chicago Soldier Field flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2826. 06/19/93 Shn - 0, 16607 Chicago Soldier Field schoeps CMC44's>Panasonic SV-255>??>CDR>EAC>SHN notes 2827. 06/19/93 Flac 16/48 - 0, 149441 Chicago Soldier Field flac16/48kHz; Set 2 Source Info: FOB: Schopes CMC 3 MK2 (Omni)-> Panasonic SV255-> DAT; Row: 21, Space 10' on Stands; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 2828. 06/19/93 Flac 16 - 0, 149440 Chicago Soldier Field flac16; Source Info: TS: Nak 300 CP4-> Casio DA-2-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2829. 06/21/93 Flac 16 - 0, 108962 Noblesville Deer Creek Music Center flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2830. 06/21/93 Flac 16/48 - 0, 118165 Noblesville Deer Creek Music Center flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 2831. 06/21/93 Shn - 0, 14121 Noblesville Deer Creek Music Center SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file notes 2832. 06/21/93 Flac 16 - 0, 118116 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 2833. 06/21/93 Flac 16 - 0, 32095 Noblesville Deer Creek Music Center flac16; Source: Realistic PZMs DFC/Lawn > Sony D5 > D7@48 Transfer: Aiwa HD-S1 > Behringer Ultramatch 2496 > JB3 > SF8 (edits/SRC) notes 2834. 06/21/93 Shn - 0, 13305 Noblesville Deer Creek Music Center Source:AMS ST-250 -> Modified D10 pro By Pete Delgado. Transfer:D8 -> Montego II -> CDWAV -> Shorten3; Note- This is a re-eac (as noted in the txt) however all efforts were made to find the original shn's and no one seems to have archived them. notes 2835. 06/21/93 Flac 16/48 - , 154455 Noblesville Deer Creek Music Center flac16/48 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes 2836. 06/21/93 Flac 24/96 - , 154456 Noblesville Deer Creek Music Center flac24/96 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes 2837. 06/22/93 Flac 16 - 0, 108983 Noblesville Deer Creek Music Center flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2838. 06/22/93 Flac 16/48 - 0, 118167 Noblesville Deer Creek Music Center flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 2839. 06/22/93 Shn - 0, 14122 Noblesville Deer Creek Music Center SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file notes 2840. 06/22/93 Flac 16 - 0, 118168 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 2841. 06/22/93 Flac 16 - 0, 34718 Noblesville Deer Creek Music Center flac16; Digital FOB Audience Soundfield AMS Mic -> Sony D10 Pro Modified Taped by Jamie Young Set 1 Hand Held - Set 2 Stand DAT > TASCAM DA-20 > M-Audio 192 > Soundforge 8.0 wav by Todd Evans Edits/downsampling (Adobe Audition 1.5), Tracking (CDWave), FLAC (1.1.2) by Mike Hughey notes 2842. 06/22/93 Flac 16/48 - 0, 34752 Noblesville Deer Creek Music Center flac16/48; Digital FOB Audience Soundfield AMS Mic -> Sony D10 Pro Modified Taped by Jamie Young Set 1 Hand Held - Set 2 Stand DAT > TASCAM DA-20 > M-Audio 192 > Soundforge 8.0 wav by Todd Evans Edits(Adobe Audition 1.5), Tracking (CDWave), FLAC (1.1.2) by Mike Hughey notes 2843. 06/22/93 Flac 16 - 0, 77360 Noblesville Deer Creek Music Center flac16; daud source notes 2844. 06/22/93 Shn - 0, 3467 Noblesville Deer Creek Music Center FOB AMS ST-250 > Modified D10 pro > CDR > EAC > SHN; via Doug Nawrocki notes 2845. 06/22/93 Flac 16 - 0, 97725 Noblesville Deer Creek Music Center flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberg notes 2846. 06/22/93 Flac 16/48 - , Noblesville Deer Creek Music Center notes 2847. 06/22/93 Flac 24/96 - , Noblesville Deer Creek Music Center notes 2848. 06/23/93 Flac 16 - 0, 108984 Noblesville Deer Creek Music Center flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2849. 06/23/93 Flac 16/48 - 0, 118191 Noblesville Deer Creek Music Center flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 2850. 06/23/93 Shn - 0, 14123 Noblesville Deer Creek Music Center SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file notes 2851. 06/23/93 Flac 16 - 0, 118192 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Littles Helper; Metadata Tagging With AudioGate Software notes 2852. 06/23/93 Flac 16/48 - 0, 34653 Noblesville Deer Creek Music Center flac16/48; Recording Detail: Taped by Jamie Young and Clay Brennecke - Row N Seat 13 AMS ST-250 microphone in the Blumlein Pattern on a Cool-Lux MD5500 Collapsible Light Stand both Sets 6"0' in air > AMS Microphone Preamp > Modified Sony TCD D-10 Professional DAT machine Transfer Detail: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav DAT(1) notes 2853. 06/23/93 Shn - 0, 559 Noblesville Deer Creek Music Center FOB AMS ST-250(cardioid) -> Modified D-10 Pro, by Pete Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32,? by Doug Nawrocki notes 2854. 06/23/93 Flac 16 - 0, 138004 Noblesville Deer Creek Music Center flac16; Source: Sennheisser Mix (35 yards up on lawn center) 2 md 421-U cardiod ORTF and 2 me 80 short shotgun aimed at house stacks > 4 channel mixer > sony d-8 (Master DAT); Conversion: M-1 > Co2 > SB Live > CDwave Record and Index > FLAC notes 2855. 06/23/93 Flac 24/96 - , 154631 Noblesville Deer Creek Music Center flac24/96 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes 2856. 06/23/93 Flac 16/48 - , 154630 Noblesville Deer Creek Music Center flac16/48 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes 2857. 06/25/93 Flac 16 - 0, 110519 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2858. 06/25/93 Flac 16 - 0, 91249 Washington Robert F. Kennedy Stadium flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes 2859. 06/25/93 Flac 16/48 - 0, 34893 Washington Robert F. Kennedy Stadium flac16/48; Soundfield AMS ST250 Microphone Cardiod -> Modified Sony D10 Pro DAT Recorded by Jamie Young edited by mtownshend DAT(1) from Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 waV > sf7.0 bit depth conversion w/ dither from 96kHz to 48kHz > FLACFrontend conversion to FLAC & ffp notes 2860. 06/25/93 Flac Dts 5.1 - 0, 133307 Washington Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - dts mixing by Kevin Tobin notes 2861. 06/25/93 Flac 16 Mtx - 0, 133306 Washington Robert F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin notes 2862. 06/25/93 Shn - 0, 19270 Washington Robert F. Kennedy Stadium Source: Primary Source: SBD/Monitor Mix > Beta > VHS > SB Audigy Platinum > CDWave > MKWact Patch Source: FOB AMS ST-250 (Blumlein) > Modified D10 Pro II FOB Source provides patch in Crowd/Tuning d2t01 and from 01:00 of Corinna to end of show SBD source provided by Matt Ziegler. Patched/SHN'd by Doug Nawrocki notes 2863. 06/25/93 Shn - 0, 1061 Washington Robert F. Kennedy Stadium AMS ST-250 run blumlein config > Sony D-10 Pro II FOB; via Nick Georges notes 2864. 06/25/93 Flac 16 - 0, 91996 Washington Robert F. Kennedy Stadium flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 2865. 06/25/93 Flac 16 - 0, 26124 Washington Robert F. Kennedy Stadium flac16; Audience: Master DATS - Recorded by James Young & Ron Keyser AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF(cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Sony D10 Pro via Sony AES/EBU digital cable. (Both decks Modified By Bob Katz) Transfer By Ron Keyser Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades. (Disc 2 & 3 are seamless) CD Wave Editor for tracking Flac Frontend. notes 2866. 06/25/93 Flac 16 - 0, 127453 Washington Robert F. Kennedy Stadium flac16; Source: Sony D6 Cassette master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Sect 12, Row 10, Seat 17. Taper Section. notes 2867. 06/25/93 Flac 16 Mtx - 0, 127502 Washington Robert F. Kennedy Stadium flac16; Lineage: Matrixed & retracked in Adobe Audition 3; SBD -> Master Dat (48k); Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> Flac and AUD Sony D6 Cassette master > Nakamichi 300 Mics W/CP4 Shotguns > Sony TC-D5M; Cassette Deck (Playback) > Edirol R-09 HR (24/44.1 KHZ) > CD Wav Editor > Traders Little Helper > Flac Level 8.Sector Boundaries Aligned; Taped By Dave Boedicker, Sect 12, Row 10, Seat 17.Taper section notes 2868. 06/25/93 Flac 16/48 - 0, 147796 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - surround mixing by Kevin Tobin notes 2869. 06/25/93 Flac 16/48 - 0, 149336 Washington Robert F. Kennedy Stadium flac16/48kHz; Source Info: FOB Nakamichi CM300-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 2870. 06/26/93 Flac 16 - 0, 110520 Washington Robert F. Kennedy Stadium flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2871. 06/26/93 Shn - 0, 7742 Washington Robert F. Kennedy Stadium sbd > dat > cass > dat > cd; via Brent Peich notes 2872. 06/26/93 Flac 16 - 0, 76834 Washington Robert F. Kennedy Stadium flac16; seamless, patched version of shn id 7742 - sbd > dat > cass > dat > cd > eac > shn > wav > flac notes 2873. 06/26/93 Flac 16 - 0, 26279 Washington Robert F. Kennedy Stadium flac16; Aud AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF (cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Modified Sony D10 Pro via Sony AES/EBU digital cable; (Both decks Modified By Bob Katz); Recorded by James Young & Ron Keyser; Transfer By Ron Keyser: Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades> CD Wave Editor for tracking> Flac Frontend notes 2874. 06/26/93 Flac 16 - 0, 127688 Washington Robert F. Kennedy Stadium flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 120,Row 10 Seat 15 notes 2875. 06/26/93 Flac 16/48 - 0, 149337 Washington Robert F. Kennedy Stadium flac16/48kHz; Source Info: FOB Nakamichi CM300-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 2876. 06/26/93 Flac 16 - 0, 149338 Washington Robert F. Kennedy Stadium flac16; Source Info: FOB Schoeps CMC 5 MK 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 2877. 08/21/93 Flac 16 - 0, 87291 Eugene Autzen Stadium, University of Oregon flac16; FOB Schoeps Omnis Mk2 Omni Capsules (the two mic stands were “human” – capsules were in hat and the “stands” were 10’ apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav notes 2878. 08/21/93 Shn - 0, 15035 Eugene Autzen Stadium, University of Oregon Source: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source EAC'd/SHN'd by Doug Nawrocki notes 2879. 08/21/93 Shn - 0, 11269 Eugene Autzen Stadium, University of Oregon SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB; Seeded to etree by Jay Serafin notes 2880. 08/21/93 Flac 16 - 0, 87555 Eugene Autzen Stadium, University of Oregon flac16; Source: FM Signal (KLCC 89.7) -> Harmon Kardon receiver -> HiFi Stereo VCR Lineage: HiFi Stereo VCR -> Teac P20 DAT -> Edirol UA-3FX -> Amadeus -> Flac Taped/Transferred: Mike Albright notes 2881. 08/21/93 Shn - 0, 561 Eugene Autzen Stadium, University of Oregon SBD> DAT> CD> EAC> Cool Edit '96 (removed digipop prior to music in beginning of d1t1)> CDWAV> Shorten32; via D. Nawrocki notes 2882. 08/21/93 Flac 16 - 0, 119060 Eugene Autzen Stadium, University of Oregon flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac file notes 2883. 08/21/93 Flac 16/48 - 0, 140172 Eugene Autzen Stadium, University of Oregon flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes 2884. 08/21/93 Flac 16/48 - 0, 141530 Eugene Autzen Stadium, University of Oregon flac16/48kHz; John Ammons & Jeff Silberman Digital FOB Recording; AMS ST-250 (ambisonic mode) > 4 track Nagra D open reel 24 bit digital deck > 2 channel stereo DAT using a Blumlein pattern > DAT (mics on 6' stand); John Ammons Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes 2885. 08/21/93 Flac 16/48 - 0, 151100 Eugene Autzen Stadium, University of Oregon flac16/48khz Recording Info: SBD > DAT Master (48k) Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k notes 2886. 08/22/93 Shn - 0, 562 Eugene Autzen Stadium, University Of Oregon SBD> DAT> CD> EAC> Cool Edit '96 (removed digipops prior to music in beginning of d2t1 & d3t1)> CDWAV> Shorten32; via Doug Nawrocki notes 2887. 08/22/93 Flac 16 Mtx - 0, 98235 Eugene Autzen Stadium, University Of Oregon flac16; matrix of DSBD: shnid=562 and DAUD: shnid=97076 by hansokolow using ProTools notes 2888. 08/22/93 Flac 16/48 - 0, 82637 Eugene Autzen Stadium, University Of Oregon flac16/48; Digital FOB DFC Audience FOB Schoeps Mk2 Omni Capsule spaced omnis (10 ft spread) in hat -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (16bit, 48kHz) notes 2889. 08/22/93 Flac 16 - 0, 82529 Eugene Autzen Stadium, University Of Oregon flac16; Digital FOB DFC Audience FOB Schoeps Mk2 Omni Capsule spaced omnis (10 ft spread) in hat -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (16bit, 48kHz) Minor editing done by Garret Leutbecher (Audition 1.5) & Michael Townshend (Wavelab) notes 2890. 08/22/93 Flac 16 - 0, 97076 Eugene Autzen Stadium, University Of Oregon flac16; AKG C61's>Teac DA-P20 @ 25th Row Center DAT>Digital Reels>DAT Clone Of Reels>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, De-emphasis,Sample Rate Conversion)>CDWAV>FLAC, Recorded By Steve L. Fink, Processed by Keith Litzenberger notes 2891. 08/22/93 Flac 16 - 0, 119062 Eugene Autzen Stadium, University Of Oregon flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2892. 08/22/93 Flac 16/48 - 0, 140173 Eugene Autzen Stadium, University Of Oregon flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes 2893. 08/22/93 Flac 16/44,1 - 0, 141062 Eugene Autzen Stadium, University Of Oregon flac16/44.1 Source Info: FOB Schoeps CMC 3 MK2(Omni) (Spaced)-> Oade P/S-> Panasonic SV255-> DAT Transfer Info: Dat (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 2894. 08/22/93 Flac 16/48 - 0, 150519 Eugene Autzen Stadium, University Of Oregon flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 2895. 08/25/93 Shn - 0, 11812 Mountain View Shoreline Amphitheatre SBD>??>DAT>CDR; See info file for edit notes and suggestion of a possible MC in the lineage; via Randy Perkins; Seeded to Etree by T. Wiley notes 2896. 08/25/93 Flac 16 Mtx - 0, 106287 Mountain View Shoreline Amphitheatre flac16: Matrix by hansokolow of SBD-shnid=11812 and AUD-shnid=94033 notes 2897. 08/25/93 Flac 16 - 0, 94033 Mountain View Shoreline Amphitheatre flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2898. 08/25/93 Flac 16/48 - 0, 140281 Mountain View Shoreline Amphitheatre flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes 2899. 08/25/93 Flac 16/48 - 0, 147626 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 2900. 08/26/93 Shn - 0, 11499 Mountain View Shoreline Amphitheatre SBD>DAT>CM>DAT>DAT Clone @48k>WAV>SHN; Seeded to etree by Marc Pujol and Tim W notes 2901. 08/26/93 Flac 16 - 0, 94327 Mountain View Shoreline Amphitheatre flac16; Schoeps MK4's>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2902. 08/26/93 Flac 16/48 - 0, 140282 Mountain View Shoreline Amphitheatre flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes 2903. 08/26/93 Flac 16 - 0, 145748 Mountain View Shoreline Amphitheatre flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH; Recorded by Primo Williams xfer Charles Bandrofcheck; Thanks to Mr. Williams for lending me his masters notes 2904. 08/26/93 Flac 16/48 - 0, 147628 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 2905. 08/27/93 Shn - 0, 9486 Mountain View Shoreline Amphitheatre SBD>CM>CDR; Seeded to Etree by T. Wiley notes 2906. 08/27/93 Flac 16 - 0, 94275 Mountain View Shoreline Amphitheatre flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2907. 08/27/93 Flac 16/48 - 0, 140283 Mountain View Shoreline Amphitheatre flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick notes 2908. 08/27/93 Flac 16 - 0, 145798 Mountain View Shoreline Amphitheatre flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH; Recorded by Primo Williams xfer Charles Bandrofcheck notes 2909. 08/27/93 Flac 16/48 - 0, 147630 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 2910. 09/08/93 Flac - 0, 28780 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Master Dat -> Dat Clone (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Mille notes 2911. 09/08/93 Flac - 0, 91950 Richfield Richfield Coliseum flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 2912. 09/08/93 Shn - 0, 16754 Richfield Richfield Coliseum FOB(AKG491) > DAT > CDR> WAV > SHN via Chris Ladner notes 2913. 09/08/93 Flac - 0, 112788 Richfield Richfield Coliseum flac16; Source: (stand/ORTF/110^/DFC/Section) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > r8brain (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 2914. 09/08/93 Flac - 0, 127730 Richfield Richfield Coliseum flac16; Source:Audience Recording(Sony WM-D6C Cassette Deck)>Master Cassette>Nakamichi 300 Mics W/CP4 Shotguns> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Taper Section, Section 5,Row DD,Seat 1 notes 2915. 09/09/93 Flac - 0, 28781 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes 2916. 09/09/93 Flac - 0, 91949 Richfield Richfield Coliseum flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper Cable -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 18, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 2917. 09/09/93 Shn - 0, 5440 Richfield Richfield Coliseum AUD:AKG 568/Sony D3> CD> SHN; vis Tony Gardner notes 2918. 09/09/93 Flac - 0, 112793 Richfield Richfield Coliseum flac16; Source: (stand/ORTF/110^/DFC/Section) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > r8brain (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 2919. 09/09/93 Flac - 0, 128226 Richfield Richfield Coliseum flac16; Source:Sony WMD-D6C Cassette Deck>Nakamichi 300 Mics W/CP4 Shotguns>Master Cassette>Sony TC-D5M Cassette; Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.taped By Dave Boedicker,Official Taper Section,Section 123,Row A,Seat 6 notes 2920. 09/10/93 Flac - 0, 28782 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes 2921. 09/10/93 Flac 16 - 0, 91948 Richfield Richfield Coliseum flac16; Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 2922. 09/10/93 Flac 16 - 0, 94372 Richfield Richfield Coliseum flac16; Schoeps MK4's>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2923. 09/10/93 Shn - 0, 5441 Richfield Richfield Coliseum AUD:AKG 568/Sony D3> CD> SHN; via Tony Gardner notes 2924. 09/10/93 Flac 16 - 0, 112807 Richfield Richfield Coliseum flac16; Source: (stand/ORTF/110^/DFC/Section) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > r8brain (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 2925. 09/10/93 Flac 16 - 0, 128507 Richfield Richfield Coliseum flac16; Source: Sony WMD6-C Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.taped By Dave Boedicker,Taper Section,Section 122,Row A,Seat 8 notes 2926. 09/10/93 Flac 16/48 - 0, 140461 Richfield Richfield Coliseum flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SirMick January 2018 notes 2927. 09/12/93 Flac - 0, 28783 Philadelphia The Spectrum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes 2928. 09/12/93 Shn - 0, 24494 Philadelphia The Spectrum Source: Cousinit's Denon DTR80P DAT Deck w/ Nak 300 Shotguns>MDAT>WAV>SHN MDAT>SHN Conversion by Cousinit Seeded to abgd July 2003 notes 2929. 09/12/93 Shn - 0, 18529 Philadelphia The Spectrum AUD(Sony C-38B?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon notes 2930. 09/12/93 Shn - 0, 18637 Philadelphia The Spectrum nak 100's w/ ck 4 >d6>cM (patched out of dhind's rig)mc>aiwa f-810>tascam da30mkIIq@44.1>zoltrix nightengale6.0 >sf6.0>cdwav>SHN>WAV>Shntool(join)>ADWS>CD Wav>Shntool(check)>SHN(seekable) ; Via cdipietro ; Remaster by T. Wiley 07/25/2003. notes 2931. 09/12/93 Flac - 0, 85663 Philadelphia The Spectrum flac16/48; Schoeps MK4's>Reutelhuber Preamp>Technics SVM-D1 Recorded FOB in Section 102 Row 13 By Keith Litzenberger & Ed K. Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes 2932. 09/13/93 Flac - 0, 34030 Philadelphia The Spectrum flac16; SBD -> Master Dat (48k) All Transfers and Mastering By Charlie Miller notes 2933. 09/13/93 Shn - 0, 12755 Philadelphia The Spectrum set 2 only; DSBD> DAT> DAT> Sony SDT-9000> VDAT> WAV> mkwACT> SHN V.3; posted by Martman notes 2934. 09/13/93 Shn - 0, 7361 Philadelphia The Spectrum SB> DAT> CM> DAT> CD; via Charlie Miller; Chris Frisco; Steve Barbella notes 2935. 09/13/93 Flac - 0, 85991 Philadelphia The Spectrum flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DA-7 from Section 102 Row 14 DAT MASTER>SONY TCD-D10PROII>EDIROL R-4>WL5>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 2936. 09/13/93 Shn - 0, 12096 Philadelphia The Spectrum SBD> DAT> CM> DAT> CDR; Seeded to Etree by T. Wiley notes 2937. 09/13/93 Shn - 0, Philadelphia The Spectrum notes 2938. 09/14/93 Flac - 0, 28786 Philadelphia The Spectrum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes 2939. 09/14/93 Shn - 0, 19237 Philadelphia The Spectrum Source: Cousinit's Denon DTR80P DAT Deck w/ Nak 300 Shotguns>MDAT>WAV>SHN MDAT>SHN Conversion by Cousinit notes 2940. 09/14/93 Shn - 0, 13830 Philadelphia The Spectrum DAUD(Schoeps CMC-341's)>Tascam DAP1>CDR notes 2941. 09/16/93 Flac 16 - 0, 94226 New York Madison Square Garden flac16; Recording Info:Set 1: SBD -> Dat -> Master Cassette -> Dat -> CD; Set 2: SBD -> Dat (48k); All Transfers and Mastering By Charlie Miller notes 2942. 09/16/93 Flac 16 - 0, 131435 New York Madison Square Garden flac16 ; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes 2943. 09/16/93 Shn - 0, 12370 New York Madison Square Garden SBD DAT> C> DAT> WAV> CE> CDWAV> SHN, with FOB aud patches (see info file); via Steve Herman notes 2944. 09/16/93 Shn - 0, 5703 New York Madison Square Garden FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking) notes 2945. 09/16/93 Shn - 0, 8375 New York Madison Square Garden DAUD/FOB Schoeps mk21(ORTF); via Eliot Byron; Seeded by Jim Raras to Dankseeds notes 2946. 09/16/93 Flac 16/48 - 0, 140220 New York Madison Square Garden flac16/48kHz; Source: (FOB) Schoeps cmc4 mk4 > dat (48k) - Taped by Jeff Zimmer and Roger J, provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/48 - Transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes 2947. 09/16/93 Flac 16/48 - 0, 140486 New York Madison Square Garden flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 notes 2948. 09/16/93 Flac 16 - 0, 140487 New York Madison Square Garden flac16; Recording Info: Set 1: SBD -> Dat -> Master Cassette -> Dat -> CD; Set 2: SBD -> Dat (48k); This is a pitch corrected version of shnid 94226; SIRMick January 2018 notes 2949. 09/17/93 Flac - 0, 94228 New York Madison Square Garden flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2950. 09/17/93 Flac - 0, 131466 New York Madison Square Garden flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes 2951. 09/17/93 Shn - 0, 18384 New York Madison Square Garden Set 2 only : SBD>DAT>CDR ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Chris Larson ; Remastered by T. Wiley 07/13/2003. notes 2952. 09/17/93 Shn - 0, 5704 New York Madison Square Garden FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking); NOTE- User Matt Vernon submitted 'alternate' md5s with these notes... the md5's below differ for d1t1,6,7 d2t3,5 and d3t4,5 from the listed shn set but had the same info file i listened to this show and they are clean including set 2 continuity at the disk 2->3 transition. notes 2953. 09/17/93 Flac - 0, 128545 New York Madison Square Garden flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns> Sony WM-D6C Cassette Deck> Cassette Master>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section,Section 10, Row P,Seat 14 notes 2954. 09/18/93 Flac - 0, 94229 New York Madison Square Garden flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller notes 2955. 09/18/93 Flac - 0, 131467 New York Madison Square Garden flac16; Set 1, AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes 2956. 09/18/93 Shn - 0, 12369 New York Madison Square Garden SBD DAT> C> DAT> WAV> CE> CDWAV> SHN w/ aud patches (see info file); via Steve Herman notes 2957. 09/18/93 Flac - 0, 137884 New York Madison Square Garden flac16/48kHz; Source: B&K 4011 > DAT (48 khz) FOB?; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Eric Vandercar (ericv) #4EV; Transferred and seeded by: Lenny Stubbe notes 2958. 09/18/93 Shn - 0, 5079 New York Madison Square Garden FOB/DFC Sec. 2 - Row R - Seats 1 & 2 2 AMS St-250s on stand both sets > Apogee AD 500 > Nagra digital Reel to Reel > DAT clone > SHN recorded by Clay Brennecke, Jamie Young and Jeff Silberman notes 2959. 09/20/93 Flac 16 - 0, 31623 New York Madison Square Garden flac16; Soundboard->Master DAT->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano notes 2960. 09/20/93 Flac 16 - 0, 131592 New York Madison Square Garden flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes 2961. 09/20/93 Shn - 0, 8766 New York Madison Square Garden SBD>?>CDR; Seeded to etree by Tim W notes 2962. 09/20/93 Flac 16/48 - 0, 137336 New York Madison Square Garden flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2963. 09/20/93 Flac 16 - 0, 96889 New York Madison Square Garden flac16; Taper Section Sec 10,Row F,Seat-14 Taper-M. Laurentus AT835B's- AT 8202’s-SONY D 7 D7- Sony POC-DA12- Creative Audigy USB Optical In-Creative Recorder-CD Wave- FLAC notes 2964. 09/20/93 Shn - 0, 4531 New York Madison Square Garden FOB/DFC, Sec. 2, Row S - Seat 5; Schoeps S4 at 90 degrees > Canari Cables > Sonosax SX-M2 > Apogee AD 500 > Sony D-7; taper Jeff Zimmer- see pub comments notes 2965. 09/20/93 Flac 16/48 - 0, 140590 New York Madison Square Garden Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k) Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48 Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648 edited and mastered SIRMick January 2018 notes 2966. 09/21/93 Flac - 0, 28765 New York Madison Square Garden flac16; Recording Info: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC charliemiller87@earthlink.net notes 2967. 09/21/93 Shn - 0, 28362 New York Madison Square Garden SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; SHN> WAV> Samplitude Professional v8.0> FLAC by Charlie Miller, with thanks to Christopher Laughlin for SBD discs notes 2968. 09/21/93 Shn - 0, 4532 New York Madison Square Garden FOB/DFC Sec. 2 - Row M - Seat 1 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod recorded by Clay Brennecke and James Young notes 2969. 09/21/93 Shn - 0, 8919 New York Madison Square Garden DAUD/FOB Schoeps mk21(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kH; via Dankseeds notes 2970. 09/21/93 Flac - 0, 109394 New York Madison Square Garden flac16; Master: Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak from the front row of the official taper section; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 2971. 09/21/93 Flac - 0, 94669 New York Madison Square Garden flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 2972. 09/22/93 Shn - 0, 77070 New York Madison Square Garden Source: SBD:DAT-> CDR - EAC-> WAV-> SHN: by yubah)yubah@optonline.net -- Retracked and re-shn'd by ret. notes 2973. 09/22/93 Flac 16 Mtx - 0, 125353 New York Madison Square Garden flac16; Matrix using the following three sources: Source 1: SBD (shnid=77070) SBD:DAT-> CDR-> EAC-> WAV-> SHN; Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Recorded By: James Young & Clay Brennecke and Source 3: AUD (shnid=97122) Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes 2974. 09/22/93 Flac 16 - 0, 131736 New York Madison Square Garden flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes 2975. 09/22/93 Flac 16 - 0, 91805 New York Madison Square Garden flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6’3””) > Panasonic SV 255. Recording Location: FOB DFC … Section 2, Row M, Seat 1 Recorded By: James Young & Clay Brennecke Transfer: DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes 2976. 09/22/93 Shn - 0, 565 New York Madison Square Garden DSBD> DAT> CDR> EAC> WAV> SHN; Seeded by an anonymous source with DATs provided by D. Murray, who sat in; EAC/SHN, u/l by Rich (yubah); stemming from Winter Oak tree; see pub comments for flaw note notes 2977. 09/22/93 Flac 16/48 - 0, 137337 New York Madison Square Garden flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2978. 09/22/93 Flac 16 - 0, 109235 New York Madison Square Garden flac16; Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 2979. 09/22/93 Flac 16 - 0, 97122 New York Madison Square Garden flac16; Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 2980. 09/22/93 Shn - 0, 8712 New York Madison Square Garden DAUD/FOB Schoeps mk21(ORTF); **No DAE at all**; via Eliot Byron; Seeded to etree by Jim Raras; Dankseed certified notes 2981. 09/22/93 Shn - 0, 4533 New York Madison Square Garden Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255 notes 2982. 09/22/93 Flac 16/48 - 0, 140821 New York Madison Square Garden flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 notes 2983. 09/22/93 Flac 16 - 0, 142983 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - matrix mixing by Kevin Tobin notes 2984. 09/22/93 Flac Dts 5.1 - 0, 142984 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - dts mixing by Kevin Tobin notes 2985. 09/22/93 Flac 16/48 - 0, 142985 New York Madison Square Garden flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - dts mixing by Kevin Tobin notes 2986. 09/22/93 Flac 16 Mtx - 0, 126108 New York Madison Square Garden flac16; Matrix Source 1: SBD (shnid=77070); SBD:DAT-> CDR; EAC-> WAV-> SHN and Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6'3") > Panasonic SV 255. Recording Location: FOB DFC Section 2, Row M, Seat 1; Recorded By: James Young & Clay Brennecke; Transfer: DAT Master > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 notes 2987. 09/24/93 Flac - 0, 107840 Boston Boston Garden flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional 11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2988. 09/24/93 Shn - 0, 22249 Boston Boston Garden Recording Info: SBD -> Master Dat (48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transferred By Charlie Miller notes 2989. 09/24/93 Flac - 0, 87734 Boston Boston Garden flac16; Source: Neumann km 82i > Sonosax power supply > Sony TCD D10 PRO II DAT x 1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1, 1997 By Bill Koucky Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz into Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky. Seeded by October 18, 2007 Green Mountain Bros. notes 2990. 09/24/93 Shn - 0, 13308 Boston Boston Garden Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor. DAT > shn encoding Marc Pujol notes 2991. 09/24/93 Flac - 0, 94662 Boston Boston Garden flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 2992. 09/24/93 Flac - 0, 109427 Boston Boston Garden flac16; Set 2 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 2993. 09/24/93 Flac - 0, 110430 Boston Boston Garden flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 2994. 09/24/93 Flac - 0, 139967 Boston Boston Garden flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes 2995. 09/25/93 Flac - 0, 28787 Boston Boston Garden flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes 2996. 09/25/93 Flac 24 - 0, 137557 Boston Boston Garden flac24; Set 1 Recording Info: Nakamichi 300/CP4 > Cassette Master (Sony TC-D5M/TDK MA110); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded and Mastered By Charlie Miller notes 2997. 09/25/93 Flac 16 - 0, 137562 Boston Boston Garden flac16; Set 1 Recording Info: Nakamichi 300/CP4 > Cassette Master (Sony TC-D5M/TDK MA110); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded and Mastered By Charlie Miller, 24bit > 16bit with r8brain notes 2998. 09/25/93 Flac 16/48 - 0, 138302 Boston Boston Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 dvanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017 notes 2999. 09/25/93 Shn - 0, 17356 Boston Boston Garden Set 1 Schoeps (unknown model/ps) via David Minor. Set 2 Schoeps CMC-521?s via Raoul Duke. Transfer and encoding Marc Pujol, Alan Fink and Matt Vernon notes 3000. 09/25/93 Flac 16 - 0, 110431 Boston Boston Garden flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3001. 09/25/93 Flac 16 - 0, 109428 Boston Boston Garden flac16; Set 2 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3002. 09/25/93 Flac 16/48 - 0, 139968 Boston Boston Garden flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes 3003. 09/25/93 Flac 16/48 - 0, 140092 Boston Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648 notes 3004. 09/25/93 Flac 16 - 0, 87744 Boston Boston Garden flac16; Source: Neumann km 82i > Sonosax power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 By Bill Koucky Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros.October 19, 2007 notes 3005. 09/26/93 Flac - 0, 28788 Boston Boston Garden flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes 3006. 09/26/93 Flac - 0, 125885 Boston Boston Garden flac16; 3 Source Matrix from Source 1: SBD (shnid=28788) Recording Info: SBD -> Master Dat (48k); Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC, Source 2: AUD (shnid=112782) Taper: Baker Master Audience: Nakamichi CM300/CP4 Shotguns > Sony D5; Transfer Maxell Metal Capsule's 100,100 > Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz and Source 3: AUD (shnid=87812 / shnid=13990) Source: Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1; Recorded by Jim Birkhead / Taper Section, left of SBD Cloned (January 1997): Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0; Mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8) notes 3007. 09/26/93 Flac - 0, 112782 Boston Boston Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell Metal Capsule's 100,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked with Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 3008. 09/26/93 Flac - 0, 138490 Boston Boston Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/8; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick June 2017 notes 3009. 09/26/93 Shn - 0, 13990 Boston Boston Garden Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor, DAT > SHN by Marc Pujol notes 3010. 09/26/93 Shn - 0, 11501 Boston Boston Garden AUD(Nak 300?s + CP4)>DAT>CD; via p'bo; Seeded to etree by neo_levo notes 3011. 09/26/93 Flac - 0, 94670 Boston Boston Garden flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 3012. 09/26/93 Flac - 0, 87812 Boston Boston Garden flac16; Source: Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros. October 23, 2007 Patch Source: db.etree # 13900 notes 3013. 09/26/93 Flac - 0, 110432 Boston Boston Garden flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3014. 09/26/93 Flac - 0, 109429 Boston Boston Garden flac16; Set 1 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3015. 09/26/93 Flac - 0, 139970 Boston Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes 3016. 09/26/93 Flac - 0, 140093 Boston Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648 notes 3017. 09/28/93 Flac 16 - 0, 79058 Boston Boston Garden flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes 3018. 09/28/93 Flac 16 Mtx - 0, 125461 Boston Boston Garden flac16; Matrix of Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC, Source 2: AUD Source: NeumannShotguns>DAT; Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) and Source 3: AUD Source: Schoeps (unknown model/ps) > D7 @48k; Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits) > mkw > shn (seekable); originally seeded with a track missing (Please do not circulate the incomplete version.); Upgrade in circulation; the seeder has requested that this version be removed from circulation notes 3019. 09/28/93 Shn - 0, 12850 Boston Boston Garden Lineage: Set 1: Schoeps>Dat>Sound Forge>CD (previous aud shn seed via Marc Pujol et. al.) Set 2: SBD>Dat>Cm>Dat>Samplitiude>CD Dat>CD Transfer for sbd portion done by Charlie Miller notes 3020. 09/28/93 Flac 16 Mtx - 0, 125382 Boston Boston Garden flac16; Three-source matrix using the following sources. (1) SBD -> Dat (48k) -> Samplitude Professional v7.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (2) Schoeps (unknown model/ps) > D7 @48k; Transfered by Marc Pujol 9/25/2002 Source DAT from Dave Minor via Matt Vernon. (3) Neumann Shotguns > DAT; Tapes provided by Tom and Roger, Conversion by Chris Larson; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes 3021. 09/28/93 Shn - 0, 28899 Boston Boston Garden Source: A: NeumannShotguns>DAT Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) Transfer by Chris Larson notes 3022. 09/28/93 Flac 16/48 - 0, 87780 Boston Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes 3023. 09/28/93 Flac 16 - 0, 87781 Boston Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F notes 3024. 09/28/93 Flac 16 - 0, 128694 Boston Boston Garden flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using traders Little Helper.Taped By Dave Boedicker,Taper; Section,Section 38,Row CC,Seat 14 notes 3025. 09/28/93 Flac 16 - 0, 87989 Boston Boston Garden flac16; Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros. October 26, 2007 notes 3026. 09/28/93 Flac 16/48 - 0, 139981 Boston Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes 3027. 09/28/93 Flac 16/48 - 0, 140131 Boston Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648 notes 3028. 09/28/93 Flac 16 Mtx - 0, 126746 Boston Boston Garden flac16; Matrix from Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC Source 2: AUD Source: A: NeumannShotguns>DAT; Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) and Source 3: AUD Source: Schoeps (unknown model/ps) > D7 @48k; Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits) > mkw > shn (seekable); Matrix by Roger Eichorn notes 3029. 09/28/93 Shn - 0, 12378 Boston Boston Garden Source: Schoeps (unknown model/ps) > D7 @48k Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits)> mkw > shn (seekable) SHNtool used verify track boundaries prior to wav>shn Transfered by Marc Pujol 9/25/2002 notes 3030. 09/29/93 Flac 16 - 0, 28800 Boston Boston Garden flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) Set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes 3031. 09/29/93 Flac 16 - 0, 117089 Boston Boston Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Mr.Baker,Transfer By Keo; Tapes Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 3032. 09/29/93 Flac 16 - 0, 100235 Boston Boston Garden flac16; Recording Info:Sennheiser 421 -> Cassette Master -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16;Recorded, Transferred and Mastered By Charlie Miller notes 3033. 09/29/93 Flac 24/96 - 0, 117090 Boston Boston Garden flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Mr.Baker,Transfer By Keo; Tapes Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 3034. 09/29/93 Flac 16 - 0, 128697 Boston Boston Garden flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little helper. Taped By Dave Boedicker, Taper Section, Section BB, Row 34,Seat 1 notes 3035. 09/29/93 Flac 16 - 0, 86808 Boston Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor taping section, aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F. notes 3036. 09/29/93 Flac 16 - 0, 88144 Boston Boston Garden flac16; Source: Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros. October 31, 2007 notes 3037. 09/29/93 Flac 16/48 - 0, 86807 Boston Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor taping section, aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes 3038. 09/29/93 Shn - 0, 12436 Boston Boston Garden Schoeps (unknown model/ps) > D7 @48k via Dave Minor. Transfer Marc Pujol notes 3039. 09/29/93 Flac 16/48 - 0, 139995 Boston Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes 3040. 09/29/93 Flac 16/48 - 0, 140132 Boston Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648 notes 3041. 09/30/93 Shn - 0, 10064 Boston Boston Garden SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by neo_levo notes 3042. 09/30/93 Flac - 0, 79116 Boston Boston Garden flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes 3043. 09/30/93 Shn - 0, 12380 Boston Boston Garden Schoeps (unknown model/ps) > D7 @48k via Dave Minor. shn encoding Marc Pujol notes 3044. 09/30/93 Flac - 0, 128805 Boston Boston Garden flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Taper Section CC,Row 38,Seat 14 notes 3045. 09/30/93 Flac - 0, 140003 Boston Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes 3046. 09/30/93 Flac 16/44 - 0, 152515 Boston Boston Garden flac16/44 Source: A: NeumannShotguns>DAT Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) Tapes provided by Tom Conversion by Chris Larson notes 3047. 12/08/93 Flac 16 - 0, 83399 Los Angeles Sports Arena flac16; Recording Info: SBD -> Dat -> CD (Tascam CDRW700) Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 3048. 12/08/93 Shn - 0, 10281 Los Angeles Sports Arena SBD > DAT > CDR; via C. Larson; Seeded to etree by C. Ladner notes 3049. 12/08/93 Flac 16/48 - 0, 141520 Los Angeles Sports Arena flac16/48 Source Info: FOB Schoeps MK 4-> (?)-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 3050. 12/08/93 Flac 16 44,1 - 0, 141521 Los Angeles Sports Arena flac16/44.1 Source Info: TS Schopes CMC 3 Mk 2-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3051. 12/09/93 Flac 16 - 0, 91958 Los Angeles Sports Arena flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3052. 12/09/93 Shn - 0, 7312 Los Angeles Sports Arena SBD > ? > DAT > CDR > EAC(secure) > Cool Edit > mkwact > shn; via Ryan Varnum; Matt Vernon notes 3053. 12/09/93 Flac 16 - 0, 94325 Los Angeles Sports Arena flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 3054. 12/09/93 Flac 16 44,1 - 0, 141524 Los Angeles Sports Arena flac16/44.1 Source Info: TS Schopes CMC 3 Mk 2-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3055. 12/09/93 Flac 16/48 - 0, 150595 Los Angeles Sports Arena flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 3056. 12/10/93 Flac - 0, 83770 Los Angeles Sports Arena flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 3057. 12/10/93 Shn - 0, 1599 Los Angeles Sports Arena DSBD; via Nick Georges; note info file here reflects correct setlist notes 3058. 12/10/93 Flac - 0, 86407 Los Angeles Sports Arena flac16; DFOB: Schoeps MK-4 Cardiod Capsule in Hat > Panasonic sv255 > DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav > Adobe Audition 2.0 edited > Flac Frontend level 8 notes 3059. 12/10/93 Flac - 0, 85695 Los Angeles Sports Arena flac16; Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 Transfer: Tascam DA-30 -*-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) * via coax S/PDIF By Scott Swayne (altheasboy) in 06/2007 notes 3060. 12/10/93 Flac - 0, 74212 Los Angeles Sports Arena flac16; Fix of shn id 1599 - DSBD>CD notes 3061. 12/10/93 Flac - 0, 85696 Los Angeles Sports Arena flac16/48; Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 Transfer: Tascam DA-30 -*-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) * via coax S/PDIF By Scott Swayne (altheasboy) in 06/2007 notes 3062. 12/12/93 Flac - 0, 91959 San Diego San Diego Sports Arena flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD Set 2: SBD -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 3063. 12/12/93 Flac - 0, 86697 San Diego San Diego Sports Arena flac16; Recording- Digital FOB Audience Taper: Chip Copeland Schoeps MK-4 Cardiod Capsule in Hat > Panasonic sv255 Transfer- DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing and Mastering in Wavelab 6.0 using UAD1-e PCI-e DSP powered plugins- Cambridge EQ and Precision Limiter Trac'ed Cdwave , Flac TLH level 8 notes 3064. 12/12/93 Flac 24 - 0, 139183 San Diego San Diego Sports Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 3065. 12/12/93 Flac - 0, 1392212 San Diego San Diego Sports Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139183 24 bit -> 16 bit notes 3066. 12/12/93 Shn - 0, 7318 San Diego San Diego Sports Arena MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon notes 3067. 12/12/93 Flac - 0, 88150 San Diego San Diego Sports Arena flac16; Schoeps MK4's>Rbox>Technics SVM-D1(Front Row Center of Taper's Section) Dat Master>Sony TCD-D100>Edirol R-4 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred by Keith Litzenberger notes 3068. 12/12/93 Shn - 0, 19317 San Diego San Diego Sports Arena Source: Set 2 SBD > DAT > CDR > EAC > CDWave > mkwACT EAC'd/SHN'd by Doug Nawrocki notes 3069. 12/12/93 Flac 16 - 0, 107116 San Diego San Diego Sports Arena flac16; Source: (handheld/ORTF/110^/FOB/DFC) B&K 4011s > Neumann BA48i-2 > Sony TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts notes 3070. 12/13/93 Flac - 0, 91349 San Diego San Diego Sports Arena flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC notes 3071. 12/13/93 Flac - 0, 91960 San Diego San Diego Sports Arena flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD Set 2: SBD -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 3072. 12/13/93 Shn - 0, 11666 San Diego San Diego Sports Arena Set 1: FOB(Schoeps MK4) > DAT(s) > EAC(secure) > mkwact(seekable) > shn. Set 2: SBD > DAT > CDR > WAV > SHNv3; via Ryan>Matt>Willy, Paul B; Seeded to etree by neo_levo notes 3073. 12/13/93 Flac - 0, 85711 San Diego San Diego Sports Arena flac16/48; Sennheiser ME-80's > Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 notes 3074. 12/13/93 Flac - 0, 85710 San Diego San Diego Sports Arena flac16; Sennheiser ME-80's > Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 notes 3075. 12/13/93 Flac 24 - 0, 139184 San Diego San Diego Sports Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 3076. 12/13/93 Flac - 0, 139214 San Diego San Diego Sports Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139184 24 bit -> 16 bit notes 3077. 12/13/93 Shn - 0, 7360 San Diego San Diego Sports Arena MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon notes 3078. 12/13/93 Flac - 0, 94671 San Diego San Diego Sports Arena flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes 3079. 12/17/93 Flac - 0, 91961 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3080. 12/17/93 Shn - 0, 19287 Oakland Oakland-Alameda County Coliseum Primary Source: SBD>DAT>C>DAT>CDR (via Chris Laughlin). Patch Source: shnid=7348. Mastered & seeded by MattMan. notes 3081. 12/17/93 Shn - 0, 7348 Oakland Oakland-Alameda County Coliseum KM140's FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon notes 3082. 12/17/93 Flac - 0, 86014 Oakland Oakland-Alameda County Coliseum flac16/48; Recorded, Transferred & Uploaded by Keith Litzenberger; Source: Schoeps MK4's>Reutelhuber PreAmp>Technics SVM-D1 Transfer: Sony TCD-D10PROII>Edirol R-4>WL5>CDWAV>FLAC **16 BIT/48KHZ Transfer from master** notes 3083. 12/17/93 Flac - 0, 122840 Oakland Oakland-Alameda County Coliseum flac16; Source: * microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; * - see info file regarding microphones notes 3084. 12/18/93 Flac 16 - 0, 91962 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3085. 12/18/93 Shn - 0, 20330 Oakland Oakland-Alameda County Coliseum SBD>DAT>Cass.>DAT>CDR>WAV>SHN via Jim Powell encoded by Chris Ladner notes 3086. 12/18/93 Shn - 0, 7277 Oakland Oakland-Alameda County Coliseum Unknown FOB aud (likely Neumann KM-140, see user comments)> DAT(s) > CDR via Ryan Varum; Matt Vernon notes 3087. 12/18/93 Flac 16/48 - 0, 141525 Oakland Oakland-Alameda County Coliseum flac16/48 Source Info: FOB Neumann KM140-> DAT Possibly recorded by Dominic Tringale. Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 3088. 12/19/93 Flac 16 - 0, 91963 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3089. 12/19/93 Shn - 0, 12573 Oakland Oakland-Alameda County Coliseum Set 1: SBD>DAT> Cassette> DAT> CD> SHN Set 2: SBD>MC>DAT>ZA2>CDR>WAV>SHN; via Charlie Miller, Peter Braverman, neo_levo notes 3090. 12/19/93 Shn - 0, 10112 Oakland Oakland-Alameda County Coliseum Set 1: FOB AUD (unk. mic) > DAT > CDR; Set 2: SBD>MC>DAT>ZA2>CDR; via Willy/Matt and Paul B; Seeded to etree by neo_levo notes 3091. 12/19/93 Shn - 0, 7349 Oakland Oakland-Alameda County Coliseum Unknown FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon notes 3092. 12/19/93 Shn - 0, 28883 Oakland Oakland-Alameda County Coliseum Set 2; Source: A(FOB): Neuman KM 140's>DAT(48kHz) Tansfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r (or shn); Transfer by Chris Larson notes 3093. 02/25/94 Flac 16 - 0, 91250 Oakland Oakland-Alameda County Coliseum flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes 3094. 02/25/94 Shn - 0, 15096 Oakland Oakland-Alameda County Coliseum Source: FOB (unknown mics) > DAT > Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN. THIS IS NOT A RE-EXTRACTION - the original SHNs had sector boundary errors on the last track of each disc, were not seekable (also minor), and the d2>d3 transition was not seamless (minor again). These issues have been resolved and the show tracked on 2 discs instead of 3 (minus the previously included "filler"). notes 3095. 02/25/94 Shn - 0, 1381 Oakland Oakland-Alameda County Coliseum FOB (unknown mics) > DAT; Transfer: Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN; SHNed and seeded by Jon Seff, from Mark Ramler's CDs; with 3/27/94 filler notes 3096. 02/25/94 Flac 16 44,1 - 0, 141174 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps MK 4->Reutelhuber P/S-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3097. 02/25/94 Flac 24/48 - , 156420 Oakland Oakland-Alameda County Coliseum flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes 3098. 02/25/94 Flac 16/44 - , 156489 Oakland Oakland-Alameda County Coliseum flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156420 2448 > 1644.1 notes 3099. 02/26/94 Shn - 0, 18095 Oakland Oakland-Alameda County Coliseum Neumann KM84 -> Dat(48k) via Charlie Miller notes 3100. 02/26/94 Flac 16 44,1 - 0, 141175 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3101. 02/26/94 Flac 16/48 - 0, 141611 Oakland Oakland-Alameda County Coliseum flac16/48kHz; FOB recording by Kyle Porter: Neumann KM54 reconditioned tube mics, in hat > Custom PS > Spectra Sonics pre Amp > Apogee AD500 converter > Sony TCD-D7; Transfer by John Ammons: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes 3102. 02/26/94 Flac 24/48 - , 156421 Oakland Oakland-Alameda County Coliseum flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 3103. 02/26/94 Flac 16/44 - , 156490 Oakland Oakland-Alameda County Coliseum flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156421 2448 > 1644.1 notes 3104. 02/27/94 Flac 16 - 0, 32577 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Dat (44.1k) All Transfers and Mastering By Charlie Miller notes 3105. 02/27/94 Flac 16 - 0, 92803 Oakland Oakland-Alameda County Coliseum flac16; Fixed version of Matrix (SBD/AUD mixdown) by Bill Tetzeli (shnid 32637). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 3106. 02/27/94 Flac Mtx. - 0, 32637 Oakland Oakland-Alameda County Coliseum Matrix (SBD/AUD mixdown), done in Cool Edit Pro, transition between discs 2 and 3 is seamless by Bill Tetzeli notes 3107. 02/27/94 Shn - 0, 5972 Oakland Oakland-Alameda County Coliseum DSBD> CM(?)> DAT; Tascam DA-20mkII > SBLive! > CDWAV > MKW; DAT > WAV > SHN: Dan Stephens; upload by Scott Thompson; see notes in info file notes 3108. 02/27/94 Flac 16/48 - 0, 85709 Oakland Oakland-Alameda County Coliseum b>flac16/48; Schoeps MK4's>Reutelhuber Preamp>Sony TCD-D10PROII FOB DFC Recorded By Keith Litzenberger, Roger Jones & Corey Clayton Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes 3109. 02/27/94 Shn - 0, 12097 Oakland Oakland-Alameda County Coliseum AUD (mics unknown)>DAT>CDR; via H. Wankleswurth; Seeded to etree by candyman notes 3110. 02/27/94 Flac 16 44,1 - 0, 141176 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3111. 02/27/94 Flac 16/48 - 0, 141375 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 2 FOB recording by Kyle Porter: Neumann KM54 tube mics, in hat > Custom PS > Dennon DAT deck; Transfer by John Ammons; DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes 3112. 03/04/94 Shn - 0, 8330 Phoenix Desert Sky Pavilion DSBD --> DAT --> CDR; via Charlie Kidder notes 3113. 03/04/94 Flac 16 - 0, 33697 Phoenix Desert Sky Pavilion flac16; SBD> ?> CDR> EAC> FLAC; via sailor_saint notes 3114. 03/04/94 Flac 16 - 0, 119518 Phoenix Desert Sky Pavilion flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3115. 03/04/94 Flac 16/48 - 0, 110517 Phoenix Desert Sky Pavilion flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 3116. 03/04/94 Flac 16 - 0, 89172 Phoenix Desert Sky Pavilion flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger notes 3117. 03/04/94 Flac 16/44,1 - 0, 152011 Phoenix Desert Sky Pavilion SBD > DAT 44.1 kHz DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999. Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020] notes 3118. 03/05/94 Shn - 0, 8331 Phoenix Desert Sky Pavilion DSBD --> DAT --> CDR; via Charlie Kidder notes 3119. 03/05/94 Flac - 0, 33585 Phoenix Desert Sky Pavilion SBD > ? > CDR (see info file) notes 3120. 03/05/94 Flac 16 - 0, 119533 Phoenix Desert Sky Pavilion flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3121. 03/05/94 Flac 16/48 - 0, 119532 Phoenix Desert Sky Pavilion flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 3122. 03/05/94 Flac 16 - 0, 113694 Phoenix Desert Sky Pavilion flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3123. 03/05/94 Flac 16/44,1 - 0, 152012 Phoenix Desert Sky Pavilion SBD > DAT 44.1 kHz DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999. Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020] notes 3124. 03/06/94 Shn - 0, 8332 Phoenix Desert Sky Pavilion DSBD --> DAT --> CDR; via Charlie Kidder notes 3125. 03/06/94 Flac 16 - 0, 33613 Phoenix Desert Sky Pavilion flac16; SBD> ?> CD (see info file for notes); via sailor_saint notes 3126. 03/06/94 Flac 16/48 - 0, 119560 Phoenix Desert Sky Pavilion flac16/48kHz & flac24; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1); Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 3127. 03/06/94 Flac 16 - 0, 119559 Phoenix Desert Sky Pavilion flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3128. 03/06/94 Flac 16 - 0, 89190 Phoenix Desert Sky Pavilion b>flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger notes 3129. 03/06/94 Flac 16/44,1 - 0, 152013 Phoenix Desert Sky Pavilion SBD > DAT 44.1 kHz DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999. Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020] notes 3130. 03/16/94 Shn - 0, 7778 Rosemont Rosemont Horizon SBD> Dat> Sonic Solutions> CDR> WAV> SHNv3; This is an upgrade from the previously seeded SHN of this show w/o the digistatic in Scarlet>Fire and also a SBD of the encore. seeded by C. Ladner via candyman with thanks to C. Miller; also to abgd via Charlie Connor; tracked for 2x80 notes 3131. 03/16/94 Shn - 0, 567 Rosemont Rosemont Horizon DSBD->DAT-> DAP-1> Digital in through a Digital Audio Labs Card digital I/O> Computer->CD->SHN; downsampled set one only from 48KHz to 44.1KHz with Cool Edit Pro 1.1; encore patched from AUD; d1t3 ~6-9 min, d1t4 ~4 min, SBD probs; DAT tracking probs ~11 min into set II, smoothed; via 3D; note 11/00, apparently recirculating with different d2 md5s (d2alt, poss reextraction?) notes 3132. 03/16/94 Flac - 0, 130174 Rosemont Rosemont Horizon flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700/44.1k); Transfer Info: Dat Master (Panasonic SV-3800) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 3133. 03/16/94 Flac - 0, 140065 Rosemont Rosemont Horizon flac16/44 Source Info: FOB Schoeps MK4-> Reutelhuber P/S-> DAT Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Eb notes 3134. 03/17/94 Shn - 0, 8023 Rosemont Rosemont Horizon SBD > DAT > CDR > EAC > SHNv3; DAE (EAC)> boundary checking (SHNTOOL)> SHN (MKWACT) via neo_levo. seeded via candyman, also to abgd via Charlie Connor notes 3135. 03/17/94 Flac - 0, 139336 Rosemont Rosemont Horizon flac16 44.1khz Source: AKG C391 ORTF in first row OTS 8 foot stand > Teac DAP20 @ 16/48. Transfer: DAT Master>Lynx Studio 1>Wavelab 3.0. Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee. Transfer by Dave Cohen 2010. notes 3136. 03/17/94 Flac - 0, 140066 Rosemont Rosemont Horizon flac16/44 Source Info: TS AKG 460->DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 3137. 03/18/94 Flac - 0, 79117 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes 3138. 03/18/94 Shn - 0, 13930 Rosemont Rosemont Horizon Source: Audience (presumably DAT) Lineage: ?> Cassette> CD> SHN; Overall, a rather poor recording, though its the only available source after extensive searching. notes 3139. 03/18/94 Flac - 0, 140067 Rosemont Rosemont Horizon flac16/44 Source Info: FOB AKG 451 -> Koro P/S-> Panasonic SV255-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 3140. 03/20/94 Shn - 0, 10539 Richfield Richfield Coliseum AUD(Nak 300s)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes 3141. 03/20/94 Shn - 0, 15464 Richfield Richfield Coliseum Source: AUD (SchoepsCMC34>Oade>SV255) > DAT > CDR > WAV > SHN; via M.Ratliff; Seeded to etree by neo_levo notes 3142. 03/20/94 Flac - 0, 110567 Richfield Richfield Coliseum flac16; Set 1 Source: (handheld/ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3143. 03/20/94 Flac - 0, 111373 Richfield Richfield Coliseum flac16; Set 2 only Master: B&K 4011s > Neumann BS48i-2 > TCD-D3 Mics handheld, ORTF/110^, DFC in the 17th row by Alan Schmit; Conversion: Tascam DA-20>Microtrack 24/96>WAV>Sound Studio 2.2.4>xACT 2.05>FLAC by Dave Mallick notes 3144. 03/20/94 Flac - 0, 130902 Richfield Richfield Coliseum flac16; Source:Audience Recording(Sony Wm D6C Cassette Deck>Nakamichi 300 Mics W/CP4 Shotgun Mics)> Cassette Master>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 kHz)>CD Wav Editor> Traders Littrle Helper>Flac Level 8.Sector Coundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section notes 3145. 03/21/94 Shn - 0, 6258 Richfield Richfield Coliseum SBD > DAT > CDR > SHNv3; via johnathan miller, candyman notes 3146. 03/21/94 Flac 16 Mtx - 0, 125739 Richfield Richfield Coliseum flac16; Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn notes 3147. 03/21/94 Flac 16 - 0, 130919 Richfield Richfield Coliseum flac16; Sony WM-D6C Cassette Deck>Cassette Master>Nakamichi 300 Micsd W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes 3148. 03/21/94 Flac 16 - 0, 110568 Richfield Richfield Coliseum flac16; Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3149. 03/21/94 Flac 16 - 0, 140296 Richfield Richfield Coliseum flac16; Set 2 Recording Info: Master Soundboard Dat > Dat; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston notes 3150. 03/21/94 Flac 24/96 - , 158160 Richfield Richfield Coliseum flac2496 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24 notes 3151. 03/21/94 Flac 16/44 - , 158173 Richfield Richfield Coliseum flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24 - This is 158160 2496 > 1644 notes 3152. 03/23/94 Shn - 0, 13793 Uniondale Nassau Coliseum Set 1: SBD DAT>WAV>CE>CDWAV>SHN Set 2: AUD DAT ( Nakamichi CM300's w/Cp4 shotguns>Denon DTR- 80P)>WAV>CE>CDWAV>SHN submitted by M.Walker via Steve Herman notes 3153. 03/23/94 Flac - 0, 124020 Uniondale Nassau Coliseum flac16; All Set 1 & Partial Set 2 Source: SBD > DAT > CDR > EAC > FLAC; EAC'd/FLAC'd by Doug Nawrocki notes 3154. 03/23/94 Flac - 0, 134816 Uniondale Nassau Coliseum flac16; Source: NAK300 Guns > Shure FP32 > Sony D7; Location: Center Ice Owners Box; Transfer: Fostex D5 > Toslink > Motu Traveler > MacBook Pro > Peak Pro (Tracks/Fades); Recorded & Upped By: Ted Cappelen notes 3155. 03/23/94 Shn - 0, 14257 Uniondale Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. notes 3156. 03/23/94 Flac - 0, 90740 Uniondale Nassau Coliseum flac16; Recording info: (OTS/Behind SBD/DFC/mics @ 90deg/stand @ 10') AKG 460b/ck61 -> custom pre-amp -> Teac DA-P20 Transfer info: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (3/11/08) notes 3157. 03/23/94 Shn - 0, 26988 Uniondale Nassau Coliseum AUD fob (in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson notes 3158. 03/23/94 Flac - 0, 139365 Uniondale Nassau Coliseum flac16 44.1khz Source Info: Soundboard-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes 3159. 03/23/94 Flac - 0, 140153 Uniondale Nassau Coliseum flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 3160. 03/24/94 Shn - 0, 14258 Uniondale Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. notes 3161. 03/24/94 Flac 16/48 - 0, 140154 Uniondale Nassau Coliseum flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 3162. 03/25/94 Shn - 0, 14189 Uniondale Nassau Coliseum Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3 via JABUZZ420 encoding by Candyman notes 3163. 03/25/94 Flac 16/48 - 0, 140155 Uniondale Nassau Coliseum flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 3164. 03/25/94 Flac 16/48 - , 150672 Uniondale Nassau Coliseum flac16/48kHz; Source: B&K 4010 > Beyer MV-100; Patch Taper Sony D7 @ 16/48: David Flaschner Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) notes 3165. 03/25/94 Flac 16/48 - , 150672 Uniondale Nassau Coliseum flac16/48kHz; Source: B&K 4010 > Beyer MV-100; Patch Taper Sony D7 @ 16/48: David Flaschner Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) notes 3166. 03/27/94 Shn - 0, 20926 Uniondale Nassau Coliseum Recording Info: SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN; Patched and SHN'd By Charlie Miller notes 3167. 03/27/94 Shn - 0, 4851 Uniondale Nassau Coliseum mixed sources: DAUD from bootleg CD "Headin' East", DSBD (see info); via unIDed seeder notes 3168. 03/27/94 Shn - 0, 14260 Uniondale Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. notes 3169. 03/28/94 Shn - 0, 17263 Uniondale Nassau Coliseum Shntool fixed version of Set 1 unknown DAUD source, Set 2 DSBD, d2t04 (drums) FM>DAT. notes 3170. 03/28/94 Shn - 0, 14261 Uniondale Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. notes 3171. 03/28/94 Shn - 0, 32569 Uniondale Nassau Coliseum from 7th row tapers secion B&K 4010 w/balls > DAT master > DAT clone > SHN DAT transfer via PCM-M1 > Oade active cable > Edirol UA-5 (hardware resample) > USB > HP Omnibook 500 running CoolEdit2000 > CDWAV > MKW-Act non seekable SHNs due to winXP and Act issues transfer/encoding by nick@nickspicks.com notes 3172. 03/28/94 Shn - 0, 27057 Uniondale Nassau Coliseum AUD fob(in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson notes 3173. 03/28/94 Flac - 0, 34561 Uniondale Nassau Coliseum flac16; Digital Master Audience Recording - Dan Lynch Master Series Vol 10 Recorded from 1st Row Taper's Section Sennheiser 441's > Sony D-7 > DAT Master DAT Master > Panasonic SV-3800 > digital coaxial > Audigy 2 ZS Platinum > CD Wave > 16 bit 44.1 wav > Soundforge (set fades, level boost) > CD Wave (tracking) > Flac Frontend (level 7, align sector boundaries) > flac Thanks to Danny Hupert for the patch! notes 3174. 03/28/94 Flac 16/48 - 0, 140156 Uniondale Nassau Coliseum flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT This is your collection notes 3175. 03/28/94 Shn - 0, 137898 Uniondale Nassau Coliseum Set 2 Source: SBD:D>ZA2>CD or SHN notes 3176. 03/30/94 Shn - 0, 14832 Atlanta The Omni Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Transfered By Charlie Miller. notes 3177. 03/30/94 Shn - 0, 3621 Atlanta The Omni SBD: DAT> ZA2> Samplitude2496> CDR> EAC> SHN; via Tony Gardner with thanks to Chris Larson; encore missing notes 3178. 03/30/94 Shn - 0, 31806 Atlanta The Omni Source: S:D>ZA2>Samplitude2496>CD-R transfer by clarson (BTWind@comcast.net) notes 3179. 03/30/94 Flac 16 - 0, 110956 Atlanta The Omni flac16; Source: (ORTF/110^/DFC/FOB/16th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3180. 03/31/94 Shn - 0, 14883 Atlanta The Omni Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Encore Is Missing (I Fought The Law) Transfered By Charlie Miller. notes 3181. 03/31/94 Shn - 0, 10920 Atlanta The Omni Dsbd>cdr; Seeded to etree by Chaser notes 3182. 03/31/94 Flac 16 - 0, 34841 Atlanta The Omni flac16; Seamless fix of shn id 10930. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 3183. 03/31/94 Flac 16 - 0, 110955 Atlanta The Omni flac16; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3184. 04/01/94 Shn - 0, 14834 Atlanta The Omni Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) ->Prodif Plus ->Samplitude v6.0 ->SHN Transfered By Charlie Miller encore from FOB source. notes 3185. 04/01/94 Flac 16 - 0, 116722 Atlanta The Omni flac16; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 3186. 04/01/94 Shn - 0, 1210 Atlanta The Omni DSBD> DAT> CD> CD> SHN (Boot CD Rip); Seeded by: Brian Leonard; see misc flaw notes in info file notes 3187. 04/01/94 Flac 24 - 0, 116723 Atlanta The Omni flac24; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 3188. 04/01/94 Flac 16 - 0, 119748 Atlanta The Omni flac16; nak300>cp4>2ch mixer>sony d7 16/44.1; OTS 2nd row dfc 12ft. DIN dat(m)> hhb830 cd>cdwave>tlh flac 8; t&s by c. cage notes 3189. 04/01/94 Flac 16 - 0, 110954 Atlanta The Omni flac16; Set 2 Only; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3190. 04/01/94 Flac 16 - 0, 142364 Atlanta The Omni flac16; Source: SBD > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/48> iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018 notes 3191. 04/04/94 Shn - 0, 11502 Orlando Sports Arena SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L notes 3192. 04/04/94 Flac 16 - 0, 87453 Orlando Sports Arena flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Mics on 7-foot stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 3193. 04/04/94 Flac 16 - 0, 105813 Orlando Sports Arena flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [02/02/10] notes 3194. 04/04/94 Flac 16 44,1 - 0, 141248 Orlando Sports Arena flac16/44.1 Source Info: OTS Sony CS-38b-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes 3195. 04/04/94 Flac 16/48 - 0, 141426 Orlando Sports Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3196. 04/04/94 Flac 24/48 - , 156433 Orlando Sports Arena flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 3197. 04/04/94 Flac 16/44 - , 156491 Orlando Sports Arena flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156443 2448 > 1644.1 notes 3198. 04/06/94 Flac 16 - 0, 91391 Miami Miami Arena flac16; Soundcheck: Source 1: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Source 2: SBD -> Dat -> MiniDisc -> Cool Edit Pro -> FLAC -> Samplitude Professional v10.02 > TLH > FLAC Transfer Source 1: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise Transfer and Mastering for source 1: Bill Koucky Transfer and Mastering for source 2: Charlie Miller (fix of shn id 91351) notes 3199. 04/06/94 Flac 16 - 0, 28258 Miami Miami Arena flac16; mixed sources, incl soundcheck: Set 1: (FOB) Schoeps MK4> Dat> CD, Set 2: SBD> Dat> CD, Encore: (FOB) Schoeps MK4> Dat> CD, Soundcheck: SBD> Dat> MiniDisc> Cool Edit Pro> CD; Transfer: WAV> Samplitude Professional v8.0> FLAC; Transferred and Edited By Charlie Miller notes 3200. 04/06/94 Shn - 0, 13110 Miami Miami Arena Soundcheck; SBD>Dat>MiniDisc>Behringer UltraMatch SRC2000>Dio2448>Cool Edit Pro>SHN; Seeded to etree by Charlie Miller notes 3201. 04/06/94 Shn - 0, 10311 Miami Miami Arena FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L notes 3202. 04/06/94 Flac 16 - 0, 91351 Miami Miami Arena flac16; Soundcheck: Source 1: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Source 2: SBD -> Dat -> MiniDisc -> Cool Edit Pro -> CD Transfer Source 1: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky; upgrade now in circulation notes 3203. 04/06/94 Flac 16/48 - 0, 141427 Miami Miami Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3204. 04/07/94 Shn - 0, 20187 Miami Miami Arena DSBD > CD > EAC > SHN; Liberty supplied by the FOB-AUD(Schoeps MK4>SV250)>DAT>CDR source; EAC/SHN by Darryl Hinko notes 3205. 04/07/94 Shn - 0, 10313 Miami Miami Arena FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L notes 3206. 04/07/94 Flac 16/48 - 0, 141428 Miami Miami Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3207. 04/07/94 Flac 16/48 - 0, 141695 Miami Miami Arena flac16/48kHz; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me> File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking> TLH8; Fixed version in circulation notes 3208. 04/07/94 Flac 16/48 - 0, 141885 Miami Miami Arena flac16; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me>File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8; The original upload had speed problems notes 3209. 04/08/94 Shn - 0, 10503 Miami Miami Arena AUD(Schoeps CMC521?s)>DAT>CDR; via Paul; Seeded to etree by Chris L notes 3210. 04/08/94 Flac 16/44,1 - 0, 139358 Miami Miami Arena flac16 44.1khz Set 2 Only. Source: Soundboard->Cassette->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel notes 3211. 06/08/94 Flac - 0, 117196 Sacramento Cal Expo flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 3212. 06/08/94 Flac - 0, 85117 Sacramento Cal Expo flac16; Recorded by Keith Litzenberger & Roger Jones aka "Ace Cubby" Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII FOB DFC Transfer done on 5/08/2007 from DAT MASTER: Sony TCD-D10PROII>Edirol R-4>WL5 (Fades and Resampling to 44.1khz)>CDWAV>FLAC notes 3213. 06/08/94 Flac 24 - 0, 117197 Sacramento Cal Expo flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 3214. 06/08/94 Shn - 0, 100165 Sacramento Cal Expo AUD (KM 140?s)>DAT>CDR; via PB; Seeded to etree by neo_levo notes 3215. 06/09/94 Flac - 0, 119694 Sacramento Cal Expo flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3216. 06/09/94 Flac 24 - 0, 119693 Sacramento Cal Expo flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 3217. 06/09/94 Flac - 0, 119146 Sacramento Cal Expo flac16; Source: 2 Sonic Studio DSM-1S/x microphones (up front & center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3218. 06/09/94 Shn - 0, 10066 Sacramento Cal Expo Schoeps CMC 54's >DAT>CDR; via Paul B; Seeded to etree by neo_levo notes 3219. 06/10/94 Shn - 0, 10067 Sacramento Cal Expo AUD(KM 140?s)>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes 3220. 06/10/94 Flac 16/48 - 0, 141214 Sacramento Cal Expo flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes 3221. 06/13/94 Shn - 0, 8239 Seattle Memorial Stadium Schoeps CMC441s FOB > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol notes 3222. 06/13/94 Flac 16 - 0, 137718 Seattle Memorial Stadium flac16; Partial Set 2 Source: SBD > ? > DAT > CDR; CDR (TaiyoYuden 80m japan) > EAC (secure, 100% quality) > Audacity (edits, fades, levels) > CDWav (tracking) > TLH (FLAC - level 8); Conversion by Chris Mrachek notes 3223. 06/13/94 Flac 16/48 - 0, 141203 Seattle Memorial Stadium flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes 3224. 06/13/94 Flac 24 - 0, 145371 Seattle Memorial Stadium flac24; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck notes 3225. 06/13/94 Flac 16 - 0, 145463 Seattle Memorial Stadium flac16; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck This file set is 16 bit @ 44.1 notes 3226. 06/13/94 Flac 16/44 - 0, 152516 Seattle Memorial Stadium flac16/44 Source: AKG(fob):D Transfer: Samplitude Project>Cool Edit>CDWAV>EZCD>CD-r Tapes provided by Paul Gibian Transfer by Chris Larson (exploregon@gmail.com) notes 3227. 06/14/94 Shn - 0, 8710 Seattle Memorial Stadium S:D>C>D>CD; Unknown Seeder; Liberty cuts notes 3228. 06/14/94 Shn - 0, 12523 Seattle Memorial Stadium SBD>DAT>CD; Seeded to etree by Chris Larson notes 3229. 06/14/94 Flac 16/48 - 0, 141204 Seattle Memorial Stadium flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes 3230. 06/14/94 Flac 24/48 - , 156587 Seattle Memorial Stadium flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 3231. 06/14/94 Flac 16/44 - , 157162 Seattle Memorial Stadium flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 156587 2448 -> 1644 notes 3232. 06/17/94 Shn - 0, 28898 Eugene Autzen Stadium, U. of Oregon Source: A:Nuemann mics (model number unknown)>DAT Transfer: DAT>ZA2>Samplitude 2496>CD-r (or SHN) Transfer by Chris Larson notes 3233. 06/17/94 Shn - 0, 9774 Eugene Autzen Stadium, U. of Oregon AUD (Nak700's)>DAT>CDR; via Paul B; Seeded to etree by neo_levo/candyman notes 3234. 06/17/94 Flac 16/48 - 0, 145696 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Source - Sennheiser 441 > DAT > patch DAT; Transfer - patch DAT master > Tascam DA30 > Spdif > SD USBPre1.5 > Wavelab6 (16/48kHz) > CD Wave Editor > FLAC notes 3235. 06/18/94 Shn - 0, 12098 Eugene Autzen Stadium, U. Of Oregon SBD>?>DAT>CDR; via Paul; Seeded to etree by C. Ladner notes 3236. 06/18/94 Flac 16 - 0, 109217 Eugene Autzen Stadium, U. Of Oregon flac16; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithering with Korg Aqua to 16/44 notes 3237. 06/18/94 Flac 16 - 0, 119174 Eugene Autzen Stadium, U. Of Oregon flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3238. 06/18/94 Flac 16/48 - 0, 141201 Eugene Autzen Stadium, U. Of Oregon flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes 3239. 06/18/94 Flac 24/96 - 0, 109218 Eugene Autzen Stadium, U. Of Oregon flac24; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24 Bit/96kHz no dithering notes 3240. 06/18/94 Flac 16 - 0, 145949 Eugene Autzen Stadium, U. Of Oregon flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH.; Recorded by Primo Williams xfer Charles Bandrofcheck notes 3241. 06/18/94 Flac 16/48 - 0, 149181 Eugene Autzen Stadium, U. Of Oregon flac16/48kHz; Source: SBD; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper: Unknown; Transferred & Seeded by Bill Graves notes 3242. 06/19/94 Shn - 0, 12524 Eugene Autzen Stadium, U. of Oregon Source: S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn; Seeded to etree by Chris Larson notes 3243. 06/19/94 Flac - 0, 82053 Eugene Autzen Stadium, U. of Oregon flac16; S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn>patching/editing>flac notes 3244. 06/19/94 Shn - 0, 8240 Eugene Autzen Stadium, U. of Oregon FOB / Nak 100/CP1 cardioids > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol notes 3245. 06/24/94 Shn - 0, 13443 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Audience recording by Neil Sturtevant Senn K3U mics w/ ME80 capsules > Master DAT (deck model unknown). DAT > CD transfer by Neil Sturtevant (untracked). Subsequent Extraction (EAC), tracking (CD Wave) and SHN conversion (mkwACT) by Sean Cribbs notes 3246. 06/24/94 Flac - 0, 97302 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48; Source:Scheops CMC5/MK4->Sonosax SX-M2->ApogeeD1000??->Sony D10 Transfer:Tascam DA-20mkII->Edirol R-44->Cd Wave->FlacFrontend Taped by Eliot Byron Transered and uploaded by Frank D'Auria notes 3247. 06/25/94 Shn - 0, 16471 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. complete; SBD> DAT> CDR> EAC> WAV> CE> CDWAV> SHN; with Shoe Fits from previous seed; See info file for details notes 3248. 06/25/94 Flac - 0, 111610 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell XLII-s 100,100; Transfer Info:Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6MHz Metadata added with AudioGate software SBE's Checked/Fixed with Trader's Little Helper Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion notes 3249. 06/26/94 Shn - 0, 14943 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: SBD > CASSETTE > DAT @48k Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net). This represents the SHNTOOL FIXED and STRIPPED version of the previous seed which had sector boundary errors on all tracks and noncanonical headers on the first disc. Distributed via candyman FTP. notes 3250. 06/26/94 Flac - 0, 85864 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Encore only, Source: SBD>???>bootleg cassette Lineage: bootleg cassette>HD>WAV>FLAC notes 3251. 06/26/94 Flac - 0, 106225 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro ->Tascam DA20 MKII->Edirol R44->SD->PC->Audacity->CD Wave Editor->Flac Frontend notes 3252. 06/26/94 Flac - 0, 138699 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes 3253. 07/01/94 Shn - 0, 9369 Mountain View Shoreline Amphitheatre SBD>DAT>CDR; via p'bo; neo_levo/candyman FTP notes 3254. 07/01/94 Flac - 0, 116005 Mountain View Shoreline Amphitheatre flac16; source: 2 Neumann KMF4's > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3255. 07/02/94 Shn - 0, 3988 Mountain View Shoreline Amphitheatre sbd > dat > cdr > eac > shnv3; via C. Ladner notes 3256. 07/02/94 Shn - 0, 10980 Mountain View Shoreline Amphitheatre DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW, by Dan Stephens (dms@well.com) notes 3257. 07/02/94 Flac 16 - 0, 116006 Mountain View Shoreline Amphitheatre flac16; source: 2 Neumann KMF4 microphones -12th row-center > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3258. 07/03/94 Shn - 0, 11691 Mountain View Shoreline Amphitheatre DSBD > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW Audio Compression Tool v0.96f notes 3259. 07/03/94 Shn - 0, 8067 Mountain View Shoreline Amphitheatre DSBD > DAT > CDR > WAV > SHNv3; liberated bootleg, partially repaired (see notes); via neo_levo; tracked for 2x80 notes 3260. 07/03/94 Flac - 0, 86001 Mountain View Shoreline Amphitheatre flac16/48; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) notes 3261. 07/03/94 Flac - 0, 86000 Mountain View Shoreline Amphitheatre flac16; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes 3262. 07/03/94 Flac - 0, 118758 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3263. 07/13/94 Shn - 0, 17029 Highgate Franklin County Airport M:D>SHN digital transfer via: Da-p1 > zoltrix Nightengale 48 > 44.1 via CoolEdit2k > tracked with CDWAV via Nick Georges. Note, this version has different md5s than the original but its directly from Nick's server... notes 3264. 07/13/94 Flac 16 - 0, 103630 Highgate Franklin County Airport flac16; Source: Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLII C90 x 2) Lineage: mac > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > flac 16 taped by John Bleich, OTS just right of the soundboard notes 3265. 07/13/94 Flac 16/48 - 0, 135272 Highgate Franklin County Airport flac16/48kHz; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016 notes 3266. 07/13/94 Flac 16 - 0, 134271 Highgate Franklin County Airport flac16; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016 notes 3267. 07/13/94 Flac 16 - 0, 88931 Highgate Franklin County Airport flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel notes 3268. 07/13/94 Flac 16/48 - 0, 85719 Highgate Franklin County Airport flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded FOB by Roger,Rich, Seth, Keith & Jim Transferred to WAV By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC WAV>FLAC Transfer & Upload by Keith Litzenberger notes 3269. 07/13/94 Flac 16 - 0, 34299 Highgate Franklin County Airport flac16; Source: Neumann km-82i Shotguns > Teac DAT behind sbd 20 ft in front of speaker stack 20 ft high Transfer: Panasonic SV-3700 DAT > Audiophile 2496 > WaveLab 5.01 @ 24 bit/44.1 > converted to 16 bit> CD Wave Editor > EAC > Flac Recorded by and transfers by Bill Koucky notes 3270. 07/13/94 Shn - 0, 10384 Highgate Franklin County Airport AKG-460-CKIX>Sony D-7>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes 3271. 07/13/94 Flac - 0, 32291 Highgate Franklin County Airport Source: Schoeps CMC 44 cardioids (ORTF) > Oade power supply > modified Panasonic SV-255 > Sony D3 DAT Master (spdif input) Location: taped up front on a 6 foot stand Transfer: DAT Master 60ES > M-Audio Microtrack 2496 (spdif) > WAV > Flac taper & transfer: jbraveman@hotmail.com notes 3272. 07/13/94 Flac 16 - 0, 107916 Highgate Franklin County Airport flac16; Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 3273. 07/13/94 Flac 16 - 0, 147694 Highgate Franklin County Airport flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 3274. 07/16/94 Flac 16 - 0, 97192 Washington Robert F. Kennedy Stadium flac16; Source: aud > Nak 300's with shotgun caps > Sony WM-D6 > mac taped from section 120, row 6, seat 11 Transfer: mac > Nak CR-5A > EMU 1212M > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CDWave > TLH > flac16 notes 3275. 07/16/94 Flac 16 - 0, 28741 Washington Robert F. Kennedy Stadium flac16; Recorded By Ron Keyser using his AMS ST250 on a Stand FOB, DFC> Modified Sony D10 Pro II. notes 3276. 07/16/94 Shn - 0, 7461 Washington Robert F. Kennedy Stadium FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 > DAT > Tascam CDR 700; via Tim Wiley notes 3277. 07/16/94 Flac 16 - 0, 95183 Washington Robert F. Kennedy Stadium flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Dat Clone>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded By Keith Litzenberger, Roger Jones, Rich Downey & More notes 3278. 07/16/94 Flac 16 - 0, 147683 Washington Robert F. Kennedy Stadium flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 3279. 07/17/94 Shn - 0, 10540 Washington Robert F. Kennedy Stadium S250?s(ambisonic)>Sony D-10 pro 2>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes 3280. 07/17/94 Flac 16 - 0, 91363 Washington Robert F. Kennedy Stadium flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded By Keith Litzenberger, Ace Cubby, Carrion Crow and Others notes 3281. 07/17/94 Flac 16 - 0, 147684 Washington Robert F. Kennedy Stadium flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 3282. 07/17/94 Flac 16 - 0, 97900 Washington Robert F. Kennedy Stadium flac16; Source: Audience recording Lineage: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac > Cr-5a > Emu 1212M > 24/96 wave > Wavelab 5 > UAD Plugs > r8brain pro > ozone izotope > 16/44.1 Wave > cd wave > TLH ( lvl 8 ) > Tag And Rename notes 3283. 07/17/94 Flac 16/44 - 0, 152517 Washington Robert F. Kennedy Stadium flac16/44 Source: A(ts):D Sennheiser Stereo Mic Transfer: DAT(48kHz)>ZA2(S/PDIF)>Wavelab 3.03>wav or shn Tapes provided by Tom and Roger Conversion by Chris Larson (gdvault@gmail.com) 2/1/2002 notes 3284. 07/19/94 Shn - 0, 8476 Noblesville Deer Creek Music Center DSBd>?>CDR; Seeded to etree by Dan Carr notes 3285. 07/19/94 Flac 16 - 0, 92433 Noblesville Deer Creek Music Center flac16; Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain > 32/44.1 wave > wavelab 5 (tracked) > L3 > 16/44.1 wave > flac16 (TLH lvl 8) notes 3286. 07/19/94 Flac 16 - 0, 91836 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8 notes 3287. 07/19/94 Shn - 0, 28163 Noblesville Deer Creek Music Center AudioTechnica 815A Shotguns> Panasonic SV250(48kHz); Transfer: DAT> ZA2(S/PDIF)> samplitude2496> CD-r; Transfer by Chris Larson, with thanks to Tom, Roger notes 3288. 07/19/94 Flac 16 - 0, 91140 Noblesville Deer Creek Music Center flac16; Set 2 only, (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (3/31/08) notes 3289. 07/19/94 Flac 16 - 0, 147695 Noblesville Deer Creek Music Center flac16; Source Info: FOB Schoeps NK 4-> Reutelhuber P/S-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes 3290. 07/19/94 Flac 16 - 0, 35164 Noblesville Deer Creek Music Center flac16; Fix of shn id 8476 - DSBD>?>CDR>EAC>WAV>SHNv3. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 3291. 07/20/94 Shn - 0, 12596 Noblesville Deer Creek Music Center SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311 notes 3292. 07/20/94 Flac - 0, 91848 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8 notes 3293. 07/20/94 Flac - 0, 119553 Noblesville Deer Creek Music Center flac16; Source: Audience Recording > Nakamichi 300's with CP-4 caps > Sony WMD-6 > MAC; Transfer: MAC > Sony WMD-6 > Edirol R-09HR > wav 24/48; Lineage: wav 24/48 > Adobe Audtion 1.5 > Wavelab 6 (with iZoptope Ozone 5 Advanced) > iZotope RX 2 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; Taped and transferred by John Bleich notes 3294. 07/20/94 Shn - 0, 31805 Noblesville Deer Creek Music Center Source: A: Audio Technica 815a Shotguns>Panasonic sv250 (48kHz) Transfer: DAT>ZA2(S/PDIF)>Wavelab3.03>CD-r Transfer by Chris Larson notes 3295. 07/20/94 Flac - 0, 89561 Noblesville Deer Creek Music Center flac16; Schoeps MK4's>Rbox>Sony TCD-D10PRO (mod) FOB Transfer: DAT MASTER>Tascam DA-30>Sony TCD-D10PRO (mod) DAT CLONE>Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC Recorded By Roger Jones notes 3296. 07/20/94 Flac - 0, 139713 Noblesville Deer Creek Music Center flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel notes 3297. 07/20/94 Flac - 0, 140083 Noblesville Deer Creek Music Center flac16/48kHz; taper & equipment unknown: (FOB) AUD > Dat (48k); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 3298. 07/21/94 Shn - 0, 12322 Noblesville Deer Creek Music Center Shntool fix (by Chris Ladner) of previous Braverman seed; See info file for details; SBD>?>DAT>CD notes 3299. 07/21/94 Flac - 0, 91838 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (BY JAZ) DAT master-> Sony PCM R-300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8 notes 3300. 07/21/94 Shn - 0, 9406 Noblesville Deer Creek Music Center SBD> ?> DAT> CD> Cool Edit> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman notes 3301. 07/21/94 Flac - 0, 91155 Noblesville Deer Creek Music Center flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/2/08) notes 3302. 07/21/94 Shn - 0, 76309 Noblesville Deer Creek Music Center Source: Nak 300's/cp4's > D7 Transfer: DA-P1 > Phillips CDR870 > EAC > CDWave > mkwACT notes 3303. 07/21/94 Flac - 0, 112808 Noblesville Deer Creek Music Center flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3304. 07/21/94 Shn - 0, 31804 Noblesville Deer Creek Music Center Source: A:D(48kHz) no mic info Transfer: D>ZA2>Samplitude2496>CD-r Transfer by Chris Larson notes 3305. 07/21/94 Shn - 0, 12099 Noblesville Deer Creek Music Center AUD (mic unk) >DAT>CD; via Paul; Seeded to etree by candyman notes 3306. 07/21/94 Shn - 0, 18144 Noblesville Deer Creek Music Center Source: FOB Shure BG 4.0's > D7 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT EAC'd... By Doug Nawrocki notes 3307. 07/21/94 Flac - 0, 139714 Noblesville Deer Creek Music Center flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel notes 3308. 07/23/94 Flac - 0, 14853 Chicago Soldier Field flac16; SBD Monitor Mix > DAT @ 48k - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; missing Encore patched from FOB [15th Row] Schoeps (Unknown Model) > DAT; Transferred by: Ryan Burns notes 3309. 07/23/94 Shn - 0, 14839 Chicago Soldier Field DSBD>D>CD>SHN Transcription from DAT and Encoding by JR Fishman notes 3310. 07/23/94 Shn - 0, 574 Chicago Soldier Field FOB (15th Row) Schoeps (Unknown Model) > DAT; via Tim Buller notes 3311. 07/23/94 Flac 16/48 - 0, 147691 Chicago Soldier Field flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Location Sec B, Row 22, seat 30; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 3312. 07/24/94 Flac 16 - 0, 119591 Chicago Soldier Field flac16; AKG C391 ORTF in hat FOB 18th row Left Center>Teac DAP20 @ 16/48; DAT Master>Lynx Studio 1>Wavelab 3.0; Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee notes 3313. 07/24/94 Shn - 0, 10087 Chicago Soldier Field AUD (mic unk.)>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes 3314. 07/24/94 Flac 16 - 0, 112820 Chicago Soldier Field flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3315. 07/24/94 Flac 16/48 - 0, 147692 Chicago Soldier Field flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes 3316. 07/26/94 Flac 16 - 0, 91255 Maryland Heights Riverport Amphitheatre flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Waves X-Noise, iZotope Ozone 3 EQ and Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes 3317. 07/26/94 Flac 16 - 0, 119446 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3318. 07/26/94 Flac 16/48 - 0, 119445 Maryland Heights Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 3319. 07/26/94 Flac 16 - 0, 120293 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies notes 3320. 07/26/94 Flac 24/48 - 0, 120292 Maryland Heights Riverport Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies notes 3321. 07/26/94 Flac 16 - 0, 124310 Maryland Heights Riverport Amphitheatre flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts notes 3322. 07/26/94 Shn - 0, 10225 Maryland Heights Riverport Amphitheatre Chase Smith recording, Shure BG-40?s>Sony D-7>DAT>CDR; via Paul; seeded to etree by neo_levo notes 3323. 07/26/94 Flac 16/44,1 - 0, 139723 Maryland Heights Riverport Amphitheatre flac16/44.1khz Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel notes 3324. 07/26/94 Flac 16 - 0, 139978 Maryland Heights Riverport Amphitheatre flac16; Recording Info: SBD > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 3325. 07/27/94 Flac 16 - 0, 119474 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3326. 07/27/94 Flac 16/48 - 0, 119473 Maryland Heights Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 3327. 07/27/94 Flac 16 - 0, 120301 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby (2nd Source); AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies notes 3328. 07/27/94 Flac 24/48 - 0, 120300 Maryland Heights Riverport Amphitheatre flac24; Master Audience Recorded By Mr. Darby (2nd Source); AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies notes 3329. 07/27/94 Shn - 0, 8725 Maryland Heights Riverport Amphitheatre Shure BG-40/Sony D-7 recorded by Chase Smith > ? > CDR; via Mike Rodriguez; Seeded to etree by Matt Vernon notes 3330. 07/27/94 Flac 16 - 0, 124311 Maryland Heights Riverport Amphitheatre flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts notes 3331. 07/27/94 Flac 16/44,1 - 0, 139724 Maryland Heights Riverport Amphitheatre flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel notes 3332. 07/29/94 Flac 16 - 0, 91193 Hebron Buckeye Lake Music Center flac16; Taper: Todd Evans & Adam Gross Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Cable -> Oade Supply -> Monster M1000 Jumper -> Panasonic sv255 Transfer: DAT Master> TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 by Todd Evans All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed Flac Frontend level 8 notes 3333. 07/29/94 Shn - 0, 25582 Hebron Buckeye Lake Music Center Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller notes 3334. 07/29/94 Shn - 0, 4078 Hebron Buckeye Lake Music Center Schoeps mk4 (12' spread FOB) > DAT; DAT3@44.1> Tascam DA-30mkII> SBL spdif> SoundForge 4.5> wav> MKW> shn; unknown taper- uploaded by C.DiPietro; note both regular and fixed d1 md5s were submitted to db but no further details were provided notes 3335. 07/29/94 Flac 16 - 0, 110975 Hebron Buckeye Lake Music Center flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes 3336. 07/31/94 Shn - 0, 2593 Auburn Hills The Palace DSBD> CDR> EAC> SHN; via Chase Runyon to sativa; not seekable? notes 3337. 07/31/94 Flac 16 - 0, 113009 Auburn Hills The Palace flac16; DSBD (unknown DAT) > GoodBear DAT (1999?) > CDR (1999?) > EAC (April 2011) > FLAC notes 3338. 07/31/94 Shn - 0, 2752 Auburn Hills The Palace DSBD> CDR> EAC> SHN; seeded by Chase Runyon, reshn for seeking by Carl Johnson notes 3339. 07/31/94 Flac 16 - 0, 96464 Auburn Hills The Palace flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 3340. 07/31/94 Flac 16 - 0, 91974 Auburn Hills The Palace flac16; Tapers Section Lower level, section 120b, row JJJ, seat 3 Neumann skm 100/AK50's > Unknown deck > Marantz PMD 430 Master Cassettes > SB Audigy > Adobe Audition @24bit/48khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit/44khz. CDwave: Tracking. Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte notes 3341. 08/01/94 Shn - 0, 1026 Auburn Hills The Palace set 2; DSBD> CD> EAC; via Nick Georges; md5s listed as d2,d3; shns dated as "94-01-08" notes 3342. 08/01/94 Shn - 0, 12522 Auburn Hills The Palace Neumann TLM 170i's (cardioid) > Modified D10 pro II. Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 on 4 w/anti alias) > CDWave > mkwACT by Doug Nawrocki notes 3343. 08/01/94 Flac 16 - 0, 96443 Auburn Hills The Palace flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes 3344. 08/01/94 Flac 16 44,1 - 0, 141177 Auburn Hills The Palace flac16/44.1 Source Info: Set #1: TS? Schoeps CMC5 Mk4->Oade P/S-> Sony D10 Pro II-> DAT Set #2: FOB Schoeps MK4-> Reutelhuber P/S-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3345. 08/03/94 Flac 16/48 - 0, 85704 East Rutherford Giants Stadium flac16/48; Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) Recorded By Travitz & Keith Litzenberger Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes 3346. 08/03/94 Shn - 0, 20291 East Rutherford Giants Stadium Taper: Dan Sisler Source: FOB 25th row/center > Schoeps cmc5/mk4 > Sonosax > Sony d10 > digi out > Sony d7 @44.1 Clone: Master DAT/Master D7 > Sony PCM-R500 by Dan Sisler DAT to SHN: Dan's 1x clone > Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 > CDwave > SHN (seekable) by Marc Pujol notes 3347. 08/03/94 Shn - 0, 8728 East Rutherford Giants Stadium AUD>DAT>CDR; Unknown seeder notes 3348. 08/04/94 Shn - 0, 8729 East Rutherford Giants Stadium DAUD (AKG 460's) >DAT> CDR> EAC (secure)> Cool Edit Pro> CD; Seeded to etree by Tim W notes 3349. 08/04/94 Flac 16 - 0, 147726 East Rutherford Giants Stadium flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 3350. 09/16/94 Shn - 0, 2642 Mountain View Shoreline Amphitheatre AKG C61 Tube mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); via Jon Seff notes 3351. 09/16/94 Flac 16 - 0, 136859 Mountain View Shoreline Amphitheatre flac16; Set 2 Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes 3352. 09/16/94 Flac 16/48 - 0, 1416688 Mountain View Shoreline Amphitheatre flac16/48kHz; Set 2 Jeff Silberman Digital Recording; Neumann U89 > StellaDAT > DAT (mics spaced 40', front row, OTS); John Ammons Transfer; DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes 3353. 09/17/94 Flac 16 - 0, 119979 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3354. 09/17/94 Shn - 0, 10068 Mountain View Shoreline Amphitheatre SBD>DAT>C>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes 3355. 09/17/94 Flac 16 - 0, 109983 Mountain View Shoreline Amphitheatre flac16; Source: (OTS) Nakamichi CM-300's/CP-1 > Sony TCD-D10; Lineage: DAT-M > Tascam DA-30 > HHb CDR 800; Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>CDWav>FLAC]: Brad Foster notes 3356. 09/18/94 Flac 16 - 0, 136849 Mountain View Shoreline Amphitheatre flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k); Set 2: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes 3357. 09/18/94 Shn - 0, 10069 Mountain View Shoreline Amphitheatre AUD (Nak 300?s)>Aiwa DAT>CDR; via Paul B; Seeded to etree by neo_levo notes 3358. 09/18/94 Flac 16 - 0, 116926 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D10; Lineage: DAT/M > DA-30 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes 3359. 09/18/94 Flac 16 - 0, 147727 Mountain View Shoreline Amphitheatre flac16; Source Info: Unknown Microphones-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes 3360. 09/27/94 Flac 16 - 0, 83082 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel notes 3361. 09/27/94 Flac 16/48 - 0, 136852 Boston Boston Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes 3362. 09/27/94 Shn - 0, 8480 Boston Boston Garden DAUD Nakamichi 300(2) + cp 4> D-7> DAT> CDR; Seeded to etree by Tim Wiley; seekable notes 3363. 09/27/94 Shn - 0, 10182 Boston Boston Garden unknown DAUD source; Seeded to etree by Nick Georges notes 3364. 09/27/94 Shn - 0, 14021 Boston Boston Garden PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol notes 3365. 09/27/94 Flac 16/48 - 0, 140240 Boston Boston Garden flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 3366. 09/27/94 Flac 16/48 - 0, 150128 Boston Boston Garden flac16/48kHz; Source: Sennheiser ME 88's > Sony Sony TCD-D7 > Dat Master (48k)- Recorded from OST (mics on pole) by Dan Ragosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick June 2020 notes 3367. 09/28/94 Flac 16 - 0, 83238 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel notes 3368. 09/28/94 Flac 16 - 0, 136872 Boston Boston Garden flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Mi notes 3369. 09/28/94 Shn - 0, 10183 Boston Boston Garden unknown DAUD source; Seeded to etree by Nick Georges notes 3370. 09/28/94 Shn - 0, 14945 Boston Boston Garden PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol notes 3371. 09/28/94 Flac 16/48 - 0, 152489 Boston Boston Garden Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick May 2021 notes 3372. 09/29/94 Shn - 0, 12100 Boston Boston Garden Dsbd>D>C>D>CD; Seeded to etree by Chris Larson notes 3373. 09/29/94 Flac 16 Mtx - 0, 125635 Boston Boston Garden b>flac16; Matrix Source 1: Dsbd>D>C>D>CD, Source 2: (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Transfer: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav and Source 3: Taper Dave Minor; Source: PMB Microphones (German)(1) > Sony D7 @ 48k; Transfer 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable) notes 3374. 09/29/94 Shn - 0, 1815 Boston Boston Garden Updated Lineage notes 12-10-00 M:D> dick latvala's cass> D> cooledit> cdwav> shn; Nick Georges' notes: my bad...my dat came labled as dsbd. some new clues came up suggesting the above lineage. Still, clean as a whistle! notes 3375. 09/29/94 Flac 16/48 - 0, 96403 Boston Boston Garden flac16/48; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz) Taped by Carrion Crow and Ace Cubby Transferred by Jason Sobel: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav notes 3376. 09/29/94 Flac 16 - 0, 84947 Boston Boston Garden flac16; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Carrion Crow and Ace Cubby; Transferred by Jason Sobel notes 3377. 09/29/94 Flac 16 - 0, 83297 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel notes 3378. 09/29/94 Shn - 0, 10184 Boston Boston Garden unknown DAUD source; Seeded to etree by Nick Georges notes 3379. 09/29/94 Flac 16/48 - 0, 140241 Boston Boston Garden flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: DAT > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 3380. 09/29/94 Shn - 0, 15078 Boston Boston Garden PMB Microphones (German)(1) > Sony D7 @48k taped by Dave Minor, encoded by Marc Pujol notes 3381. 09/29/94 Flac 16/48 - 0, 152490 Boston Boston Garden Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick May 2021 notes 3382. 10/01/94 Flac 16 - 0, 95066 Boston Boston Garden flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC) notes 3383. 10/01/94 Shn - 0, 31992 Boston Boston Garden Txt-file is exactly the same as for shnid=4671 - but MD5s doesn't match that one, or anything else in the db. notes 3384. 10/01/94 Shn - 0, 1025 Boston Boston Garden SBD> unknown analog? > DAT> CD> EAC; ripped and seeded by Nick Georges; note updated source based on pub comment notes 3385. 10/01/94 Shn - 0, 4671 Boston Boston Garden SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky; with thanks to Charlie Miller and Lee Umstead notes 3386. 10/01/94 Flac 16 - 0, 132503 Boston Boston Garden flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015 notes 3387. 10/01/94 Flac 16 - 0, 83671 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel notes 3388. 10/01/94 Shn - 0, 14869 Boston Boston Garden Bertha Remaster of Master DAT source SBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer notes 3389. 10/01/94 Flac 16/48 - 0, 77224 Boston Boston Garden flac16/48; Digital FOB DFC Audience Recorded by Todd Evans & Adam Gross Floor Section CC; Row 21; Seat 6 FOB Schoeps Mk4 Cardiod Capsule -> Schoeps Active Cables -> Schoeps CMC 6 Mic Body -> Apogee AD500e -> CASIO DA-R100 MAD DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav 48k native resolution source: Patced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavleb(see notes) dithered wavlab UV22HR,tracked in wavleb, Flac Level 8 with Flacfrontend notes 3390. 10/01/94 Flac 16 - 0, 77223 Boston Boston Garden flac16; Digital FOB DFC Audience Recorded by Todd Evans & Adam Gross Floor Section CC; Row 21; Seat 6 Patced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavlab(see notes), SRC 48 to 44.1 using r8brain pro: min phasing, prevent clipping enabled, normalize peak dBFS not enabled dithered wavlab UV22HR,tracked in wavlab, Flac Level 8 with Flacfrontend notes 3391. 10/01/94 Shn - 0, 15079 Boston Boston Garden PMB Microphones (German)(1) FOB> Sony D7 @48k taped by Dave Minor, encoding by Marc Pujol notes 3392. 10/01/94 Flac 16/48 - 0, 140242 Boston Boston Garden flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 3393. 10/01/94 Flac 16/48 - 0, 141436 Boston Boston Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3394. 10/01/94 Flac 16 - 0, 150116 Boston Boston Garden flac16; Recording Info: SBD > DAT Master > DAT Clone (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 3395. 10/01/94 Flac 16/48 - , 153204 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 editerd and mastered SIRMick September 2021 notes 3396. 10/02/94 Flac 16 - 0, 132486 Boston Boston Garden flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015 notes 3397. 10/02/94 Flac 16 - 0, 84028 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patches) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel notes 3398. 10/02/94 Flac 16/48 - 0, 135875 Boston Boston Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller notes 3399. 10/02/94 Shn - 0, 15111 Boston Boston Garden PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol notes 3400. 10/02/94 Shn - 0, 10223 Boston Boston Garden Unknown Schoeps audience recording > DAT > CD; Seeded to etree by Nick Georges notes 3401. 10/02/94 Flac 16/48 - 0, 140243 Boston Boston Garden flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 3402. 10/02/94 Flac 16/48 - 0, 141437 Boston Boston Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3403. 10/02/94 Flac 16/48 - , 154277 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick Novwmber 2021 notes 3404. 10/03/94 Flac 16 - 0, 132411 Boston Boston Garden flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015 notes 3405. 10/03/94 Flac 16 - 0, 84388 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patches) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel notes 3406. 10/03/94 Flac 16/48 - 0, 136890 Boston Boston Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller notes 3407. 10/03/94 Shn - 0, 2520 Boston Boston Garden unknown audience> bootleg cd (The Dead In Bloom)> eac> shn; via Bill Stube or David Doumani?; can be tracked for 2x80 notes 3408. 10/03/94 Shn - 0, 102024 Boston Boston Garden FOB Schoeps mk4>Rutthueber>DAT; Unknown seeder notes 3409. 10/03/94 Shn - 0, 15112 Boston Boston Garden PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol notes 3410. 10/03/94 Flac 16/48 - 0, 14ß244 Boston Boston Garden flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes 3411. 10/03/94 Flac 16/48 - , 156466 Boston Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 Edited and mastered SIRMick April 2022 notes 3412. 10/05/94 Shn - 0, 8030 Philadelphia The Spectrum SBD > DAT > CDR; via Tim Wiley notes 3413. 10/05/94 Shn - 0, 6483 Philadelphia The Spectrum SBD> DAT> CDR> Sonic Solutions> CDR notes 3414. 10/05/94 Flac 16 - 0, 79258 Philadelphia The Spectrum flac16; source: aud > WMD-6 with Nak 300 shotguns > mac > wav > flac taped by John Bleich (taper section row 1 seat 19 Section 107) transfer by SIRMick: Sony TC-FX2 > Wavelab > wav 24/48 notes 3415. 10/05/94 Flac 16/48 - 0, 124410 Philadelphia The Spectrum flac16/48kHz; Source: Sony C38B > SV-250; Conversion: DAP1 > PMD661 > Audacity (Normalizing and Dither) > CDWave > TLH >foobar2000 (tagging); Recorded by Stan Roberts notes 3416. 10/05/94 Flac 16/48 - 0, 85225 Philadelphia The Spectrum flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded From Section 102 Row 13 Seats 11-12 Recorded By Keith Litzenberger & Roger Jones DAT Master played back on Sony TCD-D10PROII>Edirol R-4>WL5 (Fades)>CDWAV>FLAC notes 3417. 10/05/94 Flac 16/44,1 - 0, 151083 Philadelphia The Spectrum flac16/44.1khz Recording Info: SBD > DAT Master (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3800) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net notes 3418. 10/06/94 Flac 16/48 - 0, 124411 Philadelphia The Spectrum flac16/48kHz; Source: Sony C38B > Pan SV-250; Conversion: DAP-1 > PMD661 > Audacity (normalize and dither) > CDWave > TLH > Foobar2000 (tagging); Recorded By Stan Roberts notes 3419. 10/06/94 Flac 16 - 0, 79554 Philadelphia The Spectrum flac16 source: aud > WMD-6 with Nak 300 shotguns > mac > wav > flac taped by John Bleich (taper section row 1 seat 19 Section 107) transfer by SIRMick: Sony TC-FX2 > Wavelab > wav 24/48 notes 3420. 10/06/94 Shn - 0, 7743 Philadelphia The Spectrum Nakamichi 300> ?> D7; Transfer: Tascam DAP1> Egosys U2A Waveterminal USB> Soundforge4.5xp> CDWave; via mark & julie lonski; ericB notes 3421. 10/06/94 Flac 16 - 0, 95371 Philadelphia The Spectrum flac16; source: (OTS) AKG 460/ck61 -> custom pre-amp -> Teac DAP-20; recorded by: Tom McMinn, dat provided by: Dave Flaschner. transfer: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6); transfer: Chris Davis (10/18/08) notes 3422. 10/06/94 Flac 16 - 0, 97286 Philadelphia The Spectrum flac16; Source:Schoeps CMC5/MK4->Sonosax SX-M2->Sony D10 F.O.B. D.F.C. taped by Eliot Byron in the hat worn by Bill R. Transfer and upload by Frank D'Auria notes 3423. 10/07/94 Flac 16 - 0, 79019 Philadelphia The Spectrum flac16; source: aud > sony wmd-6 with nak 300 shotguns > mc > wav > cdr > eac > wav > flac taped by John Bleich (row 1 seat 21 Section 107) extraction by Mark Horvath (details not known) notes 3424. 10/07/94 Shn - 0, 7993 Philadelphia The Spectrum DAUD/FOB> Unknown Mics (AKG?) /Deck> DAT@48k> DAT > SF 4.5a> SHN (seekable); Via Aldo Torre; Marc P; Tim W notes 3425. 10/07/94 Flac 16/48 - 0, 124412 Philadelphia The Spectrum flac16/48kHz; Source: Sony C38B's > SV-250; Conversion: DAP-1 > PMD661 > Audacity (Normalize and Dither) > CDwave > TLH; Recorded by Stan Roberts notes 3426. 10/07/94 Flac 16 - 0, 101803 Philadelphia The Spectrum flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII; Transfer: Sony TCD-D10PROII>Sound Devices 744t>Soundforge 9 (Fades, Sample Rate conversion to 44.1khz)>CDWAV>FLAC; Recorded By Keith Litzenberger & Roger Jones From Section 104 Row 5 notes 3427. 10/07/94 Flac 16 - 0, 97225 Philadelphia The Spectrum flac16; Source: Schoeps CMC5/MK4->Sonosax SX-M2 pre-amp->Sony D10 F.O.B. D.F.C Transfer: Tascam DA-20mkII->HHb CDR850->Flac frontend Taped by Eliot Byron in the hat on Bill R. Transfered and Uploaded by Frank D'Auria notes 3428. 10/09/94 Flac 16 - 0, 32562 Landover USAir Arena flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3429. 10/09/94 Shn - 0, 17357 Landover USAir Arena SBD ?> C4> CD> SHN via Billy Schools encoded by Peter Braverman notes 3430. 10/09/94 Flac 16 - 0, 93876 Landover USAir Arena flac16; Source: Audience Recording Lineage: Lineage: Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain pro > 16/44.1 > cd wave > flac16 (TLH lvl 8 notes 3431. 10/09/94 Shn - 0, 2619 Landover USAir Arena AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado notes 3432. 10/09/94 Flac 16 - 0, 132783 Landover USAir Arena flac16; record: Audio Technica AT835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes 3433. 10/09/94 - 0, 111984 Landover USAir Arena (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48) Digital transfer: (TCD-D8>PMD670>CF>HDD) MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6) Recording and transfer by DATBRAD notes 3434. 10/09/94 Flac 16 - 0, 143134 Landover USAir Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette DecK>Sony 90 Minute UX Chrome Tape (1st Set), Maxell XL-II-S 100 Minute Tape (2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor> Audacity (To Normalize Recording Levels)>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Taper Section, Section 128 Row DD Seat 7 notes 3435. 10/09/94 Flac 16 - 0, 147586 Landover USAir Arena flac16; Source Info: FOB Schoeps MK4-> Reutelhuber P/S-> DAT (Ace Cubby?); Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 3436. 10/09/94 Flac 24/48 - 0, 151257 Landover USAir Arena flac24/48khz Recording Info: Sennheiser ME88 > Cassette Master (Marantz PMD430) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) notes 3437. 10/09/94 Flac 16/48 - 0, 152158 Landover USAir Arena flac16/48khz Recording Info: Sennheiser ME88 > Cassette Master (Marantz PMD430) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) - 151257 24 -> 16 @ 44.1 notes 3438. 10/10/94 Flac 16 - 0, 34563 Landover USAir Arena flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3439. 10/10/94 Shn - 0, 14198 Landover USAir Arena SBD>DATx2>C>HiFi VHS>?>DAT>Delta Dio2496>SHN(seekable) NO DAE ; Patched Source: Schoeps MK4,AUD>DAT>CDR ; Via Rob Harrison ; Seeded to etree by T. Wiley notes 3440. 10/10/94 Flac 16 - 0, 94091 Landover USAir Arena flac16; Source: Audience Recording Lineage: Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain pro > 16/44.1 > cd wave > flac16 (TLH lvl 8) Taped by John Bleich notes 3441. 10/10/94 Shn - 0, 15389 Landover USAir Arena Source: AKG 568's > DAT > CDR > EAC* > CDWave > mkwACT *Test and Copy and used Add-A-Wave to rejoin tracks for retracking EAC'd/Seeded by Doug Nawrocki Source discs kindly provided by Dave DiMartino Thanks for the dedication to the tunes bro! Updated seed. I patched the d/o in Desolation Row 2:32 - 2:35 with circ'ing sbd source. That's the only md5 signature that changed notes 3442. 10/10/94 Shn - 0, 8042 Landover USAir Arena Schoeps MK4; AUD> DAT> CDR; via Paul B., Tim Wiley notes 3443. 10/10/94 Flac 16 - 0, 132785 Landover USAir Arena flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes 3444. 10/10/94 Flac 16 - 0, 123681 Landover USAir Arena flac16; Source: OTS/LOC/Audix shotguns > Sony WM-D6; Transfer: Nakamichi BX300 (Analog master) > AudioQuest Sidewinder Cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (tracking, added fades and normalize) > TLH (flac@8/ffp); Recorded, transferred and seeded by Bob Crupi notes 3445. 10/10/94 Flac - 0, 111985 Landover USAir Arena (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48) Digital transfer: (TCD-D8>PMD670>CF>HDD) MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6) Recording and transfer by DATBRAD notes 3446. 10/10/94 Flac 16/48 - 0, 106275 Landover USAir Arena flac16/48kHz; Source: Schoeps MK4's->Schoeps VMS021b->Sony D10 Pro Transfer: Tascam DA-20 MKII->Edirol R44->SD->PC->Cd Wave Editor->Flac Frontend Taped by Eliot Byron and ?, up front in the hat, FOB notes 3447. 10/10/94 Flac 16 - 0, 88861 Landover USAir Arena flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Tom McMinn; Transferred by Jason Sobel notes 3448. 10/11/94 Flac 16 - 0, 34564 Landover USAir Arena flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3449. 10/11/94 Shn - 0, 17959 Landover USAir Arena Set 2 only; SBD > ?> C4> CD> SHN via Billy Schools encoded by Peter Braverman notes 3450. 10/11/94 Flac 16 - 0, 94370 Landover USAir Arena flac16; Source: Audience recording Lineage: Lineage: Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain pro > 16/44.1 > cd wave > flac16 (TLH lvl 8) notes 3451. 10/11/94 Shn - 0, 2620 Landover USAir Arena AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado notes 3452. 10/11/94 Flac 16 - 0, 132786 Landover USAir Arena flac16; record: Audio Technica 835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes 3453. 10/11/94 Flac - 0, 111986 Landover USAir Arena (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48) Digital transfer: (TCD-D8>PMD670>CF>HDD) MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6) Recording and transfer by DATBRAD notes 3454. 10/11/94 Flac 16/48 - 0, 106276 Landover USAir Arena flac16/48kHz; Source: Schoeps CMC5 Mk4->Reutelhuber P/s->Sony D10 Pro Transfer: Tascam DA-20 MKII->Edirol R44->SD->PC->Cd Wave Editor->Flac Frontend Taped by Eliot Byron and ?, up front in the hat, FOB notes 3455. 10/11/94 Flac 16/48 - 0, 85687 Landover USAir Arena flac16/48; Schoeps MK4's>Reutelhuber>(Either Sony TCD-D10ProII or Casio DAR-100) Recorded FOB in Section 2 (Somewhere between 12-17th Row) by Roger Jones and Jim V. Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes 3456. 10/11/94 Flac 16 - 0, 147606 Landover USAir Arena flac16; Source Info: FOB (Sec B, Row 20) Schoeps MK4-> Reutelhuber P/S-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 3457. 10/11/94 Flac 16 - 0, 147756 Landover USAir Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Master Cassette Tapes(1st Set Sony UX 90 Minute Tape; 2nd Set TDK SA-X 100 Minute Tape)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor> Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Section 128,Row DD Seat 9 Official Taper Section notes 3458. 10/13/94 Shn - 0, 7800 New York Madison Square Garden SBD> DAT> C> DAT> CDR> EAC> Cool Edit> SHN; via Paul B.; Tim Wiley notes 3459. 10/13/94 Flac 16 - 0, 33299 New York Madison Square Garden flac16; SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> FLAC Patched By Charlie Miller notes 3460. 10/13/94 Flac 16 - 0, 96364 New York Madison Square Garden flac16; Source: aud > Nak 300 shotguns > WMD-6 > mac Transfer: mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16; Taped by John Bleich from Section 11 > Row N > Seat 3, Edited by SIRMick notes 3461. 10/13/94 Flac 16/48 - 0, 88356 New York Madison Square Garden flac16/48; AUD: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4. Mics on 7-foot stand, directly behind lighting board in the center. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 3462. 10/13/94 Flac 16 - 0, 88357 New York Madison Square Garden flac16; AUD: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4. Mics on 7-foot stand, directly behind lighting board in the center. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F. notes 3463. 10/13/94 Flac 16/48 - 0, 141482 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3464. 10/14/94 Flac 16 Mtx - 0, 119611 New York Madison Square Garden flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes 3465. 10/14/94 Flac 16 - 0, 79167 New York Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes 3466. 10/14/94 Flac 16 - 0, 96383 New York Madison Square Garden flac16; Source: aud > Nak 300 shotguns > WMD-6 > mac Transfer: mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16 notes 3467. 10/14/94 Shn - 0, 9054 New York Madison Square Garden Sbd>C>Dat>CDR>EAC>CDR>EAC>Shn; Seeded to abgd by Chris Perkins with Thanks to JP Bruynes notes 3468. 10/14/94 Flac 16 - 0, 83822 New York Madison Square Garden flac16; Source: (FOB) Schoeps CMC521> Sonosax SX-M2> Apogee AD-?> Sony D10* (@48kHz) Taper: Unknown Transfer: Tascam DA-40> M-Audio Audiophile 2496> Samplitude 7.0 (resample to 44.1kHz, fades)> CDWav 1.71> FLAC v1.7.1 (Level 8) Transferred & Seeded by: TaylorC notes 3469. 10/14/94 Flac 16/48 - 0, 141483 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3470. 10/14/94 Shn - 0, 5204 New York Madison Square Garden sbd> dat> c> dat> cdr; EAC> SHN by Tony Gardner, from Paul B. seed discs; Intermittent digistatic, 5:00- 7:00 of Scarlet notes 3471. 10/15/94 Flac - 0, 76894 New York Madison Square Garden SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; Cleaned up copy of SHNid=27249; Clean up by Darryl Hinko notes 3472. 10/15/94 Flac 16 Mtx - 0, 130737 New York Madison Square Garden flac16; SBD/AUD matrix: Source 1: (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48); DAT>WAV: (TCD-D8>PMD670>CF>HDD); Recording and transfer by DATBRAD and Source 2: SBD (source ID 76894) SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC -> WAV; Converted By Charlie Miller; Matrix: AddaWav(rejoin sbd tracks)>Audacity(60/40 sbd/aud mix)>CDWave(splits)>Flac Frontend(Level 6) notes 3473. 10/15/94 Shn - 0, 16466 New York Madison Square Garden set 1; SBD (FM GDH)> DAT> CD; EAC (secure)> WavLab 4.0> CD WAV> Shntool> SHN (seekable); via Yellow Fin notes 3474. 10/15/94 Flac 16 - 0, 96457 New York Madison Square Garden flac16; Source: aud > Nak 300 shotguns > WMD-6 > mac Transfer: mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16 notes 3475. 10/15/94 Shn - 0, 8043 New York Madison Square Garden Nak 300 Shotguns> Awia DAT> CDR; via Paul B.; Tim Wiley notes 3476. 10/15/94 Flac 16 - 0, 98063 New York Madison Square Garden flac16; Source:Schoeps CMC5 MK4->Aerco preamp->Sony D10 F.O.B D.F.C. Taped by Eliot Byron Transfer:Sony D8->Sony SBM1->Edirol R44->usb/pc->Cd Wave->Flac Frontend; Transfer and Upload by Frank D'Auria notes 3477. 10/15/94 Flac 16 - 0, 96333 New York Madison Square Garden flac16; Recorded FOB By Eliot Byron, Transferred By Keith Litzenberger Source: Schoeps CMC54's>Sonosax SX-M2>Apogee AD1000>Sony TCD-D10PROII Transfer: My DAT Clone>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC notes 3478. 10/15/94 Flac 16/48 - 0, 139074 New York Madison Square Garden flac16/48kHz; Set 1 B&K 4011 at 110° ORTF front of board. Unknown taper; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Tracked in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 3479. 10/15/94 Flac 16/48 - 0, 139698 New York Madison Square Garden flac16 48khz Source: AKG 414’s > Oade custom preamp > Sony TCD-D10 Pro > Dat (48k). Transfer: DAT > Sony PCM-R500 > Tascam DA-3000> WAV 16/48. Recorded and transferred by Jim Wise. edited and mastered SIRMick. notes 3480. 10/15/94 Flac 16 - 0, 27249 New York Madison Square Garden flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs notes 3481. 10/17/94 Shn - 0, 14615 New York Madison Square Garden DSBD>DAT>CDR shn encoding by Dan Carr notes 3482. 10/17/94 Shn - 0, 3575 New York Madison Square Garden notes 3483. 10/17/94 Flac 24 - 0, 98176 New York Madison Square Garden flac24; Tapers Section unknown Mics > unknown Deck > sony D5 > PMD430 1st set recorded on a Maxell XLIIs-90, 2nd set recorded on a Maxell MX-110 Master Cassettes > SB Audigy > Adobe Audition @24bit/48Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte notes 3484. 10/17/94 Flac 16 - 0, 98175 New York Madison Square Garden flac16; Tapers Section unknown Mics > unknown Deck > sony D5 > PMD430 1st set recorded on a Maxell XLIIs-90, 2nd set recorded on a Maxell MX-110 Master Cassettes > SB Audigy > Adobe Audition @24bit/48Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, dithered/resmapled to 16bit/44.1Khz. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte notes 3485. 10/17/94 Flac 16/48 - 0, 106249 New York Madison Square Garden flac16/48kHz; Schoeps CMC5 MK4's->Sonosax SX-M2->Apogee D100O->Sony D10 Pro ->Tascam DA20 MII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend notes 3486. 10/17/94 Flac 16/48 - 0, 142979 New York Madison Square Garden flac16/48kHz; George Sterry Recording: Sony ECM-909A > Cassette Master (Sony TC-D3/TDK SA-X100); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96 notes 3487. 10/17/94 Flac 16 - 0, 145763 New York Madison Square Garden flac16; George Sterry Recording: Sony ECM-909A > Cassette Master (Sony TC-D3/TDK SA-X100); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96. This file set is 16 bit @ 44.1 notes 3488. 10/17/94 Flac 16/44 - 0, 152394 New York Madison Square Garden flac16/44 Roger Eichorn speed/pitch correction of sbd shnid=014615 notes 3489. 10/18/94 Flac 16 - 0, 119523 New York Madison Square Garden flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3490. 10/18/94 Shn - 0, 8708 New York Madison Square Garden SBD> DAT> C*> CDR; Seeded to etree by Tim Wiley notes 3491. 10/18/94 Flac 24 - 0, 97711 New York Madison Square Garden flac24; Tapers Section unknown Mics > unknown Deck > sony D5 > PMD430 1st set recorded on a Maxell XLIIs-90, 2nd set recorded on a Maxell MX-110 Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator CDwave: tracking Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte notes 3492. 10/18/94 Flac 16 - 0, 85384 New York Madison Square Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel notes 3493. 10/18/94 Shn - 0, 10086 New York Madison Square Garden AUD(Schoeps CMC 521?s)>DAT>CDR; via Paul; Seeded to etree by neo_levo notes 3494. 10/19/94 Flac 16/48 - 0, 137089 New York Madison Square Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes 3495. 10/19/94 Flac 16 - 0, 106741 New York Madison Square Garden flac16; Recording Info: Audience - Taper Section Recorded by Ted Morris with equipment supplied by Mike Kutik 2x Sennheiser 441 + 1x Nakamichi 700/CP701 Center (Cardiod Capsule) > Canare Star-Quad/Neutrik > Nakamichi MX100 > Monster RCA and/or Y cables > Sony TCD-D7 notes 3496. 10/19/94 Flac 16 - 0, 85410 New York Madison Square Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobe notes 3497. 10/19/94 Shn - 0, 7744 New York Madison Square Garden B&K 4011?s; AUD> DAT> CDR; via Paul B.; Tim Wiley notes 3498. 10/19/94 Flac 16 - 0, 91913 New York Madison Square Garden flac16; Tapers Section, floor. Unknown Mics > Unknown Deck > Marantz PMD430. Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: Tracking. Trader's little Helper: md5, ffp, flac Recorded by Chris LaPorte notes 3499. 11/29/94 Shn - 0, 10541 Denver McNichols Sports Arena AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo notes 3500. 11/29/94 Flac 16/48 - 0, 138022 Denver McNichols Sports Arena flac16/48kHz; Source: Microtech Gefell UM70S Cards > Teac P-20 > DA-P1; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves notes 3501. 11/29/94 Flac 16/48 - 0, 141190 Denver McNichols Sports Arena flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes 3502. 11/29/94 Flac 16/44 - , 154592 Denver McNichols Sports Arena flac16/44 Source : AIWA CM-30A mic > Sony WM-D6C (Recorded and transferred by Jeff Wilson) (Source 4) Transfer : Marantz Pro PMD-502 > PC > CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - Dec.6, 2021 posted by kingrue upload #3368 notes 3503. 11/30/94 Shn - 0, 10542 Denver McNichols Sports Arena AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo notes 3504. 11/30/94 Flac 16/48 - 0, 138023 Denver McNichols Sports Arena flac16/48kHz; Source: Microtech Gefell UM70S Cards > Teac P-20 > DA-P1; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves notes 3505. 11/30/94 Flac 16/48 - 0, 141191 Denver McNichols Sports Arena flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes 3506. 12/01/94 Shn - 0, 10932 Denver McNichols Sports Arena AUD(mic. and location unk., FOB?)>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes 3507. 12/01/94 Flac 16/48 - 0, 138024 Denver McNichols Sports Arena flac16/48kHz; Source: Microtech Gefell UM70S Cards > Teac P-20 > DA-P1; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves notes 3508. 12/01/94 Flac 16/48 - 0, 141192 Denver McNichols Sports Arena flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes 3509. 12/08/94 Shn - 0, 5611 Oakland Oakland-Alameda County Coliseum KM-140s > DAT; Transfer: DAT Master > Tascam CD-RW700 > CD > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; tracked for 2x80 notes 3510. 12/08/94 Flac 16/48 - 0, 139122 Oakland Oakland-Alameda County Coliseum flac16/48kHz; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC. Mics in hair; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48 notes 3511. 12/09/94 Shn - 0, 12052 Oakland Oakland-Alameda County Coliseum SBD -> Dat -> CD; Seeded by Charlie Miller notes 3512. 12/09/94 Flac 16/48 - 0, 141234 Oakland Oakland-Alameda County Coliseum flac16/48 Source Info: Schoeps MK4->Reutelhuber P/S-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 3513. 12/11/94 Shn - 0, 12525 Oakland Oakland-Alameda County Coliseum SBD>?>DAT>CD; Unknown seeder notes 3514. 12/11/94 Flac 16 - 0, 86104 Oakland Oakland-Alameda County Coliseum flac16; AUD Unknown Mics > DAT > DAT ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Transferred by Scott Swayne (AltheasBoy) in 06-2007 notes 3515. 12/11/94 Flac 16/48 - 0, 141235 Oakland Oakland-Alameda County Coliseum flac16/48 Source Info: Neumann KM 140-> Aerco P/S-> Sony D10 Pro II->DAT Transfer Info: DAT (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 3516. 12/12/94 Shn - 0, 10933 Oakland Oakland-Alameda County Coliseum AUD(Schoeps MK4?s)>DAT>CD; via Raul Duke; Seeded to etree by neo_levo notes 3517. 12/12/94 Flac 16/44,1 - 0, 141236 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps MK4->Reutelhuber P/S-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3518. 12/15/94 Shn - 0, 3469 Los Angeles Sports Arena AKG 460B + CK8 > D3 @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff notes 3519. 12/15/94 Shn - 0, 14266 Los Angeles Sports Arena shntool fix of Jon Seff's AKG seed notes 3520. 12/15/94 Flac 16 44,1 - 0, 141237 Los Angeles Sports Arena flac16 44.1khz Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes 3521. 12/15/94 Flac 16/48 - , 153187 Los Angeles Sports Arena flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes 3522. 12/15/94 Flac 24/96 - , 156201 Los Angeles Sports Arena flac2496 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes 3523. 12/15/94 Flac 16/44,1 - , 156395 Los Angeles Sports Arena flac1644.1: Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156201 2448 > 1644.1 notes 3524. 12/16/94 Flac 16 - 0, 34551 Los Angeles Sports Arena flac16; Set 2 DSBD > DAT > [?] > CDR > EAC > CEPro > CDWAV > FLAC (level 8) via Andy Lemieux. Encoded by Matt Vernon notes 3525. 12/16/94 Flac 16 Mtx - 0, 100297 Los Angeles Sports Arena flac16; matrix of DSBD: shnid=34551 and DAUD: shnid=10543 by hansokolow using ProTools notes 3526. 12/16/94 Flac 16/48 - 0, 138603 Los Angeles Sports Arena flac16/48kHz; Taper unknown: Schoeps CMC54 > Aerco PS > Marantz DAT; FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 3527. 12/16/94 Shn - 0, 10543 Los Angeles Sports Arena AUD(Nak 300 Shotguns)>Aiwa DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo notes 3528. 12/16/94 Flac 16 44,1 - 0, 141245 Los Angeles Sports Arena flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes 3529. 12/16/94 Flac 16/48 - , 153188 Los Angeles Sports Arena flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes 3530. 12/18/94 Shn - 0, 3618 Los Angeles Sports Arena AKG 460B + CK8 > D3 @48k; Transfer: DA20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; note level adjustment t1 notes 3531. 12/18/94 Shn - 0, 13530 Los Angeles Sports Arena Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net) notes 3532. 12/18/94 Flac 16/48 - 0, 141246 Los Angeles Sports Arena flac16/48 Source Info: FOB Schoeps CMC 5 MK 4-> DAT. Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48). Transfers by Pete Ebel. notes 3533. 12/18/94 Flac 16 44,1 - 0, 141249 Los Angeles Sports Arena flac16/44.1 Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes 3534. 12/18/94 Flac 16/48LPCM - 0, 149205 Los Angeles Sports Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 141249) Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. + AUD2 (shnid = 13530) Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff.- Note: Missing 1st 3 songs of 1st Set - surround mixing by Kevin Tobin notes 3535. 12/18/94 Flac 16 Dts.5.1 - 0, 149204 Los Angeles Sports Arena DTS-Audio-CD 5.1 Mix; AUD1 (shnid = 141249) Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. + AUD2 (shnid = 13530) Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff.- Note: Missing 1st 3 songs of 1st Set - dts mixing by Kevin Tobin notes 3536. 12/18/94 Flac 16 Mtx - 0, 149203 Los Angeles Sports Arena flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 141249) Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. + AUD2 (shnid = 13530) Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff.- Note: Missing 1st 3 songs of 1st Set - matrix mixing by Kevin Tobin notes 3537. 12/19/94 Shn - 0, 20712 Los Angeles Sports Arena DATSBD>Cass.>DAT>Cass.>CDR via Andy Lemieux Encoding, patching [Schoeps MK-4 (http://db.etree.org/shn/2521)] , pitching by Matt Vernon notes 3538. 12/19/94 Shn - 0, 2521 Los Angeles Sports Arena Schoeps MK-4 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; Jon's comment: Levels are a little low throughout, but quite hot during drums, so I couldn't normalize and there may be a bit of clipping at the highest points. notes 3539. 02/19/95 Flac 16 - 0, 95443 Salt Lake City Delta Center flac16; Schoeps CMC441's>koch power supply >Panasonic sv-255>Sony TCD-D10PROII Recorded by Keith Litzenberger via digital patch from Ed Boardman front Row of Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC notes 3540. 02/19/95 Shn - 0, 10544 Salt Lake City Delta Center AUD(Schoeps MK4s)>DAT>CDR; via P.B.; Seeded to etree by Chris L. notes 3541. 02/19/95 Flac 16/44,1 - 0, 141066 Salt Lake City Delta Center flac16/44.1 Source Info: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3542. 02/19/95 Flac 16/48 - 0, 145490 Salt Lake City Delta Center flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64 notes 3543. 02/20/95 Shn - 0, 1297 Salt Lake City Delta Center SBD > D > CD-R > EAC >SHN (note no cass gen); "buzzing" in the audio was a problem with the venue's/band's sound equipment; via Brian Walker; mastered by Jay Serafin; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds notes 3544. 02/20/95 Flac 16 - 0, 144300 Salt Lake City Delta Center flac16; Master Soundboard Dat > 1st generation cassettes > Dat > HDD (.wav 16/44.1); Transfer Info: HDD (.wav)> Adobe Audition CC 2019 > TLH flac16 notes 3545. 02/20/95 Flac 16/48 - 0, 145491 Salt Lake City Delta Center flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64 notes 3546. 02/21/95 Flac 16 - 0, 114144 Salt Lake City Delta Center flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3547. 02/21/95 Shn - 0, 8840 Salt Lake City Delta Center DSBD > 1C > DAT; Seeded to etree by Dan Stephens notes 3548. 02/21/95 Shn - 0, 1524 Salt Lake City Delta Center SBD> D> CD-R> EAC> SHN; via Jay Serafin, Brian Walker; see info file and pub comments for notes; possibly "click track" audible on a couple tracks notes 3549. 02/21/95 Flac 16/48 - 0, 140348 Salt Lake City Delta Center flac16/48kHz; Source: unknown aud > dat (48k); Transfer: dat > Sony R500 > Tascam DA-3000 > wav 16/48; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes 3550. 02/21/95 Flac 16/48 - 0, 145492 Salt Lake City Delta Center flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64 notes 3551. 02/24/95 Flac 16 - 0, 32480 Oakland Oakland-Alameda County Coliseum flac16; FM SBD Monitor > MC > Cx > WAV > FLAC notes 3552. 02/24/95 Shn - 0, 4766 Oakland Oakland-Alameda County Coliseum AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; note fixed-boundary version may also circulate notes 3553. 02/24/95 Flac 16 - 0, 91203 Oakland Oakland-Alameda County Coliseum flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/5/08) notes 3554. 02/24/95 Flac 16/48 - 0, 139126 Oakland Oakland-Alameda County Coliseum flac16/48kHz; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC[ Mics in hair; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48 notes 3555. 02/24/95 Flac 16/44,1 - 0, 141024 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3556. 02/25/95 Shn - 0, 5494 Oakland Oakland-Alameda County Coliseum shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff notes 3557. 02/25/95 Flac 16 - 0, 91223 Oakland Oakland-Alameda County Coliseum flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/7/08) notes 3558. 02/25/95 Shn - 0, 4777 Oakland Oakland-Alameda County Coliseum Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; note fixed-boundary version may also circulate notes 3559. 02/25/95 Flac 16/44,1 - 0, 141030 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3560. 02/25/95 Flac 16 - 0, 143162 Oakland Oakland-Alameda County Coliseum flac16; End of Set 2 Recording Info: SBD > Dat (cloned from vault master); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 3561. 02/26/95 Flac 16 - 0, 109244 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Monitor Mix -> Dat -> Cassette Master -> Cassette Transfer Info: Cassette -> Dat -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC All Transfers and Mastering By Charlie Miller notes 3562. 02/26/95 Shn - 0, 4778 Oakland Oakland-Alameda County Coliseum Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file; note fixed-boundary version may also circulate notes 3563. 02/26/95 Shn - 0, 5495 Oakland Oakland-Alameda County Coliseum shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file notes 3564. 02/26/95 Flac 16 - 0, 91224 Oakland Oakland-Alameda County Coliseum flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/8/08) notes 3565. 02/26/95 Flac 16 44,1khz - 0, 141063 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3566. 02/26/95 Flac 16 - 0, 143163 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Monitor Mix > Dat > Cassette Master > Cassette > Dat (Sony PCM-R500); Transfer Info: Dat (Sony PCM-R500) > Adobe Audition v3.0 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 3567. 02/26/95 Flac 16 - 0, 144290 Oakland Oakland-Alameda County Coliseum flac16; Master Soundboard Dat > 1st generation cassettes > Dat > HDD (.wav 16-bit/44.1kHz); Transfer Info: HDD (.wav) > Adobe Audition CC 2019 > TLH flac16 notes 3568. 03/17/95 Flac 16 - 0, 97658 Philadelphia The Spectrum flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3569. 03/17/95 Flac - 0, 17951 Philadelphia The Spectrum (soundcheck) Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol notes 3570. 03/17/95 Flac 16 - 0, 91840 Philadelphia The Spectrum flac16; Taper:John Bleich - Lineage: Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH) notes 3571. 03/17/95 Shn - 0, 16057 Philadelphia The Spectrum Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5. notes 3572. 03/17/95 Shn - 0, 1366 Philadelphia The Spectrum (soundcheck) Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally) notes 3573. 03/17/95 Flac 16 - 0, 92087 Philadelphia The Spectrum flac16; Source: Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz Transfer: Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain 16/44.1kHz-> Traders Little Helper, flac8 Taper: Greg Holtz notes 3574. 03/17/95 Shn - 0, 13400 Philadelphia The Spectrum AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman notes 3575. 03/17/95 Flac 16 44,1 - 0, 141197 Philadelphia The Spectrum flac16/44.1 Source Info: FOB B&K 4011-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3576. 03/17/95 Flac 16/48 - 0, 141505 Philadelphia The Spectrum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3577. 03/17/95 Flac 16 - 0, 142982 Philadelphia The Spectrum flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes 3578. 03/17/95 Shn - 0, 1366 Philadelphia The Spectrum Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally) notes 3579. 03/17/95 Shn - 0, 17951 Philadelphia The Spectrum Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol notes 3580. 03/17/95 Flac 16/48 - 0, 150765 Philadelphia The Spectrum flac16; DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8 notes 3581. 03/18/95 Flac 16 - 0, 97659 Philadelphia The Spectrum flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3582. 03/18/95 Flac 16 - 0, 92018 Philadelphia The Spectrum flac16; Nak 300's > D6 > master Cassette > DR-3 > EMU 1212M > 24/96 Wave > Wavelab 5 > plugins > r8brain > 32/44.1 wave > wavelab 5 (tracking) > L3 > 16/44.1 wave > Flac 16 (TLH lvl 8 ) Taped by John Bleich notes 3583. 03/18/95 Flac 16 - 0, 32055 Philadelphia The Spectrum flac16; remastered shn id 1362. SHN > WAV > Addawav > Wavelab 5.0 (see below) > CDWAV 1.9 > FLAC (level 5) see details in the text file. notes 3584. 03/18/95 Shn - 0, 1362 Philadelphia The Spectrum liberated" bootleg sbd cd > EAC > wav > shn; via Chris Ladner; known errors: d1t5 digipop @ 5:25, d1t10: soft digipops notes 3585. 03/18/95 Flac 16 - 0, 95677 Philadelphia The Spectrum flac16; Recordist : unknown Source: Soundboard > ? > DAT[x] Recorded Format: 16 bit, 48 kHz Conversion: DAT[x] > Tascam DA-45HR [digital coaxial output] > Oade ACM Marantz PMD671 [digital coaxial input] > CF card > IBM ThinkPad T41 Editing: Voxengo r8brain free v1.9 [resample at "very high" quality setting]Dither: none Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned DAT transfer and DSP performed by Tim Burke notes 3586. 03/18/95 Flac 16 - 0, 123337 Philadelphia The Spectrum flac16; Source: Audix shotguns > Sony WM-D6 (TDK SA-X type II/NR: on); Transfer: Nak BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi notes 3587. 03/18/95 Flac 16 44,1 - 0, 141182 Philadelphia The Spectrum flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk 4-> Aerco P/S-> Apogee AD1000-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped by Adam Gross and Pete Ebel Transfers by Pete Ebel notes 3588. 03/18/95 Flac 16/48 - 0, 141506 Philadelphia The Spectrum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3589. 03/18/95 Flac 16 - 0, 142354 Philadelphia The Spectrum flac16; Set 2 Recording Info: SBD > Vault Master Dat > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 3590. 03/18/95 Flac 16 - 0, 143981 Philadelphia The Spectrum flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes 3591. 03/19/95 Flac 16 - 0, 92062 Philadelphia The Spectrum flac16; Nak 300's > D6 > master Cassette > DR-3 > EMU 1212M > 24/96 Wave > Adobe Audition > Izotope Ozone 3 > MaxxBass > Ozone 3 (Dithering) > wav 16/44 > CDWave > Flac16. Taped by John Bleich. notes 3592. 03/19/95 Flac 16/48 - 0, 136858 Philadelphia The Spectrum flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes 3593. 03/19/95 Shn - 0, 7479 Philadelphia The Spectrum SchoepsMK4> ReutelheuberBox> DenonDTR80p> SonyD7 Taping Section; DAT> CDr; via Dan Sisler; Seeded to etree by Tim Wiley notes 3594. 03/19/95 Shn - 0, 15097 Philadelphia The Spectrum FOB Schoeps MK41 > DAT @ 48KHz > ZA2 (48244) > SHN notes 3595. 03/19/95 Flac 16 44,1 - 0, 141181 Philadelphia The Spectrum flac16/44.1 Source Info: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3596. 03/19/95 Flac 16 44,1 - 0, 141180 Philadelphia The Spectrum flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk 4-> Aerco P/S-> Apogee AD1000-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Taped by Adam Gross and Pete Ebel Transfers by Pete Ebel notes 3597. 03/19/95 Flac 16/48 - 0, 141507 Philadelphia The Spectrum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3598. 03/19/95 Flac 16 - 0, 143032 Philadelphia The Spectrum flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape, 1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes 3599. 03/22/95 Flac 16 - 0, 112627 Charlotte Charlotte Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 3600. 03/22/95 Flac 24/96 - 0, 112628 Charlotte Charlotte Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz notes 3601. 03/22/95 Shn - 0, 12179 Charlotte Charlotte Coliseum Grateful Dead 3-22-95 Charlotte Coliseum, Charlotte NC AKG C460B bodies with CK-8X short shotgun/hypercardiod capsules / Denon DTR-80P / Taper's Section 7.5' hig adjacent to SB on Phil's side DTR-80P -> (analog) Panasonic SV-250 -> (analog) Panasonic SV-3700 -> Sony DTC-690 notes 3602. 03/22/95 Shn - 0, 11623 Charlotte Charlotte Coliseum AUD(Schoeps MK4s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo notes 3603. 03/23/95 Flac - 0, 25373 Charlotte Charlotte Coliseum Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (44.1k) Set 2: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC notes 3604. 03/23/95 Shn - 0, 1369 Charlotte Charlotte Coliseum SBD> D> cass> D> CD-R> EAC> SHN; mastering by Jay Serafin; to etree via Brian Walker; see info file for listening notes; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds notes 3605. 03/23/95 Flac 16 - 0, 90975 Charlotte Charlotte Coliseum flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section (117, row J, seat 11) Master Cassettes > SB Audigy(line in) > Adobe Audition @24bit/48khz Adobe Audition: Noise Reduction of analog hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs notes 3606. 03/23/95 Flac 16 44,1 - 0, 141183 Charlotte Charlotte Coliseum flac16/44.1 Source Info: Set #1: FOB Schoeps CMC 5 Mk4-> Aerco P/S-> Casio DTR 100-> DAT (Battery Failed During Days Between) Set #2: FOB Schoeps MK 4 Reutelhuber P/S-> Teac-> DAT (Carrion Crow Solo) Set #1: Sec CTR, Row R, Seat 10 Set #2: Sec CTR, Row Q, Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel notes 3607. 03/23/95 Flac 16 - 0, 142397 Charlotte Charlotte Coliseum flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Master by Charlie Miller notes 3608. 03/24/95 Flac 16 - 0, 35182 Charlotte Charlotte Coliseum flac16; S: D> C> D> C2> D> CDR> FLAC The last cassette generation was obtained from Andy Lemieux and transferred to DAT by Hiroki Shibata. Converion by Chris Larson notes 3609. 03/24/95 Flac 16 - 0, 83900 Charlotte Charlotte Coliseum flac16; Main source: SBD > D> C> D> C2> D> CDR> FLAC; pitch fix of shnid 35181 by Bill Tetzeli notes 3610. 03/24/95 Flac 24/48 - 0, 98107 Charlotte Charlotte Coliseum flac24; Unknown mics > Unknown deck > Marantz PMD 430 Tapers Section (117, row g, seat 9) Recorded 1st set on Maxell MX-90, 2nd set on Maxell MX-110. Master Cassettes > SB Audigy > Adobe Audition @24bit/48khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte notes 3611. 03/24/95 Shn - 0, 5668 Charlotte Charlotte Coliseum AKG 460s > Technics 260 > DAT > CD > EAC > SHN; via jtjames notes 3612. 03/24/95 Flac 16 44,1 - 0, 141194 Charlotte Charlotte Coliseum flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk4-> Aerco P/S-> Casio DTR 100-> DAT Sec CTR, Row R, Seat 7 Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel notes 3613. 03/26/95 Shn - 0, 34835 Atlanta The Omni Fix of shn id 3909 - SBD > MC > DAT > CDR > EAC > SHN notes 3614. 03/26/95 Flac 16 - 0, 124612 Atlanta The Omni flac16; akg461>b18>d7 ots mics @ 10ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage notes 3615. 03/26/95 Flac 16/44,1 - 0, 141195 Atlanta The Omni flac16/44.1khz Source Info: FOB Schoeps MK 4->Reutelhuber P/S-> Teac DA-P20-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3616. 03/26/95 Shn - 0, 3909 Atlanta The Omni SBD > MC > DAT > CDR; seed via cm., DAE (EAC + SHNv3) by c. ladner notes 3617. 03/26/95 Shn - 0, 152479 Atlanta The Omni Audience downloaded from a.b.m.s 07/03; notes 3618. 03/27/95 Shn - 0, 3194 Atlanta The Omni SBD> DAT> CDR> EAC> SHN; Seeded by: Jon Zilles, DAT conversion by fellow etreer; d2 tracked for 80 min; track timings courtesy Charles Weir notes 3619. 03/27/95 Flac 16 - 0, 124616 Atlanta The Omni flac16; akg461>b18>d7 16/44.1; ots mics @ 10 ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>cdwave splits>tlh flac 8; t&s by c. cage notes 3620. 03/27/95 Flac 16 44,1khz - 0, 141196 Atlanta The Omni flac16/44.1khz Source Info: FOB Schoeps MK 4->Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3621. 03/27/95 Shn - 0, 152472 Atlanta The Omni Audience originally downloaded from a.b.m.s 07/03 notes 3622. 03/27/95 Flac 16/44 - 0, 152190 Atlanta The Omni flac16/44 SBD > DAT > Cassette > CDR > EAC > SHN > Audition > FLAC Seeded by Jon Zilles Remastered by PsyKies notes 3623. 03/27/95 Flac 16/44 - , 155199 Atlanta The Omni flac16/44 Source: SBD>DAT>CDR>EAC>SHN>FLAC Seeded by: Jon Zilles(zillejc@auburn.edu) Remastered by Spacebandit 2021/08/18 Removed a few clicks/peaks, glitches. Volume balanced. A lot of Dead Air removed between sets. notes 3624. 03/28/95 Flac 16 - 0, 80018 Atlanta The Omni flac16; FM SBD Monitor -> MC -> Cass (Maxell XLII 90) Transfer: Cassettte playback on Nakamichi MR-1 (no NR) -> gold-plated RCA Apogee cable -> RCA RX-D302B Receiver -> Optical out w/ Apogee Cable -> M-Audio CO2 Coax/Optical Converter -> S/PDIF -> M-Audio 1010-LT -> Recorded in Sound Forge8 (24/48 KHz WAV) Edits: Wavelab > Waves XHum (60Hz tone removed)/DeNoiser /L3 Multimaximizer/IDR (hi res CD settings) -> 16 bit WAV -> CD Wave Editor 1.95 -> FLAC Frontend -> FLAC level 8 notes 3625. 03/29/95 Shn - 0, 18096 Atlanta The Omni 2nd set partial - from Phil's ear monitor via Marc Pujol notes 3626. 03/29/95 Flac 16 - 0, 124627 Atlanta The Omni flac16; akg461>b18>d7 16/44.1; ots mics @ 10 ft. pas; dat(m)>hhb 830 cds in 2003; eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage notes 3627. 03/29/95 Flac 16/48 - 0, 136874 Atlanta The Omni flac16/48; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Mi notes 3628. 03/29/95 Shn - 0, 3917 Atlanta The Omni set 2; NAK300's> Teac DAP 20; transfer via DAP-1> Zoltrix> CoolEdit> CDWAV> MKW audio tools; note nearly same info file as previous shn set, now all collected here, but md5s differ and discs are named as d2,d3; originally noted at Mike Lai's stellablue- poss reDAE or reworking of Nick Georges' seed? Note: shn-md5 for fixed sbe's notes 3629. 03/29/95 Shn - 0, 16088 Atlanta The Omni Speed-corrected version of previousAKG 451's source; See info file for details; Seeded to etree by CWier notes 3630. 03/29/95 Shn - 0, 8835 Atlanta The Omni Complete; Taper's source unknown other than A:D and AKG 451's; Seeded to etree by Tyler Jensen notes 3631. 03/29/95 Shn - 0, 30516 Atlanta The Omni set 2; NAK300's> Teac DAP 20; transfer via DAP-1> Zoltrix> CoolEdit> CDWAV> MKW audio tools; seekable SBE-fixed version of SHNid=3917 notes 3632. 03/29/95 Flac 16/44,1 - 0, 141197 Atlanta The Omni flac16/44.1khz Source Info: FOB Schoeps MK 4V-> Reutelhuber P/S-> Sony D-10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3633. 03/30/95 Flac 16 - 0, 119786 Atlanta The Omni flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3634. 03/30/95 Shn - 0, 4161 Atlanta The Omni dsbd (pre-fm)> ?> cdr> eac> shn; via Tony Gardner, with thanks to Chris Larson notes 3635. 03/30/95 Flac 16 - 0, 95823 Atlanta The Omni flac16; Schoeps MK4's>Reutelhuber Preamp>Teac DA-P20 Recorded FOB By Ace Cubby Clone1>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,De-emphasis, Sample Rate Conversion)>CDWAV>FLAC Transferred By Keith Litzenberger on 11/14/08 notes 3636. 04/01/95 Shn - 0, 5287 Memphis Pyramid Arena Monitor Mix SBD -> DAT -> CDR-> EAC -> SHN; via Rus K. notes 3637. 04/01/95 Shn - 0, 581 Memphis Pyramid Arena SBD-> DAT-> CDR-> SHN; via J. Zei notes 3638. 04/01/95 Flac 16 - 0, 110613 Memphis Pyramid Arena flac16; Taped by: Greg Holtz Field Equipment: 4-mic mix - Nakamichi CM-300 mics with CP-4 shotgun capsules and Neumann KM-184s > Niles audio mixer > Sony D-3 DAT master tapes; Transfer (By Jaz): DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8; Tracking: Luke Olsen notes 3639. 04/01/95 Flac 16 - 0, 84289 Memphis Pyramid Arena flac16; Recording Info: FOB DFC Schoeps Mk4 cardiod capsules > Schoeps kc5 active cables > Schoeps CMC6 mic body > monster m1000 jumper cable > Apogee AD500e A/D converter > Casio DA-R100 DAT Deck (Master DAT) Transfer Info: DAT from the collection of Todd Evans and Adam Gross DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 notes 3640. 04/01/95 Shn - 0, 28852 Memphis Pyramid Arena Source: A(tapers section):NAK CM300 Cardioids CP1 Caps>Sony TCD-D10 Transfer: D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD- notes 3641. 04/01/95 Flac 16 - 0, 118439 Memphis Pyramid Arena flac16; Source: Shure BG4.0's > Sony D6; Lineage: Cass/M > Nak DR-3 > CD > EAC > CDWav > FLAC; Location: OTS/sec 5; row Q, seat 8; Recorded/transferred: Christian Richart; Extraction/seed: Brad Foster notes 3642. 04/01/95 Flac 16 44,1 - 0, 141254 Memphis Pyramid Arena flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby & Carron Crow) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes 3643. 04/01/95 Flac 16 - 0, 143053 Memphis Pyramid Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony WM-D6C Cassette Deck>Master Tape (Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Andy T.Transfer By Dave Boedicker.Taped In Official Taper Section notes 3644. 04/02/95 Shn - 0, 11622 Memphis Pyramid Arena SBD>DAT>CD; Seeded to etree by Chris Larson notes 3645. 04/02/95 Flac 16 - 0, 91056 Memphis Pyramid Arena flac16; Taper: Greg Holtz Source: Nakamichi CM300s CP4 Shotguns-> D3 @ 16/48kHz Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8 notes 3646. 04/02/95 Shn - 0, 5226 Memphis Pyramid Arena DSBD?> liberated Bootleg CD> EAC> SHN; via Justin Snyder notes 3647. 04/02/95 Shn - 0, 28853 Memphis Pyramid Arena Source: A(tapers section):NAK CM300 Cardioid CP1 Caps>Sony TCD-D10 Transfer: D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r notes 3648. 04/02/95 Flac 16 - 0, 118440 Memphis Pyramid Arena flac16; Source: Shure BG4.0's > Sony D6; Lineage: Cass/M > Nak DR-3 > CD > EAC > CDWav > FLAC; Location: OTS/sec 120; row A, seat 11; Recorded/transferred: Christian Richart; Extraction/seed: Brad Foste notes 3649. 04/02/95 Shn - 0, 93209 Memphis Pyramid Arena SBD (possible monitor mix) > ? > shn notes 3650. 04/02/95 Flac 16 44,1 - 0, 141253 Memphis Pyramid Arena flac16/44.1 Source Info: Set #1: FOB Schoeps CMC6 MK4-> Apogee A/D500-> Casio-> DAT (Todd Evens & Adam Gross) Set #2: FOB Schoeps MK 4V-> Reutelhuber P/S-> Sony D-10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes 3651. 04/02/95 Flac 16/48 - 0, 141431 Memphis Pyramid Arena flac16/48kHz; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48 notes 3652. 04/02/95 Flac 16 - 0, 143095 Memphis Pyramid Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony WM-D6C Cassette Deck> Master Tape(Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Andy T.Transfer By Dave Boedicker.Taped In Official Taper Section notes 3653. 04/02/95 Flac 16 - 0, 93736 Memphis Pyramid Arena flac16; Lineage: SBD -> DAT -> Cassette/? -> CD-R -> Audigy 2 -> Audition 3.0 -> 16/44.1k -> TLH -> Flac16. Clean up and pitch correction by Tim Leavy. This is a fix of shn id 11622 notes 3654. 04/02/95 Flac 16/48 - 0, 149956 Memphis Pyramid Arena flac16/kHz; Set 2 only Neumann KM56s FOB>Grace Custom P/S>SonyD7; recorded by Sean Weber-Small and Jim Oade; DAT>Tascam DA-3000 transfer by Dave Cohen notes 3655. 04/02/95 Flac 16/48 - , 156418 Memphis Pyramid Arena flac1648 Source: SBD : ? > DAT @ 16bit/48kHz; Transfer: TascamDA-20mkII > S/PDIF > MarantzPMD-661pro @ 16bit/48kHz; Mastering: SDHC > WavelabPro9.5 > CDWav > TLH (FLAC level8); FOH Engineer: John Cutler; Recorded by: unknown; Transfer & Mastering by: Chris Mrachek notes 3656. 04/04/95 Flac 16 - 0, 123593 Birmingham Jefferson Civic Center Coliseum flac16; Source: AUD(Schoeps MK4s)>DAT>CDR>WAV>SHNv3>Wav>Cool Edit 2000>Wav>Flac notes 3657. 04/04/95 Shn - 0, 10545 Birmingham Jefferson Civic Center Coliseum AUD(Schoeps MK4s)>DAT>CDR; via Paul B; Seeded to etree by Chris L notes 3658. 04/04/95 Flac 16 44,1 - 0, 141273 Birmingham Jefferson Civic Center Coliseum b/>flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby & Carron Crow). Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes 3659. 04/04/95 Flac 16 - 0, 143099 Birmingham Jefferson Civic Center Coliseum flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Master Deck)>Sony WM-D6C Cassette Deck> 1st Generation Cassette Tape(Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy T; Transfer By Dave Boedicker; Taped In Official Taper Section notes 3660. 04/05/95 Flac 16 - 0, 35258 Birmingham Jefferson Civic Center Coliseum flac16; Fix of shn id 18097 - pitch-corrected and repatched (SBD > ? > Cassette > CDr with AUD patches). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 3661. 04/05/95 Shn - 0, 18097 Birmingham Jefferson Civic Center Coliseum SBD > ? > Cassette > CDr with AUD patches via Darryl Hinko notes 3662. 04/05/95 Shn - 0, 10385 Birmingham Jefferson Civic Center Coliseum AUD(Schoeps MK4's)>DAT>CDR; via Paul B; Seeded to etree by Chris L notes 3663. 04/05/95 Flac 16/48 - 0, 141432 Birmingham Jefferson Civic Center Coliseum flac16/48kHz; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48 notes 3664. 04/05/95 Flac 16 - 0, 143121 Birmingham Jefferson Civic Center Coliseum flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>Master Tape (Maxell XL-II S 90 And TDK MA-X 100 Minute Tapes) >Sony TC-D5M Cassette Deck (Playback) >Edirol R-09 HR (24/44.1 KHZ) >CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy T.; Transfer By Dave Boedicker; Taped In Official Taper Section notes 3665. 04/07/95 Flac 16 - 0, 35148 Tampa Tampa Stadium flac16; Source: SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN via Chris Larson. Note: Promised Land is NOT cut on this source. notes 3666. 04/07/95 Flac 16 - 0, 35364 Tampa Tampa Stadium flac16; Seamless fix of shn id 35148 - SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 3667. 04/07/95 Shn - 0, 7688 Tampa Tampa Stadium Source unknown - suspect SBD> ?> CDR> EAC> SHN; ? Likely mCass; via JT James notes 3668. 04/07/95 Flac 16 - 0, 137445 Tampa Tampa Stadium flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck>Master Cassette Tape (Maxell XL-II S 90 Minute Tape,1st Set,100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy Trate notes 3669. 04/07/95 Flac 16/48 - 0, 132724 Tampa Tampa Stadium flac16/48kHz; Source: AKG 460/CK8's > Stewart BP1 Phantom power supplies> Pansaonic SV250; Conversion: Tascam DAP1 > Marantz PMD-661 > CDWaVE > TLH >foobar2000(tagging); Recorded by Stan Roberts notes 3670. 04/07/95 Flac 16 - 0, 92108 Tampa Tampa Stadium flac16; source: (fob) Scheops cmc6/mk4v (unknown pre-amp/recorder) transfer: dat (clone) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Clete (?). transfer: Chris Davis (6/4/08) notes 3671. 04/07/95 Flac 16 44,1 - 0, 141350 Tampa Tampa Stadium flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3672. 05/19/95 Shn - 0, 8600 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. AUD>DAT>CDR [AT-835A?s & Nak 300?s]; Seeded to etree by Tony Gardner notes 3673. 05/19/95 Shn - 0, 8874 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft notes 3674. 05/19/95 Shn - 0, 18704 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Show recorded by Dan Sisler Tapes provided by Kevin Hoffman Transfer by Chris Larson - nswboogy@easystreet.com. there are end of disc SBE's. notes 3675. 05/19/95 Flac 16 44,1khz - 0, 141345 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16 44.1khz Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3676. 05/19/95 Flac 16/48 - , 153189 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes 3677. 05/20/95 Shn - 0, 18798 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn). Recorded by Dan Sisler, DATs via Kevin Hoffman, Transfer Chris Larson. Note - there is a sector boundary error on the last track of the first disc. notes 3678. 05/20/95 Shn - 0, 8875 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft notes 3679. 05/20/95 Shn - 0, 12101 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry W; Seeded to etree by neo_levo notes 3680. 05/20/95 Flac 16 44,1khz - 0, 141346 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3681. 05/20/95 Flac 16/48 - , 153190 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes 3682. 05/21/95 Flac 16 - 0, 114329 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller This is your collection notes 3683. 05/21/95 Shn - 0, 19419 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Primary source: SBD: Dat > Cass > Dat > Cass2 > Dat > CDR > SHN (http://db.etree.org/shninfo_detail.php?shnid=15077). Secondary source: SBD>DAT>DAT>CDR>WAV>SHN from partial second set recording. NOTE: Primary source was slightly fast, suspected on listening initially and confirmed easily by comparing to a DSBD partial source. The pitch issue as well as a few other technical shortcomings are taken care of as well as the upgrade for most of the second set (see info file). notes 3684. 05/21/95 Shn - 0, 8876 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft notes 3685. 05/21/95 Shn - 0, 12102 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo notes 3686. 05/21/95 Shn - 0, 18799 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: A:FOB-Schoeps MK4's>Schoeps Pre-amp>Denon80-P@48kHz Transfer: DAT>ZA2>Samplitude2496>CD-r (or shn). Taped by Dan Sisler. DATs via Kevin Hoffman. Transfer to SHN via Chris Larson. notes 3687. 05/21/95 Flac 16 44,1khz - 0, 141347 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3688. 05/21/95 Flac 16/48 - 0, 141526 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: FOB (Unknown Mic Source)-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes 3689. 05/21/95 Flac 16/48 - , 152191 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes 3690. 05/24/95 Flac 16 - 0, 91237 Seattle Memorial Stadium flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC notes 3691. 05/24/95 Flac 16 - 0, 97610 Seattle Memorial Stadium flac16; Hat mounted Realistic pzm's > Sony WMD6-C, 60ft, dfc MAC>NakCR-3A>HD>Audacity>CDWave>TLH Recorded and transferred by Russ Cansler notes 3692. 05/24/95 Shn - 0, 8377 Seattle Memorial Stadium Neumann KM 140 > ? CDR; Seeded to etree by Matt Vernon notes 3693. 05/24/95 Shn - 0, 18800 Seattle Memorial Stadium Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Tapes provided by Ross M. Transfer by Chris Larson . notes 3694. 05/24/95 Flac 16 - 0, 35153 Seattle Memorial Stadium flac16; Source: Af:Nueman KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV Tapes provided by Ross M. Transfer by Chris Larson notes 3695. 05/24/95 Flac 16 - 0, 35181 Seattle Memorial Stadium flac16; Partial Set 2 unknown sbd > dat* Transfer: panasonic sv3700 > vxpocket 440 (s/pdif) > Wavelab 5.01b > CDWav > flac 16 Conversion by Chris Larson notes 3696. 05/24/95 Flac 16 44,1 - 0, 141527 Seattle Memorial Stadium flac16/44.1 Source Info: Set #1: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255 Set #2: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3697. 05/25/95 Flac 16 - 0, 97640 Seattle Memorial Stadium flac16; Hat mounted realistic pzm's w/D6,50ft dfc.MAC>NakCR-3A>HD>Audacity>CDwave>TLH,recorded and transferred by Russ Cansler notes 3698. 05/25/95 Flac 16 - 0, 135613 Seattle Memorial Stadium flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes 3699. 05/25/95 Shn - 0, 8481 Seattle Memorial Stadium Neumann KM 140 > ? > CDR; Seeded to etree by Matt Vernon notes 3700. 05/25/95 Shn - 0, 7600 Seattle Memorial Stadium Recorded and Mastered by Kevin Brockway; Nakamichi 300 mics (CP-4 capsule) > Sony D-7 DAT; see info file for transfer notes; wav > shn conversion mkwACT.97beta by Steve Kennedy-Williams notes 3701. 05/25/95 Flac 16 - 0, 35154 Seattle Memorial Stadium flac16; Source: Af:Nueman KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>CD-r Transfer by Chris Larson notes 3702. 05/25/95 Shn - 0, 18801 Seattle Memorial Stadium Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Transfer by Chris Larson. notes 3703. 05/25/95 Flac 16 44,1 - 0, 141528 Seattle Memorial Stadium flac16/44.1 Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255 Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3704. 05/26/95 Shn - 0, 2663 Seattle Memorial Stadium SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton notes 3705. 05/26/95 Flac 16 - 0, 35169 Seattle Memorial Stadium flac16; Source: S:D>C>D>ZA2>Wavelab 3.01>FLAC16 Transfer by Chris Larson with tapes from Paul Gibian notes 3706. 05/26/95 Shn - 0, 8371 Seattle Memorial Stadium sbd>??>cdr; via Moss Willow; Seeded to etree by popi n. feeldz notes 3707. 05/26/95 Flac 16 - 0, 97643 Seattle Memorial Stadium flac16; Hat mounted realistic PZM's w/Sony D6-c,50ft dfc,MAC>NakCR 3A>HD>Audacity>CDwave>TLH recorded and transferred by Russ Cansler notes 3708. 05/26/95 Flac 16 - 0, 35199 Seattle Memorial Stadium flac16; Source: Af:D4 Schoeps CMC + MK21>DAT(48kHz) Conversion: DAT(48kHz)>ZA2(S/PIDF)>Wavelab3.03>CD-r by Chris Larson notes 3709. 05/26/95 Flac 16 - 0, 87601 Seattle Memorial Stadium flac16; Location: Taper's section Source: Microtech-Gefell UM70-S cardioids @120 degrees->Teac P20 DAT Taped/Transfered by Mike Albright notes 3710. 05/26/95 Flac 16 44,1 - 0, 141529 Seattle Memorial Stadium flac16/44.1 Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3711. 05/28/95 Shn - 0, 28457 Portland Portland Meadows Source: Sbd > C (x?) > CD > EAC > SHN notes 3712. 05/28/95 Flac 16 - 0, 92041 Portland Portland Meadows flac16; Hat mounted Realistic PZM's with Sony WMD6-C Sony Metal SR 100 No nr 1st set Maxell MX 100 No nr 2nd set 50 feet away Dead Center Recorded and Transfered by Russjcan Master>D6>HD>Audacity>CDWave>TLH notes 3713. 05/28/95 Shn - 0, 9992 Portland Portland Meadows FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by Chris L notes 3714. 05/28/95 Flac 16 - 0, 33569 Portland Portland Meadows flac16; Source: Af:D4 Schoeps CMC + MK21>DAT(48kHz) Conversion: AT(48kHz)>ZA2(S/PIDF)>Wavelab3.03>CD-r> Notes: - This is the same source that this show circulates in currently, however, the show in db.etree is not from the original flacs. I traded this show out which was then burnt on a standalone, then traded away which ended up getting eac'd and added to the db. Conversion by Chris Larson and Reseeded to http://tmnsp.net 3/19/2006 notes 3715. 05/29/95 Flac 16 - 0, 92059 Portland Portland Meadows flac16; Hat Mounted Realistic PZM,s with Sony WMD6-C1st set Sony Metal-SR 100 No nr 2nd set Maxell MX 110 No nr 40 feet away,Dead Center Master>D6>HD>Audacity>CDWave>TLH>Torrent Recorded and Transfered by Russjcan notes 3716. 05/29/95 Shn - 0, 10070 Portland Portland Meadows FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes 3717. 05/29/95 Flac 16/48 - 0, 85419 Portland Portland Meadows flac16/48; FOB DFC Schoeps MK4's>Reutelhuber>Sony TCD-D10PRO notes 3718. 05/29/95 Flac 16 - 0, 34270 Portland Portland Meadows flac16; Source: Audience FOB: Schoeps CMC6 & MK21 > DAT(48kHz) >ZA2 > Samplitude 2496 Converted by Chris Larson 1/23/2001 from my dat - SBE's fixed 2/9/2006 notes 3719. 05/29/95 Flac 16/48 - 0, 140930 Portland Portland Meadows flac16/48kHz; Source Info: Master (FOB) Audience Dat (16/48); Schoeps CMC3/MK41 > Panasonic SV255 (16/48); Transfer Info: Dat (16/48) (Sony PCM-R500) > Sound Devices 744T (16/48) > Adobe Audition 3.0 > TLH flac1648 notes 3720. 06/02/95 Flac 16 - 0, 114337 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3721. 06/02/95 Flac 16/48 - 0, 85513 Mountain View Shoreline Amphitheatre flac16/48; OTS Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 > Tascam DA-30 -*-> Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) * via coax S/PDIF notes 3722. 06/02/95 Shn - 0, 583 Mountain View Shoreline Amphitheatre SBD > DAT > CD > extracted on a Mac using Toast Audio Extractor (overlap)> SHN (note corrected info); liberated bootleg; via Jon Seff notes 3723. 06/02/95 Flac 16 - 0, 85533 Mountain View Shoreline Amphitheatre flac16; OTS Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 > Tascam DA-30 -*-> Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) * via coax S/PDIF (*44.1k version of shn id 85513*) notes 3724. 06/02/95 Flac 16 - 0, 31105 Mountain View Shoreline Amphitheatre flac16; Taper: Unknown Location: OTS Source: AKG C61 tube mics (circa 1943) spaced omnis->DAT @ 48kHz Transfer: DA-20 MKII>Waveterminal 2496>Wavelab 5 (recording and 48>44.1 resampling)>CD Wave>FLAC Frontend notes 3725. 06/02/95 Flac 16 - 0, 116927 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D7; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes 3726. 06/02/95 Flac 16 44,1khz - 0, 141532 Mountain View Shoreline Amphitheatre flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3727. 06/02/95 Flac 16 - 0, 92520 Mountain View Shoreline Amphitheatre flac16; 1st Gen Soundboard > Tascam Dap1 > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend notes 3728. 06/02/95 Flac 16/48 - , 153192 Mountain View Shoreline Amphitheatre flac16/48 Set 1 only Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes 3729. 06/03/95 Flac 16/48 - 0, 85586 Mountain View Shoreline Amphitheatre flac16/48; Schoeps MK41's>reutelhuber Preamp>Casio DAR-100 Recorded FOB in Section 102 Row K Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV transfer by Watson Recording and WAV>Flac conversion by Keith Litzenberger, Danny Lucian (1st set)& Roger Jones (2nd Set) notes 3730. 06/03/95 Shn - 0, 10153 Mountain View Shoreline Amphitheatre AUD(Nak 300 Shotguns)>Aiwa DAT>CDR; via Paul; Seeded to etree by neo_levo notes 3731. 06/03/95 Flac 16 - 0, 127398 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 CP-1’s > Sony TCD-D7 DAT Master; Transferred: Sony TCD-D8 > S/PDIF > Tascam DR-100mkII (16 bit/48 kHz) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 8) > FLAC; Location: OTS; SEC 202, Row I; Recorded/Transferred By: Jeff Bowen notes 3732. 06/03/95 Flac 16 44,1khz - 0, 138847 Mountain View Shoreline Amphitheatre flac16 44.1khz Neumann KM-140 (ORTF) > EAA PSP-2 > Sony D-8 DAT (16/44.1) (FOBH). Section 102, 10th row, approx. 25' left of center. Taper: Evan notes 3733. 06/03/95 Flac 16 44,1khz - 0, 141533 Mountain View Shoreline Amphitheatre flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3734. 06/03/95 Flac 16/48 - , 153193 Mountain View Shoreline Amphitheatre flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes 3735. 06/04/95 Shn - 0, 13929 Mountain View Shoreline Amphitheatre Source: Sbd>C(x?)>CD via Chris Larson notes 3736. 06/04/95 Flac 16 - 0, 85723 Mountain View Shoreline Amphitheatre flac16; Sennheiser K3U/ME40's > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne in 06/2007 notes 3737. 06/04/95 Shn - 0, 2538 Mountain View Shoreline Amphitheatre AKG522 > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; may have different source spliced in from NFA on notes 3738. 06/04/95 Shn - 0, 28897 Mountain View Shoreline Amphitheatre Source: Nak 300's > Awia dat > cd-r Transfer: Panasonic sv3700>ZA2(via S/PDIF)>Wavelab 3.03>CDWav>.wav>cdr or shn. shn with mkw .97 Transfer by Chris Larson notes 3739. 06/04/95 Flac 16 - 0, 127483 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 CP-1’s > Sony TCD-D7; DAT Master Transferred: Sony TCD-D8 > S/PDIF > Tascam DR-100mkII (16/48) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 8) > FLAC; Location: OTS; SEC 202, Row I, Seat #7; Recorded/Transferred By: Jeff Bowen notes 3740. 06/04/95 Flac 16/44,1 - 0, 141554 Mountain View Shoreline Amphitheatre flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 3741. 06/04/95 Flac 16/48 - 0, 85716 Mountain View Shoreline Amphitheatre flac16/48; Sennheiser K3U/ME40's > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne in 06/2007 notes 3742. 06/04/95 Flac 16/48 - , 153194 Mountain View Shoreline Amphitheatre flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes 3743. 06/15/95 Flac 16 - 0, 35212 Highgate Franklin County Airport flac16; Source S: ?> CDR. Wav> FLAC transfer by Hiroki Shibata using xACT. Note: There are fade-out/fade-in gaps between tracks. notes 3744. 06/15/95 Flac 16/48 - 0, 135288 Highgate Franklin County Airport flac16/48kHz; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 3/2016 notes 3745. 06/15/95 Shn - 0, 7745 Highgate Franklin County Airport FOB - Schoeps MK4V's -> Sonosax mic preamp -> DA - P1 -> DAT (Master) -> DAT -> HHb Cdr-800; via Matt Bertollo; Tim Wiley notes 3746. 06/15/95 Flac 16/48 - 0, 85740 Highgate Franklin County Airport flac16/48; Schoeps MK4's>Reutelhuber>Teac DAP-20 Recorded FOB by Carrion Crow & Crew with my Schoeps Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV Transfer By Watson WAV>FLAC conversion and Upload by Keith Litzenberger notes 3747. 06/15/95 Flac 24/96 - 0, 143132 Highgate Franklin County Airport flac24; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry*; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24 notes 3748. 06/15/95 Flac 16/48 - 0, 146046 Highgate Franklin County Airport flac16/48kHz; Source: FOB Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k) - Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2019 notes 3749. 06/15/95 Flac 16 - 0, 145838 Highgate Franklin County Airport flac16; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry*; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24. This file set is 16 bit @ 44.1 notes 3750. 06/15/95 Flac 16 - 0, 147120 Highgate Franklin County Airport flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3751. 06/15/95 Flac 24 - 0, 147121 Highgate Franklin County Airport flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3752. 06/18/95 Flac 16 - 0, 120080 East Rutherford Giants Stadium flac16; Source: Sony D6 Cassette Master(Maxell XL-II-S 90 Minute Tape,1st Set,TDK MA-X 100 Minute Metal Cassette, 2nd Set,Both Sets Dolby "B" ON)> Nakamichi 300 Mics W/CP4 Shotguns>Sony TD-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 129,Row 29,Seat 26 This is your collection notes 3753. 06/18/95 Shn - 0, 92802 East Rutherford Giants Stadium FOB 30th row, DEAD fuckin center, Nak 300's Hand Held (Arm still sore) into my Sony d7. Dat > Sblive > CDwave > mkw Audio tools > Shn by Wally Stine - this is the update 10-21-2002 Patched using source "Running 2 TEAC decks and using AKG mics." ----- with additional track split by William of Tune tree notes 3754. 06/18/95 Shn - 0, 2543 East Rutherford Giants Stadium DAUD (Unknown Mics )> DAT> CDR; via Jeff M. notes 3755. 06/18/95 Flac 16 - 0, 35213 East Rutherford Giants Stadium flac16; Location: FOB 30th row - Dead Center Mic info: Nak 300's Hand Held (Arm still sore) Deck and linegae: Sony D7 > Dat > Sblive > CDwave > mkw Audio tools > Shn > FLAC 16 Note: This is a slightly modified update of the prior source (see notes for details) notes 3756. 06/18/95 Flac 24/96 - 0, 143092 East Rutherford Giants Stadium flac24; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018 notes 3757. 06/18/95 Flac 16 - 0, 145846 East Rutherford Giants Stadium flac16; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1 notes 3758. 06/18/95 Flac 24 - 0, 147124 East Rutherford Giants Stadium flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3759. 06/18/95 Flac 16 - 0, 147123 East Rutherford Giants Stadium flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3760. 06/19/95 Shn - 0, 10934 East Rutherford Giants Stadium FOB 25th Row, Dead fuckin center, Nak 300's (hand held, still sore) into my sony D7. Dat > sblive > Cd; Seeded to etree by Wally Stine notes 3761. 06/19/95 Shn - 0, 7994 East Rutherford Giants Stadium DAUD > Unknown Mics /Deck> DAT@48k>DAT CLONE> SOUND FORGE 4.5a> SHN(seekable); Via Aldo Torre; Marc P; Tim W notes 3762. 06/19/95 Flac 16/48 - 0, 85632 East Rutherford Giants Stadium flac16/48; Recorded By Keith Litzenberger & Steve G. FOB 12th Row Center Schoeps MK41's>Reutelhuber Preamp>Sony TCD-D10PROII Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes 3763. 06/19/95 Flac 24 - 0, 147126 East Rutherford Giants Stadium flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3764. 06/19/95 Flac 16 - 0, 147125 East Rutherford Giants Stadium flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3765. 06/21/95 Flac 16 - 0, 91352 Albany Knickerbocker Arena flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes 3766. 06/21/95 Flac 16 - 0, 7663 Albany Knickerbocker Arena flac16; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE) This is your collection notes 3767. 06/21/95 Flac 16 - 0, 115993 Albany Knickerbocker Arena flac16; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 3768. 06/21/95 Flac 24/96 - 0, 115992 Albany Knickerbocker Arena flac24; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes 3769. 06/21/95 Flac 16 - 0, 35122 Albany Knickerbocker Arena flac16; Source: A:D (no mic info) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn Tapes provided by Tom and Roger, conversion by Chris Larson notes 3770. 06/21/95 Flac 16/48 - 0, 76664 Albany Knickerbocker Arena flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz) notes 3771. 06/21/95 Shn - 0, 5971 Albany Knickerbocker Arena Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson notes 3772. 06/21/95 Flac 16 - 0, 120370 Albany Knickerbocker Arena flac16; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart notes 3773. 06/21/95 Flac 16/48 - 0, 120371 Albany Knickerbocker Arena flac16/48kHz; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart notes 3774. 06/21/95 Flac 16/48 - 0, 141512 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3775. 06/21/95 Flac 16/48 - 0, 141999 Albany Knickerbocker Arena flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3776. 06/21/95 Flac 16 - 0, 148797 Albany Knickerbocker Arena flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate, Transfer By Dave Boedicker notes 3777. 06/22/95 Flac 16 - 0, 79432 Albany Knickerbocker Arena flac16; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1; normalize) > CDWav 1.93 > Flac Frontend 1.7.1 (no DAE) notes 3778. 06/22/95 Flac 16/48 - 0, 97431 Albany Knickerbocker Arena flac16/48; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > Flac Frontend 1.7.1 (48kHz) notes 3779. 06/22/95 Flac 16 - 0, 100123 Albany Knickerbocker Arena flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 07/2009 notes 3780. 06/22/95 Shn - 0, 8767 Albany Knickerbocker Arena DAUD(no mic info)>DAT>ZA2>SHN>CD; Seeded to etree by Tim W notes 3781. 06/22/95 Shn - 0, 18802 Albany Knickerbocker Arena Source: NAK 300s > DAT > CD > CD(?) > EAC > SHNv3. Seeded by: Scott Agne. notes 3782. 06/22/95 Flac 24 - 0, 100122 Albany Knickerbocker Arena flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 07/2009 notes 3783. 06/22/95 Flac 16/48 - 0, 141513 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes 3784. 06/22/95 Flac 16/48 - 0, 142037 Albany Knickerbocker Arena flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3785. 06/22/95 Flac 16 - , 150395 Albany Knickerbocker Arena flac16; Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate; Transfer By Dave Boedicker notes 3786. 06/22/95 Flac 16 - , 150395 Albany Knickerbocker Arena flac16; Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate; Transfer By Dave Boedicker notes 3787. 06/24/95 Shn - 0, 8760 Washington Robert F. Kennedy Stadium AUD(Schoeps CMC 64's)>DAT>CDR; Seeded to etree by Tim W notes 3788. 06/24/95 Shn - 0, 8819 Washington Robert F. Kennedy Stadium FOB/DAUD>Scoeps MK4's>CMC6 Oade p/s>Panasonic SV-255>DAT>CDR; Seeded to etree by Tim W notes 3789. 06/24/95 Shn - 0, 12271 Washington Robert F. Kennedy Stadium FOB Nak 300's at 6 feet, then up to 8 feet. 40 feet from stage, DFC. Into a sony D-7. Dat > Sblive > cdwave > mkw audio tools >SHN notes 3790. 06/24/95 Flac 16/48 - 0, 85339 Washington Robert F. Kennedy Stadium flac 16 48kHz; Source: FOB AKG 300B/CK91 -> DAT -> DAT: Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8); Taper: Unknown:Transfer By: Scott Swayne (altheasboy) in 2007 notes 3791. 06/25/95 Shn - 0, 2236 Washington Robert F. Kennedy Stadium DSBD> DAT> CDR> EAC> shn; EAC>SHN by Bill Bina; etreed by Tony Gardner notes 3792. 06/25/95 Flac 16 - 0, 113092 Washington Robert F. Kennedy Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 3793. 06/25/95 Flac 16/48 - 0, 85340 Washington Robert F. Kennedy Stadium flac 16 48kHZ; Source: FOB AKG 300B/CK91 -> DAT ->DAT: Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8): Taper: Unknown: Transfer By:Scott Swayne notes 3794. 06/25/95 Flac 16 - 0, 85622 Washington Robert F. Kennedy Stadium flac16; FOB AKG 300B/CK91 -> DAT -> DAT Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8) (44.1k down-sampled version of shn id 85340 done by Scott Swayne) notes 3795. 06/25/95 Flac 24/96 - 0, 113093 Washington Robert F. Kennedy Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 3796. 06/25/95 Flac 16 - 0, 27450 Washington Robert F. Kennedy Stadium flac16; FOB Schoeps mk-4 >kcy >vms021b >d-10pro2 > DATs; Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAVE > Goldwave (patching, and resampling) > CDWAVE (tracking) > Flac Frontend; Tapers: Tom Cooper and Dave Howard; Transfer: jbraveman notes 3797. 06/25/95 Shn - 0, 10935 Washington Robert F. Kennedy Stadium FOB Nak 300's: at 6ft, then up to 8ft- 40ft from stage, Dead center> Sony D-7; Dat> Sblive> cd; recorded, Seeded to etree by Wally Stine notes 3798. 06/25/95 Flac 16/48 - 0, 121122 Washington Robert F. Kennedy Stadium flac16/48kHz; Source: Nak 300's > A/D > D7; Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves notes 3799. 06/25/95 Flac 16 - 0, 17721 Washington Robert F. Kennedy Stadium flac16; speed- and pitch-corrected version of the (flag encoded & tagged version) of shnid: 2236 (DSBD>DAT>CDR); Speed-correction done with Celemony Capstan by Roger Eichorn; SBE's fixed with Trader's Little Helper; New .md5 and .ffp made with Trader's Little Helper notes 3800. 06/25/95 Flac 16 - 0, 150028 Washington Robert F. Kennedy Stadium b>flac16; SDB>Dat>one gen of cassette>back to Dat>clone>file cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8 notes 3801. 06/27/95 Flac 16 - 0, 92185 Auburn Hills The Palace flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM mix-> D7 @ 16/48kHz Transfer: (By JAZ) DAT Tape-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> R8brain 44.1kHz-> Traders Little Helper flac8 notes 3802. 06/27/95 Flac 16/48 - 0, 119107 Auburn Hills The Palace flac16/48kHz; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe notes 3803. 06/27/95 Flac 16 - 0, 83248 Auburn Hills The Palace flac16; Source: Nakamichi 701’s -> Reutelhuber -> Casio DA-7 (16/48) Location: FOB, 11th Row Center Transfer: Fostex D5 -> HHb 830 (16/44) -> EAC -> CD Wave -> FLAC notes 3804. 06/27/95 Flac 16 - 0, 35123 Auburn Hills The Palace flac16; Source: FOB>SchoepsMK-4V>D3 Conversion: DAT>Panasonic SV 3700>S/PDIF Apogee Digicable>Paris MEC>WAV>HD(SCSI)>CDWAV Tape provided by Jeff, conversion by Chris Larson notes 3805. 06/27/95 Shn - 0, 10180 Auburn Hills The Palace AUD(Schoeps CMC4)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes 3806. 06/27/95 Flac 16 - 0, 141916 Auburn Hills The Palace flac16; Source: Audio Technica 8035>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Master cassette>Sony PCM2600(digital out)>Sound Devices 702>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3807. 06/27/95 Flac 16 - 0, 119108 Auburn Hills The Palace flac16; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(de-emphasis, encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ) Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe notes 3808. 06/28/95 Flac 16 - 0, 92186 Auburn Hills The Palace flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM mix-> D7 @ 16/48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> R8brain 44.1kHz-> Traders Little Helper flac8 notes 3809. 06/28/95 Flac 16/48 - 0, 119109 Auburn Hills The Palace flac16/48kHz; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe notes 3810. 06/28/95 Shn - 0, 10154 Auburn Hills The Palace AUD, Schoeps CMC4>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes 3811. 06/28/95 Flac 16 - 0, 83091 Auburn Hills The Palace flac16; Source: Nakamichi 701’s -> Reutelhuber -> Casio DA-7 (16/48) Location: FOB, 13th Row Center Transfer: Fostex D5 -> HHb 830 (16/44) -> EAC -> CD Wave -> FLAC notes 3812. 06/28/95 Flac 16 - 0, 119110 Auburn Hills The Palace flac16; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(de-emphasis, align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe notes 3813. 06/28/95 Flac 16 - 0, 141937 Auburn Hills The Palace flac16; Source: Audio Technica 8035>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 (2003); Transfer 2: Sony PCM2600(digital out)>Sound Devices 702>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3814. 06/30/95 Flac 16 - 0, 83144 Pittsburgh Three Rivers Stadium flac16; Recording Info: Schoeps Mk4 (cardiod) > Schoeps KC5 active Cable > Schoeps CMC 6 mic body > Monster M1000 Jumper cable > Apogee AD1000 A / D Converter (UV16 enabled to use the UV22 process) S/PDIF Out > CASIO DA-R100 S/PDIF IN > DAT Master > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 Taped by Todd Evans & Adam Gross notes 3815. 06/30/95 Flac 16 - 0, 92491 Pittsburgh Three Rivers Stadium flac16; Taper: Greg Holtz Source: WAY FOB-> Nakamichi CM-300's with Cp-1 caps, in hat-> Sony D-7 48kHz Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> r8brain 44.1kHz-> Traders Little Helper flac8 notes 3816. 06/30/95 Flac 16/48 - 0, 95193 Pittsburgh Three Rivers Stadium flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberg notes 3817. 06/30/95 Flac 16 - 0, 95189 Pittsburgh Three Rivers Stadium flac16; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberger notes 3818. 06/30/95 Flac 16/48 - 0, 89393 Pittsburgh Three Rivers Stadium flac16/48; Source: Schoeps mk4->DAT @ 48 kHz (FOB) Transfer: Sony DTC-ZE700->Tascam HDP2->CD Wave->Flac Frontend->.flac notes 3819. 06/30/95 Shn - 0, 3376 Pittsburgh Three Rivers Stadium FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai notes 3820. 06/30/95 Flac 16 - 0, 147145 Pittsburgh Three Rivers Stadium flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3821. 06/30/95 Flac 24 - 0, 147146 Pittsburgh Three Rivers Stadium flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3822. 07/02/95 Flac 16 - 0, 74201 Noblesville Deer Creek Music Center flac16; Monitor mix > unknown cassette gens > ? > WAV > FLAC - contains band chatter about the riot, Jerry's death threat. notes 3823. 07/02/95 Flac 16 - 0, 91256 Noblesville Deer Creek Music Center flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes 3824. 07/02/95 Flac 16 - 0, 74417 Noblesville Deer Creek Music Center flac16; Seamless fix of shn id 12578 - SRC: Unknown AUD>??>Bootleg CD>WAV>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 3825. 07/02/95 Flac 16 - 0, 113283 Noblesville Deer Creek Music Center *Brought To You By gotfob* Source: (Marc Nutters Rig, DFC On Lawn) B&K 4006's > Lunatec 316 > Sv 250 > Patchbay > Sony D5 (Master Tapes) Transfer: (4.30.11)Marantz PMD 430 (XL II x 2) > Sd 702 @ 24/48 (+18db gain) > *Wavelab 6.0(edits,dither,resample) > Cd Wave > TLH > 16/44 FLAC notes 3826. 07/02/95 Shn - 0, 19592 Noblesville Deer Creek Music Center Source: Schoeps MK4v's > Reutelheuber Box > Sony D10 pro > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki notes 3827. 07/02/95 Flac 16 - 0, 124799 Noblesville Deer Creek Music Center b>flac16; akg461>b-18>d7 16/44.1; ots mics @ 12 ft. pas; dat(m)>hhb 830 cds in 2002; cd>cdwave splits>tlh flac 8; t&s by c. cage notes 3828. 07/02/95 Shn - 0, 12578 Noblesville Deer Creek Music Center Bootleg CD>WAV>SHN notes 3829. 07/02/95 Shn - 0, 587 Noblesville Deer Creek Music Center via B. Ball; fixed 12/8; defective version etreed 12/6 (fixed md5s are listed) notes 3830. 07/02/95 Flac 1644 - 0, 139737 Noblesville Deer Creek Music Center flac16/44.1khz Source Info: TS Schoeps CMC 5 MK4-> Sonosax P/S -> Sony D10 Pro II-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel & Ryan Varnum notes 3831. 07/02/95 Flac 16 - 0, 92522 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, r8brain 44.1kHz-> Traders Little Helper flac8 notes 3832. 07/02/95 Flac 24 - 0, 147153 Noblesville Deer Creek Music Center flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3833. 07/02/95 Flac 16 - 0, 147152 Noblesville Deer Creek Music Center flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3834. 07/05/95 Flac 16 - 0, 35170 Maryland Heights Riverport Amphitheatre flac16; Source: S:C>D>FLAC16 Transfer by Chris Larson (encore missing) notes 3835. 07/05/95 Flac 16 - 0, 119402 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3836. 07/05/95 Shn - 0, 9370 Maryland Heights Riverport Amphitheatre SBD>DAT>C>DAT; via neo_levo/candyman FTP notes 3837. 07/05/95 Flac 16 - 0, 94628 Maryland Heights Riverport Amphitheatre flac16; Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz; Taper: Greg Holtz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, r8brain 44.1kHz-> Traders Little Helper flac8 notes 3838. 07/05/95 Flac 16/48 - 0, 119401 Maryland Heights Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 3839. 07/05/95 Shn - 0, 1819 Maryland Heights Riverport Amphitheatre Nak 300+cp4> D7; Conversion: D7> 7 pin digi coax> CDR880 (Master)> EAC > AddaWave > Sound Forge 3.0 (Fadeouts)> CDWave> SHN; Dat Seed from Chase Smith; Conversion by Chuck Rothofsky notes 3840. 07/05/95 Flac 16 - 0, 147118 Maryland Heights Riverport Amphitheatre flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3841. 07/05/95 Flac 24 - 0, 147119 Maryland Heights Riverport Amphitheatre flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3842. 07/06/95 Flac 16 - 0, 119430 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3843. 07/06/95 Shn - 0, 9119 Maryland Heights Riverport Amphitheatre SBD>DAT>C>DAT>CDR; Seeded to etree by Chris L w/ thanks to Braverman notes 3844. 07/06/95 Shn - 0, 30888 Maryland Heights Riverport Amphitheatre Remastered SBD>DAT>C>DAT>CDR>DAT>SHN by Ben Clem notes 3845. 07/06/95 Flac 16 - 0, 94675 Maryland Heights Riverport Amphitheatre flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> r8brain 44.1kHz-> Traders Little Helper flac8 notes 3846. 07/06/95 Flac 16 - 0, 35156 Maryland Heights Riverport Amphitheatre flac16; Source: S:C>D>CDR Conversion by Chris Larson. This version does not have the DAE step. notes 3847. 07/06/95 Flac 16/48 - 0, 119429 Maryland Heights Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 3848. 07/06/95 Flac 16 - 0, 91322 Maryland Heights Riverport Amphitheatre flac16; Taper: Greg Holtz: B&K 4006 Omni Cardoids > D6 > Master Cassette > Nak CD-1 > Emu 1212M > 24/96 Wave > wavelab 5 > Plugins > L3 > 16.44.1 Wave > Flac lvl 8 (TLH) notes 3849. 07/06/95 Shn - 0, 5452 Maryland Heights Riverport Amphitheatre Audience (Schoeps MK-4V/ Sony D-10) Master DAT> CDR> MKW> SHN; via Troy Richey from Chuck's seed discs notes 3850. 07/06/95 Flac 16 - 0, 146220 Maryland Heights Riverport Amphitheatre flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003)* ; Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16 (TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3851. 07/08/95 Flac 16 - 0, 114363 Chicago Soldier Field flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Mille notes 3852. 07/08/95 Flac 16 Mtx - 0, 127736 Chicago Soldier Field flac16; 2 source matrix from mix of audience source id 004362 and soundboard source id 114363 notes 3853. 07/08/95 Shn - 0, 10071 Chicago Soldier Field SBD>DAT>C>?>DAT>CDR; d1t07 (Eternity) from AUD source; See info file for details; via Paul B; seeded to etree by neo_levo notes 3854. 07/08/95 Flac 16 - 0, 98576 Chicago Soldier Field flac16; Pitch-adjusted version of shnid 35157; S: C> D> CDR > WAV > FLAC notes 3855. 07/08/95 Flac 16 - 0, 35157 Chicago Soldier Field flac16; Source: S: C> D> CDR Conversion: Chirs Larson. Note: This version does not have a DAE step notes 3856. 07/08/95 Flac 16/48 - 0, 134129 Chicago Soldier Field flac16/48kHz; ecording info: Oade Micro Mics > DAT Master @ 16bit/48kHz - 11th Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8 notes 3857. 07/08/95 Shn - 0, 4362 Chicago Soldier Field FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter; Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner notes 3858. 07/08/95 Flac 16 - 0, 147113 Chicago Soldier Field flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3859. 07/08/95 Flac 24 - 0, 147114 Chicago Soldier Field flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3860. 07/09/95 Flac 16 - 0, 114369 Chicago Soldier Field flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3861. 07/09/95 Flac 16 Mtx - 0, 127735 Chicago Soldier Field flac16; 3 source matrix from mix of audience source id 95445, soundboard source id 114369, and audience source id 86405; the original source had a flaw in d2t06 please do not circulate that source notes 3862. 07/09/95 Shn - 0, 7233 Chicago Soldier Field DSBD (pre FM) (@48kHz); Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT (saeeking); see info file for version comparison and editing notes; tracked for 2x80; via Jason Brantley notes 3863. 07/09/95 Shn - 0, 4091 Chicago Soldier Field dsbd (pre-FM)> dat> spdif> cdr> eac> shn; via Tony Gardner from dmac's CD; tracked for 2x80 notes 3864. 07/09/95 Flac 16/48 - 0, 134130 Chicago Soldier Field flac16/48kHz; recording info: Oade Micro Mics > DAT Master @ 16bit/48kHz -23rd Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8 notes 3865. 07/09/95 Flac 16 - 0, 86405 Chicago Soldier Field flac16; Unknown mics>Audience Patch by Mike Mahoney from unknown taper>Sony D6 Cassette Deck Transfer Done with Denon Cassette Deck>Soundforge>CDR notes 3866. 07/09/95 Flac 16 - 0, 27977 Chicago Soldier Field flac16; unknown AUD> ?> Bootleg CD (marked AAD)> EAC> Flac (8); via Chris Larson notes 3867. 07/09/95 Flac 16 - 0, 95445 Chicago Soldier Field flac16; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger notes 3868. 07/09/95 Flac 24 - 0, 147058 Chicago Soldier Field flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3869. 07/09/95 Flac 16 - 0, 147057 Chicago Soldier Field flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes 3870. 07/09/95 Flac 16/48 - 0, 95444 Chicago Soldier Field flac16/48; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger notes 3871. ??/??/95 Shn - 0, 97111 Unknown Studio - Earthquake Country sessions live/rehearsal recordings (DAT and/or ADAT) > ? > cassette > at least one cassette generation > my cassette; transfer using an AIWA AD-F850 tape deck, played directly into the inputs of a Yamaha DS-XG sound card. I used CoolEdit 2000 v1.1 to do the initial analog > digital sampling, apply mild noise reduction (my source tape is somewhat hissy, not surprising give the number of analog generations) and reduce the length of some of the between-song gaps. I used CD Wav v1.73 to define track boundaries and mkwACT v0.97 to prepare a master SHN disc (track boundaries verified using SHNtool). notes